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Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Tue, 09 Jun 2026 12:03:21 PST

Around the BroadwayWorld is our monthly snapshot of the biggest stories making waves across the global theatre community. In this May 2026 edition, we're bringing you a fresh batch of standout reviews from regional stages across the country - from Brigadoon at Pasadena Playhouse in Los Angeles to The Phantom of the Opera at Seattle's Paramount Theatre and Pippin at Signature Theatre in DC.

Diane Paulus directs an immersive, David Bowie-inspired Life on Mars at American Repertory Theater, the producers of Japan's Gypsy revival walk back a planned title change, and we go behind the scenes with interviews spanning Adam Fields of the Beetlejuice national tour, The Muny's casting director Michael Baxter, Richard Kind on finally taking on Edna in Hairspray, and BWW's Kid Reporters chatting with the touring Von Trapp kids of The Sound of Music. Plus, get a first look at exciting new productions through performance videos and photos, including Anastasia at La Mirada Theatre, Dear Evan Hansen at Arden Theatre, Pippin at Signature Theatre, and the Manila cast of Jesus Christ Superstar - and so much more from across the BroadwayWorld.

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Joshua Wright | Boston

Diane Paulus will direct Life on Mars, an immersive theatrical production set to David Bowie's music, as the inaugural production at the Goel Center for Creativity & Performance in May.

GYPSY in Japan: Producers Walk Back Title Change Ahead of 2026 Revival

Joshua Wright | Japan

The Japanese revival of GYPSY will retain its original title when it returns to the stage in 2026, reversing an earlier decision to present the production under the name 'Rose.'

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Brock Mills | Jacksonville

For Adam Fields, returning to Jacksonville with the national tour of Beetlejuice the Musical isn’t just another stop, it’s a full-circle moment. The production will play in Jacksonville from May 12–17 at the Jacksonville Center for the Performing Arts.

Interview: BWW’s 'Kid Reporters' Chat With THE SOUND OF MUSIC’s Touring Von Trapp Kids

Melissa Heckscher | Los Angeles

BroadwayWorld Los Angeles' kid reporters talk with the young touring cast of THE SOUND OF MUSIC to find out what it's like to be part of one of Broadway’s most iconic shows and what actually happens behind the curtain.

Interview: Chatting with The Muny's Casting Director Michael Baxter

James Lindhorst | St. Louis

Michael Baxter’s work will shine on The Muny stage during all 50 performances this summer. He led the efforts and had a hand in hiring every one of the 194 actors who will fill the principal and ensemble roles.

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

James Lindhorst | St. Louis

When The Muny opens their production of Hairspray on June 15, 2026, the legendary Richard Kind will don Edna Turnblad’s housecoat and step into her fuzzy house slippers. Kind, star of stage, screen and film, calls it bucket list moments to get to perform at The Muny and play Edna all at the same time.

Reviews

Review: BRIGADOON at Pasadena Playhouse

Andrew Child | Los Angeles

Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human.

Review: THE PHANTOM OF THE OPERA at Paramount Theatre

Shelley Dean | Seattle

It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.

Review: PIPPIN at Signature Theatre

Aidan O'Connor | Washington, DC

Certain facets of the human condition are foundational to our very existence – change, connection, desire. One such particularly toxic universal truth is a constant need to be something more than we currently are. To search for happiness in external achievement rather than within ourselves, in our simple joys. Pippin at Signature Theatre breathes within that precise virulence, relatively orchestrated by a troupe of impeccably costumed and choreographed players. A feast for the eyes in all senses, Matthew Gardiner’s production surpasses even the highest of expectations.

Videos

Video: Watch La Mirada Theatre's ANASTASIA Star Lena Ceja Perform 'Journey to the Past'

Michael Major | Los Angeles

La Mirada Theatre has released new video footage of Lena Ceja rehearsing 'Journey to the Past' from their upcoming production of Anastasia. The production features Dillon Klena as Dmitry, a role first played on Broadway by his brother Derek Klena.

Photos/Video: DEAR EVAN HANSEN At Arden Theatre

A.A. Cristi | Philadelphia

Arden Theatre Company is now presenting DEAR EVAN HANSEN as the final production of its 2025/26 season, with performances continuing through July 5. New production photos and video have been released from the Philadelphia production, including footage of Evan A. Kaushesh performing “Waving Through a Window.”

Video: Watch 'Corner of the Sky' From Signature Theatre's PIPPIN

Michael Major | Washington, DC

Watch a video of Brayden Bambino performing 'Corner of the Sky' in Signature Theatre's production of Pippin. The in-the-round production is now running through July 26 with tickets available now.

Photos

Photos: Get a First Look at JESUS CHRIST SUPERSTAR in Manila

Oliver Oliveros | Philippines

The 2017 Olivier Award winner for Best Musical Revival, Tim Rice and Andrew Lloyd Webber’s rock opera 'Jesus Christ Superstar,' has officially opened at The Theatre at Solaire.

BroadwayWorld Launches Producer Fantasy Game

Tue, 09 Jun 2026 11:00:05 PST

Ever watched the weekly Broadway grosses roll in and thought you could pick the winners? Now you can put it to the test. BroadwayWorld has launched the Producer Fantasy Game, a free, season-long competition that lets theatre fans build a roster of Broadway shows and earn points based on how those productions actually perform at the box office. The draft window is open now.

How It Works

The setup is simple. During the draft window, you pick any six Broadway productions that opened this season. Drafting is non-exclusive, so there is no need to race a rival for a hot title. Any number of players can roster the same show.

From there, your shows go to work for you. Every week, each production on your roster earns fantasy points based on its reported box office grosses and capacity percentages. When Tony, Drama Desk, Drama League, and Outer Critics Circle nominations and wins are announced, your shows bank bonus points on top of that. And each week you can answer our Fantasy Forecast prediction questions for up to five bonus points per correct call.

Weekly Scoring

Each week, a show earns one base point for every $50,000 it grosses, so a $1 million week is worth 20 base points. On top of that, shows can earn bonuses: up to five points for filling seats (based on how close to full capacity the house ran), six points for grossing $2 million or more (or three points for grossing between $1 million and $2 million), and eight points if its gross jumped at least 15 percent from the week before. A show loses four points if its gross dropped at least 15 percent. If a show goes dark and reports no gross for a week, it scores zero for that week with no penalty.

The Fantasy Forecast

The Producer Fantasy Game is really two games in one. The first is the box office game: drafting shows and earning points from their weekly grosses and awards. The second is the Fantasy Forecast, a weekly set of prediction questions about what's happening on Broadway, where each correct answer is worth up to five points. You can play one or both.

We track them separately so you can shine at either. Your Producer score covers the box office game, your Forecast score covers your prediction results, and your Combined score adds the two together for the overall championship ranking. The leaderboard lets you toggle between Overall, Producers, and Forecasters, so a sharp predictor can top the Forecasters board even during a rough season for their roster, and a roster powerhouse can lead the Producers board without answering a single question.

Managing Your Roster

Your lineup stays at six shows all season, and you have plenty of room to maneuver. You get one free drop every week, three additional season drops to use anytime before the trade deadline, and free replacements whenever a show on your roster closes. New productions open throughout the season and become available the moment they start reporting grosses, so it pays to keep a transaction in your pocket for that buzzy new opening.

Join the Game

The Producer Fantasy Game is free for all BroadwayWorld users, and you can join any time the draft window is open. Draft within the first two weeks of the season and your roster is scored from opening week, so the earlier you get in, the more weeks you bank. Build your roster, make your predictions, and start climbing the leaderboard today.

A DRAG QUEEN CHRISTMAS to Return for 12th Year With 39-City National Tour

Tue, 02 Jun 2026 19:57:07 PST

“A Drag Queen Christmas” will return for its 12th year, launching a 39-city national tour this November - December. The 2026 edition is hosted by returning fan favorite and theatre star Nina West, and features an all-new merry lineup of drag superstars from the Emmy-winning RuPaul's Drag Race franchise.

Artist pre-sale begins Wednesday, June 3 at 10 a.m. (local time) with the code “TWELVE,” and general on sale begins Friday, June 5 at 10 a.m. (local time) at dragfans.com.

This year's cast includes:

Myki Meeks, Winner of RuPaul's Drag Race Season 18 (2026)
Nini Coco, Runner-up, Drag Race Season 18 (2026)
Darlene Mitchell, Drag Race Season 18 (2026)
Juicy Love Dion, Drag Race Season 18 (2026)
Discord Addams, Drag Race Season 18 (2026)
Crystal Methyd, Drag Race All Stars Season 11 (2026) & Drag Race Season 12 (2020)
Silky Ganache, Drag Race All Stars Season 11 (2026), Drag Race All Stars Season 6 (2021), Drag Race Season 11 (2019)

“A Drag Queen Christmas” is the world's premiere holiday drag showcase and a sensational theatrical experience that delivers high camp, over-the-top lip-sync performances, side-splitting comedy, elaborate costumes, Broadway-style staging, and a whole lot of heart—something we all seek during the chaos of the holiday season. With plenty of spectacular surprises in store, the show offers audiences a chance to see drag queens at the top of their game perform showstopping numbers of epic holiday proportions on revered theater stages across America. Each year, “A Drag Queen Christmas” provides an annual tradition for folks from all walks of life to come together and connect, find community, and celebrate the season with joy and laughter.

This dazzling, 18+ holiday extravaganza runs two hours and offers fans the chance to add-on a VIP Meet & Greet Experience—including early access to the venue, photos with the queens on stage, autographs, and exclusive tour merchandise.

A Drag Queen Christmas 2026 Tour Dates:

November 11 - Detroit, MI (Fisher Theatre)

November 12 - Rochester, NY (Kodak Center)

November 13 - Rutland, VT (Paramount Theatre)

November 14 - Portland, ME (Merrill Auditorium)

November 15 - Boston, MA (Emerson Colonial Theatre)

November 17 - Red Bank, NJ (Count Basie Center for the Arts)

November 18 - Morristown, NJ (Mayo Performing Arts Center)

November 19 - Washington, DC (Warner Theatre)

November 20 - Durham, NC (Durham Performing Arts Center)

November 21 - Wilmington, NC (Wilson Center - Cape Fear Community College)

November 22 - Philadelphia, PA (Fillmore)

November 24 - Pittsburgh, PA (Byham Theater)

November 25 - Columbus, OH (Palace Theatre)

November 27 - Chicago, IL (Riviera Theatre)

November 28 - Appleton, WI (Fox Cities Performing Arts Center)

November 29 - Omaha, NE (Orpheum Theater)

November 30 - Oklahoma City, OK (The Criterion)

December 1 - Des Moines, IA (Hoyt Sherman Place)

December 2 - Kansas City, MO (Uptown Theater)

December 4 - Denver, CO (Paramount Theatre)

December 5 - Salt Lake City, UT (Kingsbury Hall)

December 7 - Seattle, WA (Moore Theatre)

December 9 - Sacramento, CA (Channel 24)

December 10 - San Francisco, CA (Golden Gate Theatre)

December 11 - Stockton, CA (Bob Hope Theatre)

December 12 - Los Angeles, CA (The Wiltern)

December 13 - Santa Rosa, CA (Luther Burbank Center)

December 15 - Mesa, AZ (Mesa Arts Center)

December 16 - Tucson, AZ (Fox Tucson Theatre)

December 17 - El Paso, TX (Plaza Theatre)

December 19 - Austin, TX (ACL Live at The Moody Theater)

December 20 - Dallas, TX (Winspear Opera House)

December 21 - Wichita, KS (Orpheum Theatre)

December 22 - St.Louis, MO (The Factory)

December 23 - Knoxville, TN (Tennessee Theatre)

December 26 - Tampa Bay, FL (Straz Center for the Performing Arts)

December 27 - Fort Myers, FL (Barbara B. Mann Performing Arts Hall)

December 28 - West Palm Beach, FL (Kravis Center for the Performing Arts)

December 29 - Jacksonville, FL (Florida Theatre)

SONIC LIVE IN CONCERT to Launch Global Tour With US and UK Premieres

Wed, 27 May 2026 20:59:39 PST

As Sonic the Hedgehog celebrates 35 years as one of the most iconic video game franchises of all time, Senbla and SEGA today announced Sonic Live In Concert (www.sonicliveinconcert.com). This new concert experience brings the music and moments of the beloved video games to the stage.

Featuring iconic moments and music from the very first game in 1991 through today, the production will debut in the U.S. at the Dolby Theatre in Hollywood on September 26, 2026, before making its European premiere at London's Eventim Apollo on September 30. The U.S. tour will visit more than 30 cities nationwide, and a UK tour will follow in February 2027. More European dates will be announced at a later time. Tickets will go on sale May 29, 2026, with pre-sale tickets going on sale on May 28, 2026.

As part of a global rollout celebrating the franchise's milestone anniversary, Sonic Live In Concert features the most recognizable music from the Sonic universe, performed by a live ensemble alongside rock musicians, vocalists, and electronic elements. The setlist includes fan-favorite tracks and an incredible array of music from the very first game through to today accompanied by synchronized HD footage of iconic levels, moments and boss battles from the franchise. Audiences can expect musical Easter eggs woven into the arrangements, adding an extra layer of discovery that brings Sonic's world vividly to life on stage.

The concert also highlights the creative legacy behind Sonic's music from legendary composers Jun Senoue and Tomoya Ohtani, whose work has helped define Sonic's sound across generations.

"Sonic has some of the most distinct and celebrated music in gaming," says Ollie Rosenblatt, CEO of Senbla. "We wanted to create a live show that stays true to what the fans love about Sonic's music, from the electronic and melodic themes to high-energy rock."

“Music has always been a core part of Sonic's identity, shaping how fans experience this world across generations," said Ivo Gerscovich, Chief Business & Brand Officer at SEGA of America, Inc. "With this concert, we're looking forward to celebrating that legacy in a live setting; bringing together the energy, emotion, and creativity of Sonic's music in a way that both longtime fans and new audiences can enjoy together.”

Since his debut in 1991, Sonic the Hedgehog has become a global entertainment icon spanning video games, film, television, and consumer products. With renewed momentum driven by recent film releases, new game titles, and a global brand campaign tied to the 35th anniversary, the franchise continues to reach new generations of fans worldwide.

The performance schedule includes:

September 20, 2026 – Spokane, Washington – First Interstate Center for the Arts
September 22, 2026 – Seattle, WA – Paramount Theatre (preview)
September 23, 2026 – Portland, OR – Keller Auditorium (preview)
September 25, 2026 – San Diego, CA – San Diego Civic Theatre (preview)
September 26, 2026 – Hollywood, CA – Dolby Theatre
September 27, 2026 – Riverside, CA – Fox Performing Arts Center
September 29, 2026 – Mesa, AZ – Mesa Arts Center - Ikeda Theater
September 30, 2026 – London, U.K. – London Eventim Apollo
October 1, 2026 – Las Vegas, NV – Resorts World Theatre
October 2, 2026 – Fresno, CA – Saroyan Theatre
October 3, 2026 – San Jose, CA – San Jose Civic
October 4, 2026 – Reno, NV – Grand Theatre at The Grand Sierra Resort & Casino
October 6, 2026 – Denver, CO – Temple Hoyne Buell Theatre
October 8, 2026 – Irving, TX – The Pavilion at Toyota Music Factory
October 9, 2026 – Houston, TX – Bayou Music Center
October 10, 2026 – San Antonio, TX – Boeing Center at Tech Port
October 11, 2026 – Oklahoma City, OK – The Criterion
October 13, 2026 – Wichita, KS – Orpheum Theatre
October 15, 2026 – Omaha, NE – Orpheum Theater
October 16, 2026 – Peoria, IL – Prairie Home Alliance Theater
October 17, 2026 – Louisville, KY – The Louisville Palace Theatre
October 18, 2026 – St. Louis, MO – The Factory
October 19, 2026 – Nashville, TN – Ryman Auditorium
October 20, 2026 – Mobile, AL – Saenger Theatre
October 22, 2026 – Brandon, MS – City Hall Live
October 23, 2026 – Huntsville, AL – VBC Mark C. Smith Concert Hall
October 24, 2026 – Atlanta, GA – Fox Theatre
October 25, 2026 – Greensboro, NC – Steven Tanger Center for Performing Arts
October 27, 2026 – Charlotte, NC – Ovens Auditorium
October 28, 2026 – North Charleston, SC – North Charleston Performing Arts Center
October 29, 2026 – Jacksonville, FL – Florida Theatre
October 30, 2026 – St. Petersburg, FL – Duke Energy Center for the Arts - Mahaffey Theater
October 31, 2026 – Fort Lauderdale, FL – Broward Center for the Performing Arts - Au Rene Theater
November 1, 2026 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
February 17, 2027 – Glasgow, UK – Royal Concert Hall
February 18, 2027 – Edinburgh, UK – Usher Hall
February 19, 2027 – Manchester, UK – Bridgewater Hall
February 20, 2027 – Birmingham, UK – Symphony Hall

For more information, tour dates, and tickets, visit www.sonicliveinconcert.com.

I CARRY YOUR HEART WITH ME to Close Terrific New Theatre's Season with Dolores Hydock

Wed, 27 May 2026 05:26:57 PST

Terrific New Theatre will present “I Carry Your Heart With Me,” starring Dolores Hydock. The production opens Thursday, June 11 and continues through Sunday, June 28, 2026. Hydock marks her first appearance since 2016 on the TNT Stage. It is the final production of the 2025/26 season at Terrific New Theatre.

Directed by Michael Flowers who helmed last season's “The Minutes” at TNT, “I Carry Your Heart With Me” is the winner of the prestigious 1014 Steinberg/Acta American Theatre Critics New Play Citation. This June's production is a Birmingham premiere.

Hydock stars as Esther, a stenographer inside a top-secret Vietnam-era debriefing room. Her picture-perfect world is upended when she encounters an airman whose story quite literally changes her life. As she records the accounts of soldiers freshly returned from the front lines, Esther finds herself smack dab in the middle of a troubling investigation. With plenty of twists and turns along the way, this tour-de-force is a taut, suspenseful mystery that packs a real emotional wallop.

The creative team includes Henry Scott who composed original music for the production, along with Gary Weatherly as scenis designer, and Scott Littleton as lighting designer. Jim Gibbs serves as the stage manager.

I CARRY YOUR HEART WITH ME to Close Terrific New Theatre's Season with Dolores Hydock

Wed, 27 May 2026 05:26:57 PST

MRS. DOUBTFIRE Will Come to BJCC Concert Hall

Tue, 26 May 2026 08:37:05 PST

MRS. DOUBTFIRE will close out the 25–26 BROADWAY IN BIRMINGHAM Series at BJCC Concert Hall June 16–21, 2026. The production features Craig Allen Smith in the title role of Daniel Hillard/Euphegenia Doubtfire (everyone's favorite Scottish nanny), joined by actress Melissa Campbell as Miranda Hillard.

Rounding out the principal company are Alanis Sophia as Lydia Hillard, Brian Kalinowski as Frank Hillard, DeVon Wycovia Buchanan as Andre Mayem, Collin Salvatorè as Stuart Dunmire, Kennedy V. Jackson as Wanda Sellner, Vivian Atencio and Ava Rose Doty as Natalie Hillard, and Chance Challen and Theodore Lowenstein as Christopher Hillard.

The cast also includes Scott Taylor-Cole, Connor Barton, Naja Bates, Kirstin Angelina Henry, Chaz Ingraham, Se'Lah Jackson, Jaden Kindle, Kasey Lazan, Giulia Marolda, Chelsea Lynne Myers, Jayden Cyrus Nelson, Izzy Ramirez, Patrick Joseph Wallace, and Kade Wright.

Out-of-work actor Daniel Hillard will do anything for his kids. After losing custody in a messy divorce, he creates the kindly alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, MRS. DOUBTFIRE teaches Daniel more than he bargained for about how to be a father. A hysterical and heartfelt story about holding onto your loved ones against all odds, MRS. DOUBTFIRE is the musical comedy we need right now – one that proves we're better together.

Based on the original direction by four-time Tony Award winner Jerry Zaks, the new musical comedy features a book by Karey Kirkpatrick and John O'Farrell and music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, the Tony Award nominated team behind Something Rotten!

The creative team is rounded out by tour director Steve Edlund and tour choreographer Michaeljon Slinger based on the original choreography by Lorin Latarro; Arranger and Orchestrator Ethan Popp; Music Supervisor Matthew Smedal, Scenic Designer David Korins; Costume Designer Catherine Zuber; Lighting Designer, Philip S. Rosenberg; Sound Design by Keith Caggiano; tour Hair & Wig Design by Victoria Tinsman based on original Hair & Wig Design by David Brian Brown; Makeup Design by Craig Forrest-Thomas; and Casting by Murnane Casting (Chad Eric Murnane, CSA and Amber Snead, CSA). The production is stage managed by Anna Klevit.

Review: & JULIET at BJCC Concert Hall

Sun, 24 May 2026 22:08:57 PST

The national tour of & Juliet, which I caught at the BJCC Concert Hall, is filled with energy, strong performances, and elaborate visual spectacle. Built around a soundtrack of recognizable pop hits, the production reimagines Romeo and Juliet by asking a simple question: what if Juliet’s story did not end the way Shakespeare originally intended? The concept is entertaining with plenty of fun moments throughout the show, but the production often struggles to find a consistent identity.

Because & Juliet is a jukebox musical, a lot of the songs felt forced into the story simply because the audience would recognize them. Juliet’s storyline about independence and taking control of her own life was interesting to me, but the script kept interrupting it with side plots, jokes, and unnecessary twists. Romeo’s return was unnecessary and only made the story feel even more complicated. I get that it’s supposed to be complicated and slightly random solely because William and Anne can’t agree on what to write, but it could’ve been better executed.

With the overcomplicated story, I was glad to see the excellent and perfectly executed lighting design. It fully enhanced what was happening on stage, and never distracted from it. However, the massive LED screen in the background did become distracting. A lot of the bright graphics and animations pulled my attention away from the performers instead of adding to the scenes.

Besides the crowded plot, strange song choices, and distracting graphics, what kept me invested throughout the performance was the cast. Even when the story became confusing, the performers kept the energy high from beginning to end. Fabiola Caraballo Quijada brought a lot of personality to Juliet, especially through her outstanding vocal performance. The cast still manages to keep the comedy and vocals strong the entire time, even when the story itself begins to lose focus.

& Juliet is clearly a show that many audiences will enjoy, especially those looking for a loud, high-energy performance filled with recognizable music and strong performances. Even though I had fun watching such a talented cast, I left wishing the show had stayed focused on its original story and emotional moments instead of constantly trying to outdo and overcomplicate itself.

THE NOTEBOOK North American Tour Adds 26 Cities to 2026-27 Route

Tue, 19 May 2026 08:13:15 PST

The North American Tour of THE NOTEBOOK hasannounced engagements for the 2026-27 season, adding 26 cites to the previously announced route, including stops in Atlanta, Boston, Dallas, and Houston. The tour began performances on September 6, 2025, at Playhouse Square in Cleveland, Ohio, and has welcomed over 500,000 patrons to date.

Read the reviews for the touring production of The Notebook.

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart in a deeply moving portrait of the enduring power of love. Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of THE NOTEBOOK played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

THE NOTEBOOK features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

The creative team for the tour includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production's music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Tina Faye. Casting by The Telsey Office, Patrick Goodwin, CSA.

The production was recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

2026-2027 Tour Dates:

Detroit, MI — Fisher Theatre
September 22 – October 4, 2026

Dayton, OH — Schuster Center
October 6 – 11, 2026

Grand Rapids, MI — DeVos Performance Hall
October 13 – 18, 2026

East Lansing, MI — Wharton Center
October 27 – November 1, 2026

Richmond, VA — Altria Theater
November 3 – 8, 2026

Pittsburgh, PA — Benedum Center
November 10 – 15, 2026

Schenectady, NY — Proctors
December 1 – 6, 2026

Boston, MA — Emerson Colonial Theatre
December 8 – 20, 2026

Oklahoma City, OK — Civic Center Music Hall
December 29, 2026 – January 3, 2027

Houston, TX — Hobby Center
January 5 – 10, 2027

Dallas, TX — Winspear Opera House
January 12 – 24, 2027

New Orleans, LA — Saenger Theatre
January 26 – 31, 2027

Hershey, PA — Hershey Theatre
February 3 – 7, 2027

Providence, RI — PPAC
February 9 – 14, 2027

Rochester, NY — Auditorium Theatre
February 16 – 21, 2027

Fayetteville, AR — Walton Arts Center
February 24 – 28, 2027

Huntsville, AL — Von Braun Center
March 2 – 7, 2027

Ft. Lauderdale, FL — Broward Center
March 9 – 14, 2027

Ft. Myers, FL — Barbara B. Mann Hall
March 16 – 21, 2027

Naples, FL — Artis—Naples
March 23 – 28, 2027

North Charleston, SC — North Charleston PAC
March 30 – April 4, 2027

Birmingham, AL — BJCC Concert Hall
April 6 – 11, 2027

Atlanta, GA — Fox Theatre
April 13 – 18, 2027

Tucson, AZ — Centennial Hall
April 27 – May 2, 2027

San Jose, CA — Center for the Performing Arts
May 4 – 9, 2027

Sacramento, CA — SAFE Credit Union PAC
May 11 – 16, 2027

StageMag Launches Programmable PDF Editor for Digital Theater Programs

Thu, 21 May 2026 10:04:02 PST

StageMag, the digital show program platform from BroadwayWorld, today launched its new PDF Editor to all producers and stage managers using the service. The tool gives editors granular, real-time control over how their digital program renders as a downloadable or printable PDF - the format most often used in lobby printouts, accessibility packets, and press kits.

Until now, the StageMag-to-PDF path was a one-shot export: whatever fit, fit. The new editor turns the export into a configurable surface. Each section of a program including the cast list, song list, director's note, bios, advertisements, sponsor pages, articles, listings and more — can be individually told how to paginate. Editors choose between three strategies per section:

Flow: natural pagination, sections may split across pages.
Own page: start the section on a fresh page.
Fit one page: start fresh and scale the section to occupy the whole page.

A live preview pane re-renders the PDF on every change, so editors see the final printed result as they work rather than guessing and re-exporting.Beyond the strategy picker, the editor exposes a set of advanced controls familiar to anyone who has hand-tuned a long-form print document: hide-element selectors (drop sponsor strips or vestigial nav from the print version), forced page breaks before or after named elements, a draggable section-order list, custom header/footer/watermark text, and a custom-CSS escape hatch for theaters whose programs follow a house style.

The release also includes paper-level controls including US Letter or A4, portrait or landscape, three margin presets, three type scales, and a "booklet" mode that adds a binding gutter for stapled lobby printouts.

The PDF Editor is available now to all StageMag-enabled productions at no additional cost, under the Share PDF tab in the program editor. Existing programs render with sensible defaults; the new controls are opt-in and per-production.

About StageMag

StageMag is BroadwayWorld's digital playbill platform, used by Broadway, Off-Broadway, regional, university, and community theater productions to publish interactive programs that audiences open on their phones from a QR code in the lobby. StageMag is offered as a free service to participating productions.

About BroadwayWorld

Founded in 2003, BroadwayWorld is the largest theater website in the world, covering Broadway, the West End, and theater news, reviews, interviews, and resources across all 50 US states and 45 countries.

SWEENEY TODD and More Set for Terrific New Theatre 6-Show 40th Anniversary Season

Wed, 06 May 2026 14:42:44 PST

Terrific New Theatre has revealed its 40th anniversary season for 2026–2027, with a lineup of six productions balancing cutting-edge contemporary plays, an iconic musical thriller, and bold theatrical storytelling that reflects TNT's commitment to impactful live theatre. This season includes recent New York premieres, regional favorites, an immersive theatrical experiment, and one of the most beloved musicals ever written. In addition to its season, TNT will present special holiday programming from Ravenswood Productions.

All Nighter

Fresh from Off-Broadway, the season opens with Natalie Margolin's All Nighter, a dramedy that follows a group of female friends studying for their exams during their final week of college. Over the course of one night, a series of secrets is revealed that changes their lives forever. The show opens July 23 and runs through August 9, 2026.

The Counter

Running September 10–27, 2026, is the warmly funny and yearning play The Counter, which follows the unlikely connection between a retired firefighter who visits the same counter every morning for a few cups of coffee and the waitress who is always there to serve him.

Sweeney Todd: The Demon Barber of Fleet Street

Stephen Sondheim's masterpiece Sweeney Todd: The Demon Barber of Fleet Street opens November 5 and runs through November 22, 2026. This dramatic musical is a gothic revenge tale about a wronged man who becomes a serial killer, wrapped in beautiful, intense music and sharp irony about justice and society.

Casey and Diana

Nick Green's Casey and Diana dramatizes Princess Diana's 1991 visit to Toronto's Casey House and focuses on the staff and residents finding hope and dignity during the AIDS crisis, highlighting Diana's role in breaking stigma. Commissioned by the Stratford Festival and premiering there in 2023, Casey and Diana has quickly gained national attention. This moving and timely work, which explores compassion, humanity, and resilience, runs February 4-21, 2027.

An Oak Tree

Favorite local actor and improv artist Nick Crawford stars in the one-man play An Oak Tree, one of the most inventive theatrical experiences ever written. Running April 1–18, 2027, the production features a remarkable twist: each performance includes a different guest performer reading their lines live from a script for the very first time. These special guest appearances create a unique experience for every audience.

TBA

TNT's season finale is officially listed as TBA, pending rights and permissions. The final production of the season will run June 3-20, 2027.

This year, Birmingham's annual It's a Wonderful Life: LIVE, produced by Ravenswood Productions, will be presented at TNT in December, offering theatergoers a special holiday event. This production is not part of TNT's regular season package, but rather a special add-on event.

SWEENEY TODD and More Set for Terrific New Theatre 6-Show 40th Anniversary Season

Wed, 06 May 2026 14:42:44 PST

All Nighter

The Counter

Sweeney Todd: The Demon Barber of Fleet Street

Casey and Diana

An Oak Tree

TBA

TNT's season finale is officially listed as TBA, pending rights and permissions. The final production of the season will run June 3-20, 2027.

Troy University Will Present TROY-DAP International Dance Intensive with World-Class Artists

Tue, 05 May 2026 15:54:34 PST

Troy University's partnership with Italy's Danza in Arte a Pietrasanta will now provide a new and exciting opportunity for dancers to learn from master performers and teachers from Europe and the United States through the TROY-DAP International Experience from July 30 through August 2.

For more than 10 years, dancers from TROY have traveled to Italy to participate in the Danza in Arte a Pietrasanta, the DAP Festival, a unique international festival that combines dance and music with visual arts. Now, a three-day intensive will bring the DAP Festival to TROY, combining performance, training, international cultural exchange and a strong synergy between dance and other art forms.

Adria Ferrali, TROY-DAP's Associate Artistic Director and the DAP Festival Director, said bringing the DAP Festival experience to TROY represents a bridge between two worlds in which American dancers will engage with international stars.

“This partnership isn't just about technique; it's about ‘Real Artistry and Real Connections,' providing a unique, high-level synergy between dance, culture, and global exchange that prepares the next generation for a truly international career,” Ferrali said.

Open to dancers age 14 and up, TROY-DAP will offer participants a wide range of educational and performance opportunities, master classes and interactive sessions with international performers and feedback sessions designed to support developing choreographers. Students will also have the opportunity to compete for scholarships to the DAP Festival in Italy, an immersive two-week dance experience.

Featured dance artists for TROY-DAP will include Danish choreographer, dancer and director Sebastian Kloborg; former San Francisco Ballet principal dancer Maria Kotchetkova; dancer, actor and movement director Maxwell Simoes; and Ukrainian-American Dancer, Choreographer and Movement Director Stephanie Noll.

“The TROY-DAP Dance Experience is the realization of a longtime goal of our Dance program to host an exclusive, top-notch intensive for pre-college and pre-professional dancers,” said Tori Lee Averett, TROY-DAP Program Director and Chair of TROY's Department of Theatre and Dance. “When the chance came to expand into an international approach, we knew this was the opportunity we had been waiting for. We've especially enjoyed the added pleasure of collaborating with our colleagues and friends from the DAP Festival in Pietrasanta, Italy, where our students have danced for the past ten summers as part of study abroad. It is incredible to be able to expand our partnership in such an authentic way that serves students and promotes cultural exchange – two things that resonate within Troy University's mission.

James Boyd, TROY-DAP associate director, said the project centers on a straightforward goal: bringing people together across international borders through shared artistic practice.

“This forward-thinking opportunity was made possible through the dedication and vision of a committed team, including representatives from Troy University, the DAP Festival, and leading voices from major dance organizations,” Boyd said. “Together, they have created a platform that fosters global connection while expanding educational exposure for participants.”

TROY-DAP's Education Coordinator, Deborah Hicks, hopes the experience will offer participants exposure to International Artists, allowing them to imagine the possibility of studying or dancing internationally.

“Until we are intimately exposed to difference, we typically avoid what we know very little about,” Hicks said. “Dance is such a universal language, but we tend to speak only part of that language, that with which we are familiar. While familiarity is comfortable, it is also limiting. We feel like this experience will open dancers' eyes to the limitless.”

To pre-register go to www.troy.edu/troydap. Registration for the full three days is $500; single-day registration is $250. Both options include instruction by guest artists and TROY faculty, on-campus housing (with a commuter option also available), meals, admission to all dance performances and access to special events, receptions, Q&A sessions and social events.

Troy University Will Present TROY-DAP International Dance Intensive with World-Class Artists

Tue, 05 May 2026 15:54:34 PST

James Boyd, TROY-DAP associate director, said the project centers on a straightforward goal: bringing people together across international borders through shared artistic practice.

OPERATION MINCEMEAT Reveals 2026-27 Tour Dates and Cities

Thu, 30 Apr 2026 09:12:44 PST

OPERATION MINCEMEAT has announced the full 2026/27 season dates for the North American leg of its world tour. The news comes as OPERATION MINCEMEAT celebrates its 500th performance on Broadway this Saturday, May 2, after hitting 2,000 performances worldwide - now playing simultaneously in the West End, on Broadway, and on tour across the UK. Following the North American leg, further stops on its international journey will include Australia, China, Mexico, and New Zealand.

Read the reviews for the Broadway run here.

Producer Jon Thoday for Avalon said, “Launching our third OPERATION MINCEMEAT production, the North American leg of the world tour, as the show reaches 500 performances on Broadway and passes 2,000 worldwide is incredibly exciting. With its continued international growth and an expanding fanbase, we look forward to welcoming new audiences across the continent.”

The North American leg of the Mincemeat World Tour will launch at the Providence Performance Arts Center (Providence, RI), on September 20, 2026, before crisscrossing North America this upcoming season, with stops including Chicago, Boston, Toronto, Los Angeles, and Washington, DC.

Operation Mincemeat Tour Dates:

Providence, RI – Providence Performing Arts Center
September 20–26, 2026

Chicago, IL – CIBC Theatre
September 29–October 11, 2026

Boston, MA – Colonial Theatre
October 13–25, 2026

Toronto, ON – Theatre TBD
October–December 2026

Philadelphia, PA – Forrest Theatre
December 15–20, 2026

Columbus, OH – Ohio Theatre
January 5–10, 2027

Detroit, MI – Fisher Theatre
January 12–24, 2027

Minneapolis, MN – Orpheum Theatre
January 26–31, 2027

Eugene, OR – Hult Center
February 3–7, 2027

Seattle, WA – 5th Avenue Theatre
February 10–21, 2027

Tempe, AZ – ASU Gammage
February 23–28, 2027

Salt Lake City, UT – Eccles Theatre
March 2–7, 2027

San Francisco, CA – Orpheum Theatre
March 9–28, 2027

Los Angeles, CA – Pantages Theatre
March 30–April 18, 2027

San Diego, CA – Civic Center
April 20–25, 2027

Hartford, CT – Bushnell Center
May 4–9, 2027

Durham, NC – Durham Performing Arts Center
May 11–16, 2027

Greenville, SC – Peace Center
May 18–23, 2027

Fayetteville, AR – Walton Arts Center
May 25–30, 2027

Tampa, FL – Straz Center
June 1–6, 2027

Washington, DC – The National Theatre
June 8–20, 2027

Buffalo, NY – Shea’s Performing Arts Center
June 22–27, 2027

Atlanta, GA – Fox Theatre
July 6–11, 2027

Memphis, TN – Orpheum Theatre
July 13–18, 2027

Fort Worth, TX – Bass Performance Hall
July 20–25, 2027

About Operation Mincemeat

In OPERATION MINCEMEAT: A NEW MUSICAL, it's 1943, and the Allied Forces are on the ropes. Luckily, they've got a trick up their sleeve. Well, not up their sleeve, per se, but rather inside the pocket of a stolen corpse. Equal parts farce, thriller, and Ian Fleming-style spy caper (with an assist from Mr. Fleming himself), OPERATION MINCEMEAT tells the wildly improbable and hilarious true story of the covert operation that turned the tide of WWII.

Written by triple Tony Award nominees SpitLip (comprised of David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts), OPERATION MINCEMEAT began performances on Broadway on February 15, 2025, and continues to play at the historic Golden Theatre (252 West 45th Street), where it has been extended eight times and will soon celebrate its 500th performance. The West End production, which has been playing at the Fortune Theatre since March 29, 2023, is widely recognized as one of the best-reviewed shows in West End history, holding the record for the most five-star reviews for a new musical, with a tally of 131. OPERATION MINCEMEAT has just launched its world tour, beginning with a UK leg before heading across the pond.

Olivier Award nominated Robert Hastie (Standing at the Sky's Edge, National Theatre – Best New Musical Olivier Award winner) will reprise his work for the tour, while Olivier Award nominated Jenny Arnold (Jerry Springer: The Opera, National Theatre) continues as Choreographer. The creative team will include Olivier nominated Set and Costume Designer Ben Stones (Standing at the Sky's Edge), Tony and Olivier winning Lighting Designer Mark Henderson (The History Boys), Tony nominated Sound Designer Mike Walker (Charlie & The Chocolate Factory), Tony nominated Orchestrator Steve Sidwell (Beautiful: The Carole King Musical), and Olivier nominated Music Supervisor Joe Bunker (Spring Awakening). Georgie Staight is Associate Director and Paul Isaiah Isles is Associate Choreographer. Production Stage Management is by Geoff Maus, Casting is by Carrie Gardner, CSA, and General Management is by TT Partners.

OPERATION MINCEMEAT has been nominated for 64 awards since opening at the 77-seat New Diorama Theatre in 2019, winning 13, including Best Musical 3 times, from the Olivier Awards, WhatsOnStage Awards, and Off-West End Awards. On Broadway, the show was nominated for 4 Tony Awards in 2025, including Best Musical. The production won Best Featured Actor in a Musical for Jak Malone's portrayal of Hester Leggatt, who previously won the Olivier Award in the same category. The production has also received nominations for Outstanding Production of a Musical at the Drama League Awards, Outstanding New Broadway Musical at the Outer Critics Circle Awards, Best Musical at the BroadwayWorld Theater Fans' Choice Awards, and Favourite New Musical at the Broadway.com Audience Choice Awards.

RAGTIME Will Launch National Tour in Fall 2027

Wed, 29 Apr 2026 16:00:22 PST

Lincoln Center Theater’s Broadway revival of Ragtime, directed by Kewsong Lee Artistic Director Lear deBessonet, announced today that it will launch a North American Tour in the fall of 2027. The tour will premiere at Shea’s Buffalo Theatre in Buffalo, New York, before continuing onto cities across the U.S. and Canada. Additional tour stops and casting will be announced at a later date.

Lincoln Center Theater’s limited engagement of Ragtime has been extended twice by popular demand with performances now through August 2, 2026. The production set a new box office record at the Vivian Beaumont Theater and was recently nominated foreight Drama Desk Awards, six Outer Critics Circle Awards including Best Revival of a Musical and Outstanding Direction of a Musical (Lear deBessonet), as well as five Drama League Awards including Outstanding Revival of a Musical and Outstanding Direction of a Musical (Lear deBessonet).

“Ragtime is one of the most ambitious musicals ever written, and it feels timelier than ever,” said producers Tom Kirdahy, Kevin Ryan, Robert Greenblatt, and Lamar Richardson in a statement. “What Lear deBessonet and this extraordinary company have created at Lincoln Center Theater is both epic in scale and deeply human. We couldn’t be more excited to share it with communities across North America.”

“It’s a real honor to kick off the North American Tour of Ragtime at Shea’s Buffalo Theatre,” said Buffalo presenter Al Nocciolino. “This is the kind of production people talk about long after the curtain comes down—remarkable in scale and deeply moving. We’re thrilled to welcome it to our stage and proud to share it with our community first.”

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Featuring a Tony Award-winning score by Stephen Flaherty and Lynn Ahrens, Tony Award-winning book by Terrence McNally, and Tony Award-winning orchestrations by William David Brohn, Ragtime weaves fictional narratives with real historical figures and events, creating a rich tapestry that blurs the line between personal struggle and national identity, making history feel both intimate and epic.

The creative team for Ragtime includes Ellenore Scott (choreography), David Korins (scenic design), Linda Cho (costume design), Adam Honoré & Donald Holder (lighting design), Kai Harada (sound design), 59 Studio (projection design), Tom Watson (hair & wig design), Ann James (sensitivity specialist), and The Telsey Office, Craig Burns, CSA (casting).

OH, MARY! Reveals Tour Dates and Cities For 2026-27

Wed, 29 Apr 2026 11:23:47 PST

The North American Tour of Oh, Mary! has announced the dates and cities for its 2026-27 season. The tour of the Tony Award and Olivier Award-winning comedy will tech and launch at The Bushnell in Hartford, Connecticut, with performances beginning September 19, 2026. Casting will be announced at a later date. Check out the full list of tour dates below~

Written by Tony Award and Olivier Award winner Cole Escola and directed by Tony Award winner Sam Pinkleton, Oh, Mary! opened on Broadway on July 11, 2024, and continues to play at the Lyceum Theatre, where it became the first show in the theatre’s 121-year history to gross more than $1,000,000 in a single week. Oh, Mary! has since broken its own box office record twelve times and became the first show of the 2024-25 Broadway season to recoup its investment. Oh, Mary! opened to rave reviews in London’s West End on December 18, 2025.

Oh, Mary! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln through the lens of an idiot (playwright Cole Escola).

The full creative team for the Broadway production includes dots (Scenic Designer), Holly Pierson (Costume Designer), Cha See (Lighting Designer), Daniel Kluger (Sound Design and Original Music), Drew Levy (Sound Designer), Leah J. Loukas (Wig Designer), Addison Heeren (Props Supervision), and David Dabbon (Musical Arrangements). Casting by Henry Russell Bergstein, CSA.

Oh, Mary! is produced on Broadway by Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia with Bob Boyett, The Council, Jean Doumanian Productions, Nicole Eisenberg, Jay Marcus & George Strus, Irony Point, Richard Batchelder/Bradley Reynolds, Tyler Mount/Tommy Doyle, Nelson & Tao, Palomares & Rosenberg, and Showtown Productions.

Tour Dates

September 19–23, 2026
Hartford, CT — The Bushnell

September 29–October 4, 2026
San Diego, CA — San Diego Civic Theatre

October 6–11, 2026
Las Vegas, NV — The Smith Center

October 13–November 1, 2026
San Francisco, CA — Curran Theatre

November 3–8, 2026
Seattle, WA — The Paramount Theatre

November 10–December 6, 2026
Los Angeles, CA — Ahmanson Theatre

December 21, 2026–January 3, 2027
Boston, MA — Emerson Colonial Theatre

January 6–17, 2027
Saint Paul, MN — Ordway Center for the Performing Arts

January 19–February 7, 2027
Chicago, IL — CIBC Theatre

February 9–21, 2027
Washington, DC — The National Theatre

February 23–28, 2027
Detroit, MI — Fisher Theatre

March 9–14, 2027
Philadelphia, PA — Miller Theater

March 16–28, 2027
Charlotte, NC — Blumenthal Arts

March 30–April 4, 2027
Cleveland, OH — Connor Palace

April 6–11, 2027
Tampa, FL — Straz Center

April 27–May 9, 2027
Houston, TX — Hobby Center

May 11–16, 2027
West Palm Beach, FL — Kravis Center

Play Broadway Games Every Day in May and Win a Merch Prize Pack

Wed, 29 Apr 2026 08:30:20 PST

Broadway fans, your daily warm-up just got a whole lot more rewarding. BroadwayWorld is launching the May 2026 Games Challenge - a month-long streak competition open to fans across the U.S., with a $250 merch prize pack featuring merchandise from popular Broadway shows up for grabs.

The challenge runs all 31 days of May 2026 (Eastern Time), and all you need to enter is a free BroadwayWorld account.

How It Works

The rules are simple: play at least one BroadwayWorld game every day in May. That's it. Complete all 31 days and you'll earn one entry to win the prize pack. Tracking is automatic once you're logged in - your progress populates on the challenge page as you play, no manual check-ins required.

Any of these six games count toward your daily credit:

Make-Up Days: Because Life Happens

Miss a day? You're not out of the running. Play all six games in a single day and you'll earn a make-up credit, which automatically forgives your earliest missed day. You can bank up to three make-up credits over the course of the month - so a skipped Tuesday or a busy weekend doesn't have to end your streak. Credits are applied to your missed days in order, oldest first.

Ready to Start Your Streak?

The May 2026 BroadwayWorld Games Challenge runs May 1-31 (Eastern Time) and is open to U.S. residents only.

Click here to get started. Sign in with your free BroadwayWorld account and your tracking begins automatically - no registration beyond that required.

See full rules and regulations here.

Review: RECON$TRUXION at Alabama Shakespeare Festival

Sun, 26 Apr 2026 20:01:16 PST

MONTGOMERY, ALABAMA — If there were an award for the best choice of a play for America's 250th birthday, ReCON$truXion might be the winner. Playwright Robert Schenkkan has created a story that is a "warts and all" portrayal of a critical chapter in American history, and the play and the audience are the better for it. ReCON$truXion is a triumph that educates, edifies, and entertains in its world premiere at the Alabama Shakespeare Festival.

ReCON$truXion tells the story of the political career of John Lynch, Mississippi's first Black Speaker of the House and later a congressman representing that state. But Lynch deserves to be more than a footnote in history. During the turbulent 1860s and 1870s, he was a leading voice for the rights of the newly freed Black men. Robert Schenkkan's script portrays Lynch as an American hero and a voice of moral authority by telling Lynch's story as a memory play. The framing device is a 1915 conversation with his niece Mabel, who serves as his scribe and is a budding civil rights activist herself. Most of the play, though, is told as flashbacks to the Reconstruction era.

Devin Kessler as Mabel (foreground) and William Oliver Watkins as James Worley (background) in ReCON$truXion at the Alabama Shakespeare Festival. Photo by Josh Moates.

ReCON$truXion is reminiscent of that recent American history superhit, Hamilton. Both plays follow the career of an underappreciated figure to teach the audience about America's failure to live up to its founding ideals. Both plays also have a throughline in which their main subject battles for years against a longtime political foe (Mississippi politician L. Q. C. Lamar in ReCON$truXion), and both even show the events of a disputed presidential election. Finally, there is a strong undercurrent of patriotism to both plays. Like Lin-Manuel Miranda, Schenkkan seems prompted to write his work because of his love for America and a desire to spur his audience to bring this nation closer to its full potential. In this effort, Schenkkan succeeds admirably. No rap music, though.

I hope that ReCON$truXion gets many more productions, though the script could use a few minor revisions. Some of the dialogue is anachronistic; the White characters (including southerners) use language like "freemen" exclusively, and not the more common terminology of the time that one would expect them to use. I suspect that Schenkkan wants to avoid using language that today is considered offensive, but this choice sanitizes the pervasive racism that Lynch and his people faced. However, the character who speaks the most like a modern American is Agnes (a teacher from the north who is Lynch's love interest). Multiple times, she uses the phrase "African Americans," which did not receive widespread casual usage until the late 1980s. Her discussion of Thomas Jefferson's relationship with Sally Hemings is also out of character for the period; at the time, the relationship was seen as mere rumor from a political enemy, and it was not a widely known aspect of Jefferson's legacy.

Despite these flaws in the dialogue, ReCON$truXion is superbly written. Schenkkan expertly makes political wheeling and dealing into high-stakes drama. The human element is always present, however. The script never loses sight of the fact that the lives and rights of real individuals are at stake, and some of these (like hotelier James Wormley, played by William Oliver Watkins) are drawn out quickly without sacrificing depth. The play is political drama made personal. As such, ReCON$truXion functions as a prequel to Schenkkan's All the Way and The Great Society. I would be fascinated to watch all three plays produced by the same company.

Eden Marryshow as John Lynch in ReCON$truXion at the Alabama Shakespeare Festival. Photo by Josh Moates.

Eden Marryshow stars as John Lynch, and he gives an engrossing performance that won me over immediately. Marryshow shows Lynch as an idealistic and charming man, and I never doubted that I was watching a natural-born politician. There is an urgency and focus in the performance; as the character turns his attention to each new issue, it seems to consume him — for better or for worse. Marryshow never portrays any doubt or uncertainty in his performance. Marryshow is smart enough to understand that this play needs a main actor who knows how to occupy the moral high ground without getting on his high horse.

The only problem with Marryshow's performance is that he never seems to age. The real John Lynch held his first public office at age 22 and was 67 years old in 1915. But Marryshow's physicality varies over the course of the 45 years of the play. Time does not seem to wear down Lynch.

Showing the passage of time should have also been a consideration for director Steve H. Broadnax III. However, Broadnax's direction is otherwise impeccable. Scenes move quickly from one to another, sometimes with shocking transitions that contrast the civility of the statehouse with the disturbing violence of the mob. I also loved how the impassioned speeches during the 1875 debate over civil rights were staged so that the audience sitting in the thrust seating is transformed into members of the House of Representatives. It is a scene that pulls the audience into the debate and makes them stakeholders in the outcome of the vote. Small-scale scenes (e.g., Agnes and Lynch's picnic, or the negotiation dinner at Wormley's hotel) are also masterfully directed and bring intimacy into this grand drama.

Left to right: Eden Marryshow as John Lynch, Lazarus Simmons as Robert Elliott, and William Oliver Watkins (seated) as Richard Cain in ReCON$truXion at the Alabama Shakespeare Festival. Photo by Josh Moates.

Devin Kessler plays all of the female roles in ReCON$truXion, and when playing Agnes and Mabel, she has the task of providing commentary on Lynch's political career. She does this well, but Kessler's characters are most interesting when they are a sounding board for Lynch. Kessler has a nice connection with Marryshow, and she brought a refreshing dose of femininity in a play that is otherwise dominated by men.

Grant Chapman plays L. Q. C. Lamar with a disarming southern drawl that betrays the character's conniving nature. Lamar is slimy in his underhanded dealing, but Chapman refuses to portray him a cartoony racist villain. Chapman makes Lamar realistically motivated mostly by self-interest and political advantage. Sure, Lamar was a racist, but because Chapman acts like a modern politician Lamar feels relevant and not like the relic of a distant past. Chapman understands the value of subtlety in the portrayal, and this is clearly a situation where "less is more."

The rest of the cast is the most cohesive ensemble I have seen in years. They frictionlessly move and act to execute transitions, pop in and out of the action, and give the play the momentum it needs for the conclusion to feel inevitable. Mark Light-Orr was a standout as James G. Blaine, with a commanding voice and firm bearing that matches the character's presidential ambitions. Speaking of presidents, I loved how Liam Craig played Ulysses S Grant with the mannerisms of a former general, which gave the performance layers of history behind it. Matt Wolpe as future president James A. Garfield emerged as one of the second act's greatest strengths, and the frustration that Garfield shows towards the unbending Lynch is illustrative in showing how Lynch alienated allies. (Plus, Wolpe even looks like the real President Garfield!)

A scene from ReCON$truXion at the Alabama Shakespeare Festival. Photo by Josh Moates.

The acting, writing, and directing are so good in ReCON$truXion that everything else seems like window dressing. Richard St. Clair's costume designs work well enough, though I was surprised that most of the men wore modern shirts and ties when their jackets, vests, and other clothes (even spats) were so faithful to the time period. I was also annoyed by how much many actors' shoes squeaked as they walked. The projections designed by Rasean Davonté Johnson were very helpful in setting the time and place of scenes and providing ambience. However, there was too much reliance on the cliché of the newspaper headlines, which should have been better designed to resemble newspapers at the time. The use of a modern font was particularly jarring.

Let's be real: when a theatre critic has to nitpick about a font choice to find something to complain about, you know that a production must be great. ReCON$truXion is a moving story that teaches its audience that, "Reconstruction did not fail. It was betrayed," to the detriment of some of America's most vulnerable citizens. But it ends with hope and optimism that this country can reach its full potential. Whether as a political drama, a biography, or a cautionary tale, ReCON$truXion is a stellar play that deserves success in Montgomery and many future productions all around this great nation.

NEWSIES Unseats LES MISÉRABLES to Win BroadwayWorld's 2026 Ultimate Movie Musical Bracket

Wed, 22 Apr 2026 13:26:32 PST

After six weeks of voting, BroadwayWorld readers have crowned Newsies the Ultimate Best Movie Musical in the 2026 edition of BroadwayWorld's Annual Bracket. The 1992 Disney film, directed by Kenny Ortega and featuring music by Alan Menken and lyrics by Jack Feldman, defeated Les Misérables in the final round, ending the Tom Hooper-directed film's two-year winning streak.

In both 2024 and 2025, Les Misérables was voted as the Ultimate Best Musical of all time, making it the title to beat heading into this year's competition. Newsies, a perennial fan favorite that developed a devoted following after its theatrical release and has since been adapted for the Broadway stage, advanced through six rounds of head-to-head matchups before claiming the title.

Now in its third year, BroadwayWorld's Bracket invites readers to debate, defend, and ultimately crown the greatest movie musical of all time from a field selected by BroadwayWorld editors. Voting in the 2026 edition opened on Tuesday, February 24 and concluded on Sunday, April 12, with new matchups released each week.

BWW Q&A: Hannah Kuykendall Talks SCHOOLHOUSE ROCK, LIVE! at Birmingham Children's Theatre

Fri, 17 Apr 2026 16:47:14 PST

Get ready to rock your way through grammar, math, science, and history in this high-energy musical based on the beloved educational TV series! Schoolhouse Rock Live! follows Tom, a nervous schoolteacher on the eve of his first day, who finds unexpected inspiration when characters representing different parts of his personality spring to life from his TV.

Together, they teach him how to engage his students through imagination and music with unforgettable songs like "Conjunction Junction," "Lolly, Lolly, Lolly," and "I'm Just a Bill." A fun, nostalgic adventure for audiences of all ages!

Hannah Kuykendall is a Birmingham-based choreographer, director, and performer working in professional theatre and arts education. She has choreographed and assisted on many productions with local and regional companies including Red Mountain Theatre, Birmingham Children's Theatre, and Alabama Symphony Orchestra.

In 2022 she won Birmingham's Dancing with the Stars of the Magic City, representing SEC Shorts. Schoolhouse Rock has always been special to Hannah — it was the first production she was ever in, at 10 years old. Now, two decades later, it holds even deeper meaning as her professional directing debut. We spoke with Hannah about coming full circle with this production, updating a classic for a new generation, and the magic that happens when kids experience live theatre.

What does it mean to you personally to be making your professional directing debut with Schoolhouse Rock Live!, a show you first performed in at age 10?

As cliché as this sounds, it really does feel full circle. Schoolhouse Rock Jr. was my very first show, and one of the reasons I fell in love with theatre. I also grew up going on field trips to Birmingham Children’s Theatre so coming back to direct here has been a kismet gift. It also feels like the right show for me to start with because I come from a choreography background and this piece is so driven by music and movement. From age 10 I’ve been trying to direct (whether my teachers asked for it or not ?) so it’s been a really natural stepping into this next role. Schoolhouse Rock, Birmingham Children’s Theatre, and theatre magic have now been constants in my life for 20 years and I couldn’t be more grateful to where they’ve led me.

How has your experience as a choreographer influenced your approach to directing this production?

Since the show is so music driven, I really relied on all the different styles I’ve learned over the years. There is truly a tiny bit of everything in this show. (Jazz, tap, disco, partner dancing, the charleston, even a little ballet.) I wanted the show to feel cohesive, but for each number to feel like its own world. When I choreograph I always start with the story first, something I learned from my middle school theatre teacher, Delle Kincaid, that has carried into my own directing. I’m constantly thinking about how movement is telling the story, not just filling space. One of my favorite things about our BCT crowds is that they are more likely to dance with you than typical audiences, so I built in a choreo vocabulary for the words “noun”,” verb”, and “adjective” that get repeated throughout the show in the hopes that at least one child will catch on and join in. It was important to me that the dancing stayed fun and accessible. Many of these kids haven’t grown up with Schoolhouse Rock, so I wanted it to feel engaging and easy to connect to. My experience performing at and choreographing for BCT have taught me so much about playing to the best (and most honest) critics you could ever have: young audiences. I think being a choreographer first has affected my directing mostly in how I track flow, I’m always thinking about movement, pacing, and keeping the show alive from moment to moment.

In what ways have you worked to update Schoolhouse Rock Live! for today's younger audiences while still honoring the beloved classic that so many adults remember fondly?

When I was doing my original research, I found that Schoolhouse has been produced many different ways, but usually with abstract screens and shapes with a focus on the many, MANY props asked for in the script. While the show is packed with lots of music props, there is a story there and I wanted to lean into it so the show didn’t just feel like a revue, but a full production. At the center of our version is a teacher who’s unsure going into his first day, and that’s something both kids and teachers can connect to. The kids are watching the story, but the teachers in the audience are living that feeling every day. So while everyone is enjoying all of the fun, nostalgic music they also might see themselves onstage. I’ve added small, current references in the props and choreo that younger audiences will recognize, but I didn’t want to overhaul what already works. The music is classic for a reason so instead of changing the sound or arrangements, I leaned into the original cartoons while building a more active world around them. It stays fun for younger students and meaningful for the well studied students ;)

How do you balance the nostalgia factor for adult audience members while keeping the energy and spectacle exciting and fresh for the children in the audience?

This was something I really wanted to focus on the entire process. I wanted the show to live up to the memories of Saturday mornings, but also invite completely new memories full of even more joy and learning. Adults will absolutely connect through the music and the nostalgia, kids will connect through the color, the movement, and all the surprises throughout the show. I think you chose the right word, “spectacle” because that’s exactly what this 75 minute show is. There are props galore including streamers, a train whistle, “snow”, sweatbands, adjectives for special audience members, “water effects” (watch out house left!), and what show wouldn’t be complete without a little black light and confetti? This show has everything except the kitchen sink! (Which is ironic because our set includes a kitchen without a sink.) However, underneath the high energy, fast paced trip down memory lane is the idea that you already have everything you need—it just needs to be unlocked, sometimes with a little music and education.

Can you talk about the role that music and movement play in making the educational themes of Schoolhouse Rock Live! accessible and engaging for young audiences?

I don’t know about you, but I can sing you all the Hannah Montana songs from middle school that I haven’t heard in YEARS, but have a good bit of trouble remembering all those good facts my teachers lovingly taught me. There’s a reason music sticks—it activates the parts of your brain that control emotion, memory, and language all at once. Music is what makes the information memorable and I’ve tried to add a physical layer to help with the memorization as well. I created a movement vocabulary throughout the show that includes specific gestures and even some sign language tied to certain words and concepts. So kids aren’t just hearing it, they’re seeing it and (hopefully) dancing it too. I wanted to reach as many learning styles as possible—visual, kinesthetic, and auditory. Music makes it memorable, and movement helps lock it in physically.

What has it been like working with Birmingham Children's Theatre on this production, and what does BCT's mission to bring professional theatre to young audiences mean to you?

Some of my first memories of theatre are at BCT. I can still vividly remember seeing A Christmas Carol with an entire other world onstage. The set was designed to look like a snowy, outdoor London street was similar to something that I had only ever seen at Disney world.. that is actually outside. It was magic to me. Getting to come back and direct that “magic” has been beyond special, but honestly, my favorite part is watching the kids watch the show. Their reactions are so honest: excited squeals as the house lights go down, invited interjections and the improvised ones too, clapping along to ballads, thunderous applause during bows, and the singing in the lobby on the way out really remind you exactly why this work matters. What I love about BCT is that they don’t talk down to their audience. Kids are smart, and they pick up on more than we think. From the beginning, my goal was to make something that feels like good theatre, not just a “kids’ show.” Theatre has always been a place for adults to process things and step away from everyday stress, and kids need that too. Being able to give them AND their chaperones an experience that’s joyful, engaging, and meaningful is important work, and I feel very lucky to be part of it at BCT. My biggest hope is for the students to have that same reaction I did when I was in their seat, especially the ones who don’t even realize yet that this could be something they get to share one day.

What has been the most rewarding part of bringing this production to life as both the director and choreographer?

Watching the kids react to moments exactly the way I hoped they would have been the most fulfilling part. And also in ways that I could've never imagined. After hearing our first audience singing the "Conjunction Junction” in the lobby post show—that’s when I know we did what we set out to do. It’s also been incredibly rewarding to finally have something that lived in my head for months actually come to life onstage. Regardless of age, audiences can really see the collaboration from every department in this show. I am so proud of our team, and grateful for their trust in me and my big dreams. Speaking of trust in me though.. This cast has been incredible from day one. Watching them grow together, handling all the changes I threw at them during tech week, and the joy these students bring to them and vise versa has made it very clear how lucky I am to have worked with this constellation of stars. I hope you’ll get a chance to see each one of them shine. I think they taught me way more than I taught them, and I am better because of our time together.

Why must audiences come and see the show?

If I haven’t sold you already… It’s genuinely enjoyable for any age. If you know the songs, there’s that nostalgia, and if you don’t, it’s still engaging and easy to connect to. There are catchy melodies, comedic and heartfelt moments, and there is real educational value. And if you’ve never been to a BCT show, this is a great one to start with for any age! Whether you know these songs word for word or are hearing them for the first time, I hope something will unlock for you: a memory, a laugh, or perhaps a deeper understanding of something you already knew about the world, or maybe even yourself. And at the very least, I can guarantee you will leave the theatre with an earworm or two, and a big smile on your face!

THE NOTEBOOK, THE WIZ, and More Set For Broadway Theatre League's 2026-27 Season

Mon, 13 Apr 2026 10:02:47 PST

The Broadway Theatre League in Huntsville has announced its 2026–27 season, which includes musicals, new theatrical productions, and special events.

The season will kick off with Waitress in September 2026, which follows a special run of Bluey's Big Play in August. The season will continue with Chicka Chicka Boom Boom, A Beautiful Noise, The Wiz, The Notebook, Beauty and the Beast, and Erth's Shark Dive.

Learn more about tickets and subscriptions here.

Bluey’s Big Play

August 26–27, 2026 – Season Special
Kicking off the season is Bluey’s Big Play, a delightful live stage adaptation of the hit children’s series. Featuring lovable characters, imaginative storytelling, and interactive moments, the production invites families to join Bluey and her friends on an unforgettable adventure filled with humor, heart, and playful surprises.

Waitress

September 25–27, 2026
Based on the beloved film, Waitress serves up a heartfelt story of friendship, resilience, and self-discovery. Featuring a score by Grammy Award winner Sara Bareilles, the musical follows Jenna, a talented pie-maker dreaming of a fresh start, as she navigates love, life, and the courage to pursue happiness.

Chicka Chicka Boom Boom: The Musical

October 22, 2026 – Community Show
Perfect for young audiences, Chicka Chicka Boom Boom: The Musical brings the classic children’s book to life with energetic songs and colorful storytelling. Audiences can watch as letters of the alphabet race up the coconut tree in a lively and educational theatrical experience designed to entertain and inspire.

A Beautiful Noise: The Neil Diamond Musical

November 20–22, 2026
Celebrating the life and career of music legend Neil Diamond, A Beautiful Noise is a jukebox musical filled with iconic hits. The show traces Diamond’s journey from a young songwriter to an international superstar, featuring beloved songs like “Sweet Caroline” and “Cracklin’ Rosie.”

The Wiz

February 9–14, 2027
The groundbreaking reimagining of The Wizard of Oz, The Wiz returns with its soulful score and vibrant storytelling. This Tony Award-winning musical blends funk, gospel, and R&B as Dorothy journeys through Oz, discovering courage, friendship, and the meaning of home.

The Notebook

March 2–7, 2027
Adapted from Nicholas Sparks’ bestselling novel, The Notebook brings a sweeping love story to the stage. Spanning decades, the musical explores the enduring power of love through the lives of Allie and Noah, blending emotional storytelling with a rich and evocative score.

Beauty and the Beast

March 24–27, 2027
Disney’s timeless classic Beauty and the Beast enchants audiences with its beloved characters, stunning visuals, and unforgettable songs. This magical tale of transformation and true love follows Belle and the Beast as they discover the beauty within.

Erth’s Shark Dive

April 1, 2027 – Community Show
Closing the season is Erth’s Shark Dive, an immersive theatrical experience that dives deep into the mysterious world of sharks. Combining puppetry, science, and storytelling, this interactive production offers an exciting and educational journey beneath the waves.

Terrific New Theatre to Present David Greig's THE EVENTS

Sat, 11 Apr 2026 21:36:18 PST

Terrific New Theatre will present The Events, a gripping and thought-provoking play that explores community, forgiveness, and the search for understanding in the aftermath of tragedy.

The production opens Thursday, April 16 and continues through Sunday, May 3, 2026.

Written by acclaimed playwright David Greig, The Events centers on Claire, a minister struggling to come to terms with a devastating act of violence that has shaken her community. As she navigates grief, anger, and unanswered questions, the play invites audiences into a deeply human journey toward meaning and reconciliation.

A unique feature of The Events is its use of a live choir, which changes with each performance, reflecting the diversity and collective voice of the Birmingham community. This dynamic element makes every performance a one-of-a-kind experience and reinforces the play’s central themes of shared humanity. Participating local choirs include: Episcopal Church of the Ascension, First Church of Birmingham, Steel City Men's Chorus, Southside Baptist Church, and Unitarian Universalist Church of Birmingham. In addition a newly formed TNT Chorale, comprised of actors and friends of TNT, will also be performing.

David Strickland directs The Events, assisted by Jordan DeWitt. Adrienne Clemmons serves as stage manager. Strickland is a familiar presence at TNT, having directed the first production in TNT’s current space Sunday in the Park with George, among other productions. As an actor, Strickland was also seen on the TNT stage in “The Minutes” last season.

Holly Dikeman, with several credits at TNT, plays Claire, the minister. Ryder Dean plays multiple characters; both were in TNT’s Sunday in the Park with George.

BroadwayWorld My Shows is Now Part of the New & Improved App

Mon, 13 Apr 2026 10:34:45 PST

Since launching last fall, BroadwayWorld My Shows has been the place where theatre fans log every production they've seen, rate performances, write reviews, and document their theatre experiences. Today, we're thrilled to announce that the complete My Shows experience - rebuilt from the ground up - is now available inside the BroadwayWorld app for iPhone and iPad.

Whether you're a Broadway regular, a West End devotee, a tour-chaser, or someone who just caught their very first show last weekend, My Shows in the app lets you track it all, connect with friends who love theatre as much as you do, and carry your entire theatregoing history with you wherever you go.

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The complete My Shows experience - rebuilt from the ground up - is now available inside the BroadwayWorld app for iPhone and iPad. Get started now!
♬ original sound - BroadwayWorld

What's New in My Shows

A Social Feed Built for Theatre Fans- See what your friends are watching in real time: new logs, star ratings, and reviews in a scrollable activity stream. Like, comment, and discover what your community is raving about.

Your Complete Theatregoing Stats - The redesigned Profile turns your history into beautiful statistics: Shows Seen, Total Attendances, Repeat Visits, a Broadway / West End / Tour / Off-Broadway / Regional breakdown, and a Musicals vs. Plays split.

Smart, Grouped Show History - Seen Wicked four times? Record repeart attendances with individual visits, ratings, and reviews.

Find Friends - Search members, send and accept requests, and build your theatre community. A friend-requests banner at the top of your feed means you never miss a new connection.

The Quick Start Wizard - Catching up on years of theatregoing? Rapidly rate and log shows across Broadway, West End, Touring, Off-Broadway, and a curated popular list of the longest-running Broadway productions of all time.

Theatres You've Visited - Browse every theatre on Broadway, and beyond. See where you've been, what's still on your list, and every production that's ever played there.

Wishlist - Keep track of the shows you're dying to see, now front and center in the app's tab bar.

Built for iPhone and iPad — The entire experience is fully optimized for both, with layouts that adapt to bigger screens.

Getting Started

If you already have a BroadwayWorld account, just open the app, tap My Shows, and sign in. Everything you've ever logged on the website will be right there waiting for you.

New to BroadwayWorld? Create a free account in seconds and start building your theatregoing history today.

Download the BroadwayWorld app - free on the App Store - and take your theatre life with you.

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Around The BroadwayWorld: Top News, Reviews, Interviews & More from March 2026

Wed, 08 Apr 2026 11:54:50 PST

Around the BroadwayWorld is our monthly snapshot of the biggest stories making waves across the global theatre community. In this March 2026 edition, we're bringing you a fresh batch of standout reviews from regional stages across the country - from the world premiere of Mrs. Christie at Cincinnati Playhouse In The Park to touring productions of The Great Gatsby in Houston, Water for Elephants in Minneapolis, and Wicked in Providence.

Tony-winning Stereophonic lands at DPAC in Raleigh, The Hunchback of Notre Dame takes the stage at Hale Centre Theatre in Utah, and Safety Not Guaranteed makes its way to Signature Theatre in DC. Plus, get a first look at exciting new productions through performance videos and photos, including White Rooster at Lookingglass Theatre, the new tour of Kinky Boots, Romeo and Juliet at Arden Theatre Company, The Crucible at Washington National Opera, and the Manila cast of A Chorus Line - and so much more from across the BroadwayWorld.

Interview: Matthew Lombardo and Beth Leavel Tell the Tale of WHEN PLAYWRIGHTS KILL

R. Scott Reedy | Boston

After the headline-making 2019 run of his “Tea at Five,” which starred Faye Dunaway, playwright Matthew Lombardo returns to Boston’s Huntington Theatre April 3–18 with his latest effort, “When Playwrights Kill,” a behind-the scenes comedy about an up-and-coming playwright whose Broadway dreams are dashed when his female lead, a famously difficult diva, derails his play’s out-of-town tryout in Boston.

Interviews

Interview: Adam Grant Morrison, Albus Potter in HARRY POTTER AND THE CURSED CHILD at The Fox Theatre

Joseph Harrison | Atlanta

The magic of HARRY POTTER AND THE CURSED CHILD has officially arrived in Atlanta, with the first-ever touring production now playing at the Fox Theatre as part of the 2025/2026 Regions Bank Broadway in Atlanta season, running through March 15. To celebrate this landmark engagement, I caught up with Adam Grant Morrison, who stars as Albus Potter, Harry’s son, in this theatrical continuation of the beloved wizarding world. In our conversation, Morrison reflects on growing up in Atlanta, discovering theatre unexpectedly, stepping into an iconic role he once only dreamed of, and what it means to bring this magical story home to the Fox Theatre stage.

Interview: Eymard Cabling of MISS SAIGON at Short North Stage

Paul Batterson | Columbus

Growing up in Rockville, Md., Eymard Cabling’s fields of study were somewhat limited. Cabling, who will be playing the role of The Engineer in Short North Stage’s upcoming production of the epic MISS SAIGON, thought he had three career choices.

Interview: SoCal's Leianna Weaver Talks Lydia, Ghosts, and BEETLEJUICE

Melissa Heckscher | Los Angeles

Southern California native Leianna Weaver speaks with BroadwayWorld about what it felt like to land the role of Lydia Deetz in BEETLEJUICE, how she relates to the character, and some onstage mishaps (that may or may not have involved fire).

Interview: Theatre Life with David Andrews Rogers

Elliot Lanes | Washington, DC

Today’s subject David Andrews Rogers Is currently living his theatre life and a lifelong dream on the conductor’s podium as the Musical Director and Conductor of the new touring production of Disney’s Beauty and The Beast. The show begins performances here in DC on March 18th and will play through April 5th at The National Theatre.

Interview: Theatre Life with Suzy Eddie Izzard

Elliot Lanes | Washington, DC

Today’s subject Suzy Eddie Izzard is an award-winning performer, marathon runner, and author. Her tour de force solo show The Tragedy of Hamlet will be seen right here in DC at Shakespeare Theatre Company (STC) from March 27th to April 11th. The show will be performed in STC’s Klein Theatre.

Reviews

Review: MRS. CHRISTIE at Cincinnati Playhouse In The Park

Caroline Conard | Cincinnati

It’s very seldom these days that an original play check sall the boxes, yet Mrs. Christie manages to do exactly that. A fantastical show with mystery, quirky characters, and deeper themes, Mrs. Christie is sure to have something for everyone!

Review: THE GREAT GATSBY at Broadway at The Hobby Center

Brett Cullum | Houston

The book is full of mysteries, unspoken judgements, and a vicious sense of classism mixed with ruthless self-preservation, and there is not a lot of this present in this interpretation, brought to life by Kait Kerrigan's book, Jason Howland's music, and Fitzgerald-inspired lyrics by Nathan Tysen.

Review: WATER FOR ELEPHANTS at Orpheum Theatre Minneapolis

Jared Fessler | Minneapolis / St. Paul

Water for Elephants has officially set up shop at the Orpheum Theatre, and it honestly doesn’t take long to get swept up in it. From the start, it feels less like you’re sitting in a theatre seat and more like you’ve wandered backstage at a traveling circus that just happens to break into song.

Review: STEREOPHONIC at DPAC

April Sigler | Raleigh

Stereophonic, the most Tony-nominated play of all time and winner of 5 Tony Awards including Best Play, offers a compelling fly-on-the-wall look at a 1970s rock band recording their next album. With strong performances and music that feels like a character of its own, the show immerses you in the creative process, even if its scale and runtime occasionally soften the intimacy.

Review: WICKED at Providence Performing Arts Center

Andria Tieman | Rhode Island

One could be forgiven for feeling a little burned out on Wicked these days. After two super-sized movies and a press tour that seemed to last a decade, Wicked-mania feels a bit on the wane. However, there is no substitute for seeing this show live on stage. This show is more relevant than ever, and the current touring cast are exceptional.

Review: THE HUNCHBACK OF NOTRE DAME at Hale Centre Theatre

Sydney Naegle | Utah

Review: THE HUNCHBACK OF NOTRE DAME at Hale Centre Theatre Mesmerizing and a true Top of the World experience.

Review: SAFETY NOT GUARANTEED at Signature Theatre

Aidan O'Connor | Washington, DC

Nostalgia is a funny thing. It catapults the ordinarily rational into webs of what-ifs and immobilizes presence in the now. But what if you could turn back time to fix that one regret or evaluate outcomes of disparate decisions. Would you do it, or would you choose to accept your past as part of you. Safety Not Guaranteed at Signature Theatre takes that exact journey and winds up in an alt-indie-rock concert with a semblance of sci-fi and human connection. Much like most time machines however, it’s transcendent in theory but lacks flawless execution in reality.

Videos

Photos & Video: First Look at WHITE ROOSTER at Lookingglass Theatre

Chloe Rabinowitz | Chicago

You can now get a first look at photos and video of the world premiere of White Rooster, written and directed by Ensemble Member Matthew C. Yee. The production has revealed an extension of its run.

Video: First Look at 'I Can Hear The Bells' from HAIRSPRAY at Casa Mañana Theatre

Joshua Wright | Dallas

Casa Mañana Theatre is currently presenting HAIRSPRAY, running through March 8. Check out a first look at “I Can Hear the Bells” in the video below.

Video: First Look at THE BODYGUARD at The John W. Engeman Theater

Joshua Wright | Long Island

Watch a first look video of The Bodyguard at The John W. Engeman Theater, running March 12 through April 26, 2026 in Northport, NY.

Photos/Video: First Look at ROMEO AND JULIET at Arden Theatre Company

Nicole Rosky | Philadelphia

Arden Theatre Company has released production photos and video from its staging of ROMEO AND JULIET, William Shakespeare’s tragedy directed by Barrymore Award–winning director Amina Robinson.

Video: KINKY BOOTS Tour First Look

Joshua Wright | Philadelphia

Get a first look at the new non-equity North American Tour of Kinky Boots. Leading the tour is Omari Collins as Lola, Noah Silverman as Charlie Price, Sophia Gunter as Lauren, Jason Daniel Chacon as Don, Emma Dean as Nicola, and John Anker Bow as George

Video: Hale Centre Theatre's THE HUNCHBACK OF NOTRE DAME

Joshua Wright | Utah

Watch a first look video of THE HUNCHBACK OF NOTRE DAME at Hale Centre Theatre, running March 9 to April 25, 2026, with full cast details and performance schedule.

Video: Watch 'One Man Wrecking Machine' From Signature Theatre's SAFETY NOT GUARANTEED

Michael Major | Washington, DC

Signature Theatre has shared an exclusive look at the cast of Safety Not Guaranteed performing 'One Man Wrecking Machine.' Watch the video from Ryan Miller and Nick Blaemire's musical now!

Video: First Look at THE CRUCIBLE at Washington National Opera

Joshua Wright | Washington, DC

Watch a first look video of THE CRUCIBLE at Washington National Opera, running March 21–29, 2026, with full cast and creative team details.

Photos

Photos: The Cast of WHEN PLAYWRIGHTS KILL Meets the Press

Bruce Glikas | Boston

The World Premiere production of WHEN PLAYWRIGHTS KILL, a new backstage comedy by Matthew Lombardo and directed by Noah Himmelstein, will be performed in Boston. The cast recently met the press and BroadwayWorld was there. Check out photos here!

Photos: CINDERELLA: A SALSA FAIRY TALE at South Coast Rep

Joshua Wright | Los Angeles

South Coast Repertory presents CINDERELLA: A SALSA FAIRY TALE, a bilingual musical by Karen Zacarias and Deborah Wicks La Puma, running February 20–March 8.

PHOTOS: A CHORUS LINE Manila Cast Meets the Press

Oliver Oliveros | Philippines

See photos from A Chorus Line Manila's press meet! Conrad Ricamora & Lissa deGuzman lead the all-Filipino cast at Samsung Performing Arts Theater, March 2026.

LES MISÉRABLES vs. NEWSIES: Final Round Voting Open For BroadwayWorld's Movie Musical Bracket

Mon, 06 Apr 2026 11:59:10 PST

Voting is now open for the final round of BroadwayWorld's Annual Bracket! Which film is really the Best Movie Musical of all time? Our editors have selected the options, and now BroadwayWorld invites YOU to join us and our readers in deciding which movie musical deserves the title of The Ultimate Best Movie Musical!

Now in its third year, BroadwayWorld's Bracket brings together our community to debate, defend, and ultimately crown the greatest of them all. In both 2024 and 2025, Les Misérables was voted as the Ultimate Best Musical of all time.

Will the beloved musical be reigning champ again across mediums? Or will the Newsies finally unseat the incumbent champ?

What will win this year's Ultimate Movie Musical Bracket? Vote now!

How To Participate

-Select your pick in each contest round below & submit the form.
-Come back for round each round to see if your selections made it.
-Didn't join the contest in the first round? No problem! Join in any round.

Schedule of Events

Round 1: Starts Tuesday, February 24, 2026 and ends Sunday, March 8, 2026
Round 2: Starts Monday, March 9 and ends Sunday, March 15, 2026
Round 3: Starts Monday, March 16 and ends Sunday, March 22, 2026
Round 4: Starts Monday, March 23 and ends Sunday, March 29, 2026
Round 5: Starts Monday, March 30 and ends Sunday, April 5, 2026
Round 6: Starts Monday, April 6 and ends Sunday, April 12, 2026

Check back daily for live stats to see how your favorite shows are ranking!

Vote Now & View Stats

BroadwayWorld Goes Even More Global: Now Available in 20 Languages

Mon, 06 Apr 2026 08:00:20 PST

The world's largest theatre site expands its multilingual platform ahead of FIFA World Cup 2026, America's 250th Anniversary, and a wave of international visitors — fueled by exponential month-over-month audience growth. International visitors have always been at the heart of Broadway's story.

As New York City and the broader United States prepare to welcome the world for a historic stretch of global events — including FIFA World Cup 2026 and America's 250th Anniversary celebrations — BroadwayWorld is expanding its platform to meet that moment in a meaningful way.

Since launching BWW Translate in September 2025 with five languages, BroadwayWorld has seen exponential month-over-month growth in international readership. That momentum has made one thing clear: the appetite for Broadway coverage, delivered in the language audiences know best, is far greater than we imagined. Today, we're proud to announce that BWW Translate is expanding to 20 languages.

Readers around the world can now follow BroadwayWorld's industry-leading news, reviews, and features in:

Spanish (Español)
French (Français)
German (Deutsch)
Portuguese (Português)
Italian (Italiano)
Chinese (中文)
Japanese (日本語)
Korean (한국어)
Hindi (हिन्दी)
Dutch (Nederlands)
Russian (Русский)
Arabic (العربية)
Hebrew (עברית)
Polish (Polski)
Swedish (Svenska)
Turkish (Türkçe)
Greek (Ελληνικά)
Vietnamese (Tiếng Việt)
Ukrainian (Українська)
Thai (ไทย)

"When we launched with five languages last fall, we hoped the world would respond — and they did, beyond anything we projected," said Robert Diamond, CEO and Founder of BroadwayWorld. "With FIFA bringing millions of international fans to American cities, and the country's 250th birthday drawing visitors from every corner of the globe, there has never been a better time to make sure anyone who wants to experience live theatre has a guide they can actually read. Twenty languages is a milestone, but it's not the finish line."

The expansion builds on BroadwayWorld's existing international infrastructure, including language-specific guides developed with the site's global network of editors, covering everything a first-time Broadway visitor needs to know — from buying tickets to understanding the Tony Awards. Those resources, now available across all 20 languages, are designed to turn curious international travelers into lifelong theatregoers.

About BroadwayWorld

Wisdom Digital Media Publishing launched in 2001 and its flagship site, BroadwayWorld.com, in 2003. BroadwayWorld is the largest theatre site on the internet, covering Broadway, the West End, and beyond — across 100 US cities, 45 countries, and now 20 languages worldwide. BroadwayWorld delivers complete up-to-the-minute Broadway, Off-Broadway, and regional theatre news, in-depth interviews, extraordinary photo coverage, entertaining video features, lively message boards, ticket discounts, reviews, and more.

World Premiere of ReCON$truXion Will Come to Alabama Shakespeare Festival in April

Tue, 31 Mar 2026 09:21:07 PST

Alabama Shakespeare Festival will present the world premiere of ReCON$truXion by Pulitzer Prize- and Tony Award-winning playwright Robert Schenkkan. This new work performs on the Octagon Stage April 23 – May 3, directed by Steve H. Broadnax III.

ReCON$truXion explores one of the most consequential — and most misunderstood — periods in American history. The Civil War is over, and out of the ashes, a new America struggles to be born. John Lynch, a man born into slavery, challenges the broken promises of the Reconstruction Era and rises to become a United States Congressman and chair of the Republican National Convention.

The play is commissioned by Alabama Shakespeare Festival for its New Southern Canon. Playwright Robert Schenkkan has earned a Pulitzer Prize, Tony Award, WGA Award, and Humanitas Award, as well as three Emmy nominations. He has authored twenty plays, including All the Way, The Great Society, The Kentucky Cycle, Building the Wall, and Bob & Jean: A Love Story. His film and TV work includes Hacksaw Ridge, The Quiet American, The Pacific, and All the Way.

Schenkkan says, “The tragic story of how close America came to achieving the dream — the great promise of its founding, that all people are created equal, endowed with unalienable rights, Life, Liberty, and the Pursuit of Happiness — and how it was betrayed, is not well known.”

“There are many heroes here, but one stands out to me: John R. Lynch,” said Schenkkan. “Born enslaved on a cotton plantation, self-educated, Lynch was a once in a generation political talent and orator. All his life Lynch fought to make the American promise real.”

ASF Artistic Director, Quin Gresham said by engaging with the history of Reconstruction, the play raises urgent questions about power, democracy, and the unfinished work of American freedom.

“We are proud to partner with Robert Schenkkan in bringing this new work to the stage and in continuing ASF's dedication to stories that illuminate the many voices and histories of the South,” said Gresham.

The production joins 15 other new works as a recipient of the 2025 Edgerton Foundation New Play Award. This award provides support for additional rehearsal time with the full creative team prior to the world premiere, with the aim of extending the life of the work beyond its first run.

“Each year, the Edgerton Foundation's support sustains the heartbeat of new play development,” said LaTeshia Ellerson, TCG's Co-Executive Director of National Engagement. “By giving playwrights, directors, and their collaborators more time to experiment and refine, these awards ensure that the most daring and transformative stories can take root and thrive beyond their premieres.”

Portraying John Lynch is Eden Marryshow, making his ASF debut. Marryshow's theatre credits include Ink (Broadway), Seven Guitars (Arena Stage), Amani (NBT/Rattlestick). Film and television credits include Nonnas, Archive 81, Long Bright River, and The Equalizer.

The cast includes Grant Chapman, Liam Craig, Brian Dykstra, Devin Kessler, Mark Light-Orr, Andrew Rein, Lazarus Simmons, William Oliver Watkins, and Matt Wolpe.

The production team includes Scenic Designer Robert Brill, Costume Designer Richard St. Clair, Lighting Designer Nic Vincent, Sound Designer Curtis Craig, Projections Designer Rasean Davonte Johnson, Projections Programmer Michael Salvatore Commendatore, Intimacy Choreographer Adrian Lee Bush, Dramaturg Tom Bryant, Stage Manager Lisa R. Stafford, Assistant Stage Manager Gabriella Walko, and Production Assistant El Hataway.

World Premiere of ReCON$truXion Will Come to Alabama Shakespeare Festival in April

Tue, 31 Mar 2026 09:21:07 PST

ASF Artistic Director, Quin Gresham said by engaging with the history of Reconstruction, the play raises urgent questions about power, democracy, and the unfinished work of American freedom.

The cast includes Grant Chapman, Liam Craig, Brian Dykstra, Devin Kessler, Mark Light-Orr, Andrew Rein, Lazarus Simmons, William Oliver Watkins, and Matt Wolpe.

Fifth Round Voting Open For BroadwayWorld's Best Movie Musical Of All Time Bracket

Mon, 30 Mar 2026 13:19:18 PST

Voting is now open for the fifth round of BroadwayWorld's Annual Bracket! Which film is really the Best Movie Musical of all time? Our editors have selected the options, and now BroadwayWorld invites YOU to join us and our readers in deciding which movie musical deserves the title of The Ultimate Best Movie Musical!

How To Participate

Schedule of Events

Round 1: Starts Tuesday, February 24, 2026 and ends Sunday, March 8, 2026
Round 2: Starts Monday, March 9 and ends Sunday, March 15, 2026
Round 3: Starts Monday, March 16 and ends Sunday, March 22, 2026
Round 4: Starts Monday, March 23 and ends Sunday, March 29, 2026
Round 5: Starts Monday, March 30 and ends Sunday, April 5, 2026
Round 6: Starts Monday, April 6 and ends Sunday, April 12, 2026

Check back daily for live stats to see how your favorite shows are ranking!

BroadwayWorld.com Birmingham Stories

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Editor's Picks: Top News Stories

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

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BroadwayWorld Launches Producer Fantasy Game

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Weekly Scoring

The Fantasy Forecast

Managing Your Roster

Join the Game

A DRAG QUEEN CHRISTMAS to Return for 12th Year With 39-City National Tour

This year's cast includes:

A Drag Queen Christmas 2026 Tour Dates:

SONIC LIVE IN CONCERT to Launch Global Tour With US and UK Premieres

I CARRY YOUR HEART WITH ME to Close Terrific New Theatre's Season with Dolores Hydock

I CARRY YOUR HEART WITH ME to Close Terrific New Theatre's Season with Dolores Hydock

MRS. DOUBTFIRE Will Come to BJCC Concert Hall

Review: & JULIET at BJCC Concert Hall

THE NOTEBOOK North American Tour Adds 26 Cities to 2026-27 Route

2026-2027 Tour Dates:

StageMag Launches Programmable PDF Editor for Digital Theater Programs

About StageMag

About BroadwayWorld

SWEENEY TODD and More Set for Terrific New Theatre 6-Show 40th Anniversary Season

All Nighter

The Counter

Sweeney Todd: The Demon Barber of Fleet Street

Casey and Diana

An Oak Tree

TBA

SWEENEY TODD and More Set for Terrific New Theatre 6-Show 40th Anniversary Season

All Nighter

The Counter

Sweeney Todd: The Demon Barber of Fleet Street

Casey and Diana

An Oak Tree

TBA

Troy University Will Present TROY-DAP International Dance Intensive with World-Class Artists

Troy University Will Present TROY-DAP International Dance Intensive with World-Class Artists

OPERATION MINCEMEAT Reveals 2026-27 Tour Dates and Cities

Operation Mincemeat Tour Dates:

About Operation Mincemeat

RAGTIME Will Launch National Tour in Fall 2027

OH, MARY! Reveals Tour Dates and Cities For 2026-27

Tour Dates

Play Broadway Games Every Day in May and Win a Merch Prize Pack

Review: RECON$TRUXION at Alabama Shakespeare Festival

NEWSIES Unseats LES MISÉRABLES to Win BroadwayWorld's 2026 Ultimate Movie Musical Bracket

BWW Q&A: Hannah Kuykendall Talks SCHOOLHOUSE ROCK, LIVE! at Birmingham Children's Theatre

THE NOTEBOOK, THE WIZ, and More Set For Broadway Theatre League's 2026-27 Season

Bluey’s Big Play

Waitress

Chicka Chicka Boom Boom: The Musical

A Beautiful Noise: The Neil Diamond Musical

The Wiz

The Notebook

Beauty and the Beast

Erth’s Shark Dive

Terrific New Theatre to Present David Greig's THE EVENTS

BroadwayWorld My Shows is Now Part of the New & Improved App

What's New in My Shows

Getting Started

Around The BroadwayWorld: Top News, Reviews, Interviews & More from March 2026

Editor's Pick

Interview: Matthew Lombardo and Beth Leavel Tell the Tale of WHEN PLAYWRIGHTS KILL

Interviews

Interview: Eymard Cabling of MISS SAIGON at Short North Stage

Interview: SoCal's Leianna Weaver Talks Lydia, Ghosts, and BEETLEJUICE

Interview: Theatre Life with David Andrews Rogers

Reviews

Review: MRS. CHRISTIE at Cincinnati Playhouse In The Park

Videos

Photos

LES MISÉRABLES vs. NEWSIES: Final Round Voting Open For BroadwayWorld's Movie Musical Bracket