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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ALADDIN (NEW AMSTERDAM) |
$1,850,963 | $1,850,963 | $135 $228 |
13,760 | 13,816 | 8 | 99.60% |
|
AMERICAN PSYCHO (SCHOENFELD) |
$506,264 | $506,264 | $72 $248 |
6,997 | 7,217 | 7 | 97.00% |
|
AN AMERICAN IN PARIS (PALACE) |
$895,565 | $895,565 | $83 $223 |
10,840 | 13,432 | 8 | 80.70% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$920,856 | $920,856 | $121 $299 |
7,585 | 8,208 | 8 | 92.40% |
|
BLACKBIRD (BELASCO) |
$443,329 | $443,329 | $78 $248 |
5,685 | 8,112 | 8 | 70.10% |
|
BRIGHT STAR (CORT) |
$421,067 | $421,067 | $69 $248 |
6,141 | 8,384 | 8 | 73.20% |
|
CHICAGO (AMBASSADOR) |
$618,024 | $618,024 | $87 $186 |
7,115 | 8,640 | 8 | 82.30% |
|
DISASTER! (NEDERLANDER) |
$379,444 | $379,444 | $75 $197 |
5,058 | 9,584 | 8 | 52.80% |
|
ECLIPSED (GOLDEN) |
$333,300 | $333,300 | $77 $198 |
4,336 | 6,416 | 8 | 67.60% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$994,179 | $994,179 | $89 $225 |
11,224 | 13,656 | 8 | 82.20% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$924,657 | $924,657 | $87 $225 |
10,659 | 12,032 | 8 | 88.60% |
|
FULLY COMMITTED (LYCEUM) |
$210,547 | $210,547 | $75 $250 |
2,809 | 3,656 | 4 | 76.80% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$481,016 | $481,016 | $92 $220 |
5,241 | 5,920 | 8 | 88.50% |
|
HAMILTON (RICHARD RODGERS) |
$1,822,594 | $1,822,594 | $170 $475 |
10,752 | 10,568 | 8 | 101.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$697,679 | $697,679 | $88 $199 |
7,950 | 9,824 | 8 | 80.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$784,339 | $784,339 | $94 $299 |
8,343 | 11,392 | 8 | 73.20% |
|
LES MISÉRABLES (IMPERIAL) |
$885,389 | $885,389 | $87 $225 |
10,213 | 11,272 | 8 | 90.60% |
|
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$66,284 | $66,284 | $95 $144 |
700 | 740 | 1 | 94.60% |
|
MATILDA (SHUBERT) |
$1,112,189 | $1,112,189 | $104 $250 |
10,741 | 11,456 | 8 | 93.80% |
|
ON YOUR FEET! (MARQUIS) |
$1,066,514 | $1,066,514 | $105 $199 |
10,180 | 13,008 | 8 | 78.30% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$1,336,781 | $1,336,781 | $112 $248 |
11,941 | 11,960 | 8 | 99.80% |
|
SHE LOVES ME (STUDIO 54) |
$598,894 | $598,894 | $81 $149 |
7,374 | 8,064 | 8 | 91.40% |
|
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$235,617 | $235,617 | $122 $373 |
1,926 | 1,926 | 2 | 100.00% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$912,884 | $912,884 | $82 $277 |
11,144 | 13,336 | 8 | 83.60% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,340,418 | $1,340,418 | $154 $477 |
8,704 | 8,528 | 8 | 102.10% |
|
THE COLOR PURPLE (JACOBS) |
$757,240 | $757,240 | $100 $193 |
7,549 | 8,408 | 8 | 89.80% |
|
THE CRUCIBLE (WALTER KERR) |
$597,429 | $597,429 | $82 $327 |
7,304 | 7,408 | 8 | 98.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$548,531 | $548,531 | $76 $233 |
7,191 | 8,144 | 8 | 88.30% |
|
THE FATHER (FRIEDMAN) |
$214,587 | $214,587 | $58 $150 |
3,722 | 5,200 | 8 | 71.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE HUMANS (HELEN HAYES) |
$389,222 | $389,222 | $91 $248 |
4,262 | 4,608 | 8 | 92.50% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$832,143 | $832,143 | $110 $297 |
7,541 | 8,376 | 8 | 90.00% |
|
THE LION KING (MINSKOFF) |
$2,289,548 | $2,289,548 | $169 $225 |
13,566 | 13,568 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,148,699 | $1,148,699 | $107 $200 |
10,705 | 12,840 | 8 | 83.40% |
|
TUCK EVERLASTING (BROADHURST) |
$263,150 | $263,150 | $62 $223 |
4,242 | 4,644 | 4 | 91.30% |
|
WAITRESS (BROOKS ATKINSON) |
$834,272 | $834,272 | $114 $270 |
7,315 | 7,315 | 7 | 100.00% |
|
WICKED (GERSHWIN) |
$2,215,826 | $2,215,826 | $148 $240 |
15,018 | 15,408 | 8 | 97.50% |
| TOTAL | $29,929,440 | $831,373 | $104.71 $247.65 |
285,833 | 327,066 | 265 | 87.39% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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