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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ALADDIN (NEW AMSTERDAM) |
$1,474,530 | $1,474,530 | $108 $228 |
13,715 | 13,816 | 8 | 99.30% |
|
AMERICAN PSYCHO (SCHOENFELD) |
$565,107 | $565,107 | $81 $248 |
6,965 | 8,248 | 8 | 84.40% |
|
AN AMERICAN IN PARIS (PALACE) |
$966,672 | $966,672 | $89 $223 |
10,909 | 13,432 | 8 | 81.20% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,003,594 | $1,003,594 | $123 $299 |
8,139 | 8,208 | 8 | 99.20% |
|
BLACKBIRD (BELASCO) |
$434,330 | $434,330 | $72 $248 |
6,009 | 8,112 | 8 | 74.10% |
|
BRIGHT STAR (CORT) |
$492,566 | $492,566 | $69 $248 |
7,112 | 8,352 | 8 | 85.20% |
|
CHICAGO (AMBASSADOR) |
$578,948 | $578,948 | $80 $186 |
7,231 | 8,640 | 8 | 83.70% |
|
ECLIPSED (GOLDEN) |
$332,255 | $332,255 | $72 $198 |
4,646 | 6,416 | 8 | 72.40% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$809,896 | $809,896 | $82 $225 |
9,870 | 13,656 | 8 | 72.30% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$570,764 | $570,764 | $64 $225 |
8,876 | 12,032 | 8 | 73.80% |
|
FULLY COMMITTED (LYCEUM) |
$426,562 | $426,562 | $80 $250 |
5,321 | 7,312 | 8 | 72.80% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$424,225 | $424,225 | $83 $220 |
5,104 | 5,920 | 8 | 86.20% |
|
HAMILTON (RICHARD RODGERS) |
$1,764,808 | $1,764,808 | $164 $475 |
10,755 | 10,568 | 8 | 101.80% |
|
JERSEY BOYS (AUGUST WILSON) |
$584,273 | $584,273 | $90 $199 |
6,492 | 9,824 | 8 | 66.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
KINKY BOOTS (AL HIRSCHFELD) |
$796,052 | $796,052 | $94 $299 |
8,470 | 11,392 | 8 | 74.40% |
|
LES MISÉRABLES (IMPERIAL) |
$728,285 | $728,285 | $83 $225 |
8,729 | 11,272 | 8 | 77.40% |
|
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$460,247 | $460,247 | $91 $252 |
5,034 | 5,180 | 7 | 97.20% |
|
MATILDA (SHUBERT) |
$735,485 | $735,485 | $76 $250 |
9,645 | 11,456 | 8 | 84.20% |
|
ON YOUR FEET! (MARQUIS) |
$1,004,367 | $1,004,367 | $100 $199 |
10,041 | 13,008 | 8 | 77.20% |
|
PARAMOUR (LYRIC) |
$907,800 | $907,800 | $99 $199 |
9,213 | 9,480 | 5 | 97.20% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$930,524 | $930,524 | $88 $248 |
10,524 | 11,960 | 8 | 88.00% |
|
SHE LOVES ME (STUDIO 54) |
$687,824 | $687,824 | $88 $252 |
7,817 | 8,064 | 8 | 96.90% |
|
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$949,306 | $949,306 | $122 $373 |
7,752 | 7,704 | 8 | 100.60% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$730,132 | $730,132 | $82 $277 |
8,873 | 12,360 | 8 | 71.80% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,388,431 | $1,388,431 | $159 $477 |
8,744 | 8,528 | 8 | 102.50% |
|
THE COLOR PURPLE (JACOBS) |
$661,167 | $661,167 | $86 $193 |
7,664 | 8,408 | 8 | 91.20% |
|
THE CRUCIBLE (WALTER KERR) |
$601,778 | $601,778 | $92 $327 |
6,508 | 7,600 | 8 | 85.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$409,027 | $409,027 | $72 $233 |
5,683 | 8,144 | 8 | 69.80% |
|
THE FATHER (FRIEDMAN) |
$295,322 | $295,322 | $75 $150 |
3,916 | 5,200 | 8 | 75.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE HUMANS (HELEN HAYES) |
$483,400 | $483,400 | $107 $273 |
4,539 | 4,608 | 8 | 98.50% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$573,166 | $573,166 | $79 $297 |
7,274 | 8,376 | 8 | 86.80% |
|
THE LION KING (MINSKOFF) |
$2,056,550 | $2,056,550 | $152 $225 |
13,560 | 13,568 | 8 | 99.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,033,513 | $1,033,513 | $86 $200 |
12,068 | 12,840 | 8 | 94.00% |
|
TUCK EVERLASTING (BROADHURST) |
$325,361 | $325,361 | $50 $223 |
6,488 | 9,288 | 8 | 69.90% |
|
WAITRESS (BROOKS ATKINSON) |
$982,755 | $982,755 | $116 $270 |
8,456 | 8,360 | 8 | 101.10% |
|
WICKED (GERSHWIN) |
$1,673,967 | $1,673,967 | $118 $240 |
14,208 | 14,456 | 8 | 98.30% |
| TOTAL | $28,842,989 | $801,194 | $97.33 $254.26 |
296,350 | 345,788 | 284 | 85.70% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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