BWW Interviews: Gordon Goodman Becomes BARRYMORE for Good People Theatre Company
It's an art to be able to disappear into a role. Some actors never master the task and others, like Gordon Goodman, make it look so effortless that you'd never believe that countless hours of preparation and careful study had gone into creating each unique character. That it looks so easy is a testament to how good he is at his craft.
He started his career at 16 as a soloist with symphony orchestras in the U.S. and Europe. He was a founding member of the Musical Theater Guild here in Los Angeles. He's well known in musical theater circles - locally and nationally - as the go-to man for classic baritone character roles, and with more than 100 film, television and live theater credits, you've probably seen him around.
Add to that the fact that Goodman has a doctorate in psychology and does academic research into what makes creative people tick with Dr. James Kaufman at the University of Connecticut, and you have to admit that he sounds like the perfect choice for Good People Theater Company's next production.
He's in the process of becoming John Barrymore in BARRYMORE, which opens Saturday, Nov. 9 and during rehearsals I had the opportunity to speak with the show's producing director, Janet Miller, as well as Gordon, to ask why Barrymore. And why now?
This is Good People Theater Company's second production. Why choose BARRYMORE as the follow-up to your opening musical, A Man of No Importance?
Janet Miller: We launched our new theater company back in June with a musical for a number of reasons. First, no one in Los Angeles had done a fully staged production of A Man of No Importance, so that gave us something unique to make our launch more noteworthy. Plus it was a play about doing plays, so it had a nice 'valentine to theater' storyline which felt right for our first season. And I'm known around town for musicals, given my history as a director & choreographer. So all that was pretty logical.
But ultimately none of that matters if you can't get the casting right. If I wasn't sure I had the perfect Alfie - the lead character in A Man of No Importance - then there was no way I would have launched the company with that show. It was way too risky to try filling that very special role with someone I hoped to find in open auditions. But I knew Dominic McChesney was the perfect Alfie, so we committed to the show. And he gave us such a beautiful, nuanced performance. It really was a perfect match.
And it's a similar story with BARRYMORE. This is another theater-about-theater show. And again casting is everything. You can't present this piece without the right actor to play John Barrymore. It's not an easy task, because you're bringing the audience a well-known historical character.
Barrymore was incredibly famous back in the day. And for theatricals, Barrymore plays a major role in American theater history. He stunned New York audiences in the 1920s by giving them a shockingly naturalistic Hamlet. He immediately changed the way people saw the role, and after that run, Jack jumped from Matinee Idol to Serious Shakespearean. The point is, people know a lot about Barrymore - his sense of humor, his personal style, his legendary good looks. So if you're going to do this piece, you must have the perfect person to play this part. And I was convinced Gordon Goodman was the ideal choice.
How did Gordon become involved with the production?
Miller: I asked him! I've known Gordon for more than 25 years. I've seen him perform in musicals and straight plays many times and I think Gordon has amassed a brilliant body of work. He is a detailed and thoughtful actor as well as being charming and funny. I just love watching him on stage.
As far as this BARRYMORE project, it's sort of obvious that Gordon's got the look and the wit, but more importantly, Gordon is authentically curious about Barrymore, and very compassionate about Barrymore's difficulties in life. I really believe he is able to bring us not just Barrymore the Celebrity, but Barrymore the complicated human being.
So early on I was very clear: it was 'get Gordon or pick another play.' So I called him and asked if he had ever thought of doing BARRYMORE. The answer was yes. After some discussion, he agreed.
Gordon Goodman: It was an interesting phone call.
Janet's being very kind. But it's true what she's saying about my interest in John Barrymore. It goes back many years. I remember seeing Barrymore in the movie Grand Hotel when I was younger and being struck by the charming ease of his performance. As I investigated his personal story, I learned he was enormously gifted in fine arts, in writing, and in acting.