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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ALADDIN (NEW AMSTERDAM) |
$1,377,960 | $1,377,960 | $104 $228 |
13,238 | 13,816 | 8 | 95.80% |
|
AMERICAN PSYCHO (SCHOENFELD) |
$528,127 | $528,127 | $79 $248 |
6,663 | 8,248 | 8 | 80.80% |
|
AN AMERICAN IN PARIS (PALACE) |
$864,098 | $864,098 | $93 $223 |
9,276 | 13,432 | 8 | 69.10% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$939,456 | $939,456 | $122 $299 |
7,725 | 8,208 | 8 | 94.10% |
|
BLACKBIRD (BELASCO) |
$424,525 | $424,525 | $77 $248 |
5,541 | 8,112 | 8 | 68.30% |
|
BRIGHT STAR (CORT) |
$477,058 | $477,058 | $74 $248 |
6,422 | 8,352 | 8 | 76.90% |
|
CHICAGO (AMBASSADOR) |
$516,920 | $516,920 | $83 $186 |
6,260 | 8,640 | 8 | 72.50% |
|
ECLIPSED (GOLDEN) |
$291,497 | $291,497 | $76 $198 |
3,855 | 6,416 | 8 | 60.10% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$808,837 | $808,837 | $84 $225 |
9,684 | 13,656 | 8 | 70.90% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$475,048 | $475,048 | $76 $225 |
6,221 | 12,032 | 8 | 51.70% |
|
FULLY COMMITTED (LYCEUM) |
$419,040 | $419,040 | $80 $250 |
5,239 | 7,312 | 8 | 71.60% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$385,207 | $385,207 | $77 $220 |
5,009 | 5,920 | 8 | 84.60% |
|
HAMILTON (RICHARD RODGERS) |
$1,686,168 | $1,686,168 | $157 $475 |
10,736 | 10,568 | 8 | 101.60% |
|
JERSEY BOYS (AUGUST WILSON) |
$570,232 | $570,232 | $94 $199 |
6,069 | 9,824 | 8 | 61.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
KINKY BOOTS (AL HIRSCHFELD) |
$731,462 | $731,462 | $93 $299 |
7,896 | 11,392 | 8 | 69.30% |
|
LES MISÉRABLES (IMPERIAL) |
$652,694 | $652,694 | $81 $225 |
8,036 | 11,272 | 8 | 71.30% |
|
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$441,296 | $441,296 | $87 $252 |
5,058 | 5,180 | 7 | 97.60% |
|
MATILDA (SHUBERT) |
$591,874 | $591,874 | $74 $250 |
7,997 | 11,456 | 8 | 69.80% |
|
ON YOUR FEET! (MARQUIS) |
$1,016,014 | $1,016,014 | $105 $199 |
9,691 | 13,008 | 8 | 74.50% |
|
PARAMOUR (LYRIC) |
$464,021 | $464,021 | $75 $199 |
6,169 | 7,584 | 4 | 81.30% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$847,399 | $847,399 | $93 $248 |
9,134 | 11,960 | 8 | 76.40% |
|
SHE LOVES ME (STUDIO 54) |
$622,688 | $622,688 | $87 $252 |
7,184 | 8,064 | 8 | 89.10% |
|
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$957,143 | $957,143 | $122 $373 |
7,822 | 7,704 | 8 | 101.50% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$645,191 | $645,191 | $84 $252 |
7,640 | 12,688 | 8 | 60.20% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,341,902 | $1,341,902 | $154 $477 |
8,731 | 8,528 | 8 | 102.40% |
|
THE COLOR PURPLE (JACOBS) |
$604,552 | $604,552 | $87 $193 |
6,976 | 8,408 | 8 | 83.00% |
|
THE CRUCIBLE (WALTER KERR) |
$621,743 | $621,743 | $94 $327 |
6,597 | 7,600 | 8 | 86.80% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$388,809 | $388,809 | $74 $233 |
5,257 | 8,144 | 8 | 64.60% |
|
THE FATHER (FRIEDMAN) |
$304,078 | $304,078 | $75 $150 |
4,041 | 5,200 | 8 | 77.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE HUMANS (HELEN HAYES) |
$462,084 | $462,084 | $108 $248 |
4,288 | 4,608 | 8 | 93.10% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$542,874 | $542,874 | $91 $297 |
5,975 | 8,376 | 8 | 71.30% |
|
THE LION KING (MINSKOFF) |
$1,651,070 | $1,651,070 | $145 $225 |
11,384 | 11,872 | 7 | 95.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$832,886 | $832,886 | $85 $200 |
9,788 | 12,840 | 8 | 76.20% |
|
TUCK EVERLASTING (BROADHURST) |
$326,097 | $326,097 | $59 $223 |
5,550 | 9,288 | 8 | 59.80% |
|
WAITRESS (BROOKS ATKINSON) |
$981,313 | $981,313 | $116 $270 |
8,453 | 8,360 | 8 | 101.10% |
|
WICKED (GERSHWIN) |
$1,478,453 | $1,478,453 | $112 $240 |
13,157 | 14,456 | 8 | 91.00% |
| TOTAL | $26,269,816 | $729,717 | $97.74 $252.88 |
268,762 | 342,524 | 282 | 78.47% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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