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BWW Reviews: PAGEANT Wins For Congeniality

July 16
2:31 AM 2014

I can't quite recall if Pageant was considered especially edgy or unconventional when it first trod upon Gotham boards in 1991. This was, after all, several seasons after La Cage aux Folles pushed musical comedy drag onto mainstream Broadway.

BWW Reviews:  PAGEANT Wins For Congeniality
Seth Tucker, Alex Ringler, Nick Cearley, John Bolton,Curtis Wiley,
Marty Thomas and Nic Corey (Photo: Tyrone Rasheed)

Twenty-three years later bookwriter/lyricists Frank Kelly and Bill Russell and composer Albert Evans' gentle spoofing of beauty crowns and the women who compete for them is probably exactly what most 21st Century playgoers would expect to find when attending a drag show beauty pageant. The smarmy host, the campy jokes, the light sexual innuendo, the questionable displays of talent and, of course, the parade of well-sculpted males looking fabu and feminine in a parade evening gowns, swimsuits and sporty wear are all included.

And if the satirical darts feel more like love taps, director Matt Lenz and his charismatic cast help provide a pleasing ninety minutes of good, clean fun.

Plastic-grinned John Bolton plays the dashing host of the annual Miss Glamouresse Pageant; essentially a commercial for the Glamouresse line of beauty products. Along with traditional competitions like swimsuits, evening gowns and talent, contestants are also required to show off their spokesmodeling skills and staff a hotline to help desperate customers in need of solutions to their beauty emergencies.

The six beauties vying for the crown include Miss West Coast (Seth Tucker), Miss Great Plains (Nick Cearley), Miss Bible Belt (Curtis Wiley), Miss Texas (Alex Ringler), Miss Deep South (Marty Thomas) and Miss Industrial Northeast (Nic Corey), each character embodying the most common comical stereotypes of her region.

Though the score, a pastiche of the cheery, positive-energy tunes generally written for such spectacles, has the ladies describing themselves as "natural born females" and the host crooning "you've got it all, plus something extra," most of the evening's humor is aimed at traditional pageant issues such as fashion faux pas (a beige evening gown) and oddball talent entries (a Martha Graham-inspired dance piece).

Five audience members are selected as judges who rate each finalist on a scale of one to ten in order to pick the winner, but on the night I attended it seemed a fix was on, making the ending a bit confusing.

Pageant is never quite sharp or funny enough to rise above being more than silly and likeable, but then, they do give out prizes for congeniality.

Click here to follow Michael Dale on Twitter.

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Michael Dale After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.

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