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Broadway Grosses - Week Ending 8/31/2014


Updated: September 02, 2014

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Industry Insight: Weekly Grosses Analysis - 9/2

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
YOU CAN'T TAKE IT WITH YOU
(LONGACRE)
$519,102
$0
$519,102
$964,892
53.80%
$65.47
$250.00
7,929
8,584
8
92.4%
0.0%
0.0%
WICKED
(GERSHWIN)
$1,708,228
$1,795,268
$-87,040
$1,681,127
101.61%
$124.44
$300.00
13,727
14,472
8
94.9%
97.3%
-2.4%
THIS IS OUR YOUTH
(CORT)
$390,372
$365,614
$24,758
$715,686
54.55%
$60.65
$223.00
6,437
8,488
8
75.8%
77.7%
-1.9%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$980,290
$1,019,608
$-39,318
$1,514,575
64.72%
$87.06
$200.00
11,260
12,840
8
87.7%
89.2%
-1.5%
THE LION KING
(MINSKOFF)
$1,932,032
$1,955,396
$-23,364
$1,946,737
99.24%
$142.03
$197.50
13,603
13,600
8
100.0%
100.1%
-0.1%
THE BOOK OF MORMON
(EUGENE O'NEILL)
$1,682,942
$1,606,698
$76,244
$1,452,956
115.83%
$192.29
$477.00
8,752
8,528
8
102.6%
102.6%
0.0%
ROCK OF AGES
(HELEN HAYES)
$372,667
$315,426
$57,241
$535,999
69.53%
$88.75
$197.00
4,199
4,664
8
90.0%
78.6%
11.4%
PIPPIN
(MUSIC BOX)
$608,962
$614,901
$-5,939
$1,049,036
58.05%
$81.76
$225.00
7,448
7,920
8
94.0%
92.3%
1.7%
ONCE
(JACOBS)
$481,616
$425,535
$56,081
$920,197
52.34%
$77.29
$197.50
6,231
8,472
8
73.5%
66.3%
7.2%
MOTOWN THE MUSICAL
(LUNT-FONTANNE)
$1,100,811
$979,849
$120,962
$1,417,100
77.68%
$94.87
$250.00
11,603
12,056
8
96.2%
86.0%
10.2%
MATILDA
(SHUBERT)
$1,096,864
$1,091,719
$5,145
$1,274,820
86.04%
$96.23
$250.00
11,398
11,456
8
99.5%
100.0%
-0.5%
MAMMA MIA!
(BROADHURST)
$697,483
$750,128
$-52,645
$1,121,208
62.21%
$86.89
$225.00
8,027
9,328
8
86.1%
91.9%
-5.8%
LES MISÉRABLES
(IMPERIAL)
$878,730
$886,074
$-7,344
$1,219,904
72.03%
$93.25
$273.00
9,423
11,272
8
83.6%
82.1%
1.5%
LADY DAY AT EMERSON'S BAR & GRILL
(CIRCLE IN THE SQUARE)
$558,256
$511,741
$46,515
$634,260
88.02%
$118.40
$302.00
4,715
4,774
7
98.8%
92.7%
6.1%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
KINKY BOOTS
(AL HIRSCHFELD)
$1,246,584
$1,131,425
$115,159
$1,557,095
80.06%
$116.04
$349.00
10,743
11,392
8
94.3%
91.5%
2.8%
JERSEY BOYS
(AUGUST WILSON)
$834,445
$804,364
$30,081
$1,146,588
72.78%
$100.14
$237.00
8,333
9,824
8
84.8%
81.9%
2.9%
IT'S ONLY A PLAY
(SCHOENFELD)
$793,046
$0
$793,046
$705,250
112.45%
$146.81
$225.00
5,402
5,345
5
101.1%
0.0%
0.0%
IF/THEN
(RICHARD RODGERS)
$672,147
$688,053
$-15,906
$1,290,160
52.10%
$82.11
$223.00
8,186
10,488
8
78.1%
80.4%
-2.3%
HEDWIG AND THE ANGRY INCH
(BELASCO)
$635,445
$648,738
$-13,293
$787,793
80.66%
$96.87
$248.00
6,560
7,049
7
93.1%
87.6%
5.5%
CINDERELLA
(BROADWAY)
$638,177
$609,004
$29,173
$1,631,270
39.12%
$74.63
$297.00
8,551
14,008
8
61.0%
59.3%
1.7%
CHICAGO
(AMBASSADOR)
$589,219
$569,511
$19,708
$994,068
59.27%
$79.51
$186.00
7,411
8,640
8
85.8%
81.5%
4.3%
CABARET
(STUDIO 54)
$796,251
$814,620
$-18,369
$984,920
80.84%
$123.70
$350.00
6,437
7,144
8
90.1%
93.9%
-3.8%
BEAUTIFUL
(STEPHEN SONDHEIM)
$1,243,050
$1,282,410
$-39,360
$1,284,432
96.78%
$160.64
$275.00
7,738
8,208
8
94.3%
98.5%
-4.2%
ALADDIN
(NEW AMSTERDAM)
$1,506,683
$1,512,983
$-6,300
$1,402,576
107.42%
$109.34
$252.50
13,780
13,784
8
100.0%
99.9%
0.1%
A GENTLEMAN'S GUIDE TO LOVE AND MURDER
(WALTER KERR)
$942,205
$898,629
$43,576
$892,240
105.60%
$128.38
$327.00
7,339
7,256
8
101.1%
101.0%
0.1%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$22,905,607
Avg: $916,224
vs. Last Week:
7.11%
$21,277,694

Avg: $925,117
$1,627,913
$29,124,889
77.71%
$105.10
AVG.
$261.46
AVG.
215,232
239,592
195
90.35%
.AVG
88.36%
AVG.
1.99%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..