BroadwayWorld.com Michigan Stories

DEAR EVAN HANSEN to Close Season 18 at Farmers Alley Theatre

Thu, 11 Jun 2026 20:24:28 PST

Farmers Alley Theatre closes out its 18th season with the exhilarating contemporary musical, Dear Evan Hansen. With an insightful original script by Steven Levenson and an electrifying pop-rock score by Benj Pasek and Justin Paul, this Tony Award winning show opens July 9th and is a story about finding your place in the world while navigating the universal search for connection. It is a new classic, with a message that has resonated with audiences around the world.

The story follows high school student Evan Hansen who has felt invisible his entire life. But when a tragedy shocks his community and thrusts him into the center of a rapidly evolving controversy, Evan is given the opportunity of a lifetime: the chance to be somebody else. As his web of well-intentioned lies begins to unravel, though, Evan is forced to confront the fact that the price of belonging may be far steeper than he bargained for.

"One of the most remarkable shows in musical theater history." - The Washington Post

Dear Evan Hansen will be directed by Kathy Mulay (Come From Away, Misery) who has directed 32 mainstage shows for Farmers Alley as well as numerous concerts, galas, cabaret and spotlight shows. Mulay is an invaluable asset to Farmers Alley whether as director, Costume Designer or as Production Manager. Mulay also served as the Vice President of the Board of Directors for many years.

“I first met composers Justin Paul and Benj Pasek when they were sophomores at the University of Michigan,” recalls Mulay, “and after hearing just a few songs, I knew immediately they were extraordinary young writers. Dear Evan Hansen is unique since social media serves as a powerful character — both as a lifeline and as a weapon. This important work explores themes of grief, loneliness, connection, and the powerful desire to belong. Librettist Steven Levenson wrote, ‘We live in a world today where we find ourselves as close to one another as the click of a button, and as remote and distant as galaxies.'”

“Like its title character, Dear Evan Hansen is complicated, vulnerable, imperfect, and deeply human,” Mulay continues. “Dear Evan Hansen offers the audience a powerful reminder of theatre's unique ability to help us feel seen, understood, and less alone.”

Mulay will collaborate with a very talented Music Director, Scott Patrick Bell (Grand Rapids Civic Theatre, Circle Theatre) who is making his Farmers Alley debut. Scott is currently on staff at SCHOOL OF ROCK GRAND RAPIDS. He has performed before Presidents, Bush, Reagan and Ford, and has worked on projects that have included Martin Short, Kevin Nealon, Jay Leno, and Tony Randall. Scott has been a musical director and band leader for over 30 years. Scott will also play keyboards for each performance and conduct a phenomenal band of local musicians.

As for the dynamite cast, audiences will see returning local favorites like Denene Mulay (Come From Away) as Cynthia, Carly Rose Mulay (Fun Home) as Zoe and Braeden Davis (Ride the Cyclone) as Connor, who were all a part of Farmers Alley's most recent smash hit Into the Woods. Additionally, Jacob Tyler Reinstein (Good Night, Oscar) will play the role of Jared and Kevyn Roessler (Beautiful) will serve as Swing/Understudy. The outstanding cast also consists of stellar professionals making their Farmers Alley debuts including Keegan Sells (Huntington Theatre Company) as Evan, Danny Gurwin (Broadway: Little Women, The Full Monty) as Larry, Lauren Singerman (NYC: Penguin Rep, TV: “All My Children”) as Heidi and Jacqueline Boynton (University of Michigan) as Alana.

“Dear Evan Hansen is a riveting show from start to finish,” says Managing Artistic Director, Jeremy Koch. “The script is captivating and the music is exhilarating. I saw this show in NYC at an off-Broadway theatre and I loved it. I got really swept up in the story. There is a masterful blending of humor and pathos, punctuated by a resonant and memorable score. I think our audiences will relate to Evan who feels disconnected from others due to his anxiety and the way that technology and social media can be overwhelming and all-consuming. I think it's fitting that we will tell this story in a dark theatre where we ask everyone to turn off their phones and screens and just listen and feel and learn. Dear Evan Hansen is in such good hands with Kathy Mulay, Scott Bell, Stage Manager Roger W. Burleigh and our extremely creative designers and proficient crew members.”

Dear Evan Hansen will run for three weeks from July 9th through July 26th, 2026 and some performances are already selling out. Performance days and times are Thursday, Friday and Saturday nights at 7:30pm as well as Sundays at 2pm. For all performance times, go to farmersalleytheatre.com.

Tickets range from $52-$56, with student ticket pricing at $20 for all shows. Farmers Alley Theatre is proud to offer 15% off regular ticket prices for Military/Veterans and Teachers (please call the box office to request that discount and have ID ready to show upon arrival). $20 rush tickets for adults and $10 rush tickets for students are offered for all performances starting 1 hour prior to curtain (subject to availability; theatergoers must be present at the box office).

American Sign Language (ASL) interpreted performance on Sunday July 19 at 2pm. Farmers Alley's ASL performances are generously sponsored by Barbara A. Rider & Fred W. Sammons as well as John & Lisa Schuemann. ASL Tickets are available for purchase at farmersalleytheatre.com or by calling the Box Office at 269-343-2727.

Video: The Teen Critics' Great Expectations are Met at THE OUTSIDERS

Thu, 11 Jun 2026 12:21:28 PST

Curious what your teenager might think about some of Broadway's most beloved shows before you buy the tickets? BroadwayWorld's Teen Critics are here to help!

We are continuing the series with Ava (13), Ellie (12), and Zander (13), who recently headed to the Bernard B. Jacobs Theater to check out The Outsiders on Broadway. Curious about what they thought of the show? Find out in this video!

In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade and their Greaser family of “outsiders” battle with their affluent rivals, the Socs. This thrilling new Broadway musical navigates the complexities of self-discovery as the Greasers dream about who they want to become in a world that may never accept them. With a dynamic original score, The Outsiders is a story of friendship, family, belonging... and the realization that there is still “lots of good in the world.”

Click Here to Play!

THE 39 STEPS to Close Williamston Theatre's 19th Season

Wed, 10 Jun 2026 23:25:13 PST

Williamston Theatre will present The 39 Steps adapted by Patrick Barlow. Performances begin Thursday, July 9 and run through Sunday, August 16. Tickets are now on sale.

London, 1935. Dull Richard Hannay encounters a woman who claims to be a spy. When she is suddenly murdered, Richard finds himself falsely accused and the focus of a nationwide manhunt led by a mysterious organization called “The 39 Steps.” And the chase is on. Based on the classic 1935 Hitchcock film, this theatrical adaptation is renowned for its ingenious blend of suspense, comedy, and masterful stagecraft. Speeding trains, quick changes, romance, and intrigue. All so close you can see the sweat on the actors' brows and feel the air change as they pass you by. It will leave you breathless, and you never have to leave your seat. The 39 Steps is a fast-paced, farcical whodunit with four versatile actors portraying more than 50 roles. Contains mature content. The performance runs approximately two hours with an intermission and contains flashing lights and strobe light effects.

The 39 Steps features Caitlin Cavannaugh (Predictor), Patrick Loos (Dial M for Murder, A Sherlock Carol), Emily Sutton-Smith (Incident at Our Lady of Perpetual Help, A Very Williamston Christmas) and Ryan Patrick Welsh (Dial M for Murder, A Case for the Existence of God). John Lepard (A Very Williamston Christmas, The Hat Box) is the Director. The production team includes Scenic Design by Sam Transleau (Incident . . .), Lighting Design by Shannon T. Schweitzer (A Sherlock Carol, Incident…), Costume Design by Mona Jahani (Incident…, Predictor), Sound Design by Lucas Nunn (Bad Books, Incident…), Prop Design and Scenic Dressing by Michelle Raymond (Bad Books, Dial M for Murder), Projection Design by Dustin D. Miller and Fight/Intimacy Direction by Alexis Black (Dial M for Murder, A Case…). The Stage Manager is Adam Kruger (Dial M for Murder, Incident…).

The 39 Steps runs for six weeks only – July 9 through August 16! The first four performances are Preview performances - Thursday and Friday at 7:30PM, Saturday and Sunday at 2:00PM. The schedule for the remaining four weeks - Thursday at 2:00PM, Friday at 7:30PM, Saturday at 2:00PM and 7:30PM, Sunday at 2:00PM. The Official Opening Night for The 39 Steps is Friday, July 17. Conversation Sunday is Sunday, August 9, immediately following the 2:00PM performance. Visit our website for more information about Previews and Conversation Sunday.

FIDDLER ON THE ROOF At The Encore Musical Theatre Company To Host Sensory Friendly Performance

Wed, 10 Jun 2026 08:53:38 PST

The Encore Musical Theatre Company has announced their event, A Thoroughly Friendly Day at The Encore, a special sensory-friendly performance of the beloved musical Fiddler on the Roof.

Taking place on Wednesday, June 17 at 2:00 PM, this inclusive performance is designed for individuals with sensory sensitivities, neurodivergent conditions, dementia, and other special needs.

Set in the small village of Anatevka, Fiddler on the Roof follows Tevye, a hardworking milkman, as he navigates family, faith, tradition, and change. Featuring unforgettable songs including "Tradition," "If I Were a Rich Man," "Sunrise, Sunset," and "Matchmaker," the Tony Award-winning musical has been captivating audiences for generations.

This special performance will be presented with adjustments designed to create a more comfortable theatre experience. Modifications include softened lighting and sound levels, open doors to the theatre, designated quiet spaces, and the freedom to move about as needed during the performance. Audience members and caregivers are encouraged to enjoy the show in whatever way feels most comfortable.

"Theatre should be for everyone," said Producing Artistic Director Dan Cooney. "We're proud to offer a performance that allows more people to experience the joy, music, and powerful storytelling of Fiddler on the Roof in a setting designed to meet their needs. This beautiful story about family, community, and resilience resonates across generations, and we're honored to share it with an even broader audience."

Supported by generous donors and community partners committed to accessibility and inclusion, A Thoroughly Friendly Day reflects The Encore's ongoing commitment to welcoming all members of the community to experience professional musical theatre.

The special performance is sponsored by Dan Chapman, The Kitchen at Jolly Pumpkin, The Willows at Mill Creek, Anne & Sean Donevan, Marilee & John Dechart, Busch's Fresh Food Market, GreenRoomX, and is further supported by a grant from the Dexter Community Fund.

This event is in partnership with Dementia Friendly Saline, T. Wall Foundation, Alzheimer's Association, Disability Network, Saint Louis Center, and Therapaws of Michigan.

The performance will take place on Wednesday, June 17, 2026, doors open at 1:00p, show at 2:00 PM at The Encore Musical Theatre Company located at 7714 Ann Arbor Street, Dexter, MI. Tickets are $20, available through The Encore Box Office at 734-268-6200.

Video: 'Waving Through A Window' Preview from DEAR EVAN HANSEN at Farmers Alley Theatre

Tue, 09 Jun 2026 16:00:17 PST

Farmers Alley Theatre has released a promotional video of Keegan Sells singing 'Waving Through A Window' from its upcoming production of DEAR EVAN HANSEN, the Tony and Grammy Award-winning musical set to open at the Kalamazoo venue on July 9.

DEAR EVAN HANSEN follows a socially anxious teenager whose private letter becomes the center of an unexpected web of connection, grief, and belonging. The musical has earned widespread recognition since its Broadway debut, winning multiple Tony Awards and developing a devoted following for its emotionally resonant score and its exploration of isolation and the human need to be understood.

Farmers Alley Theatre, a Kalamazoo institution now entering its 19th season, brings the production to downtown Kalamazoo this summer. The theatre has noted that some performances are already filling quickly, with tickets available through the company's website or by phone. DEAR EVAN HANSEN represents one of the most prominent titles in what the company recently announced as its 2026/2027 mainstage season, a lineup that also includes COME FROM AWAY and KIMBERLY AKIMBO.

The musical has been drawing significant regional attention this summer, with productions running or recently closed at companies across the country. BroadwayWorld recently published a review of Theatre Raleigh's production, which praised the cast and staging for finding genuine emotional depth in the show's themes of loneliness and the desire to belong.

Click Here to Play!

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Tue, 09 Jun 2026 12:03:21 PST

Around the BroadwayWorld is our monthly snapshot of the biggest stories making waves across the global theatre community. In this May 2026 edition, we're bringing you a fresh batch of standout reviews from regional stages across the country - from Brigadoon at Pasadena Playhouse in Los Angeles to The Phantom of the Opera at Seattle's Paramount Theatre and Pippin at Signature Theatre in DC.

Diane Paulus directs an immersive, David Bowie-inspired Life on Mars at American Repertory Theater, the producers of Japan's Gypsy revival walk back a planned title change, and we go behind the scenes with interviews spanning Adam Fields of the Beetlejuice national tour, The Muny's casting director Michael Baxter, Richard Kind on finally taking on Edna in Hairspray, and BWW's Kid Reporters chatting with the touring Von Trapp kids of The Sound of Music. Plus, get a first look at exciting new productions through performance videos and photos, including Anastasia at La Mirada Theatre, Dear Evan Hansen at Arden Theatre, Pippin at Signature Theatre, and the Manila cast of Jesus Christ Superstar - and so much more from across the BroadwayWorld.

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Joshua Wright | Boston

Diane Paulus will direct Life on Mars, an immersive theatrical production set to David Bowie's music, as the inaugural production at the Goel Center for Creativity & Performance in May.

GYPSY in Japan: Producers Walk Back Title Change Ahead of 2026 Revival

Joshua Wright | Japan

The Japanese revival of GYPSY will retain its original title when it returns to the stage in 2026, reversing an earlier decision to present the production under the name 'Rose.'

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Brock Mills | Jacksonville

For Adam Fields, returning to Jacksonville with the national tour of Beetlejuice the Musical isn’t just another stop, it’s a full-circle moment. The production will play in Jacksonville from May 12–17 at the Jacksonville Center for the Performing Arts.

Interview: BWW’s 'Kid Reporters' Chat With THE SOUND OF MUSIC’s Touring Von Trapp Kids

Melissa Heckscher | Los Angeles

BroadwayWorld Los Angeles' kid reporters talk with the young touring cast of THE SOUND OF MUSIC to find out what it's like to be part of one of Broadway’s most iconic shows and what actually happens behind the curtain.

Interview: Chatting with The Muny's Casting Director Michael Baxter

James Lindhorst | St. Louis

Michael Baxter’s work will shine on The Muny stage during all 50 performances this summer. He led the efforts and had a hand in hiring every one of the 194 actors who will fill the principal and ensemble roles.

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

James Lindhorst | St. Louis

When The Muny opens their production of Hairspray on June 15, 2026, the legendary Richard Kind will don Edna Turnblad’s housecoat and step into her fuzzy house slippers. Kind, star of stage, screen and film, calls it bucket list moments to get to perform at The Muny and play Edna all at the same time.

Reviews

Review: BRIGADOON at Pasadena Playhouse

Andrew Child | Los Angeles

Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human.

Review: THE PHANTOM OF THE OPERA at Paramount Theatre

Shelley Dean | Seattle

It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.

Review: PIPPIN at Signature Theatre

Aidan O'Connor | Washington, DC

Certain facets of the human condition are foundational to our very existence – change, connection, desire. One such particularly toxic universal truth is a constant need to be something more than we currently are. To search for happiness in external achievement rather than within ourselves, in our simple joys. Pippin at Signature Theatre breathes within that precise virulence, relatively orchestrated by a troupe of impeccably costumed and choreographed players. A feast for the eyes in all senses, Matthew Gardiner’s production surpasses even the highest of expectations.

Videos

Video: Watch La Mirada Theatre's ANASTASIA Star Lena Ceja Perform 'Journey to the Past'

Michael Major | Los Angeles

La Mirada Theatre has released new video footage of Lena Ceja rehearsing 'Journey to the Past' from their upcoming production of Anastasia. The production features Dillon Klena as Dmitry, a role first played on Broadway by his brother Derek Klena.

Photos/Video: DEAR EVAN HANSEN At Arden Theatre

A.A. Cristi | Philadelphia

Arden Theatre Company is now presenting DEAR EVAN HANSEN as the final production of its 2025/26 season, with performances continuing through July 5. New production photos and video have been released from the Philadelphia production, including footage of Evan A. Kaushesh performing “Waving Through a Window.”

Video: Watch 'Corner of the Sky' From Signature Theatre's PIPPIN

Michael Major | Washington, DC

Watch a video of Brayden Bambino performing 'Corner of the Sky' in Signature Theatre's production of Pippin. The in-the-round production is now running through July 26 with tickets available now.

Photos

Photos: Get a First Look at JESUS CHRIST SUPERSTAR in Manila

Oliver Oliveros | Philippines

The 2017 Olivier Award winner for Best Musical Revival, Tim Rice and Andrew Lloyd Webber’s rock opera 'Jesus Christ Superstar,' has officially opened at The Theatre at Solaire.

Photos: FIDDLER ON THE ROOF At The Encore Theatre

Mon, 08 Jun 2026 22:22:22 PST

The Encore Musical Theatre Company closes its 2025/26 Main Stage season with one of the most enduring and beloved musicals ever written, Fiddler on the Roof, running June 4 through July 19 in The Maas Theatre in Dexter. Check out photos of the production.

Sponsored by Marci & Stephen Feinberg, with onstage orchestra sponsorship by JoAnn R. Socha, this new production is directed by Dan Cooney and features a cast led by Broadway veteran and renowned Cantor, Daniel Eli Friedman, as Tevye.

Set in the small village of Anatevka, Fiddler on the Roof follows Tevye, a Jewish milkman, as he struggles to balance faith, family, and tradition while his daughters challenge long-held customs in a rapidly changing world. Featuring iconic songs including “Tradition,” “If I Were a Rich Man,” “Matchmaker,” and “Sunrise, Sunset,” the musical remains as timely and moving today as when it first premiered in 1964.

The cast also features Elizabeth Jaffe as Golde, Rebekah Geller as The Fiddler, and Lila Rose Harris, Lily Rosenberg, and Lily Wright as Tevye’s daughters Tzeitel, Hodel, and Chava. Eve Dahlia plays Shprintze, while the role of Bielke is shared by Olive Donow and Frankie McElroy.

Additional cast members include Fred Buchalter as the Rabbi, Jason Briggs as Lazar Wolf, Erit Gill as Yente, Hayden Steiner as Motel, Kiran Behr as Perchik, Caleb Smith as Fyedka, and Keith Kalinowski as the Constable, alongside Emmanuel Morgan, David Roden, Katherine Clemons, Beth Harris, Neri Frank, Trey Perlut, Joe Solomon, Dan Zimberg, and Jessie Alagna.

The creative team includes choreography by Jenny Florkowski, music direction by R. MacKenzie Lewis, scenic design by Sarah Tanner, costume design by Abby Sage Hall, lighting design by Rachel Lauren, props design by Anne Donevan, and sound co-design by Chris Goosman and Jasper Watson. The stage management team is led by Sarah M. Delia, with production supervision by Emma Hutchinson.

Tickets for Fiddler on the Roof are available now at The Encore Musical Theatre Company TheEncoreTheatre.org or by calling the box office (734.268.6200) Tuesday through Friday from 10 a.m. to 2 p.m.

Fiddler on the Roof is presented through special arrangement with Music Theatre International.

Photo Credit: Michele Anliker

Emmanuel Morgan, Joe Solomon, Trey Perlut, Neri Frank

Caleb Smith, Lily Wright

Lila Rose Harris, Hayden Steiner, Daniel Eli Friedman

Daniel Eli Friedman

Daniel Eli Friedman, Rebekah Geller

Elizabeth Jaffe, Daniel Friedman

Lily Rosenberg, Kiran Behr

Lila Rose Harris and company

Joe Solomon and Company

Rebekah Geller

Lily Rosenberg, Daniel Eli Friedman, Elizabeth Jaffe

Lily Rosenberg, Kiran Behr

Kiran Behr, Daniel Eli Friedman, Lily Rosenberg

Lily Rosenberg and Company

Lily Rosenberg, Daniel Eli Friedman

Hayden Steiner and Company

Daniel Eli Friedman and Company

Daniel Eli Friedman

Lila Rose Harris, Lily Wright, Lily Rosenberg, Daniel Eli Friedman

Lily Wright, Daniel Eli Friedman

Erit Gill, Elizabeth Jaffe, and Company

The Company

Elizabeth Jaffe, Lily Wright

Lila Rose Harris

Daniel Eli Friedman

Hayden Steiner

Kiran Behr, Lily Rosenberg

Drew Goldman, Joe Solomon, and Company

Jason Briggs

Elizabeth Jaffe, Daniel Eli Friedman, and Company

Daniel Eli Friedman and Company

Lila Rose Harris and Company

Trey Perlut, Joe Solomon, Hayden Steiner, Neri Frank, Emmanuel Morgan

Quota Foundation Of Genesee County Awards $5,000 Grant To FIM Flint School Of Performing Arts

Mon, 08 Jun 2026 05:17:41 PST

The FIM Flint School of Performing Arts (FSPA) received a $5,000 grant from the Quota Foundation of Genesee County to support its Seeing Stars Tuition Assistance program for the 2026-27 season, expanding access to high-quality performing arts experiences and instruction for students of all ages.

The grant will help remove financial barriers to arts education opportunities that foster creativity, confidence, self-expression and personal growth among participating students.

"We are grateful to the Quota Foundation of Genesee County for its investment in the young people we serve," said Davin Pierson Torre, director of FSPA and VP of performing arts instruction. "Programs like Seeing Stars help ensure that every child has the opportunity to discover their voice, develop new skills and experience the transformative power of the arts."

Founded in 1919, Quota International is dedicated to serving disadvantaged women and children and supporting individuals who are deaf or hard of hearing. Through fundraising and community service efforts, Quota clubs provide assistance to thousands of residents each year. The Quota Club of Flint was established in 1944 and has a long history of supporting organizations that strengthen the Genesee County community.

“The performing arts play a vital role in the lives of young people, helping them to find their voices and enhance their confidence,” said Susan Schneberger, chair of the Quota Service Committee. “Access to high-quality arts instruction can change the trajectory of a child's life.”

Seeing Stars Tuition Assistance is available to families year-round with demonstrated financial need. Registration for the FSPA summer term has begun, and awarded funds can be used toward private lessons, classes and summer camps. For more information, email fspa@thefim.org, or call the FSPA office at 810-238-1350 x3.

Quota Foundation Of Genesee County Awards $5,000 Grant To FIM Flint School Of Performing Arts

Mon, 08 Jun 2026 05:17:41 PST

The grant will help remove financial barriers to arts education opportunities that foster creativity, confidence, self-expression and personal growth among participating students.

ALMOST HEAVEN: JOHN DENVER'S AMERICA At The Great Lakes Center For The Arts

Fri, 05 Jun 2026 18:25:56 PST

Great Lakes Center for the Arts will present Almost Heaven: John Denver's America as part of its 2026 Summer & Fall Season. The production runs June 30 at 7:00 PM, July 1 at 7:00 PM, and July 2 at 2:00 PM, and celebrates the music and legacy of one of America's most beloved singer-songwriters. Tickets are on sale now.

For an entire generation, John Denver's voice served as a defining musical presence-an unmistakable blend of folk warmth, pop clarity, and country storytelling. His songs offered comfort, optimism, and a sense of shared experience that continues to resonate decades later. Almost Heaven revisits that legacy with reverence and simplicity, inviting audiences to reconnect with the melodies that helped define a cultural era, from "Take Me Home, Country Roads" and "Rocky Mountain High" to "Annie's Song" and "Sunshine on My Shoulders."

Timed with the nation's upcoming 250th birthday, the production reflects on a uniquely American musical voice and the enduring power of songs that connect generations. The cast, musicians, and creative team bring together accomplished artists with connections to Northern Michigan and stages across the country, highlighting the exceptional caliber of talent found right here in the region.

This production is supported in part by Richard and Tracy Hirrel.

Creative Team

The production is led by Great Lakes Center for the Arts Artistic Director Matthew Kacergis, whose work at the Center includes Jersey Boys, Mamma Mia, Godspell, When You Wish... A Tribute to 100 Years of Magic, and Music of the Night.

Music direction is led by Owen James, one of Northern Michigan's most accomplished guitarists. James has performed nationally and internationally, including appearances at The Grand Hotel (Mackinac Island), The Jazz Kitchen (Indianapolis), and the Mount Hood Jazz Festival (Oregon).

Musical staging is created by award-winning choreographer Daniel Cruz, whose career includes collaborations with Michael Jackson, *NSYNC, Prince, and Ashanti, as well as national tours of Fame: The Musical and In The Heights. Cruz previously choreographed GLCFA's Jersey Boys.

Lighting design is by Benjamin Arnett, known for his work on When You Wish: A Tribute to 100 Years of Magic and Music of the Night at GLCFA.

Stage management is led by Pamela Campi, whose international career includes work as a stage manager, show caller, and event producer across major productions worldwide. Campi also stage-managed GLCFA's When You Wish.

Cast

Ricky Hill has toured internationally with The Young Americans and performed across the U.S., U.K., Japan, Australia, and South Africa, sharing stages with artists including Barry Manilow and Susan Egan.
Christian Wilder, a Berklee College of Music graduate, toured nationally as keyboardist for the Michigan Rattlers.

· Derrick Truby returns to Northern Michigan after wowing GLCFA audiences with his powerful portrayal of Jesus in 2022's Godspell. He has performed at some of the nation's top regional theaters, including Ford's Theatre, Signature Theatre, the Folger Theatre, and more.

Lucy Hall (NYC-based), a Carnegie Mellon BFA Musical Theatre graduate, appeared at GLCFA in Music of the Night and recently played Alana in Dear Evan Hansen at Coachella Valley Rep.
Lucy Rossi has performed internationally with Disney Cruise Line and toured in Blippi! The Musical.

Band

The live band features a standout group of Northern Michigan musicians, led by Owen James.

Stephanie Cope
Maya Story
Andy Evans
Seth Kilbourn
Owen James

Performance + Ticket Information

Almost Heaven: John Denver's America
June 30, 2026 - 7:00 PM
July 1, 2026 - 7:00 PM
July 2, 2026 - 2:00 PM

Great Lakes Center for the Arts
800 Bay Harbor Drive
Petoskey, Michigan

Tickets start at $55 and may be purchased online at GreatLakesCFA.org, by phone at 231.439.2610, or in person at the Center's Box Office.

BroadwayWorld Launches Producer Fantasy Game

Tue, 09 Jun 2026 11:00:05 PST

Ever watched the weekly Broadway grosses roll in and thought you could pick the winners? Now you can put it to the test. BroadwayWorld has launched the Producer Fantasy Game, a free, season-long competition that lets theatre fans build a roster of Broadway shows and earn points based on how those productions actually perform at the box office. The draft window is open now.

How It Works

The setup is simple. During the draft window, you pick any six Broadway productions that opened this season. Drafting is non-exclusive, so there is no need to race a rival for a hot title. Any number of players can roster the same show.

From there, your shows go to work for you. Every week, each production on your roster earns fantasy points based on its reported box office grosses and capacity percentages. When Tony, Drama Desk, Drama League, and Outer Critics Circle nominations and wins are announced, your shows bank bonus points on top of that. And each week you can answer our Fantasy Forecast prediction questions for up to five bonus points per correct call.

Weekly Scoring

Each week, a show earns one base point for every $50,000 it grosses, so a $1 million week is worth 20 base points. On top of that, shows can earn bonuses: up to five points for filling seats (based on how close to full capacity the house ran), six points for grossing $2 million or more (or three points for grossing between $1 million and $2 million), and eight points if its gross jumped at least 15 percent from the week before. A show loses four points if its gross dropped at least 15 percent. If a show goes dark and reports no gross for a week, it scores zero for that week with no penalty.

The Fantasy Forecast

The Producer Fantasy Game is really two games in one. The first is the box office game: drafting shows and earning points from their weekly grosses and awards. The second is the Fantasy Forecast, a weekly set of prediction questions about what's happening on Broadway, where each correct answer is worth up to five points. You can play one or both.

We track them separately so you can shine at either. Your Producer score covers the box office game, your Forecast score covers your prediction results, and your Combined score adds the two together for the overall championship ranking. The leaderboard lets you toggle between Overall, Producers, and Forecasters, so a sharp predictor can top the Forecasters board even during a rough season for their roster, and a roster powerhouse can lead the Producers board without answering a single question.

Managing Your Roster

Your lineup stays at six shows all season, and you have plenty of room to maneuver. You get one free drop every week, three additional season drops to use anytime before the trade deadline, and free replacements whenever a show on your roster closes. New productions open throughout the season and become available the moment they start reporting grosses, so it pays to keep a transaction in your pocket for that buzzy new opening.

Join the Game

The Producer Fantasy Game is free for all BroadwayWorld users, and you can join any time the draft window is open. Draft within the first two weeks of the season and your roster is scored from opening week, so the earlier you get in, the more weeks you bank. Build your roster, make your predictions, and start climbing the leaderboard today.

ROBERTO CLEMENTE: A DIAMOND WITHIN to Open After Health-Related Casting Change

Thu, 04 Jun 2026 14:38:37 PST

Plowshares Theatre Company, Detroit's only professional African American theatre, has revealed the cast for the world premiere of “Roberto Clemente: A Diamond Within,” an original play by acclaimed playwright Cándido Tirado. The production will be directed by Plowshares founder, Gary Anderson, and feature Elvis Nolasco (Apple TV+'s Manhunt, Hulu's Mr. Crocket) as Roberto Clemente.

The production, a key part of the company's commitment to diverse storytelling, will run from June 5 through June 28, 2026, at the Marlene Boll Theatre at The Boll Family YMCA, 1401 Broadway, Detroit, MI.

Tickets for “Roberto Clemente: A Diamond Within” are currently available. Tickets are $21.50 for Students, $43.50 General admission and $41.50 for Seniors 65 and over. Group sales are available for groups of 10 or more.

The production features set design by Mike Collins, costume design by Amanda Marie, lighting design by Donald Fox and Charles Dolton, Jr.

ROBERTO CLEMENTE: A DIAMOND WITHIN to Open After Health-Related Casting Change

Thu, 04 Jun 2026 14:38:37 PST

The production features set design by Mike Collins, costume design by Amanda Marie, lighting design by Donald Fox and Charles Dolton, Jr.

Milica Govich Retires After 22 Years at Oakland University Theatre Program

Thu, 04 Jun 2026 08:58:48 PST

After 22 years of inspiring students in Oakland University's School of Music, Theatre and Dance, special lecturer and accomplished actress Milica Govich is retiring from teaching, leaving behind a lasting legacy in the university's theatre program and in the lives of countless students she mentored.

Govich joined Oakland University in 2004 and helped transform the university's Acting for the Camera curriculum into one of the theatre program's most sought-after areas of study. Throughout her tenure, she balanced her role as an educator with an active professional acting career that spanned film, television, Broadway and regional theatre.

"She has been instrumental in the growth of our 'Acting for the Camera' program and has been a tireless advocate for our students, actively promoting their early career entrance into the film and television industry," said Jeremy Barnett, chair of Oakland University's Department of Theatre.

Govich discovered her love for performing as a child, appearing in church and school plays before earning her Master of Fine Arts degree from Ohio University's Professional Actor Training Program and moving to New York City to pursue acting professionally.

Over the course of her career, she built an extensive résumé spanning stage, television and film. She toured nationally and appeared on Broadway in "Hello, Dolly!" starring Carol Channing and performed at leading regional theatres throughout Michigan, including Purple Rose Theatre Company, Meadow Brook Theatre, Performance Network Theatre and Jewish Ensemble Theatre.

Among her favorite stage roles were Virginia in "The Clean House" and Sonia in "Sonia Flew" at Performance Network Theatre in Ann Arbor, as well as roles in "Broadway Bound" and "Falsettos" at Jewish Ensemble Theatre. Her screen credits include the recurring role of Judge Leanne Dreben in "Law & Order," "Chicago Fire," "FBI: Most Wanted" and "Batman v Superman: Dawn of Justice," along with playing Gus's mom in the blockbuster film "The Fault in Our Stars."

Govich's connection to "The Fault in Our Stars" later came full circle at Oakland University when she was honored to moderate "A Conversation with John Green" in 2025 as part of the Varner Vitality Lecture Series. Held in the Oakland Center Founders Ballroom, the event brought students and community members together for a conversation with the bestselling author of the novel that inspired the film. Presented by the Student Life Lecture Board, Academic Affairs/Office of the Provost, The Donna and Walt Young Honors College and Oakland University William Beaumont School of Medicine, the event highlighted Govich's unique ability to bridge her professional acting career with meaningful student engagement opportunities on campus.

She said maintaining an active professional career allowed her to bring real-world experience and current industry knowledge into the classroom.

"I think students appreciated learning from someone who was actively working in the industry," she said. "It helped bridge the gap between classroom training and the realities of professional acting."

Her Broadway tour with "Hello, Dolly!" ultimately changed the course of her life.

"While playing Detroit, I was introduced to my future husband at a Serbian bowling tournament in Windsor," Govich recalled. "The rest is history."

After settling in Michigan, Govich became deeply involved in the regional theatre scene, performing at the Purple Rose Theatre Company and Meadow Brook Theatre. During an audition taking place on Oakland's campus, she stopped in to visit longtime theatre faculty member Karen Sheridan and left behind her résumé and headshot. Sheridan directed Govich in "And Then They Came for Me" at Meadow Brook Theatre.

"I marvel today that she was actually in her office," Govich said with a laugh.

A few months later, Govich was hired to teach Musical Theatre Workshop. Over the years, she also taught Intro to Theatre, Stage Voice, Actor Coaching, Acting for Non-Majors and Acting for the Camera, eventually developing the advanced Acting for the Camera curriculum in response to growing student demand.

"When I started at Oakland, on-camera acting was offered once every two years," Govich said. "Because of the demand, the program grew to a Cam 1 and 2 each semester, and sometimes even a Cam 3 and 4."

She said some of her proudest moments came from seeing former students succeed professionally in film, television and theatre.

"It's been wonderful seeing it expand and grow, and to see the students move on to work in the industry," Govich said. "I still maintain close relationships with many of them who still call for advice and coaching."

She also took pride in inspiring students to pursue theatre studies after taking her introductory courses.

"Several of my THA 1000 students became acting majors after taking my intro class," she said.

Reflecting on today's entertainment industry, Govich encourages aspiring actors to remain proactive and grounded.

"Create your own projects and work," she advised. "Take every opportunity that comes your way as you never know who you'll meet on the way. Have a life outside of your work. Having a family and supportive friends is key to having a happy life, and important to have that support as you pursue this very difficult career path."

Although she is retiring from teaching, Govich says she has no plans to step away from the arts.

"I'm not really retiring, just moving on to do other things," she said. Those plans include continuing to work on stage and screen, as well as finishing a screenplay she hopes to adapt into a play. "And whatever else the universe has in mind for me."

A DRAG QUEEN CHRISTMAS to Return for 12th Year With 39-City National Tour

Tue, 02 Jun 2026 19:57:07 PST

“A Drag Queen Christmas” will return for its 12th year, launching a 39-city national tour this November - December. The 2026 edition is hosted by returning fan favorite and theatre star Nina West, and features an all-new merry lineup of drag superstars from the Emmy-winning RuPaul's Drag Race franchise.

Artist pre-sale begins Wednesday, June 3 at 10 a.m. (local time) with the code “TWELVE,” and general on sale begins Friday, June 5 at 10 a.m. (local time) at dragfans.com.

This year's cast includes:

Myki Meeks, Winner of RuPaul's Drag Race Season 18 (2026)
Nini Coco, Runner-up, Drag Race Season 18 (2026)
Darlene Mitchell, Drag Race Season 18 (2026)
Juicy Love Dion, Drag Race Season 18 (2026)
Discord Addams, Drag Race Season 18 (2026)
Crystal Methyd, Drag Race All Stars Season 11 (2026) & Drag Race Season 12 (2020)
Silky Ganache, Drag Race All Stars Season 11 (2026), Drag Race All Stars Season 6 (2021), Drag Race Season 11 (2019)

“A Drag Queen Christmas” is the world's premiere holiday drag showcase and a sensational theatrical experience that delivers high camp, over-the-top lip-sync performances, side-splitting comedy, elaborate costumes, Broadway-style staging, and a whole lot of heart—something we all seek during the chaos of the holiday season. With plenty of spectacular surprises in store, the show offers audiences a chance to see drag queens at the top of their game perform showstopping numbers of epic holiday proportions on revered theater stages across America. Each year, “A Drag Queen Christmas” provides an annual tradition for folks from all walks of life to come together and connect, find community, and celebrate the season with joy and laughter.

This dazzling, 18+ holiday extravaganza runs two hours and offers fans the chance to add-on a VIP Meet & Greet Experience—including early access to the venue, photos with the queens on stage, autographs, and exclusive tour merchandise.

A Drag Queen Christmas 2026 Tour Dates:

November 11 - Detroit, MI (Fisher Theatre)

November 12 - Rochester, NY (Kodak Center)

November 13 - Rutland, VT (Paramount Theatre)

November 14 - Portland, ME (Merrill Auditorium)

November 15 - Boston, MA (Emerson Colonial Theatre)

November 17 - Red Bank, NJ (Count Basie Center for the Arts)

November 18 - Morristown, NJ (Mayo Performing Arts Center)

November 19 - Washington, DC (Warner Theatre)

November 20 - Durham, NC (Durham Performing Arts Center)

November 21 - Wilmington, NC (Wilson Center - Cape Fear Community College)

November 22 - Philadelphia, PA (Fillmore)

November 24 - Pittsburgh, PA (Byham Theater)

November 25 - Columbus, OH (Palace Theatre)

November 27 - Chicago, IL (Riviera Theatre)

November 28 - Appleton, WI (Fox Cities Performing Arts Center)

November 29 - Omaha, NE (Orpheum Theater)

November 30 - Oklahoma City, OK (The Criterion)

December 1 - Des Moines, IA (Hoyt Sherman Place)

December 2 - Kansas City, MO (Uptown Theater)

December 4 - Denver, CO (Paramount Theatre)

December 5 - Salt Lake City, UT (Kingsbury Hall)

December 7 - Seattle, WA (Moore Theatre)

December 9 - Sacramento, CA (Channel 24)

December 10 - San Francisco, CA (Golden Gate Theatre)

December 11 - Stockton, CA (Bob Hope Theatre)

December 12 - Los Angeles, CA (The Wiltern)

December 13 - Santa Rosa, CA (Luther Burbank Center)

December 15 - Mesa, AZ (Mesa Arts Center)

December 16 - Tucson, AZ (Fox Tucson Theatre)

December 17 - El Paso, TX (Plaza Theatre)

December 19 - Austin, TX (ACL Live at The Moody Theater)

December 20 - Dallas, TX (Winspear Opera House)

December 21 - Wichita, KS (Orpheum Theatre)

December 22 - St.Louis, MO (The Factory)

December 23 - Knoxville, TN (Tennessee Theatre)

December 26 - Tampa Bay, FL (Straz Center for the Performing Arts)

December 27 - Fort Myers, FL (Barbara B. Mann Performing Arts Hall)

December 28 - West Palm Beach, FL (Kravis Center for the Performing Arts)

December 29 - Jacksonville, FL (Florida Theatre)

Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER at Avon Players

Tue, 02 Jun 2026 17:11:23 PST

A production of A Gentleman’s Guide to Love and Murder is only as strong as its many moving parts, and this cast delivered them with delicious precision. The women of the show were far more than romantic interests orbiting Monty’s schemes—they were a dazzling constellation all their own. Hosanna Phillips as Sibella Hallward sparkled with mischievous charm and a twinkle of ambition, turning every entrance into a comic event, while Celeste Blanch (Phoebe D’Ysquith) floated through the chaos with warmth, sincerity, and a voice sweet enough to make even the most cynical audience member root for true love. Together, they provided the heart, wit, and emotional grounding that kept the production balanced amid its gleeful mayhem.

And then there was Tom Pagnano, who was tasked with portraying the entire D’Ysquith family—a theatrical marathon run at a full sprint. With astonishing versatility, Tom Pagnano transformed from aristocrat to reverend, society matron to outdoorsman, often in the blink of an eye. Each D’Ysquith felt fully realized, not merely differentiated by costume or accent but infused with distinct physicality, comic timing, and personality. Watching his rapid-fire parade of increasingly unfortunate relatives became a masterclass in character acting and one of the evening’s greatest delights. His performance was the engine driving the show’s wonderfully absurd humor, earning laughs before he even spoke a word. In a musical built on murder, inheritance, and mistaken priorities, the D’Ysquiths met their fates with such flair that audiences could hardly wait to see who would disappear next.

A Gentleman’s Guide to Love and Murder will be performing at the Avon Players now through June 6th. Get your tickets here.

Classical Repertory Theatre Will Return to The Hilberry This Summer

Tue, 02 Jun 2026 05:44:24 PST

For generations, the Hilberry Theater at Wayne State University was renowned for its vibrant repertory of classical plays, creating unforgettable experiences for audiences year after year.

This summer, that legacy begins a new chapter as the Michigan Shakespeare Festival, the Official Shakespeare Festival of the State of Michigan, makes the Hilberry Gateway its permanent home.

Beginning in July, audiences can enjoy a fully professional rotating repertory featuring Shakespeare's Richard III, Much Ado About Nothing, and a World Premiere adaption of George Farquhar's The Beaux' Stratagem.

Led by two of Michigan's most acclaimed directors, Janice L Blixt and Robert Kauzlaric, and brought to life in richly detailed period productions, these timeless works promise an extraordinary summer of storytelling, laughter, and theatrical magic.

Week One

Wednesday, July 1
7:30 PM — Preview Richard III (talk-back to follow) — 2-for-1 $48

Thursday, July 2
7:30 PM — Preview Much Ado About Nothing (talk-back to follow) — 2-for-1 $48

Friday, July 3
7:30 PM — Preview Richard III (talk-back to follow) — 2-for-1 $58

Saturday, July 4
OFF

Sunday, July 5
2 PM — Preview Much Ado About Nothing (talk-back to follow) — 2-for-1 $48

Week Two

Thursday, July 9
7:30 PM — Preview The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — 2-for-1 $48

Friday, July 10
7:30 PM — Preview The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — 2-for-1 $58

Saturday, July 11
2 PM — Richard III (talk-back to follow) — $48
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Sunday, July 12
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48

Week Three

Wednesday, July 15
2 PM — Richard III (talk-back to follow) — $48

Thursday, July 16
7:30 PM — Richard III — $48

Friday, July 17
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Saturday, July 18
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48
7:30 PM — Richard III (7:05 PM Bard Talk)

Sunday, July 19
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Week Four

Wednesday, July 22
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Thursday, July 23
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners — $48

Friday, July 24
7:30 PM — Richard III (7:05 PM Bard Talk) — $58

Saturday, July 25
2 PM — Much Ado About Nothing (talk-back to follow) — $48
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (7:05 PM Bard Talk) — $58

Sunday, July 26
2 PM — Richard III (talk-back to follow) — $48

Week Five

Wednesday, July 29
2 PM — The Beaux’ Stratagem (talk-back to follow) — $48

Thursday, July 30
7:30 PM — Much Ado About Nothing — $48

Friday, July 31
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (7:05 PM Bard Talk) — $58

Saturday, August 1
2 PM — Richard III (talk-back to follow) — $48
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Sunday, August 2
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48

Week Six

Wednesday, August 5
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Thursday, August 6
7:30 PM — Richard III — $48

Friday, August 7
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk)

Saturday, August 8
2 PM — Much Ado About Nothing (talk-back to follow) — $48
7:30 PM — Richard III (7:05 PM Bard Talk) — $58

Close
(Or, if there is a call for an extension — which I don’t think there will be for this first year, but hey.)

Sunday, August 9
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Classical Repertory Theatre Will Return to The Hilberry This Summer

Tue, 02 Jun 2026 05:44:24 PST

For generations, the Hilberry Theater at Wayne State University was renowned for its vibrant repertory of classical plays, creating unforgettable experiences for audiences year after year.

This summer, that legacy begins a new chapter as the Michigan Shakespeare Festival, the Official Shakespeare Festival of the State of Michigan, makes the Hilberry Gateway its permanent home.

Week One

Wednesday, July 1
7:30 PM — Preview Richard III (talk-back to follow) — 2-for-1 $48

Thursday, July 2
7:30 PM — Preview Much Ado About Nothing (talk-back to follow) — 2-for-1 $48

Friday, July 3
7:30 PM — Preview Richard III (talk-back to follow) — 2-for-1 $58

Saturday, July 4
OFF

Sunday, July 5
2 PM — Preview Much Ado About Nothing (talk-back to follow) — 2-for-1 $48

Week Two

Thursday, July 9
7:30 PM — Preview The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — 2-for-1 $48

Friday, July 10
7:30 PM — Preview The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — 2-for-1 $58

Saturday, July 11
2 PM — Richard III (talk-back to follow) — $48
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Sunday, July 12
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48

Week Three

Wednesday, July 15
2 PM — Richard III (talk-back to follow) — $48

Thursday, July 16
7:30 PM — Richard III — $48

Friday, July 17
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Saturday, July 18
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48
7:30 PM — Richard III (7:05 PM Bard Talk)

Sunday, July 19
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Week Four

Wednesday, July 22
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Thursday, July 23
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners — $48

Friday, July 24
7:30 PM — Richard III (7:05 PM Bard Talk) — $58

Saturday, July 25
2 PM — Much Ado About Nothing (talk-back to follow) — $48
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (7:05 PM Bard Talk) — $58

Sunday, July 26
2 PM — Richard III (talk-back to follow) — $48

Week Five

Wednesday, July 29
2 PM — The Beaux’ Stratagem (talk-back to follow) — $48

Thursday, July 30
7:30 PM — Much Ado About Nothing — $48

Friday, July 31
7:30 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (7:05 PM Bard Talk) — $58

Saturday, August 1
2 PM — Richard III (talk-back to follow) — $48
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk) — $58

Sunday, August 2
2 PM — The Beaux’ Stratagem: A Comedy of Bad Manners (talk-back to follow) — $48

Week Six

Wednesday, August 5
2 PM — Much Ado About Nothing (talk-back to follow) — $48

Thursday, August 6
7:30 PM — Richard III — $48

Friday, August 7
7:30 PM — Much Ado About Nothing (7:05 PM Bard Talk)

Saturday, August 8
2 PM — Much Ado About Nothing (talk-back to follow) — $48
7:30 PM — Richard III (7:05 PM Bard Talk) — $58

Close
(Or, if there is a call for an extension — which I don’t think there will be for this first year, but hey.)

Sunday, August 9
2 PM — Much Ado About Nothing (talk-back to follow) — $48

COME FROM AWAY, KIMBERLY AKIMBO, and More Set For Farmers Alley Theatre's 2026/2027 Season

Tue, 02 Jun 2026 05:24:39 PST

Farmers Alley Theatre has announced its 2026/2027 season lineup: My Mother and the Michigan/Ohio War, Come from Away, Accomplice, Lost in Yonkers, Kimberly Akimbo, and a TBD title to be announced soon.

Managing Artistic Director Jeremy Koch says, “The leadership team at Farmers Alley Theatre are grateful to our team and to our audiences for an extremely successful 18th season. We were blessed with frequent full houses and extended weekends. We have tripled our audience base over the last two seasons and we are so proud to be celebrating our 19th season with shows that are bound to spark joy and stir the soul. Our 2026/2027 Season promises thrilling experiences from the moment the lights go down to the final standing ovation."

My Mother and the Michigan / Ohio War

Season 19 begins with My Mother and the Michigan / Ohio War by Paul Stroili. From the creator of A Jukebox for the Algonquin comes a hilarious new comedy about family, football, and the "Toledo Strip." When a bizarre accident leaves Izzy a widow, she enlists her Wolverine daughter and Buckeye son to fulfill her late husband's dream: a full-scale reenactment of the Michigan-Ohio War. “Historical” becomes “hysterical” in this award-winning battle of wits. The Sun Times News says that the play “…combines side-splitting humor with poignant moments and an ending you'll never forget." My Mother and the Michigan / Ohio War opens September 17, 2026.

Come From Away

Farmers Alley Theatre then brings back a fan favorite for an early holiday gift: the musical from Season 18, Come From Away! On September 11, 2001, 38 planes were diverted to the tiny town of Gander, Newfoundland, doubling its population overnight. This Tony-winning musical tells the remarkable true story of the townspeople who opened their hearts and homes to thousands of stranded travelers, proving that even in the darkest times, we are all part of one global family. Kathy Mulay again serves as director, and there will be other familiar faces as well from last season's production. “Come From Away is the fastest selling show in our history,” says Koch. “It puts a spotlight on kindness, empathy, generosity and the enduring human spirit. We are bringing it back so quickly not only because 2026 marks 25 years since these events occurred, but more so because Come From Away is the kind of tale that people want to hear again and again. It reminds us about the best of humanity. It restores our faith in the world.” Come From Away opens November 5, 2026.

Accomplice

Looking ahead to 2027, Farmers Alley will sprinkle some mystery in your life as it presents Accomplice by Rupert Holmes. What begins as a classic murder plot at a remote British cabin quickly spirals into a meta-theatrical roller coaster of twists that blur the lines between fiction and reality. This Award-winning comedy-thriller will keep you screaming with laughter—just be sure to keep its secrets hush-hush! Accomplice opens January 28, 2027.

Lost In Yonkers

Next up on the docket is Neil Simon's Pulitzer Prize-winning masterpiece, Lost In Yonkers. Two young brothers are suddenly left on the doorstep of their stern Grandma Kurnitz in 1942 New York. As they navigate a strange new world, the boys encounter their eccentric Aunt Bella, her secret romance, and a small-time hoodlum uncle. It is a funny and poignant "memory play" about the resilience of family. Lost in Yonkers opens March 18, 2027.

Kimberly Akimbo

Finishing out the spring and leading the way into next summer is the unique and remarkable musical Kimberly Akimbo by Jeanine Tesori and David Lindsay-Abaire. Kimberly is a bright New Jersey teen navigating family dysfunction, a first crush, and a rare genetic condition that causes her to age at four times the normal rate. Forced to deal with everything from her own mortality to possible felony charges, she remains a hilarious optimist determined to find happiness and embark on a great adventure. Kimberly Akimbo opens May 20, 2027.

While Farmers Alley Theatre is keeping the final title of its upcoming Summer 2027 lineup under wraps for just a bit longer, anticipation is already building for what promises to be an absolute blockbuster. The final musical of the 2026/2027 season will open on July 15, 2027.

FIDDLER ON THE ROOF to Close The Encore Musical Theatre Company's Season

Mon, 01 Jun 2026 16:23:12 PST

The Encore Musical Theatre Company will close its 2025/26 Main Stage season with one of the most enduring and beloved musicals ever written, Fiddler on the Roof, running June 4 through July 19 in The Maas Theatre in Dexter. This new production is directed by Dan Cooney and features a cast led by Broadway veteran and renowned Cantor, Daniel Eli Friedman, as Tevye.

Set in the small village of Anatevka, Fiddler on the Roof follows Tevye, a Jewish milkman, as he struggles to balance faith, family, and tradition while his daughters challenge long-held customs in a rapidly changing world. Featuring iconic songs including "Tradition," "If I Were a Rich Man," "Matchmaker," and "Sunrise, Sunset," the musical remains as timely and moving today as when it first premiered in 1964.

"There's a reason Fiddler on the Roof has never left us," said Cooney. "It doesn't ask whether you belong - it asks how you hold on when the world insists you let go. That question feels just as urgent now as it did in 1964, and it's why we knew this had to be on our stage."

This production was inspired by contemporary stagings that revealed new layers within the classic musical. Scenic designer Sarah Tanner created an abstract ribbed roof structure that hangs over the stage throughout the production, symbolizing both shelter and pressure for the people of Anatevka.

At the center of the production is Friedman, whose personal and professional connection to the material brings added depth to the role of Tevye. A graduate of UCLA's School of Theatre, Film and Television, Friedman spent 15 years performing professionally in New York before entering the Cantorate. His theatrical credits include LES MISERABLES, Cats, and Forever Plaid. He currently serves as Cantor at Temple Ramat Zion in Northridge, California.

The cast also features Elizabeth Jaffe as Golde, Rebekah Geller as The Fiddler, and Lila Rose Harris, Lily Rosenberg, and Lily Wright as Tevye's daughters Tzeitel, Hodel, and Chava. Eve Dahlia plays Shprintze, while the role of Bielke is shared by Olive Donow and Frankie McElroy.

Lillian Tang and AJ Denomme Named 2026 Sutton Foster Award Winners

Mon, 01 Jun 2026 05:47:20 PST

Lillian Tang from Bloomfield Hills High School and AJ Denomme from Dakota High School were named Outstanding Performers in a Leading Role at the 14th annual Sutton Foster Awards Showcase held at Wharton Center on Sunday, May 31, 2026. The award—named in honor of Michigan's own Broadway star, Sutton Foster—is a celebration of outstanding achievement in individual artistry, vocal, dance, and acting performance for two leads in a high school musical theatre production. Lillian and AJ were two of the 150 high school drama students from across Michigan to compete for the award.

“I never thought I was going to be here. Everyone is so talented, and everyone works so hard. To hear my name being called out … I was SO excited,” reflects Lillian, on the moment she heard her name announced for Outstanding Performer.

Lillian and AJ will head to New York City to compete in The National High School Musical Theater Awards—otherwise known as the Jimmy Awards—on Monday, June 22, 2026, held this year at Broadway's Minskoff Theatre.

“If you had told freshman-year-me that this was even a possibility, he would have lost his mind. I can't believe that this is real right now,” says AJ, of his experience at this year's Sutton Foster Awards Showcase. “Growing up, I always wanted to do theatre because of my mom; she's been an actor all my life. I didn't start until high school, and now that I'm here … I don't even know how to describe it, what this heals in my younger self. It's possible, and you can always reach your dreams.”

Finalists for Outstanding Actress are:

From Milford High School, Ella Kusina
From Henry Ford ll High School, Eva Leora
From Bloomfield Hills High School, Lillian Tang
From Romeo High School, Tierny Tocco

Finalists for Outstanding Actor are:

From Troy High School, Omar Atasi
From Dakota High School, AJ Denomme
From Interlochen Arts Academy, Ravi Mampara
From Lakeview High School, Luis Rodriguez

The finalists will each receive a $1,000 cash scholarship, and two nominees will travel to NYC to compete in the 2026 Jimmy Awards.

Lillian Tang and AJ Denomme Named 2026 Sutton Foster Award Winners

Mon, 01 Jun 2026 05:47:20 PST

Finalists for Outstanding Actress are:

From Milford High School, Ella Kusina
From Henry Ford ll High School, Eva Leora
From Bloomfield Hills High School, Lillian Tang
From Romeo High School, Tierny Tocco

Finalists for Outstanding Actor are:

From Troy High School, Omar Atasi
From Dakota High School, AJ Denomme
From Interlochen Arts Academy, Ravi Mampara
From Lakeview High School, Luis Rodriguez

The finalists will each receive a $1,000 cash scholarship, and two nominees will travel to NYC to compete in the 2026 Jimmy Awards.

Guildhall School of Music & Drama to Launch 52 Summer Schools Courses for 2026

Thu, 28 May 2026 20:16:44 PST

Guildhall School has announced its 2026 Summer Schools programme, featuring 52 courses across drama, music, writing and Production Arts.

The programme includes 11 brand-new courses for participants aged 8+, alongside 15 drama, 3 writing, 15 music and 11 Production Arts courses.

Courses cater to a wide range of experience levels and offer participants the chance to build skills, explore new interests and work with likeminded peers.

Booking closes at 5pm on Friday 3 July 2026, or earlier if courses reach capacity.

Shortlist of courses taking place at Guildhall School:

SUMMER SCHOOLS

DRAMA COURSES

IN-PERSON COURSES

NEW Acting in an Accent: Standard Southern British English (Ages 18+) (in person)

Delivered in person from Monday 3 – Friday 7 August 2026, 10am–5pm.

This five-day course taught by Kat Hicks, a voice and dialect specialist with an MA in Voice Studies from the Royal Central School of Speech and Drama, will introduce participants to the foundations and principles of working in an accent other than their own. Using practical exercises led by a professional dialect coach, they will learn the foundations of accent analysis and application, with a focus on a contemporary Standard Southern British sound whilst building awareness of the range of speech systems in that area. Participants will be provided with a professional dialect breakdown sheet, sample recordings and appropriate texts.

NEW Acting Summer Course (Ages 8-11) (in person)

Delivered in person from Monday 3 August – Friday 7 August 2026, 9.30am-4.30pm.

This new five-day course invites 8–11-year-olds into a world of playful storytelling where collaboration and imagination take centre stage. The course is taught by alumna Eva Feiler whose TV and theatre credits include We Were the Lucky One (Disney+/Hulu), The Crown (Netflix), Father Brown, Beyond Paradise (BBC), Othello (RSC). Participants will develop performance skills in a supportive space where every voice is celebrated. Areas of focus will include voice, movement, drama games, improvisation & text work. The week will conclude with a short, informal sharing of work for parents/guardians.

Introduction to Screen Acting (Ages 18+) (in person)

Delivered in person from Saturday 18 and Sunday 19 July 2026, 10am – 5pm.

This two-day course introduces participants to the techniques and skills required for acting in film and television. Key areas of study include preparing for a scene, developing presence, and connecting authentically with a scene partner to produce truthful performances. The course is taught by actor, director, screenwriter, acting coach and lecturer Ryan Laccohee (Maisie Raine, Coronation Street, A&E, Silent Witness). Participants explore a range of practical techniques, learning repertoire as a large ensemble and in smaller groups, with optional opportunities for individual performance. The course also covers microphone technique, movement and vocal exercises. The workshop culminates in a recorded performance accompanied by a band on Sunday evening.

NEW Introduction to Stage Combat: Level 1 (Ages 18+) (in person)

Delivered in person from Saturday 18 – Sunday 19 July 2026, 9.30am-4.30pm.

This new two-day intensive workshop introduces the participant to the art of stage combat. They will explore the principles behind using violence and conflict safely within storytelling, and learn the essential techniques of both armed and unarmed combat for performance. The course is taught by Jonathan Waller, who has over 100 Fight Director credits for theatre and opera, including Shakespeare's Globe, Cheek by Jowl, The Chichester Festival Theatre, Mischief Theatre. The course combines theory and practice with presentations on the logic of violence, conflict communication and the fundamental principles of skill. The practical elements will include movement fundamentals, structured fight sequences, and weapon work (sword and dagger) alongside unarmed techniques and how they may be used in a performed fight.

NEW Introduction to Stage Combat: Level 2 – Advanced Weapons (Ages 18+) (in person)

Delivered in person from Sat 1 – Sun 2 Aug 2026, 10am–5pm.

This new two-day intensive workshop introduces the participant to the art of stage combat through the use of advanced weapon techniques. The course is taught by Jonathan Waller, who has over 100 Fight Director credits for theatre and opera, including Shakespeare's Globe, Cheek by Jowl, The Chichester Festival Theatre, Mischief Theatre. In this course, one will expand on their technical skills and apply core principles to a broad range of weapon types, deepening understanding of the logic of violence. The practical sessions will build on movement fundamentals and introduce advanced weapon categories: Two-handed weapons (e.g. staff, longsword), Dual weapons (e.g. sword and shield/buckler) and Single sword (e.g. rapier, small sword, Renaissance side sword, sabre). Training will include structured fight sequences and guidance on integrating these techniques into performed fights.

Introduction to Directing: First Steps (Ages 16–17) (in person)

Delivered in person from Friday 17 July – Sunday 19 July 2026, 10am–5pm.

This three-day course will introduce participants to the role of a director. Through practical exercises and discussions, they will work with a professional director and two actors. The course is taught by Lucinda Dawkins. Lucie is co-Lead of SCRUM Theatre, and an associate with Cheek by Jowl. She hosts the theatre podcast ‘Not True, But Useful'. She trained as a director at the Yale School of Drama, where she was the Cullaman Scholar in Directing. On this course, participants will expect to learn about the responsibilities and possibilities of a director's role, finding their creative voice as a director and how to bring a scene to life in collaboration with actors and a creative team.

MUSIC COURSES

ONLINE COURSES

About Advanced Music Theory: Grade 8 (Ages 14+) (online)

Delivered online from Monday 13 – Friday 17 July 2026, 10am–5pm, BST (UTC+1).

This five-day online music theory course is designed for individuals preparing for the ABRSM Grade 8 theory exam or for anyone wishing to strengthen their understanding of music theory. The course is led by Guildhall Composition Professor Paul Whitmarsh whose music has been performed at festivals across the UK, including Aldeburgh, Spitalfields, Cheltenham, Deal, Hampstead and Highgate, Tête à Tête, the bmic Cutting Edge series, and the Park Lane Group New Year Series. The course provides both group and one-to-one tuition, covering theory topics introduced at Grade 8 such as completing an extract from a Baroque trio sonata with a given figured bass line, completing a short extract of music for keyboard with a given outline, continuing a melody after a given opening and answering general questions on extracts of music.

IN-PERSON COURSES

NEW Harp Intensive (Ages 15-24) (in person)

Delivered in person Friday 17 July – Sunday 19 July 2026, 2–5pm & Saturday 18 and Sunday 19 July, 10am–5pm.

This exciting new course supports participants in developing their harp skills and preparing for conservatoire study, offering world-class tuition in a friendly and relaxed atmosphere. The programme has been developed by Imogen Barford, Charlotte Seale and Keziah Thomas. Imogen Barford is a leading freelance harpist whose career spans concerto performances at major UK venues and extensive orchestral, opera and ballet work with London's principal ensembles. Charlotte Seale is an internationally respected teacher and a leading exponent of French harp technique, with former posts at Trinity College of Music, the Royal Northern College of Music, Chetham's School of Music and the National Youth Orchestra of Great Britain. Keziah Thomas is principal harp with the Covent Garden Sinfonia and an acclaimed chamber musician with the Aoyama Trio and 4 Girls 4 Harps, praised by The Times for her attention to the harp's dynamic and rhythmic possibilities.

NEW Harp Intensive (Ages 9-15) (in person)

Delivered in person Monday 3 – Thursday 6 August 2026, 10am–4pm.

This four-day course invites young harpists to join teachers from Junior Guildhall for an inspiring week of immersive learning and performing. The programme offers opportunities to hone technique, develop tools for independent practice, strengthen ensemble and sight-reading skills, explore core orchestral repertoire, and deepen musical expression as both performer and musician. The course has been developed by Harriet Adie and Charlotte Seale. Harriet Adie is the founder of Harp Exam Boot Camp and author of the widely used A–G of Sight Reading series. She is the specialist harp coach for the LRAM course at the Royal Academy of Music and teaches at the Junior Department of the Guildhall School of Music & Drama and at Woldingham School. Charlotte Seale is Professor of Harp at the Guildhall School of Music & Drama (Senior and Junior Departments), the Royal Academy of Music (Senior Department), and the Purcell School of Music.

Jazz & Rock Week (Ages 14+) (in person)

Delivered in person Sunday 2 August, 2pm–6.30pm & Monday 3 – Friday 7 August, 10am–5.30pm.

This six-day course is designed for instrumentalists and singers who wish to develop their skills in jazz and rock music, gain inspiration and enjoy a vibrant, creative environment. The course is directed by Scott Stroman, Jazz Professor at Guildhall School, alongside professional musicians and specialist teachers from the School. Stroman has won the BBC Big Band Contest six times, made four albums as director of the Guildhall Jazz Band, and teaches jazz composition, arranging and performance. The week features instrumental and vocal workshops, jazz combos, rock bands, big bands, vocal groups, rhythm workshops, and classes in harmony and improvisation, as well as opportunities to record in Guildhall School's professional recording facilities. Tutor concerts offer a rare chance to see the course faculty perform, while the dedicated “music club” provides a supportive space for Jazz & Rock participants to share performances with one another.

Singers' Weekend: Jazz, Gospel & World Music (Ages 16+) (in person)

Delivered in person Saturday 1 – Sunday 2 August 2026, 10am–6pm.

This two-day course, led by Scott Stroman and Guildhall's Jazz Vocal Team, focuses on jazz, gospel and world music. Scott has been a Professor in the Jazz Department at the Guildhall School of Music & Drama since 1983 and was made a Fellow of the School in 1988. He has won the BBC Big Band Contest six times, made four albums as director of the Guildhall Jazz Band, and teaches jazz composition, arranging and performance. Participants learn songs both as a large ensemble and in smaller vocal groups, with opportunities for individual performance for those who wish to take part. The course explores a variety of repertoire while developing stylistic, rhythmic and harmonic awareness. Sessions also cover microphone technique, movement and vocal exercises. The workshop culminates in a recorded performance accompanied by a band on Sunday evening.

NEW Summer Strings Course: Intermediate (Ages 8-14) (in person)

Delivered in person from Tuesday 21 – Friday 24 July 2026, 9.30am-5pm.

Make music with like-minded participants together in a friendly, supportive setting in this new fun and engaging four-day summer strings course. Participants will strengthen their skills through focused guidance, take time to practice, learn to respond imaginatively to the repertoire and try new musical ideas. The course is taught by Rachel Cooper. Rachel Cooper is a violinist and educator with a Master's degree from the Royal College of Music. A trained Suzuki teacher, she has taught at the Guildhall School of Music & Drama Junior Department and now works with Music Masters as a violin teacher and mentor. She also runs her own Saturday violin programme in West London and performs regularly with freelance ensembles.

NEW Vocal Technique for Contemporary Singers (Ages 18+) (in person)

Delivered in person from Friday 17 – Sunday 19 July 2026, 10am-5pm.

This new three-day intensive course is for intermediate level vocalists and above, looking to enhance and improve their overall performance by developing their understanding of vocal technique; enabling greater vocal control, dynamic range and nuance, and breath control. Guided by vocalist and vocal coach Fini Bearman, the course focuses on exploring vocal technique in a contemporary music setting (jazz and pop). Fini Bearman is a professor of Jazz Voice & Songwriting at the Guildhall School and has worked extensively in these roles at various higher education institutions across the UK including Trinity Laban, The Royal Welsh College of Music & Drama, Leeds Conservatoire, the Institute of Contemporary Music and Goldsmiths University.

NEW Vocal Technique for Young Performers (Ages 13-17) (in person)

Delivered in person from Friday 31 July – Sunday 2 August 2026, 10am-5pm.

This exciting new three-day course is for young vocalists who have already gained some experience performing or working together with a vocal teacher. Participants will develop their understanding of vocal technique through enabling greater vocal control, dynamic range and nuance, and breath control. Guided by vocalist and coach Fini Bearman, the course focuses on exploring various popular repertoire from within jazz and contemporary music. Fini Bearman is a professor of Jazz Voice & Songwriting at the Guildhall School and has worked extensively in these roles at various higher education institutions across the UK including Trinity Laban, The Royal Welsh College of Music & Drama, Leeds Conservatoire, the Institute of Contemporary Music and Goldsmiths University.

WRITING COURSES

NEW Writing a Two-Hander (Ages 18) (in person)

Delivered in person from Monday 20 – Friday 24 July 2026, 10am-5pm.

Writing a Two-Hander is a hands-on, energising new five-day course designed to take participants from first spark to first draft plan. Over five days, they will develop a clear blueprint for their script and gain the confidence to take it forward — all the way to the stage. Participants will also connect with fellow creatives and leave with tools they can use again and again. The course is taught by award-winning writers and performers Maddie Rice and Tom Machell. Maddie Rice is known for her work on Fleabag (2016), Every Blank Ever (2018) and Handy (2019). Whilst Tom Machell is an award-winning writer and performer from Newcastle upon Tyne, whose credits include the BBC Radio 4 sitcom Tom and Lauren are Going OOT! (2024) and the play Toast F**K (2024). As an actor, Tom has recently appeared in Vera (ITV), Hullraisers (Channel 4) and Emmerdale (ITV).

PRODUCTION ARTS COURSES

IN-PERSON COURSES

Prop Making (Ages 16+) (in person)

Delivered in person from Monday 20 July – Friday 24 July 2026, 10am–5pm.

This five-day course will introduce participants to a wide range of techniques and materials used by a prop department for theatre, film or TV. The course is taught by Aurélie Clark whose credits and projects include Edinburgh Fringe, Pride, Birra Moretti Beer, Intu, Starbucks, Lazy Town, Almeida Theatre, Albany Theatre, Elstree Studios, British Summer Time Hyde Park and Hackney Empire. Prop makers use a variety of materials, techniques and tools and work can range from making intricate period items to iron thrones, Harry Potter's wand, a stormtrooper helmet, to Dr Who's nemesis the daleks. Areas of skills can range from mold-making, sculpture, life-casting, prosthetics, puppetry, armour, woodwork, upholstery and restoration. By the end of the week, participants will have created a number of their own props that they will be able to take away with them.

Scenic Art (Ages 16+) (in person)

Delivered in person from Monday 20 July – Friday 24 July 2026, 10am–5pm.

This five-day course in scenic art led by Vanessa Cass, Head of Design Realisation at Guildhall School, will introduce participants to scenic painting techniques used to create realistic backdrops and set pieces for theatre, events and TV. They will learn how to scale up from a designer's model, techniques for transferring an image, how to prepare a surface for painting, the correct way to mix colours, the appropriate choice of equipment and materials for their paint finish, how to achieve a range of paint effects like wood, stone, metal and marble and how to use textures to replicate bricks, plaster and concrete.

SONIC LIVE IN CONCERT to Launch Global Tour With US and UK Premieres

Wed, 27 May 2026 20:59:39 PST

As Sonic the Hedgehog celebrates 35 years as one of the most iconic video game franchises of all time, Senbla and SEGA today announced Sonic Live In Concert (www.sonicliveinconcert.com). This new concert experience brings the music and moments of the beloved video games to the stage.

Featuring iconic moments and music from the very first game in 1991 through today, the production will debut in the U.S. at the Dolby Theatre in Hollywood on September 26, 2026, before making its European premiere at London's Eventim Apollo on September 30. The U.S. tour will visit more than 30 cities nationwide, and a UK tour will follow in February 2027. More European dates will be announced at a later time. Tickets will go on sale May 29, 2026, with pre-sale tickets going on sale on May 28, 2026.

As part of a global rollout celebrating the franchise's milestone anniversary, Sonic Live In Concert features the most recognizable music from the Sonic universe, performed by a live ensemble alongside rock musicians, vocalists, and electronic elements. The setlist includes fan-favorite tracks and an incredible array of music from the very first game through to today accompanied by synchronized HD footage of iconic levels, moments and boss battles from the franchise. Audiences can expect musical Easter eggs woven into the arrangements, adding an extra layer of discovery that brings Sonic's world vividly to life on stage.

The concert also highlights the creative legacy behind Sonic's music from legendary composers Jun Senoue and Tomoya Ohtani, whose work has helped define Sonic's sound across generations.

"Sonic has some of the most distinct and celebrated music in gaming," says Ollie Rosenblatt, CEO of Senbla. "We wanted to create a live show that stays true to what the fans love about Sonic's music, from the electronic and melodic themes to high-energy rock."

“Music has always been a core part of Sonic's identity, shaping how fans experience this world across generations," said Ivo Gerscovich, Chief Business & Brand Officer at SEGA of America, Inc. "With this concert, we're looking forward to celebrating that legacy in a live setting; bringing together the energy, emotion, and creativity of Sonic's music in a way that both longtime fans and new audiences can enjoy together.”

Since his debut in 1991, Sonic the Hedgehog has become a global entertainment icon spanning video games, film, television, and consumer products. With renewed momentum driven by recent film releases, new game titles, and a global brand campaign tied to the 35th anniversary, the franchise continues to reach new generations of fans worldwide.

The performance schedule includes:

September 20, 2026 – Spokane, Washington – First Interstate Center for the Arts
September 22, 2026 – Seattle, WA – Paramount Theatre (preview)
September 23, 2026 – Portland, OR – Keller Auditorium (preview)
September 25, 2026 – San Diego, CA – San Diego Civic Theatre (preview)
September 26, 2026 – Hollywood, CA – Dolby Theatre
September 27, 2026 – Riverside, CA – Fox Performing Arts Center
September 29, 2026 – Mesa, AZ – Mesa Arts Center - Ikeda Theater
September 30, 2026 – London, U.K. – London Eventim Apollo
October 1, 2026 – Las Vegas, NV – Resorts World Theatre
October 2, 2026 – Fresno, CA – Saroyan Theatre
October 3, 2026 – San Jose, CA – San Jose Civic
October 4, 2026 – Reno, NV – Grand Theatre at The Grand Sierra Resort & Casino
October 6, 2026 – Denver, CO – Temple Hoyne Buell Theatre
October 8, 2026 – Irving, TX – The Pavilion at Toyota Music Factory
October 9, 2026 – Houston, TX – Bayou Music Center
October 10, 2026 – San Antonio, TX – Boeing Center at Tech Port
October 11, 2026 – Oklahoma City, OK – The Criterion
October 13, 2026 – Wichita, KS – Orpheum Theatre
October 15, 2026 – Omaha, NE – Orpheum Theater
October 16, 2026 – Peoria, IL – Prairie Home Alliance Theater
October 17, 2026 – Louisville, KY – The Louisville Palace Theatre
October 18, 2026 – St. Louis, MO – The Factory
October 19, 2026 – Nashville, TN – Ryman Auditorium
October 20, 2026 – Mobile, AL – Saenger Theatre
October 22, 2026 – Brandon, MS – City Hall Live
October 23, 2026 – Huntsville, AL – VBC Mark C. Smith Concert Hall
October 24, 2026 – Atlanta, GA – Fox Theatre
October 25, 2026 – Greensboro, NC – Steven Tanger Center for Performing Arts
October 27, 2026 – Charlotte, NC – Ovens Auditorium
October 28, 2026 – North Charleston, SC – North Charleston Performing Arts Center
October 29, 2026 – Jacksonville, FL – Florida Theatre
October 30, 2026 – St. Petersburg, FL – Duke Energy Center for the Arts - Mahaffey Theater
October 31, 2026 – Fort Lauderdale, FL – Broward Center for the Performing Arts - Au Rene Theater
November 1, 2026 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
February 17, 2027 – Glasgow, UK – Royal Concert Hall
February 18, 2027 – Edinburgh, UK – Usher Hall
February 19, 2027 – Manchester, UK – Bridgewater Hall
February 20, 2027 – Birmingham, UK – Symphony Hall

For more information, tour dates, and tickets, visit www.sonicliveinconcert.com.

THE ROCKY HORROR PICTURE SHOW Spooktacular Tour Will Return to Wharton Center with Barry Bostwick

Thu, 21 May 2026 08:10:38 PST

The Rocky Horror Picture Show, the longest-running theatrical release in film history, will return to Wharton Center for an evening of musical comedy, live interaction, a costume contest, an onstage Shadow Cast, and more. The event is set for October 25.

Fans will be able to meet and talk with Barry Bostwick—acclaimed star of this original cult classic—in person. Bostwick iconic portrayal of “Brad Majors” has thrilled generations of fans for 50 years.

Bostwick explains why The Rocky Horror Picture Show is one of film history's most enduring classics, “It's fun, noisy, and rude, and only exists today because of the dedicated fan base and incredible ‘shadow casts' from around the world. They make it spectacular entertainment, every show. It is nicely naughty!!! They bring the party. They invite you to participate. It's rock and roll!!!” said Bostwick.

“Three generations of party goers have passed it down from one to another. It is a rite of passage from innocence to understanding and questioning!” commented Bostwick.

The evening will also include a memorabilia display with artifacts and costumes from the movie.

The Rocky Horror Picture Show is the iconic little movie that conquered Hollywood. The hit movie stars Tim Curry as the devious and fabulous Frank-N-Furter, Meatloaf, Barry Bostwick, and Susan Sarandon as everybody's favorite nerdy couple—Brad and Janet—and the film's creator Richard O'Brien as Riff Raff. The film has become one of the longest weekly showing movies in the world. The 2023-2024 National Tour gives fans the chance to experience in person this very special interactive sensation.

THE ROCKY HORROR PICTURE SHOW Spooktacular Tour Will Return to Wharton Center with Barry Bostwick

Thu, 21 May 2026 08:10:38 PST

“Three generations of party goers have passed it down from one to another. It is a rite of passage from innocence to understanding and questioning!” commented Bostwick.

The evening will also include a memorabilia display with artifacts and costumes from the movie.

THE LAST WIDE OPEN to Make Michigan Premiere at Theatre NOVA in Ann Arbor

Wed, 20 May 2026 17:05:02 PST

Theatre NOVA, Ann Arbor's resident nonprofit professional theatre specializing in new plays, will present the Michigan premiere of The Last Wide Open by Audrey Cefaly, a tender, time-bending romance unfolding across parallel possibilities. The production runs May 22 - June 14, 2026.

Across three brief acts, the lives of weary waitress Lina and immigrant dishwasher Mikołaj intersect in three different versions of the same connection-each shaped by choice, chance, and circumstance. Blending humor, heart, and a touch of theatrical magic, The Last Wide Open explores how even the smallest moments can alter the course of a life.

Performed with live music by the actors themselves, the production weaves song into the storytelling, creating an immediate and intimate theatrical experience.

The production stars real-life partners Josie Eli Herman as Lina and Michael Alan Herman as Mikołaj, bringing an added layer of authenticity and connection to this deeply felt story. Natalie Rose Sevick appears as Stagehand, supporting the show's live music.

Directed by Diane Hill, one of Theatre NOVA's Producing Artistic Directors, the production team includes Briana O'Neal (stage manager/props), Craig A. Hane (set designer/builder), Jade Guerriero (lighting designer), Toni Davison (Costume Designer), Brit Connors (sound designer), Mark Batell (props), Kat Walsh (intimacy director), and Avalon McNew (assistant to the lighting designer).

Blending humor, heart, and music, The Last Wide Open offers a fresh take on the love story-one that celebrates not just finding the right person, but finding the right moment.

EMMA'S WEDDING(S) Will Make World Premiere at Purple Rose Theatre Company

Wed, 20 May 2026 05:27:53 PST

The Purple Rose Theatre Company (PRTC) has announced the final production of their 35th anniversary season, “Emma's Wedding(s)” a world-premiere comedy by Carey Crim. Tickets are on sale now.

Emma is getting married. Again. For the fourth time, actually. But she's determined that this one will be the one. Gathering her less-than-enthusiastic best friends, they revisit each of Emma's previous weddings, leading to a hilarious romp through the decades, complete with '80s hair, dial-up internet, Boone's Farm wine and the enduring power of friendship. You may recognize outdoor campers Emma, Robyn and Sallie Ben from our 2024 hit summer comedy “What Springs Forth.” “Emma's Wedding(s)” is a standalone story that will appeal to fans of the original as well as welcome new audiences.

This production of “Emma's Wedding(s)” contains adult content and may not be suitable for children under the age of 13.

Other Purple Rose plays from playwright, Carey Crim, include “Growing Pretty,” “Wake,” “Some Couples May...,” “The Spring Comedy Festival,” “Morning After Grace,” “Never Not Once” and “What Springs Forth.” “23 ½ Hours” premiered at Bay Street Theater starring Sarah Paulson, was nominated for an Ovation award in LA for best new play, recently opened to critical acclaim in London and Warsaw and will tour in Italy in February. “The Islanders” premiered at Shakespeare and Company and is slated for more. “Wake” is now a feature film starring Jo Koy. “Morning After Grace” continues to be produced at regional theaters all over the country and is currently running in repertory in Poland.

Directed by Kate Thomsen, the cast features Sarab Kamoo* (Lathrup Village), Sonja Marquis* (Brighton), Dwandra Nickole* (Kalamazoo), and Zach Fischer (Chelsea). Scenic and Projections Design by Sarah Pearline, Costume Design by Suzanne Young, Lighting Design by Noele Stollmack, Sound Design by Suzi Regan. Ryan Carlson* is the Stage Manager and Stefanie Din* is the Assistant Stage Manager.

*Appearing through an agreement with Actors' Equity Association, the union of professional actors and stage managers in the United States.

Performances of ”Emma's Wedding(s)” at The Purple Rose run from Thursday, June 25 through Sunday, August 30, 2026.

Midland Center For The Arts Honors Tina S. Van Dam With Inaugural President’s Award

Wed, 20 May 2026 05:06:58 PST

Midland Center for the Arts honored longtime community leader and arts advocate Tina S. Van Dam as the inaugural recipient of the President’s Award during the Center’s 2026 President’s Lunch, sponsored by Greenleaf Trust.

Held at Midland Center for the Arts, the annual luncheon welcomed more than 130 supporters, partners, and community leaders for an afternoon focused on the future of the Center, including progress on its transformational renovation, the reimagined Museum, and the vision guiding the organization’s next chapter.

The newly established President’s Award recognizes an individual whose extraordinary service, generosity, and belief in Midland Center for the Arts have made a lasting impact on the organization and the broader community. As the first recipient, Van Dam was recognized for her leadership, philanthropy, and unwavering support for the Center and the Midland community.

“Tina S. Van Dam has made a lasting difference in this community through the way she leads, serves, and shows up for others,” said Matt Travis, President & CEO of Midland Center for the Arts. “Her support for Midland Center and for the institutions that help a community thrive reflects a deep belief in connection, generosity, and shared responsibility. It was a privilege to honor her as the inaugural recipient of the President’s Award.”

After years of leadership on the boards of Center groups, she served on the Center Board from 2006 to 2013 and played a significant role in helping strengthen the organization’s future through the creation of two endowment funds supporting the Midland Symphony Orchestra. She also led the creation of Voices: Extraordinary Women of Midland County, a exhibition honoring the stories, leadership, and impact of women who helped shape the community.

Her civic leadership extends well beyond the Center. Van Dam served for 15 years as leader of the Midland 100 Club, helping to grow the organization’s impact to more than $2.1 million contributed to the community through the generosity of its 600 members. Her work with numerous organizations earned her recognition as Midland Philanthropist of the Year in 2022.

Professionally, Van Dam built a distinguished career at The Dow Chemical Company, where she served as an attorney and Corporate Secretary and was recognized as a national leader in corporate governance. Since making Midland her home in 1977, she has strengthened institutions, lifted voices, and inspired others through a life defined by service.

In her responsive comments, Van Dam expressed appreciation and said that in addition to economic benefits to the community of so many people coming to the Midland Center for the Arts, "This is a place where creativity thrives, where artistic and scientific expression is expected. We come here to laugh, to connect, to learn, to be with like-minded friends as well as friends with different opinions, to appreciate music and art, to understand history and its importance, to bring our kids and out-of-town visitors, to enjoy so much talent and creativity – local and global. Center is truly an apt name for this vital community asset."

The President’s Lunch serves as an annual opportunity for Midland Center for the Arts to gather donors, partners, and community stakeholders to celebrate progress, share organizational priorities, and look ahead to the Center’s future. This year’s event included remarks from Travis, a panel discussion featuring members of the museum design team, and opportunities for guests to view exhibit prototypes and tour areas of the renovation in progress.

Sponsored by Greenleaf Trust, the 2026 President’s Lunch highlighted the momentum surrounding Midland Center’s ongoing transformation and the people whose support continues to move that work forward.

“We are deeply grateful for Tina and for the example she continues to set,” Travis said. “Her leadership reminds us that strong communities are built by people who invest in others, believe in what is possible, and choose again and again to serve with purpose.”

THE NOTEBOOK North American Tour Adds 26 Cities to 2026-27 Route

Tue, 19 May 2026 08:13:15 PST

The North American Tour of THE NOTEBOOK hasannounced engagements for the 2026-27 season, adding 26 cites to the previously announced route, including stops in Atlanta, Boston, Dallas, and Houston. The tour began performances on September 6, 2025, at Playhouse Square in Cleveland, Ohio, and has welcomed over 500,000 patrons to date.

Read the reviews for the touring production of The Notebook.

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart in a deeply moving portrait of the enduring power of love. Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of THE NOTEBOOK played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

THE NOTEBOOK features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

The creative team for the tour includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production's music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Tina Faye. Casting by The Telsey Office, Patrick Goodwin, CSA.

The production was recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

2026-2027 Tour Dates:

Detroit, MI — Fisher Theatre
September 22 – October 4, 2026

Dayton, OH — Schuster Center
October 6 – 11, 2026

Grand Rapids, MI — DeVos Performance Hall
October 13 – 18, 2026

East Lansing, MI — Wharton Center
October 27 – November 1, 2026

Richmond, VA — Altria Theater
November 3 – 8, 2026

Pittsburgh, PA — Benedum Center
November 10 – 15, 2026

Schenectady, NY — Proctors
December 1 – 6, 2026

Boston, MA — Emerson Colonial Theatre
December 8 – 20, 2026

Oklahoma City, OK — Civic Center Music Hall
December 29, 2026 – January 3, 2027

Houston, TX — Hobby Center
January 5 – 10, 2027

Dallas, TX — Winspear Opera House
January 12 – 24, 2027

New Orleans, LA — Saenger Theatre
January 26 – 31, 2027

Hershey, PA — Hershey Theatre
February 3 – 7, 2027

Providence, RI — PPAC
February 9 – 14, 2027

Rochester, NY — Auditorium Theatre
February 16 – 21, 2027

Fayetteville, AR — Walton Arts Center
February 24 – 28, 2027

Huntsville, AL — Von Braun Center
March 2 – 7, 2027

Ft. Lauderdale, FL — Broward Center
March 9 – 14, 2027

Ft. Myers, FL — Barbara B. Mann Hall
March 16 – 21, 2027

Naples, FL — Artis—Naples
March 23 – 28, 2027

North Charleston, SC — North Charleston PAC
March 30 – April 4, 2027

Birmingham, AL — BJCC Concert Hall
April 6 – 11, 2027

Atlanta, GA — Fox Theatre
April 13 – 18, 2027

Tucson, AZ — Centennial Hall
April 27 – May 2, 2027

San Jose, CA — Center for the Performing Arts
May 4 – 9, 2027

Sacramento, CA — SAFE Credit Union PAC
May 11 – 16, 2027

BroadwayWorld.com Michigan Stories

DEAR EVAN HANSEN to Close Season 18 at Farmers Alley Theatre

Video: The Teen Critics' Great Expectations are Met at THE OUTSIDERS

THE 39 STEPS to Close Williamston Theatre's 19th Season

FIDDLER ON THE ROOF At The Encore Musical Theatre Company To Host Sensory Friendly Performance

Video: 'Waving Through A Window' Preview from DEAR EVAN HANSEN at Farmers Alley Theatre

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Editor's Picks: Top News Stories

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

Reviews

Videos

Photos

Photos: FIDDLER ON THE ROOF At The Encore Theatre

Quota Foundation Of Genesee County Awards $5,000 Grant To FIM Flint School Of Performing Arts

Quota Foundation Of Genesee County Awards $5,000 Grant To FIM Flint School Of Performing Arts

ALMOST HEAVEN: JOHN DENVER'S AMERICA At The Great Lakes Center For The Arts

Creative Team

Cast

Band

Performance + Ticket Information

BroadwayWorld Launches Producer Fantasy Game

How It Works

Weekly Scoring

The Fantasy Forecast

Managing Your Roster

Join the Game

ROBERTO CLEMENTE: A DIAMOND WITHIN to Open After Health-Related Casting Change

ROBERTO CLEMENTE: A DIAMOND WITHIN to Open After Health-Related Casting Change

Milica Govich Retires After 22 Years at Oakland University Theatre Program

A DRAG QUEEN CHRISTMAS to Return for 12th Year With 39-City National Tour

This year's cast includes:

A Drag Queen Christmas 2026 Tour Dates:

Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER at Avon Players

Classical Repertory Theatre Will Return to The Hilberry This Summer

Week One

Week Two

Week Three

Week Four

Week Five

Week Six

Classical Repertory Theatre Will Return to The Hilberry This Summer

Week One

Week Two

Week Three

Week Four

Week Five

Week Six

COME FROM AWAY, KIMBERLY AKIMBO, and More Set For Farmers Alley Theatre's 2026/2027 Season

FIDDLER ON THE ROOF to Close The Encore Musical Theatre Company's Season

Lillian Tang and AJ Denomme Named 2026 Sutton Foster Award Winners

Lillian Tang and AJ Denomme Named 2026 Sutton Foster Award Winners

Guildhall School of Music & Drama to Launch 52 Summer Schools Courses for 2026

SUMMER SCHOOLS

DRAMA COURSES

IN-PERSON COURSES

NEW Acting in an Accent: Standard Southern British English (Ages 18+) (in person)

NEW Acting Summer Course (Ages 8-11) (in person)

Introduction to Screen Acting (Ages 18+) (in person)

NEW Introduction to Stage Combat: Level 1 (Ages 18+) (in person)

NEW Introduction to Stage Combat: Level 2 – Advanced Weapons (Ages 18+) (in person)

Introduction to Directing: First Steps (Ages 16–17) (in person)

MUSIC COURSES

ONLINE COURSES

About Advanced Music Theory: Grade 8 (Ages 14+) (online)

IN-PERSON COURSES

NEW Harp Intensive (Ages 15-24) (in person)

NEW Harp Intensive (Ages 9-15) (in person)

Jazz & Rock Week (Ages 14+) (in person)

Singers' Weekend: Jazz, Gospel & World Music (Ages 16+) (in person)

NEW Summer Strings Course: Intermediate (Ages 8-14) (in person)

NEW Vocal Technique for Contemporary Singers (Ages 18+) (in person)

NEW Vocal Technique for Young Performers (Ages 13-17) (in person)

WRITING COURSES

NEW Writing a Two-Hander (Ages 18) (in person)

PRODUCTION ARTS COURSES

IN-PERSON COURSES

Prop Making (Ages 16+) (in person)