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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
700 SUNDAYS (BROADHURST) |
$767,718 | $767,718 | $101 $106 |
7,212 | 7,074 | 6 | 102.00% |
|
A STREETCAR NAMED DESIRE (STUDIO 54) |
$259,342 | $259,342 | $56 $91 |
4,651 | 7,028 | 7 | 66.20% |
|
AFTER THE NIGHT AND THE MUSIC (BILTMORE) |
$95,772 | $95,772 | $42 $78 |
2,271 | 3,250 | 5 | 69.90% |
|
ALL SHOOK UP (PALACE) |
$515,403 | $515,403 | $51 $100 |
10,041 | 13,648 | 8 | 73.60% |
|
AVENUE Q (Golden) |
$453,759 | $453,759 | $77 $201 |
5,892 | 6,368 | 8 | 92.50% |
|
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$662,539 | $662,539 | $62 $100 |
10,726 | 12,072 | 8 | 88.90% |
|
BROOKLYN (PLYMOUTH) |
$223,273 | $223,273 | $48 $95 |
4,686 | 8,352 | 8 | 56.10% |
|
CHICAGO (AMBASSADOR) |
$504,196 | $504,196 | $65 $240 |
7,759 | 8,640 | 8 | 89.80% |
|
CHITTY CHITTY BANG BANG (HILTON THEATRE) |
$864,438 | $864,438 | $64 $101 |
13,548 | 14,456 | 8 | 93.70% |
|
DAME EDNA: BACK WITH A VENGEANCE (MUSIC BOX) |
$236,347 | $236,347 | $53 $86 |
4,438 | 6,993 | 7 | 63.50% |
|
DIRTY ROTTEN SCOUNDRELS (IMPERIAL) |
$687,298 | $687,298 | $75 $101 |
9,128 | 10,045 | 7 | 90.90% |
|
DOUBT (WALTER KERR) |
$445,469 | $445,469 | $65 $89 |
6,868 | 7,392 | 8 | 92.90% |
|
FIDDLER ON THE ROOF (MINSKOFF) |
$584,022 | $584,022 | $58 $100 |
9,986 | 13,528 | 8 | 73.80% |
|
GLENGARRY GLEN ROSS (ROYALE) |
$289,640 | $289,640 | $48 $91 |
6,059 | 8,624 | 8 | 70.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAIRSPRAY (NEIL SIMON) |
$764,360 | $764,360 | $68 $240 |
11,271 | 11,424 | 8 | 98.70% |
|
JACKIE MASON: FRESHLY SQUEEZED (HELEN HAYES) |
$115,648 | $115,648 | $68 $81 |
1,701 | 3,516 | 6 | 48.40% |
|
JULIUS CAESAR (BELASCO) |
$593,957 | $593,957 | $81 $101 |
7,339 | 7,976 | 8 | 92.00% |
|
LA CAGE AUX FOLLES 2004-2005 (MARQUIS) |
$396,863 | $396,863 | $45 $100 |
8,754 | 12,528 | 8 | 69.90% |
|
LITTLE WOMEN (VIRGINIA) |
$317,876 | $317,876 | $60 $99 |
5,305 | 9,776 | 8 | 54.30% |
|
LOVE / LIFE (VIVIAN BEAUMONT) |
$32,701 | $32,701 | $38 $60 |
853 | 1,041 | 1 | 81.90% |
|
MAMMA MIA! (CADILLAC WINTER G) |
$955,629 | $955,629 | $79 $201 |
12,135 | 11,984 | 8 | 101.30% |
|
MOVIN' OUT (RICHARD RODGERS) |
$523,188 | $523,188 | $65 $240 |
8,018 | 10,576 | 8 | 75.80% |
|
ON GOLDEN POND (CORT) |
$240,835 | $240,835 | $55 $91 |
4,361 | 8,536 | 8 | 51.10% |
|
RENT (NEDERLANDER) |
$318,660 | $318,660 | $50 $85 |
6,437 | 9,448 | 8 | 68.10% |
|
SPAMALOT (SHUBERT) |
$873,568 | $873,568 | $76 $101 |
11,537 | 11,528 | 8 | 100.10% |
|
STEEL MAGNOLIAS (LYCEUM) |
$209,009 | $209,009 | $60 $86 |
3,499 | 7,376 | 8 | 47.40% |
|
SWEET CHARITY (AL HIRSCHFELD) |
$495,273 | $495,273 | $58 $100 |
8,583 | 11,376 | 8 | 75.40% |
|
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (CIRCLE) |
$309,431 | $309,431 | $66 $95 |
4,710 | 5,440 | 8 | 86.60% |
|
THE GLASS MENAGERIE (BARRYMORE) |
$216,876 | $216,876 | $61 $91 |
3,541 | 8,416 | 8 | 42.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LIGHT IN THE PIAZZA (VIVIAN BEAUMONT) |
$333,256 | $333,256 | $55 $95 |
6,019 | 8,328 | 8 | 72.30% |
|
THE LION KING (NEW AMSTERDAM) |
$1,174,538 | $1,174,538 | $81 $100 |
14,481 | 14,408 | 8 | 100.50% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$729,701 | $729,701 | $57 $200 |
12,749 | 12,856 | 8 | 99.20% |
|
THE PILLOWMAN (BOOTH) |
$402,358 | $402,358 | $66 $96 |
6,139 | 6,304 | 8 | 97.40% |
|
THE PRODUCERS (ST. JAMES) |
$868,686 | $868,686 | $73 $240 |
11,883 | 13,648 | 8 | 87.10% |
|
TWELVE ANGRY MEN (AMERICAN AIRLINES) |
$238,289 | $238,289 | $50 $86 |
4,761 | 5,920 | 8 | 80.40% |
|
WHO'S AFRAID OF VIRGINIA WOOLF? (LONGACRE) |
$266,412 | $266,412 | $63 $91 |
4,231 | 7,665 | 7 | 55.20% |
|
WICKED (GERSHWIN) |
$1,255,997 | $1,255,997 | $87 $240 |
14,472 | 14,472 | 8 | 100.00% |
| TOTAL | $18,222,327 | $492,495 | $66.01 $121.69 |
276,044 | 342,012 | 278 | 80.71% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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