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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STREETCAR NAMED DESIRE (BROADHURST) |
$418,337 | $418,337 | $67 $198 |
6,214 | 9,344 | 8 | 66.50% |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$474,432 | $474,432 | $75 $250 |
6,296 | 8,208 | 8 | 76.70% |
|
CHICAGO (AMBASSADOR) |
$612,503 | $612,503 | $83 $185 |
7,382 | 8,640 | 8 | 85.40% |
|
CLYBOURNE PARK (WALTER KERR) |
$404,845 | $404,845 | $68 $199 |
5,993 | 7,608 | 8 | 78.80% |
|
DEATH OF A SALESMAN (ETHEL BARRYMORE) |
$1,014,413 | $1,014,413 | $141 $475 |
7,211 | 7,252 | 7 | 99.40% |
|
DON'T DRESS FOR DINNER (AMERICAN AIRLINES) |
$172,657 | $172,657 | $43 $127 |
4,011 | 5,824 | 8 | 68.90% |
|
END OF THE RAINBOW (BELASCO) |
$389,769 | $389,769 | $80 $198 |
4,846 | 7,920 | 8 | 61.20% |
|
EVITA (MARQUIS) |
$1,567,080 | $1,567,080 | $127 $275 |
12,362 | 12,896 | 8 | 95.90% |
|
GHOST (LUNT-FONTANNE) |
$579,793 | $579,793 | $67 $200 |
8,628 | 12,040 | 8 | 71.70% |
|
GODSPELL (CIRCLE IN THE SQUARE) |
$218,077 | $218,077 | $66 $199 |
3,313 | 5,880 | 8 | 56.30% |
|
GORE VIDAL'S THE BEST MAN (SCHOENFELD) |
$738,917 | $738,917 | $103 $225 |
7,204 | 8,504 | 8 | 84.70% |
|
HARVEY (STUDIO 54) |
$470,267 | $470,267 | $64 $132 |
7,298 | 8,032 | 8 | 90.90% |
|
JERSEY BOYS (AUGUST WILSON) |
$977,394 | $977,394 | $105 $237 |
9,348 | 9,824 | 8 | 95.20% |
|
JESUS CHRIST SUPERSTAR (NEIL SIMON) |
$542,032 | $542,032 | $74 $215 |
7,277 | 11,392 | 8 | 63.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MAMMA MIA! (WINTER GARDEN) |
$737,690 | $737,690 | $81 $200 |
9,083 | 11,984 | 8 | 75.80% |
|
MARY POPPINS (NEW AMSTERDAM) |
$878,715 | $878,715 | $71 $177 |
12,357 | 14,376 | 8 | 86.00% |
|
MEMPHIS (SHUBERT) |
$571,667 | $571,667 | $70 $250 |
8,194 | 11,760 | 8 | 69.70% |
|
NEWSIES (NEDERLANDER) |
$976,387 | $976,387 | $101 $199 |
9,701 | 9,560 | 8 | 101.50% |
|
NICE WORK IF YOU CAN GET IT (IMPERIAL) |
$1,005,804 | $1,005,804 | $102 $249 |
9,867 | 11,512 | 8 | 85.70% |
|
ONCE (JACOBS) |
$820,323 | $820,323 | $99 $225 |
8,251 | 8,464 | 8 | 97.50% |
|
ONE MAN, TWO GUVNORS (MUSIC BOX) |
$577,836 | $577,836 | $95 $250 |
6,066 | 7,800 | 8 | 77.80% |
|
OTHER DESERT CITIES (BOOTH) |
$294,942 | $294,942 | $74 $125 |
3,970 | 6,088 | 8 | 65.20% |
|
PETER AND THE STARCATCHER (BROOKS ATKINSON) |
$463,652 | $463,652 | $70 $198 |
6,651 | 8,512 | 8 | 78.10% |
|
PORGY AND BESS (RICHARD RODGERS) |
$608,570 | $608,570 | $78 $225 |
7,846 | 10,680 | 8 | 73.50% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$583,940 | $583,940 | $71 $200 |
8,247 | 13,512 | 8 | 61.00% |
|
ROCK OF AGES (HELEN HAYES) |
$462,326 | $462,326 | $102 $248 |
4,546 | 4,664 | 8 | 97.50% |
|
SISTER ACT (BROADWAY) |
$727,178 | $727,178 | $72 $200 |
10,050 | 14,040 | 8 | 71.60% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$1,506,692 | $1,506,692 | $110 $247 |
13,644 | 15,440 | 8 | 88.40% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,609,478 | $1,609,478 | $184 $477 |
8,752 | 8,528 | 8 | 102.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE COLUMNIST (FRIEDMAN) |
$280,502 | $280,502 | $62 $121 |
4,543 | 5,200 | 8 | 87.40% |
|
THE LION KING (MINSKOFF) |
$1,809,051 | $1,809,051 | $135 $198 |
13,419 | 13,416 | 8 | 100.00% |
|
THE LYONS (CORT) |
$222,985 | $222,985 | $58 $198 |
3,818 | 8,632 | 8 | 44.20% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$991,815 | $991,815 | $79 $200 |
12,578 | 12,840 | 8 | 98.00% |
|
VENUS IN FUR (LYCEUM) |
$324,106 | $324,106 | $71 $200 |
4,573 | 7,248 | 8 | 63.10% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$657,600 | $657,600 | $97 $135 |
6,809 | 8,552 | 8 | 79.60% |
|
WICKED (GERSHWIN) |
$1,896,633 | $1,896,633 | $131 $300 |
14,436 | 14,472 | 8 | 99.80% |
| TOTAL | $26,588,408 | $738,567 | $93.36 $220.43 |
284,784 | 350,644 | 287 | 81.22% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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