BroadwayWorld.com San Francisco / Bay Area Stories

THE LUNCHBOX to Receive Second and Final Extension at Berkeley Rep

Thu, 11 Jun 2026 22:03:46 PST

Due to popular demand, Berkeley Repertory Theatre today announced a second and final extension of the acclaimed world premiere musical, The Lunchbox. The production will now continue through and must close Sunday, July 12, 2026, giving Bay Area audiences one last opportunity to experience this celebrated new musical. Tickets for all performances are available online at berkeleyrep.org or by phone at 510 647-2949 (Tue–Sun, 12pm–7pm).

In bustling Mumbai, a lunchbox delivery meant for one man lands in the hands of another, sparking an unlikely bond between a young wife longing to be seen and a widower nearing retirement. As notes pass back and forth with each meal, their words blossom into a romance that might save them both. Based on Ritesh Batra's internationally acclaimed film, The Lunchbox is directed by Tony Award-winner Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812) and features a sweeping, intimate score by The Lazours.

Featuring Manu Narayan (Company on Broadway, The Love Guru, Your Friends & Neighbors) and Kuhoo Verma (Heathers, off-Broadway; Monsoon Wedding and Octet at Berkeley Rep), the cast of The Lunchbox also includes (in alphabetical order) Hashini Amarasinghe, Savidu Geevaratne, Akshara Gunda, Shaarada Trayi Karthik, Benjamin Mathew, Vaibu Mohan, Shiv Nadkarni, Anisha Nagarajan, Nasir Panjwani, Yash Ramanujam, Sushma Saha, Kinshuk Sen, Caryna Shah, Aathaven Tharmarajah, Vishal Vaidya, and Levin Valayil.

The creative team for The Lunchbox includes Ritesh Batra (Book and Co-Lyrics), The Lazours (Music and Co-Lyrics), Rachel Chavkin (Director), Reshma Gajjar (Choreographer), Mimi Lien (Scenic Design), Arjun Bhasin (Costume Design), Bradley King (Lighting Design), Justin Stasiw (Sound Design), Charles G. LaPointe (Wigs and Hair Design), Nathan Koci (Music Supervisor, Co-Orchestrations), Rohan Krishnamurthy (Co-Orchestrations), Daniel Lazour (Co-Orchestrations), Arun Ramamurthy (Co-Orchestrations), Sheela Ramesh (Music Director), The Telsey Office: Kristian Charbonier and Adam Caldwell; Keertana Sastry, Priya Ghosh (Casting), Mahira Kakkar (Dialect Coach), Becky Fleming (Production Stage Manager), Shana Ferguson (Stage Manager), and Kathleen Gallardo (Assistant Stage Manager). The Lunchbox is produced in association with Mark Lunsford and Nik Dodani.

THE LUNCHBOX to Receive Second and Final Extension at Berkeley Rep

Thu, 11 Jun 2026 22:03:46 PST

APPOINTMENT IN MENDOCINO to Receive Staged Reading at Magic Theatre SF

Thu, 11 Jun 2026 16:56:36 PST

A staged reading of Appointment in Mendocino by Lee Brady, directed by Andrea Gordon, will be presented on Sunday, June 21, 2026, at 4:00 p.m. at the Magic Theatre. Tickets are free.

In Appointment in Mendocino, three adult children in their sixties meet at their parents' house to try to find their mother and father, people in their nineties, who have mysteriously vanished. Unbeknownst to them, the mother has decided to drive herself cross-country to have a special appointment in Mendocino.

This is the last play Lee Brady was working on when she passed away. It is slightly unfinished, but most of it is complete and profoundly beautiful.

Featuring: Molly Goode, Robert Sicular, John Flanagan, and Patty Silver. For free tickets visit: magictheatre.org/calendar/appointment-in-mendocino

APPOINTMENT IN MENDOCINO to Receive Staged Reading at Magic Theatre SF

Thu, 11 Jun 2026 16:56:36 PST

A staged reading of Appointment in Mendocino by Lee Brady, directed by Andrea Gordon, will be presented on Sunday, June 21, 2026, at 4:00 p.m. at the Magic Theatre. Tickets are free.

This is the last play Lee Brady was working on when she passed away. It is slightly unfinished, but most of it is complete and profoundly beautiful.

Featuring: Molly Goode, Robert Sicular, John Flanagan, and Patty Silver. For free tickets visit: magictheatre.org/calendar/appointment-in-mendocino

Cast Set for THE EMPLOYEE DHARMA HANDBOOK World Premiere at TheatreWorks Silicon Valley

Thu, 11 Jun 2026 16:43:46 PST

TheatreWorks Silicon Valley kicks off Season 56 with the World Premiere of The Employee Dharma Handbook by Geetha Reddy (Safe House, Mahābhārata).

Set at a Silicon Valley aerospace company, HR executive Val investigates a potential staffing issue amongst the lead engineers, suspecting sexism. She instead encounters simmering tensions of ancient origins amongst the company's Indian immigrant employees bubbling over and threatening to derail the company's upcoming rocket launch.

Center Theatre Group's Brindell & Milton Gottlieb Artistic Director Snehal Desai directs this gripping investigation of identity and desire, which features Megan Suri (Netflix's “Never Have I Ever”), Kapil Talwalkar (Peacock's “The ‘Burbs,” NBC's “Zoey's Extraordinary Playlist,” NBC's “Night Court”), Kunal Dudheker (20th Century Studios' Ad Astra, Marvel Studios' Shang-Chi and the Legend of the Ten Rings), Kathryn Smith-McGlynn (20th Century Studios' Maze Runner: The Scorch Trials), and Ranjita Chakravarty (Netflix's “Never Have I Ever”). The Employee Dharma Handbook will perform July 8 – August 2, 2026 (press opening: July 11) at Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto. Single tickets ($54-$104, pricing inclusive of fees) and subscriptions to Season 56 are currently available.

TheatreWorks is committed to creating an environment that is accessible for all audiences in its community. In collaboration with Gravity Access Services, TheatreWorks will offer audio descriptions to assist patrons who are visually impaired at the performance 1:00pm Sunday, July 19 (to utilize audio description, patrons should pre-register at 877-662-8978 after purchasing tickets). American Sign Language interpretation will be available for the performance 7:30pm Thursday, July 23 and open captioning (a screen displaying all dialogue and a description of sound effects) will be offered for the performance 1:00pm Sunday, July 26. Assistive listening devices are offered at every performance with no advance registration required.

TheatreWorks will host a Backstage Banter pre-show conversation with artists from 6:15-6:45pm Thursday, July 9 and will hold post-show discussions with the cast following the 7:30pm Wednesday, July 15; 7:30pm Wednesday, July 22; and 7:30pm Wednesday, July 29.

Cast Set for THE EMPLOYEE DHARMA HANDBOOK World Premiere at TheatreWorks Silicon Valley

Thu, 11 Jun 2026 16:43:46 PST

TheatreWorks Silicon Valley kicks off Season 56 with the World Premiere of The Employee Dharma Handbook by Geetha Reddy (Safe House, Mahābhārata).

Handel's TOLOMEO to be Presented by Philharmonia Baroque Orchestra & Chorale

Thu, 11 Jun 2026 14:48:36 PST

Philharmonia Baroque Orchestra & Chorale is launching a new chapter in its artistic history with a semi-staged production of Handel's Tolomeo. The performances mark the opening of Music Director Peter Whelan's inaugural season at the helm of the organization and showcase Philharmonia's continued commitment to historically informed performances brought vividly to life through theatrical storytelling.

Tolomeo is presented Thursday, July 23 at 7:30 PM at San Francisco's Herbst Theatre and Friday, July 24 at 7:30 PM at Berkeley's First Congregational Church. The production will then head east to the Caramoor Center in New York on Sunday, July 26. Tickets for Bay Area performances range in price from $40-$170 and are on-sale now.

Directed by acclaimed stage director James Darrah Black and conducted by Peter Whelan, Tolomeo features an internationally celebrated cast led by countertenor Aryeh Nussbaum Cohen in the title role. He is joined by soprano Lauren Snouffer as Seleuce, soprano Nicole Heaston as Elisa, countertenor Kangmin Justin Kim as Alessandro, and bass-baritone Dashon Burton as Araspe.

Tolomeo explores themes of power, identity, loyalty, and enduring love through one of Handel's most emotionally charged scores. Stripped of power and living in exile under an assumed identity, Tolomeo must navigate betrayal and shifting loyalties as the political order collapses around him. Sung in Italian with English supertitles, the semi-staged production incorporates period instruments with theatrical direction and movement, offering an immersive operatic experience that transports audiences back to the Baroque sound world that its first audiences would have heard.

Composed in 1728, Tolomeo is widely regarded as one of Handel’s most beautiful and rarely heard operas, combining virtuosic vocal writing with profound emotional storytelling. The work has garnered acclaim for its dramatic depth, psychological complexity, and richly expressive score.

Video: ELEKTRA at San Francisco Opera

Thu, 11 Jun 2026 14:03:21 PST

San Francisco Opera has unveiled a trailer for its current production of ELEKTRA, Richard Strauss's one-act opera, which is running at the War Memorial Opera House through June 27 as part of the company's 2025–26 season.

ELEKTRA, with a libretto by Hugo von Hofmannsthal, draws on the ancient Greek myth of the House of Atreus, following Elektra's consuming drive for revenge against her mother Klytämnestra for the murder of her father Agamemnon. Strauss's score is among the most demanding in the operatic repertoire, requiring one of the largest pit orchestras of any opera ever written and placing extraordinary vocal and physical pressure on its lead performers.

The production sets the mythic story within a contemporary museum environment, framing the drama as an act of memory and obsession. Music Director Eun Sun Kim conducts the San Francisco Opera Orchestra, and soprano Elena Pankratova makes her company debut in the title role.

BroadwayWorld previously covered the production's announcement and casting in detail. For more background on the full summer lineup, including ELEKTRA alongside THE BARBER OF SEVILLE and additional programming, see the earlier coverage here. Performances continue through June 27 at the War Memorial Opera House in San Francisco.

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MAMMA MIA! & More Lead Bay Area's Summer 2026 Top Theatre Shows

Wed, 10 Jun 2026 15:33:37 PST

San Francisco / Bay Area is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month.

We understand the importance of choosing the perfect show, especially for new theatregoers. That's why our experienced editorial team meticulously reviews a wide range of productions each month. We consider various factors including a producer's track record, audience reviews, and overall production value, to bring you the very best recommendations for the following month.

See what the experts recommend! Check out our editorial team's top picks for the best shows to see in San Francisco / Bay Area for Summer 2026.

Beauty And The Beast

Orpheum Theatre - July 24, 2026 through July 24, 2026

Get ready to secure your tickets to experience one of the greatest theatre productions ever, as a new sensational broadway musical, Beauty and The Beast is being performed at the Orpheum Theatre! You can be the guest of the Orpheum Theatre on Friday 24th July 2026 and be taken on an adventure of being true to your heart, songs and magic. Known around the world as a timeless tale of Belle and her encounter with the Beast, Beauty and The Beast brings the story to life on the stage in a magical production of original songs, stunning costumes and set designs.

For tickets: click here.

anthropology

City Lights Theater Company - Now through June 07, 2026

In her immaculate Silicon Valley home office, Merril believes in patterns and systems. But her life as a hotshot coder and AI expert falls apart when her younger sister Angie vanishes on her way home from class. After the police abandon their search, Merril gathers the digital material her sister left behind — from texts and emails to online purchases and social media comments — and creates an AI composite. The virtual Angie is a comfort. Until it starts to reveal new details about the real Angie’s disappearance.

For tickets: click here.

“Dracula: A Feminist Revenge Fantasy, Really”

San Francisco Playhouse - Now through June 27, 2026

San Francisco Playhouse will stage the Bay Area Premiere of Kate Hamill’s imaginative “Dracula: A Feminist Revenge Fantasy, Really.” This fierce new play turns Bram Stoker’s gothic horror classic on its head, driving a stake through the heart of toxic masculinity. With a gender-bending cast, sexy supernatural baddies, and Hamill’s signature piercing postmodern wit, this darkly comic drama skewers power dynamics and slays traditional women’s roles. San Francisco Playhouse Artistic Director Bill English directs a thrilling cast including San Francisco Playhouse Producing Director/ Co-Founder Susi Damilano as vampire slayer Van Helsing who is in pursuit of the titular monster, played by Bay Area theatre veteran Johnny Moreno.

For tickets: click here.

In The Heights

Saratoga Civic Theater - Now through June 06, 2026

Seven years before creating the Broadway mega-hit Hamilton, Lin-Manuel Miranda penned In the Heights—a vibrant love letter to New York City and the Washington Heights neighborhood where he grew up. This groundbreaking musical won four 2008 Tony Awards—including Best Musical, Best Score, Best Choreography, and Best Orchestrations—and received a Grammy nomination for its cast recording. At its heart, the story asks a universal question: Do I spread my wings to follow my ambitions, or stay rooted in the past?

The musical interweaves the dreams, hopes, and pressures of its many characters as they navigate tradition, identity, and the meaning of home. Usnavi, a charismatic bodega owner, guides the audience through the vibrant streets of Washington Heights, chasing his sueñitos (“little dreams”) alongside neighbors facing rising rents and uncertain futures.

With a pulsing score that blends hip-hop, salsa, merengue, and soul, In the Heights is a joyous, multi-generational celebration of community, culture, and the pursuit of a better life. South Bay Musical Theatre’s production will showcase outstanding local performers, many with personal ties to the traditions and heritage that inspire the story.

For tickets: click here.

Broadway Under the Stars - Mamma Mia!

Transcendence Theatre Company - August 13, 2026 through August 30, 2026

The global smash hit is coming to Sonoma for the very first time! Set on a sun-drenched Greek island, Mamma Mia! follows a young bride-to-be on a quest to discover the identity of her father — bringing three very unexpected guests from her mother’s past back into their lives. Fueled by ABBA’s greatest hits (including “Dancing Queen,” “Mamma Mia,” “The Winner Takes It All,” and more), this joyful tale of family, friendship, love, and second chances has captured the hearts of millions worldwide. With its large cast, explosive dance numbers, nonstop humor, and irresistible score, Mamma Mia! promises to be one of the biggest and most unforgettable productions in Transcendence history.

Mamma Mia! is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

For tickets: click here.

Ride the Cyclone

City Lights Theater Company - July 16, 2026 through August 23, 2026

When a freak roller-coaster accident claims the lives of a Canadian choir group on a field trip, the teens end up in a truly bizarre purgatory. A mechanical fortune teller tells them that only one of them can be brought back to life. To win the ultimate prize, they must prove who deserves it the most…by telling their story through song. Full of edgy comedy and musical styles ranging from dance pop to vaudeville, this Off-Broadway musical has also gone viral on TikTok. “Simultaneously dark, funny, and poignantly life-affirming.” –Variety

For tickets: click here.

THE LUNCHBOX

Berkeley Repertory Theatre - Now through June 28, 2026

The Lunchbox is a world premiere musical adaptation of Ritesh Batra's acclaimed film, directed by Tony Award-winner Rachel Chavkin. Set in Mumbai, it tells the story of a mistaken lunch delivery that connects a lonely housewife with a jaded office worker, leading to an exchange of handwritten notes that fosters an unexpected bond. With a score by Daniel and Patrick Lazour, the production explores themes of human connection and the significance of small gestures amidst the bustling backdrop of city life. The show will run from May 17 to June 28, 2026.

For tickets: click here.

The Phantom of the Opera

Orpheum Theatre San Francisco - Now through June 21, 2026

THE PHANTOM OF THE OPERA is widely considered one of the world’s most beautiful and spectacular musicals. Since 1986, it has played to over 160 million people in 205 cities, 58 territories and 21 languages. Andrew Lloyd Webber’s romantic, haunting and soaring score includes “The Music of the Night,” “All I Ask of You,” “Wishing You Were Somehow Here Again,” “Masquerade” and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano, Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide.

For tickets: click here.

Back to the Future The Musical

San Jose Center for the Performing Arts - Now through June 07, 2026

Great Scott! Back to the Future, the beloved, cinematic classic is now a Broadway musical with its destination set for Houston in 2026. When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past, and send himself… back to the future. Winner of the 2022 Olivier Award for Best New Musical, when Back to the Future hits 88mph, it’ll change musical theater history forever.

For tickets: click here.

Jenn Colella: LIVE at the Nikko

Feinstein's at the Nikko - Now through June 05, 2026

Jenn Colella is a Tony Award-nominated and Grammy Award-winning actor whose career spans Broadway, television, film, and higher education. In this solo concert, Colella shares stories and insights from her 22-year career on Broadway, performing showstoppers from Come From Away, Chaplin, If/Then, SUFFS, and more. The show is part Broadway concert, part rock-and-roll revival, and part intimate comedy show, featuring pop and rock tunes that have shaped her journey.

For tickets: click here.

Hairspray

San Francisco Playhouse - July 10, 2026 through September 12, 2026

San Francisco Playhouse closes its 2025-26 season with Hairspray, the Tony Award-winning Broadway musical set in 1962 Baltimore, where teen Tracy Turnblad dreams of dancing on her favorite TV show and ends up taking on racial segregation along the way. The production features music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and a book by Mark O'Donnell and Thomas Meehan, with songs including "You Can't Stop the Beat," "Good Morning Baltimore," and "I Know Where I've Been." Bill English directs, with musical direction by Dave Dobrusky and choreography by Phoenyx Rose.

For tickets: click here.

The Sound of Music

San Jose Center for the Performing Arts - July 21, 2026 through July 26, 2026

For 65 years, THE SOUND OF MUSIC has been one of our “favorite things.” With its timeless story and irresistibly charming score, this Rodgers & Hammerstein classic isn’t just meant to be enjoyed—it’s meant to be shared. Now, a critically acclaimed North American tour brings the cherished musical to stages across the country to teach a new generation to sing. Directed by three-time Tony Award® winner Jack O’Brien (Hairspray), this vibrant and romantic tale of Maria and the von Trapp family will captivate audiences with its universal themes of love, resilience and the power of music. Featuring beloved songs like “Do-Re-Mi,” “Sixteen Going on Seventeen” and “Edelweiss,” THE SOUND OF MUSIC is the iconic tale of a spirited nun who chooses not to live behind closed doors—and, by following her heart, learns to climb every mountain. THE SOUND OF MUSIC features music by Richard Rodgers, lyrics by Oscar Hammerstein II, and book by Howard Lindsay and Russel Crouse, suggested by The Trapp Family Singers by Maria Augusta Trapp. 2025 marks the 60th anniversary of the Oscar®-winning film, which continues to be one of the most successful movie musicals of all time.

For tickets: click here.

Looking to include your shows? Submit them to our listings here.

THE PRINCE PARTS 1 & 2 to Close Central Works' Final Season After 36 Years

Tue, 09 Jun 2026 22:39:48 PST

Central Works has now officially announced the final production of its 36th season: The Prince Parts 1 & 2, written and directed by Artistic Director Gary Graves.

Running July 18 through September 6, this ambitious two-part, six-act work—world premieres #80 and #81 for the company—brings to culmination Graves' decades-long exploration of Niccolò Machiavelli and the political world of Renaissance Florence.

Graves first wrote The Prince in 1986 while a graduate student studying playwriting. Since then, he has returned repeatedly to Machiavelli's life, ideas, and historical milieu, developing the story through multiple forms and several Central Works productions over the years. The Prince Parts 1 & 2 represents the most expansive realization of that work to date, attempting to encompass the full arc of Machiavelli's career and intellectual evolution.

“I've been wrestling with the story of Niccolò Machiavelli's ‘life and times,' his intersection with so many remarkable characters from history, and his whole angle on the nature of power politics in the world, for almost my entire adult life,” says Graves. “The story has been through many different versions and forms. We've treated several episodes in Machiavelli's life in several productions here at Central Works over the years, but The Prince Parts 1 & 2 attempts to treat the whole arc of the man's career in one long, six-act play, broken into two parts.”

At the center of the work is not only Machiavelli himself, but the fate of Florence—a fragile republic surrounded by warring powers in the volatile landscape of High Renaissance Italy.

“The real protagonist of the story, however, is Machiavelli's beloved homeland, the state of Florence,” Graves continues. “The Florentine republic, like our own, was modeled on the ancient Republic of Rome. And the tensions between the interests of the people and the interests of the state haven't really changed all that much. The real protagonist in this play is our republic, in the words of Ben Franklin, ‘if we can keep it.'”

Inspired by Machiavelli's infamous political treatise The Prince, the production examines the origins of modern political thought through the intertwined lives of historical figures, artists, and rulers.

The Prince Part 1 follows young Machiavelli's entry into Florentine politics, including his mission to the “Mad Monk” Girolamo Savonarola and his encounter with the ruthless Duke Cesare Borgia.

The Prince Part 2 traces Machiavelli's rise as a political strategist, his dealings with Leonardo da Vinci and Michelangelo, his exile, and his attempt at redemption through his most famous—and controversial—writing, alongside a darkly comic conspiracy involving the Cardinal of Florence. Together, the two parts form one continuous narrative of ambition, ideology, art, and survival in a world defined by shifting alliances and relentless political calculation.

This production also arrives at a significant moment in Central Works' institutional history. Earlier this year, the company announced that Co-Directors Jan Zvaifler and Gary Graves will step down at the conclusion of the 2026 season, marking the end of a 36-year era of producing original plays for the Berkeley-based company.

Zvaifler, a founding member of Central Works, and Graves, who joined in 1994, have overseen the creation of an extraordinary body of work, culminating in 81 world premieres. According to Graves, “It's not that the money ran out, or that people stopped coming, or we ran out of new plays we wanted to do—it's just time.” Board President Elise Mikiten adds simply, “It's been a good run.”

The cast includes Mark Farrell as Girolamo Savonarola and Niccolò Machiavelli (Part 2), Brennan Pickman-Thoon as Duke Cesare Borgia and Michelangelo Buonarroti, Kevin Singer as Niccolò Machiavelli (Part 1), Lorenzino de' Medici, and Battista della Palla, Marah Sotelo as Zenobia Buondelmonte, and Michael Ray Wisely as Leonardo da Vinci and Luigi Alamanni.

PERFORMANCE SCHEDULE

The production is performed in rotation, allowing audiences to experience either part individually or the complete two-part epic.

Ticket Pricing

$35-$45 advance: Fri-Sun
Pay-what-you-can: Thur & previews
$3.75 service fee
All remaining tickets are available on a sliding scale at noon on the day of the show: $20-$45 (Fri-Sun).

The Prince Part 1

July 18, 19, 25, 26; August 8, 14, 16, 20, 21, 29, 30; September 1, 5, 6

Previews: July 16, 17

Press Night: July 18

The Prince Part 2

August 1, 2, 6, 7, 9, 13, 15, 22, 23, 27, 28; September 4, 5, 6

Previews: July 30, 31

Press Night: August 1

View the calendar here

ABOUT CENTRAL WORKS

Central Works is a Berkeley-based theater company dedicated to the development and production of new plays through a collaborative process involving playwrights, actors, directors, and designers. For over three decades, the company has created original works that explore contemporary issues, historical narratives, and enduring questions of human society.

THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

Tue, 09 Jun 2026 18:35:04 PST

The Marsh San Francisco will transform into the “Nowhere to Go but Up Club” for a special series of shows by beloved crooner Johnny Lonely (Brian Lohmann) in The Saddest Night of Musical Entertainment in the History of the World.

When Johnny Lonely is dumped by his girlfriend, and his career just won't seem to take off, Johnny turns to a cattle call audition at the “Nowhere to Go but Up Club” to put on his saddest show to date. The hilarious duo of Brian Lohmann (Johnny Lonely) and Joshua Raoul Brody (piano) turn up in a side-splitting buddy comedy told through melancholy pop covers, jazz standards, and original music for three performances. The Saddest Night of Musical Entertainment in the History of the World plays June 20, July 18 & 25, 2026 with performances 8:00pm Saturdays at The Marsh San Francisco (1062 Valencia St., San Francisco). For tickets ($25-$35 general admission, $50 and $100 reserved; plus a $3 convenience fee per ticket) or more information the public may visit themarsh.org.

“Don't let the title fool you. This show is a riot,” said The Marsh Artistic/Executive Director Stephanie Weisman. “Johnny Lonely is a local legend. This new iteration of his artistry isn't a mere rewrite; it's a reinvention for a new audience. The Saddest Night of Musical Entertainment in the History of the World is a masterclass in finding the humor in our hurt.”

Originally developed as Johnny Lonely's Unhappy Hour, first performed at the Paradise Lounge in San Francisco in 1987, early versions of The Saddest Night of Musical Entertainment in the History of the World have been performed across the Bay, including at The Marsh in 1994. This new show features a refreshed repertoire, timely jokes, and seasoned performances from the iconic local duo.

ABOUT THE CAST AND CREATIVES

Brian Lohmann/Johnny Lonely (Writer, Performer) is a singer-songwriter and actor-improviser with BATS Improv. The character Johnny Lonely grew out of his work with the 80s San Francisco comedy troupe, Faultline. He recorded and toured with John Wesley Harding and was a part of the San Francisco vocal jazz sextet, Acapella Gold. Songs written by Lohmann were featured in the 2011 indie film, Thanks, with Rita Rudner and Edi Patterson. He hosted LIFEGAME for eight episodes on TNN (now Spike TV) and was a recurring guest on the talk show, Ask Rita, with Rita Rudner. His solo show, Johnny Lonely's Unhappy Hour, played at The Marsh in 1994, then toured to Seattle and Australia. Lohmann has been seen in performances with Pulp Playhouse and Seasonal Help!, his multi-character Christmas show, at the Bayfront Theater. His debut album, The One and Lonely, Johnny Lonely, was released in March 2023 on Bandcamp.

Joshua Raoul Brody (Performer) is a keyboard player, accompanist, and musical director. He has worked with many acts including Robin Williams, Richard Montoya, Rick & Ruby, the Residents, and many acts that do not begin with the letter R. Currently, Brody runs the live karaoke show Plays His Favorite Beatles Songs AND Accompanies YOU On YOURS!, plays with and arranges for the band Orchestra Nostalgico, and is musical director for BATS Improv and Johnny Lonely's Unhappy Hour. He has the rare distinction of having played at every location the Marsh has ever inhabited.

Cliff Mayotte (Director) is an award-winning Bay Area theatre artist and arts educator. His work has garnered awards from the San Francisco Bay Area Theatre Critics Circle, Drama-Logue, the Dean Goodman Choice Awards, Backstage Magazine, and SF Weekly. Cliff has staged plays for Shotgun Players, Aurora Theatre Company, Magic Theatre, Rough and Tumble, Marin Shakespeare Company, The Marsh, San Francisco Youth Theatre, and touring productions for Berkeley Repertory Theatre, where he previously served as education director.

THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

Tue, 09 Jun 2026 18:35:04 PST

ABOUT THE CAST AND CREATIVES

Hardly Strictly Bluegrass 2026 to Kick Off with Steve Earle Benefit Concert

Tue, 09 Jun 2026 18:38:12 PST

Hardly Strictly Bluegrass will kick off its 2026 edition with a special festival eve benefit concert honoring singer and songwriter Steve Earle, who has performed at each edition of the San Francisco free music festival since its second year in 2002.

The tribute is set for Thursday, October 1, at San Francisco, CA’s The Masonic. “An Evening Honoring Steve Earle” will see the 3x GRAMMY Award-winner joined by close friends and collaborators, including Buddy Miller, Elizabeth Cook, Emmylou Harris, Gillian Welch & David Rawlings, Jackson Browne, Hot Tuna, Larry Campbell & Teresa Williams, Molly Tuttle, and other guests.

Tickets for “An Evening Honoring Steve Earle” go on sale to the public on June 12 here. Buddy Miller will serve as the show’s musical director, with Reckless Kelly, featuring Greg Liesz. Proceeds for the event benefit the non-profit Sweetwater Spectrum, a community that offers housing for adults with autism and other developmental disabilities.

Hardly Strictly Bluegrass will return to San Francisco, CA’s Golden Gate Park on October 2-4, once again offering a free concert that showcases a diverse lineup of performers across musical genres and styles. Complete details will be unveiled in the months to come. For updates and additional information, please see here.

Video: ELEPHANT SHOES at Two River Theater

Tue, 09 Jun 2026 15:53:44 PST

Two River Theater and Deaf West Theatre have released an official trailer for ELEPHANT SHOES, their co-produced world premiere musical now running through June 28 at the Joan and Robert Rechnitz Theater. The trailer frames the production around a central question: can love transcend language, positioning the show as a collision of spoken English and American Sign Language in service of a contemporary love story.

ELEPHANT SHOES features a book by Ivan Menchell, with music and lyrics by Caroline Kay. The production is directed and choreographed by Jeff Calhoun, with ASL choreography by Colin Analco. Orchestrations are by Tom Kitt, and music supervision and direction are handled by Meghann Zervoulis Bate. The cast includes Daniel Durant, Taylor Iman Jones, Klea Blackhurst, Antoinette Lori Abbamonte, Amy Keum, Remy Laifer, James Olivas, Siena Rafter, Hector RJ Reynoso, Don Stephenson, and Raven Sutton.

The production marks a significant institutional collaboration, bringing together Two River Theater and Deaf West Theatre. DJ Kurs, Artistic Director of Deaf West Theatre, serves as a producer alongside Jeff Perri, the company's Managing Director.

ELEPHANT SHOES has already made history at Two River, becoming the best-selling show in the theater's history ahead of its opening, as previously reported by BroadwayWorld. Tickets remain available through June 28.

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Thee Phantom & The Illharmonic Orchestra to Return to ATG San Francisco's Curran Theatre

Tue, 09 Jun 2026 14:46:45 PST

Following a sold out engagement in October 2025, Thee Phantom & The Illharmonic Orchestra will return to ATG San Francisco’s Curran Theatre on Friday, October 2 at 8 PM for one performance only. Tickets go on sale Friday, June 12 at 10 AM PT.

Fronted by husband-and-wife duo, Phantom and Phoenix, The Illharmonic combines the raw energy and passion of hip-hop, with the beautiful sounds of orchestra accompaniment. In 2001, the ensemble became the first hip-hop group to perform at Philadelphia’s Kimmel Center where they were accompanied by members of the Philadelphia Orchestra & Chamber Orchestra of Philadelphia.

In 2015, The Illharmonic became just the third hip-hop group to headline their own performance at the famed Carnegie Hall. The Illharmonic has since sold out The Kennedy Center, performed with 40- and 50-piece ensembles, and toured the United States and Japan.

Robert Plant with Saving Grace and Suzi Dian is Coming to SF's Orpheum Theatre

Tue, 09 Jun 2026 13:51:51 PST

Robert Plant with Saving Grace and Suzi Dian are presenting Up the Sharp End—a US tour in celebration of their recent album, Saving Grace, making a stop at ATG San Francisco’s Orpheum Theatre on Friday, October 2 at 7:30 PM.

The band, which completed two sold-out US legs last fall and this spring, performs in the Midwest and the West, with stops in Saint Louis, Santa Fe, Minneapolis, Chicago, among others. In their last visits to the country, Plant and the band performed at NPR’s Tiny Desk, on CBS Saturday Morning, and on NPR’s World Café, among other media coverage. Plant also was interviewed by Stephen Colbert on The Late Show and then returned with the band during the last month of the program to perform “Higher Rock” and “Ramble On.” Up the Sharp End artist presales begin Wednesday, June 10 at 10 AM PT local time, with general sales beginning Friday, June 12 at 10 AM PT at . Special guest Rosie Flores joins Plant and the band for all dates.

On Saving Grace, which was six years in the making, Plant and this group of distinguished musicians—vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown—explore the evolution of roots music both vintage and modern. The band members were drawn together by a shared love of roots music—blues, folk, gospel, country, and the sounds that lay in between. Saving Grace began at Plant’s home on the Welsh borderlands in 2019; this new collective of like-minded collaborators had been experimenting for barely a year, even serving as an unheralded opening act on a handful of dates for Fairport Convention, when the pandemic intervened and any formal plans were temporarily shelved.

Once protocols permitted, Plant and Saving Grace began to record informally in a barn setup or outdoors, then booked themselves in small venues without fanfare. The self-produced album breathes fresh life into songs by Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and more.

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Tue, 09 Jun 2026 12:03:21 PST

Around the BroadwayWorld is our monthly snapshot of the biggest stories making waves across the global theatre community. In this May 2026 edition, we're bringing you a fresh batch of standout reviews from regional stages across the country - from Brigadoon at Pasadena Playhouse in Los Angeles to The Phantom of the Opera at Seattle's Paramount Theatre and Pippin at Signature Theatre in DC.

Diane Paulus directs an immersive, David Bowie-inspired Life on Mars at American Repertory Theater, the producers of Japan's Gypsy revival walk back a planned title change, and we go behind the scenes with interviews spanning Adam Fields of the Beetlejuice national tour, The Muny's casting director Michael Baxter, Richard Kind on finally taking on Edna in Hairspray, and BWW's Kid Reporters chatting with the touring Von Trapp kids of The Sound of Music. Plus, get a first look at exciting new productions through performance videos and photos, including Anastasia at La Mirada Theatre, Dear Evan Hansen at Arden Theatre, Pippin at Signature Theatre, and the Manila cast of Jesus Christ Superstar - and so much more from across the BroadwayWorld.

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Joshua Wright | Boston

Diane Paulus will direct Life on Mars, an immersive theatrical production set to David Bowie's music, as the inaugural production at the Goel Center for Creativity & Performance in May.

GYPSY in Japan: Producers Walk Back Title Change Ahead of 2026 Revival

Joshua Wright | Japan

The Japanese revival of GYPSY will retain its original title when it returns to the stage in 2026, reversing an earlier decision to present the production under the name 'Rose.'

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Brock Mills | Jacksonville

For Adam Fields, returning to Jacksonville with the national tour of Beetlejuice the Musical isn’t just another stop, it’s a full-circle moment. The production will play in Jacksonville from May 12–17 at the Jacksonville Center for the Performing Arts.

Interview: BWW’s 'Kid Reporters' Chat With THE SOUND OF MUSIC’s Touring Von Trapp Kids

Melissa Heckscher | Los Angeles

BroadwayWorld Los Angeles' kid reporters talk with the young touring cast of THE SOUND OF MUSIC to find out what it's like to be part of one of Broadway’s most iconic shows and what actually happens behind the curtain.

Interview: Chatting with The Muny's Casting Director Michael Baxter

James Lindhorst | St. Louis

Michael Baxter’s work will shine on The Muny stage during all 50 performances this summer. He led the efforts and had a hand in hiring every one of the 194 actors who will fill the principal and ensemble roles.

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

James Lindhorst | St. Louis

When The Muny opens their production of Hairspray on June 15, 2026, the legendary Richard Kind will don Edna Turnblad’s housecoat and step into her fuzzy house slippers. Kind, star of stage, screen and film, calls it bucket list moments to get to perform at The Muny and play Edna all at the same time.

Reviews

Review: BRIGADOON at Pasadena Playhouse

Andrew Child | Los Angeles

Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human.

Review: THE PHANTOM OF THE OPERA at Paramount Theatre

Shelley Dean | Seattle

It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.

Review: PIPPIN at Signature Theatre

Aidan O'Connor | Washington, DC

Certain facets of the human condition are foundational to our very existence – change, connection, desire. One such particularly toxic universal truth is a constant need to be something more than we currently are. To search for happiness in external achievement rather than within ourselves, in our simple joys. Pippin at Signature Theatre breathes within that precise virulence, relatively orchestrated by a troupe of impeccably costumed and choreographed players. A feast for the eyes in all senses, Matthew Gardiner’s production surpasses even the highest of expectations.

Videos

Video: Watch La Mirada Theatre's ANASTASIA Star Lena Ceja Perform 'Journey to the Past'

Michael Major | Los Angeles

La Mirada Theatre has released new video footage of Lena Ceja rehearsing 'Journey to the Past' from their upcoming production of Anastasia. The production features Dillon Klena as Dmitry, a role first played on Broadway by his brother Derek Klena.

Photos/Video: DEAR EVAN HANSEN At Arden Theatre

A.A. Cristi | Philadelphia

Arden Theatre Company is now presenting DEAR EVAN HANSEN as the final production of its 2025/26 season, with performances continuing through July 5. New production photos and video have been released from the Philadelphia production, including footage of Evan A. Kaushesh performing “Waving Through a Window.”

Video: Watch 'Corner of the Sky' From Signature Theatre's PIPPIN

Michael Major | Washington, DC

Watch a video of Brayden Bambino performing 'Corner of the Sky' in Signature Theatre's production of Pippin. The in-the-round production is now running through July 26 with tickets available now.

Photos

Photos: Get a First Look at JESUS CHRIST SUPERSTAR in Manila

Oliver Oliveros | Philippines

The 2017 Olivier Award winner for Best Musical Revival, Tim Rice and Andrew Lloyd Webber’s rock opera 'Jesus Christ Superstar,' has officially opened at The Theatre at Solaire.

SATYRICON to Make World Premiere at SF Eagle Bar This Summer

Tue, 09 Jun 2026 05:20:44 PST

Based on the 1st century text by Gaius Petronius (in a translation by W.C. Firebaugh), SATYRICON is a new take on a tale as old as the aqueducts. Scribed by local playwright Stuart Bousel, Directed by Andrew Calabrese, it is the first fully produced show by the Eagle Players, a new play development group working out of San Francisco's historic Eagle Bar, a cornerstone of the SOMA LGBTQ and Leather communities.

A romantic comedy set in a crumbling empire, SATYRICON follows the adventures of Encolpius (Jake Gleason) and Ascyltos (Jordan Ong), two “young-ish, handsom-ish, rich-ish” Romans whose long-term relationship comes under scrutiny when they find themselves entangled with Giton (Raymond Harris), a sexually voracious small-time hustler who is himself in love with Tryphaena (Willow Hour), a Roman matron married to Lychas (David Hyman). A night of drinking and slumming through the taverns of Rome soon sends the reluctant lovers on an unexpected odyssey complete with angry gods, shipwrecks, and of course: sex witches. Also featuring Carl Lucania and Edna Raia, the show is a philo-sensual absurdist search for meaning in a world of distractions where nothing seems to matter anymore, lust drives everyone, and whimsical fortune reigns.

Developed especially for the Eagle's multi-stage performance venue, the show plays August 4, 5, 11 and 12 at 7 PM. Tickets are $20 online if bought before July 4th, $35 after or at the door.

Stage managed by Linda Huang, SATYRICON also features the creative talents of Cornelius Green on lights, Manny Santos on costumes, and Larry Tasse on Sound Design.

Stuart Bousel is a playwright, poet, director, actor, and journalist who has been working in the Bay Area since 2002. He's been adapting the classics ever since he made his directing debut with a Tucson production of LYSISTRATA back in 1997 and has wanted to bring his own spin to the SATYRICON ever since he read it on a flight to New Zealand in 2006. Most recently he staged THE TEMPEST at the Point Montara Lighthouse and is currently a company member of Berkeley Shakespeare, but is probably best known as the founder and artistic director of The SF Olympians Festival, an annual new works event that commissioned hundreds of original plays from 2010-2019. This is his second major collaboration with Andrew Calabrese, who directed Bousel's adaptation of A ROOM WITH A VIEW for Actors' Ensemble of Berkeley in 2023.

Andrew Calabrese moved to San Francisco in 1998 to be part of the thriving performance art scene of the time. Early projects were Thrush TV, a cable access program, and Hardcore Thrush productions, a group that performed drag and queer parodies in various Mission venues. He became one-half of the performance troupe Shandyland, and has been seen onstage in many local productions by Theatre Rhino, Custom Made Theatre, Exit Theatre, Breadbox, Second Wind, New Conservatory, Impact, the Olympians Festival, Shotgun Players, and more. When in-person theatre halted during the pandemic, he co-created and produced the popular Cooking, Stage Left! series on YouTube, Facebook, and Instagram.

In 2022 he responded to a (seemingly) random Facebook post from the owner of San Francisco's Eagle Bar asking if anyone wanted to “start an experimental theatre group” at the bar. A couple of weeks later Andrew and Alejandro (Lex) Montiel sat down and Eagle Players was created.

“I said to Lex at that meeting that I didn't really have the desire to have my own theatre company…like, I had no great vision for shows I wanted to produce or direct or write or anything! But if he wanted me to open it up and see what the folx wanted to do, I could start a community theatre based right here in SOMA's leather and LGBTQ district.”

Within Eagle Players, ScripTease was formed to help local playwrights develop work by holding monthly readings. SATYRICON is the first full production to come from this process.

The SF Eagle is a renowned LGBTQ+ bar located at 398 12th St. (at Harrison) in San Francisco's South of Market (SoMa) neighborhood. Established in 1981, it is a globally recognized community cornerstone for the gay bear community and the leather subculture. In October 2021, the building was officially designated as San Francisco Landmark #295, making it the first LGBTQ+ landmark in SoMa.

SATYRICON to Make World Premiere at SF Eagle Bar This Summer

Tue, 09 Jun 2026 05:20:44 PST

Developed especially for the Eagle's multi-stage performance venue, the show plays August 4, 5, 11 and 12 at 7 PM. Tickets are $20 online if bought before July 4th, $35 after or at the door.

Stage managed by Linda Huang, SATYRICON also features the creative talents of Cornelius Green on lights, Manny Santos on costumes, and Larry Tasse on Sound Design.

Within Eagle Players, ScripTease was formed to help local playwrights develop work by holding monthly readings. SATYRICON is the first full production to come from this process.

San Francisco Opera Pride Concert to Feature Sapphira Cristál, Dance Party With DJ Juanita More!

Tue, 09 Jun 2026 05:06:46 PST

On Friday, June 26 San Francisco Opera will celebrate the LGBTQIA+ community with the second annual Pride Concert at the War Memorial Opera House. Ticketholders can also interact with a pride-themed altar of remembrance, listen to a pre-concert conversation with community partners, explore lobby exhibits and keep the party going on the dance floor. Sapphira Cristál, the classically trained opera singer, composer and drag queen known for her theatrical lip syncs and six-octave range, returns as emcee for the evening. Conductor Robert Mollicone leads the San Francisco Opera Orchestra and soloists Melody Moore, Nikola Printz and Reginald Smith, Jr. in a concert blending opera, musical theater and pop songs.

Sapphira Cristál (runner-up and Miss Congeniality of RuPaul's Drag Race Season 16) is renowned as a charismatic emcee who forges a special connection with her audiences. A guest artist in Madonna's Celebration Tour, she debuted her original operatic production, Soundcake, with Monét X Change and Thorgy Thor at Lincoln Center and brought her one-woman show, The Cristál Ball Tour, across North America.

Robert Mollicone conducts the San Francisco Opera Orchestra with soloists soprano Melody Moore, whose appearances with San Francisco Opera include the title role of Tosca, Susan Rescorla in the world premiere of Christopher Theofanidis' Heart of a Soldier, Mimì in La Bohème and Mother Marie in Dialogues of the Carmelites; versatile artist and mezzo-soprano Nikola Printz, who recently portrayed Jade Boucher in San Francisco Opera's 25th-anniversary production of Jake Heggie's Dead Man Walking and who originated the role of Billie Jean King in Laura Karpman's Balls with Opera Parallèle and in their London debut at the Royal Festival Hall; and Grammy and Emmy Award-winning baritone Reginald Smith, Jr., who returns to San Francisco Opera following his 2017 debut as Count Monterone in Rigoletto.

The concert will feature music by Michael Abels, Terence Blanchard, Brandi Carlile, Umberto Giordano, Charles Gounod, k.d. lang, Jacques Offenbach, Stephen Schwartz, Michael Tilson Thomas, Luther Vandross, Stevie Wonder and more.

Pride Concert Event Highlights:

6:30 p.m. Rainbows All Around Us outdoor, interactive community altar by the Marigold Project in front of the Opera House on the Van Ness Avenue steps
7–8 p.m. Pre-show Happy Hour with discounted food and drinks
7:05 p.m. Pre-concert talk featuring Rainbow Pride Flag project creators Servane Briand, Bridget McGraw and Dominic Riley, moderated by lead artist Insiya Dhatt
Educational exhibit by the GLBT Historical Society
The Rainbow Pride Flag Project exhibit by Hand Bookbinders of California
AIDS Memorial Quilts display by the National AIDS Memorial
8 p.m. Concert hosted by Sapphira Cristál featuring soloists Melody Moore, Nikola Printz and Reginald Smith Jr. with Robert Mollicone conducting the San Francisco Opera Orchestra
9:30–11 p.m. Post-show dance party with DJ Juanita MORE!

Photos: JAGGED LITTLE PILL: THE MUSICAL at Center REP

Mon, 08 Jun 2026 17:04:21 PST

You can now get a first look at production photos from Alanis Morisette's Jagged Little Pill: The Musical performing at Walnut Creek’s Lesher Center for the Arts, now through Sunday, June 28, 2026.

Inspired by one of the best-selling albums of all time, this electrifying new musical charts the lives of Mary Jane Healy and her picture-perfect American family. As hidden secrets and resentments begin to fracture the pristine façade of suburban life, the Healy’s are forced to confront the truth of each other and their community, redefining the place they once called home.

This Tony Award-winning work is from Oscar-winning writer Diablo Cody and Grammy Award-winning songwriters Alanis Morissette and Glen Ballard.

Photo credit: Kevin Berne

Chanel Tilghman and company

Mickey Hanano Skinner and company

Keith Pinto and Molly Bell

Grace Margaret Craig, Chanel Tilghman, and Mickey Hanano Skinner

Chanel Tilghman and Mickey Hanano Skinner

The company

Chanel Tilghman and company

Chanel Tilghman and Mario Houle

Keith Pinto, Grace Margaret Craig, Molly Bell, and company

Mario Houle, Mickey Hanano Skinner, and Chanel Tilghman

Zeke Edmonds and company

Grace Margaret Craig and company

Grace Margaret Craig and Molly Bell

Molly Bell

Review: BECOMING A MAN at Z Space

Sun, 07 Jun 2026 23:11:12 PST

Life is full of challenging decisions: first job, finding a new job, buying property, moving, marriage, children, medical issues. But I find it difficult to imagine a more challenging proposition than transitioning gender. This West Coast premiere of memoirist P. Carl’s journey to manhood is a thought-provoking, often profound, and deeply moving story that raises as many questions as it answers. How often we think of realizing ourselves to the fullest is put to the ultimate test when Polly (Shoana T. Hunt), a lesbian in a fourteen-year relationship with her wife Lynette (Laura Domingo) makes the bold choice to transition to a man.

Lynette (Laura Domingo), Carl's mother (Joanne Winter) and Carl (Petey Gibson).

Beautifully realized by director Lyam B. Gabel, Carl’s story honestly portrays the difficulties, both physical and mental, the transitioner faces. In a bravura performance by Petey Gibson as Carl (formerly Polly), he’s exultant over his two major changes- his fluffy new beard, and more importantly, the ability to swim freely in a new suit with the right body. Becoming a Man is not just a feel good, atta boy moment of self-actualization. We dive deep into Carl’s psychological traumas, be it his dysfunctional bio-family or the disastrous effects on his marriage.

Polly (Shoana T. Hunt) and the transitioned Carl (Petey Gibson).

In flashbacks we see Polly’s anguish as she struggles with her body dysmorphia. Her mother, a therapist herself, is of little assistance and the father is a misogynist. Carl struggles with appearances by Polly, who disapproves of his newfound ‘dudeness” and ‘mantalk.” Lynette with this new dynamic as well – as a lesbian she can’t see herself loving a man. They fight over minor issues like out-of-season asparagus, a metaphor for their widening separation gap. Becoming a Man doesn’t shy away from the dark side of the transition process. The biological imperative Carl feels, the life-or-death decision making, the loneliness of losing one’s past, all authentically realized in P. Carl’s script.

Polly (Shoana T. Hunt), Carl (Petey Gibson) reflect on their father (Erin Gould).

Laura Domingo and Petey Gibson shine as the seemingly doomed lovers. Can love survive with such a fundamental change in the dynamic? Is Carl the same lovable partner in his new body? What prices are paid for those who are compelled to transition? Becoming a Man is a roadmap for its target audience starved for accurate portrayals, but it’s a tender eye opener for the rest of us with no prior knowledge of this sensitive issue.

Becoming a Man continues through June 14th. Tickets available at http://www.zspace.org/becoming .

Photo Credit: Kayleigh McCollum

WHAT JUST HAPPENED? to Extend Run at The Marsh Berkeley

Fri, 05 Jun 2026 23:19:23 PST

Due to popular demand, The Marsh Berkeley and innovative, internationally celebrated performer Nina Wise have added performances of her hilarious, up-to-the-minute, and critically acclaimed improvisational series titled What Just Happened?, now playing June 14-27. 4

Wise's performances jostle, shake, and stir the zeitgeist with poignancy and humor. What Just Happened? is Wise's recap of her previous 24 hours, filtered through her captivating humor and improv prowess. As developer of Motion Theater, Wise's signature style of movement-infused storytelling emphasizes the use of the human body as a narrative instrument, forgoing most technology used in traditional theater for an electrifyingly somatic performance. What Just Happened? will play 2:00pm Sunday, June 14 and 5:00pm Saturday, June 27, 2026 at The Marsh Berkeley (2120 Allston Way, Berkeley).

For tickets ($25-$35 general admission sliding scale, $50 and $100 reserved, plus a $3 convenience fee per ticket) or more information, the public may visit themarsh.org.

“The Marsh audiences couldn't get enough of What Just Happened?, a fantastic and unique look at daily occurrences and the news of the world through the alchemy of this brilliant performer,” says The Marsh Founder and Artistic/Executive Director Stephanie Weisman. “Nina Wise's performances are visceral, electrifying, and entertaining, and have been selling out fast – we urge those interested in seeing her to get their tickets now.

Originally performed at The Marsh San Francisco in 2009 and The Marsh Berkeley in 2010, East Bay Express noted “solo performance might be the perfect medium for Wise. She's a commanding writer.” Adored by audiences and critics alike, What Just Happened? has played for audiences throughout the United States. The Village Voice highlighted “Wise possesses a supple physique, prodigious energy, and nerve with which to render the shapes and souls of things. Lovingkindness abounds in her work. She makes art as fresh as the day's headlines,” while the Ashland Tribune wrote “you leave a Nina Wise performance uplifted, as if you've seen something fresh, moving and above all, deeply human.”

ABOUT THE CAST AND CREATIVES

Nina Wise (Performer) is a Bay Area-based performer, educator, musician, and writer. She developed Motion Theater in 1990, a style of improvisational performance emphasizing the use of the body as a tool in storytelling. She also creates large scale scripted and immersive works, including her immersive theater piece The Kepler Story. Created in collaboration with California Academy of Sciences Morrison Planetarium, The Kepler Story is the first theater piece ever created about an astronomer for domes. The production played to sold-out crowds at Morrison Planetarium in San Francisco and the Fiske Planetarium at University of Colorado Boulder and is currently in development for a world tour. Wise has performed at San Francisco Museum of Modern Art, The Magic Theatre, and Theatre for the New City, among others. She has received seven Bay Area Theatre Critics Circle Awards, received multiple fellowships from the National Endowment for the Arts, and four fellowships from the Marin Arts Council. Her stories and articles have appeared widely; her book, A Big New Free Happy Unusual Life, was published by Broadway Books. Outside the theater, Wise is an educator and spiritual advisor at Spirit Rock Meditation Center.

WHAT JUST HAPPENED? to Extend Run at The Marsh Berkeley

Fri, 05 Jun 2026 23:19:23 PST

For tickets ($25-$35 general admission sliding scale, $50 and $100 reserved, plus a $3 convenience fee per ticket) or more information, the public may visit themarsh.org.

ABOUT THE CAST AND CREATIVES

THE FRE by Taylor Mac to Open at Oakland Theater Project in Limited Run

Fri, 05 Jun 2026 22:51:48 PST

Following 2024's production of Gary: A Sequel to Titus Andronicus, OTP will return to the category-defying work of MacArthur Genius Grant Recipient and Tony Award—nominee Taylor Mac with the bold new play of The Fre, directed by OTP's own Mylo Cardona (Assistant to the Artistic Director). Performances will take place at Oakland Theater Project (1501 MLK Jr Way, Oakland) in a strictly-limited two-week run from June 18—28.

In the land of two bridges, a rambunctious group of fun-loving anti-intellectuals (The Fre) spend their days cavorting in the mud. Into their midst descends Hero, a dandy aesthete, who longs to cut the bridge and finally escape the mud pit. But first he must convince the leader, Frankie Fre, and the other fatuous inhabitants that there is a better life outside of the swamp.

Part mud-riot, part rave, this queer, all-ages love story stages polarization inside a literal ball pit, pulling the audience into a world where freedom looks like chaos, conformity hides inside collective joy, and language dissolves into play. The result is both liberation and collapse — a muddy reminder that freedom can unite us, but it can just as easily devour us. Raucous, raunchy, and unexpectedly tender, The Fre explores freedom across class and tribal lines, reminding us that connection, play, and solidarity may be the only way out. Don't miss this wild and generous work from a contemporary genius of the American theater.

The cast features Myles Bell, Kiril Bolotnikov, Juleanne Millan as Franny Fre, Danni Blackman as Billy Fre, L.T. Schuster as (Honk) Shoe Fre, Arielle Powell as Taylor Mac, and Kendi Omalade as Young Taylor Mac.

“We live in a world of bubbles, with each person isolated in their own silo, algorithm, way of thinking and being,” said Director Mylo Cardona. “What would it take — and is it worth it — to step closer to those who feel, believe, move, play differently than you? How do we share this mud pit? In such an oppressive political climate, the possibility of actors being so Free (or Fre) on stage can inspire audiences to go out into the world to do the same as a form of resistance.”

OTP'S 2026 SEASON: THE LAND OF THE FREE

The Fre is the fourth production in Oakland Theater Project's 2026 Season: The Land of The Free, featuring a year of new productions that examine a foundational tenet of America. What does it mean to live in "the land of the free" at a time when democratic rights are shrinking and authoritarian power is rising? As the United States approaches its 250th anniversary, Oakland Theater Project's 2026 Season explores the tension between celebration and crisis.

“Freedom, once imagined as a birthright, now feels like a responsibility—and sometimes a loss,” said OTP Executive Artistic Director Michael Socrates Moran. “Inspired by Timothy Snyder's On Freedom, this season's productions examine who holds freedom in America, who is denied it, and what it takes to protect it.”

“In a year built for commemoration, we choose interrogation,” said Moran. “Freedom is not fixed. It must be practiced, challenged, and defended. We invite audiences to look honestly at where we stand— and to imagine what freedom could still become.”

TICKETS & PERFORMANCE INFORMATION

Single tickets are available for $10—70 at oaklandtheaterproject.org/fre, by calling (510) 646-1126, or by emailing boxoffice@oaklandtheaterproject.org.

THE FRE by Taylor Mac to Open at Oakland Theater Project in Limited Run

Fri, 05 Jun 2026 22:51:48 PST

OTP'S 2026 SEASON: THE LAND OF THE FREE

TICKETS & PERFORMANCE INFORMATION

Single tickets are available for $10—70 at oaklandtheaterproject.org/fre, by calling (510) 646-1126, or by emailing boxoffice@oaklandtheaterproject.org.

SLEEPING BEAUTY and More Set for New Ballet 10th Anniversary Season

Thu, 04 Jun 2026 18:48:46 PST

New Ballet has announced its 2026/2027 season and the Company's 10th anniversary. Performances include The San Jose Nutcracker and spring story ballet Sleeping Beauty in an expanded partnership with Symphony San Jose; as well as Fast Forward, a weekend of new contemporary ballet featuring the work of Ingrid Silva (Dance Theatre of Harlem) and Danielle Diniz (Jacob's Pillow, New York Dance Project).

"It's an honor to announce our new season along with the Company's 10th anniversary," said New Ballet Founder and Director Dalia Rawson. "This year is special as we celebrate the founding of New Ballet as well as the expansion of our collaboration with Symphony San Jose. During the upcoming season, New Ballet in partnership with Symphony San Jose plans to have live music for both The San Jose Nutcracker and our spring story ballet, Sleeping Beauty."

"Symphony San Jose's partnership with New Ballet creates an unforgettable live performance experience," said Symphony San Jose Executive and Artistic Director Robert Massey. "Our musicians are thrilled to perform with New Ballet dancers again this year and provide more opportunities for the community to see both dance and live music at the California Theatre."

2026/2027 SEASON HIGHLIGHTS

New Ballet Season Preview at First Fridays

October 2, 2026 at the San Jose Museum of Art

Free Admission

An annual tradition each October, New Ballet dancers perform a formal preview of the 2026/2027 season, introduced by Director Dalia Rawson in the Charlotte Wendel Education Center. Dancers will present excerpts from Sleeping Beauty and The San Jose Nutcracker as well as new works-in-progress being created for Fast Forward.

10 Year Anniversary Halloween Gala

October 17, 2026 at the Hammer Theatre Center

5:30 pm Sponsor Soiree

6:30 pm Doors Open

7-10 pm On Stage Performance and Halloween Dance Party

Celebrating New Ballet's 10 Year Anniversary at the annual Halloween Gala! Each year, this night at the Hammer Theater Center offers San Jose's best family-friendly Halloween Party, a gorgeous on-stage performance and the opportunity to support New Ballet.

The night begins with a dinner reception for Sponsors, then all ticket holders join festivities in the lobby, an elegant main-stage performance, and a post show reception and dance party. Kids (and grown-ups) are invited to come in costume and enjoy a night of ballet, Halloween treats, and fun surprises.

All proceeds from the evening support New Ballet's beloved annual production of The San Jose Nutcracker. This enchanting night of dance, celebration, and community is the perfect kickoff to the holiday season.

The Halloween Dance Party is New Ballet's most important fundraising event of the year in support of The San Jose Nutcracker, funding opportunities for local youth to perform on scholarship, invited viewing opportunities for local families from Title 1 Schools, and a shush-free preview for families affected with cognitive and sensory disabilities.

The San Jose Nutcracker in partnership with Symphony San Jose

December 19-27, 2026

California Theatre

The 2026 production of The San Jose Nutcracker continues the collaboration between New Ballet and Symphony San Jose, bringing this exceptional orchestra to New Ballet's The San Jose Nutcracker. New Ballet's conductor Thomas Shoebotham leads the orchestra in bringing Tchaikovsky's immortal classic to life.

The San Jose Nutcracker is a classical holiday ballet that tells the well-loved story of Clara and the Nutcracker, while featuring historical references to the heritage that has made Santa Clara Valley the center of innovation it is today.

Also presented will be My Very First Nutcracker, a one-act performance for younger audiences, also accompanied by Symphony San Jose.

Choreography: Dalia Rawson
Music: Pyotr I. Tchaikovsky

Fast Forward

March 21-22, 2027

Hammer Theatre Center

A program of new contemporary ballet and cutting-edge choreography, this weekend performance features world premieres by choreographers including: Ingrid Silva (Brazilian ballet dancer who currently performs with Dance Theatre of Harlem) and Danielle Diniz (New York-based dancer and choreographer who recently choreographed for Jacob's Pillow, Ailey BFA Program and New York Dance Project), among others.

Sleeping Beauty in partnership with Symphony San Jose

May 22-23, 2027 at the California Theatre

New Ballet is thrilled to announce that our annual spring story ballet will now be presented in partnership with Symphony San Jose in the elegant California Theatre. For 2027, New Ballet has chosen Sleeping Beauty, the ultimate story about the triumph of good over evil. This production is performed to Tchaikovsky's lush score in an expanded collaboration, new this year, with Symphony San Jose. Conductor Thomas Shoebotham leads the orchestra. Also presented with My Very First Ballet: Sleeping Beauty, a special shortened performance for younger audiences.

Tickets for New Ballet's The San Jose Nutcracker go on sale beginning June 1.

ABOUT DALIA RAWSON

Dalia Rawson is the Director, Founder, and primary choreographer of New Ballet. From 1991 to 2006, Dalia Rawson performed a wide variety of leading roles as a dancer with Ballet San Jose. She began teaching at BSJ School in 2000, was named Ballet Mistress in 2007, Principal in 2012, and Director in 2014.

In 2013 Rawson was awarded a Fellowship from the New York Choreographic Institute, an affiliate of New York City Ballet. An ABT Certified Teacher, who has successfully completed the ABT Teacher Training Intensive in Primary through Level 7 of the ABT National Training Curriculum, Rawson is also a member of the ABT Artistic Board of Examiners.

In 2016, Rawson's production of "The San Jose Nutcracker" premiered to sold out houses and critical acclaim. Rawson has created a repertory of ballets for New Ballet's professional company, including the story ballets "Cinderella," "Sleeping Beauty," "Swan Lake," "La Boutique Fantasque," as well as the contemporary sleeper hit "Less than Three. "

SFJAZZ Reveals 2026-27 Season Featuring More Than 350 Concerts

Thu, 04 Jun 2026 16:48:02 PST

SFJAZZ has unveiled its 2026-27 Season, Forward Motion, featuring more than 350 concerts that celebrate jazz as a living, evolving art form shaped by artists from around the world. Under the leadership of SFJAZZ CEO Gabrielle Armand and Executive Artistic Director Terence Blanchard, the nine-month season continues the organization’s mission as an incubator for creativity, where artists stretch the boundaries of sound and expression. Each performance invites audiences into an immersive experience where past meets present, tradition meets possibility, and the momentum of jazz reminds us to keep moving forward—always exploring, always in motion.

The season celebrates the centennial anniversaries of Miles Davis, John Coltrane, Antonio Carlos Jobim, and Ray Brown, while spotlighting living legends including Ron Carter, Stanley Clarke, Mavis Staples, Charles Tolliver, Dianne Reeves, Branford Marsalis, Kenny Barron, Dee Dee Bridgewater, John Scofield, Eliane Elias, Joe Lovano, The Jazz at Lincoln Center Orchestra with Wynton Marsalis, Chucho Valdés and many more—linking their lasting influence to the sound of jazz today.

The season also spotlights the next wave of jazz artists, including Isaiah Collier, Gabrielle Cavassa, Brandon Woody, Sasha Berliner, Tyreek McDole, Lucía, and Joel Ross, alongside modern greats like Christian McBride, Cécile McLorin Salvant, Joshua Redman, Julian Lage, Ambrose Akinmusire, and others.

Concerts during the 2026-27 season will take place at the SFJAZZ Center’s Miner Auditorium and Joe Henderson Lab, as well as at venues throughout the San Francisco Bay Area, including San Francisco’s Davies Symphony Hall, Oakland’s Paramount Theatre, Berkeley’s UC Theatre, and San Francisco’s Grace Cathedral.

2026-27 Season tickets go on sale to SFJAZZ Members on Friday, June 12 at 12 PM. Season tickets go on sale to the public on Friday, June 26 at 12 PM at sfjazz.org. SFJAZZ Season Members enjoy a full year of benefits, including a 25% discount on dozens of concerts, Members-Only concerts, Free Listening Parties, 10% discount on orders of 10+ tickets, no ticket service fees, free access to online streaming offerings, and more.

Legends & Centennial Celebrations

The 2026–27 Season features an extraordinary lineup of legendary headlining artists spanning the full spectrum of jazz and beyond. Highlights include Christian McBride: Ray Brown Centennial Celebration (September 10–11, 2026); Branford Marsalis Quartet featuring Dianne Reeves performing The Music of John Coltrane & Johnny Hartman (September 17–20, 2026); Marcus Miller’s We Want Miles Centennial Celebration (September 24–27, 2026); Charles Tolliver Honors John Coltrane’s Africa/Brass (October 25, 2026); Stanley Clarke & Ron Carter (November 12–15, 2026); Chris Botti (January 7–12, 2027); Terence Blanchard (January 29–31, 2027); Eliane Elias Quartet: Antonio Carlos Jobim Centennial Celebration (January 22–23, 2027); Kenny Barron (February 12–14, 2027); Mavis Staples (February 19–21, 2027); Dee Dee Bridgewater We Exist Trio (March 20–21, 2027); and Joe Lovano (April 22–25, 2027).

Modern Jazz Greats

The 2026–27 season showcases some of today’s most influential voices shaping the future of jazz. Highlights include Christian McBride & Ursa Major (September 12–13, 2026); Joshua Redman (November 5–6, 2026); Brian Blade & The Fellowship Band (November 22, 2026); Kurt Rosenwinkel & Gerald Clayton (January 14, 2027); Ambrose Akinmusire (March 4–5, 2027); and Joe Lovano (April 22–25, 2027).

Fusion Grooves

The 2026–27 Season embraces cross-genre territory, where jazz collides with a dynamic range of musical traditions and modern influences. Highlights include Hiromi: The Trio Project (October 3–4, 2026); Blaque Dynamite (October 4, 2026); John Scofield’s Electrospective (October 30–November 1, 2026); Jake Shimabukuro (December 3–6, 2026); Kendrick Scott Quintet (January 9–10, 2027); Sungazer (February 28, 2027); SML (March 6, 2027); Spencer Day (March 12, 2027); Shabaka (April 16–17, 2027); and GoGo Penguin (May 13–14, 2027).

Terence Blanchard’s UpSwing Series

Terence Blanchard’s UpSwing Series returns with rising jazz artists and next-generation innovators in double-bill performances at Miner Auditorium. The 2026–27 Season UpSwing Series will feature Brandon Woody’s UPENDO & Gabrielle Cavassa (November 7, 2026); Edmar Casteneda & Germán López (November 28, 2026); Jeremy Pelt All-Star Quintet & Charles Altura (January 16, 2027); Isaiah Collier & Tyreek McDole (February 27, 2027); Gabi Hartmann / Samora & Elena Pinderhughes (March 27, 2027); and J3PO & Joel Ross (May 1, 2027).

Global Sounds & Innovators

The 2026–27 season shines a spotlight on visionary artists from around the world who are redefining the genre through rich cultural traditions and innovative sound. Highlights include Nduduzo Makhathini Trio (September 12–13, 2026); Cyrille Aimée (October 1–4, 2026); Lila Downs (October 15–18, 2026); Zaccai Curtis Sextet (October 16–17, 2026); Caity Gyorgy (January 23–24, 2027); Eliane Elias Quartet (January 22–24, 2027); The Klezmatics (March 6, 2027); Sona Jobarteh (April 10–11, 2027); and Django Festival All-Stars (May 9–10, 2027).

Latin Jazz

Rooted in heritage and innovation, SFJAZZ celebrates the cultural heartbeat and global influence of Latin music in all its fire and brilliance. Highlights include Edward Simon (October 23, 2026); David Sanchez Carib presents Tambó (October 29, 2026); Lucía (March 11, 2027); Alfredo Rodriguez Band featuring Pedrito Martinez (April 29, 2027); Poncho Sanchez & His Latin Jazz Band (May 23, 2027); and Chucho Valdés (May 27–30, 2027).

Bay Area Roots

Spotlighting the region’s most compelling artists, SFJAZZ features the voices shaping the future of the music—right here at home. Highlights include Dayna Stephens (October 10–11, 2026); Holly Bowling (November 13–15, 2026); Skylar Tang Quartet (December 18, 2026); Masha Campagne (January 29, 2027); Tracy Cruz (February 12–13, 2027); Sasha Berliner Arts & Sciences (March 26, 2027); Martin Luther McCoy (April 2, 2027); and Jazz Mafia with Tiffany Austin (May 21–23, 2027).

Songbook Series

The Songbook Series celebrates the timeless artistry of jazz’s greatest composers, with world-class musicians reimagining the iconic works of legends. Highlights for the 2026–27 season include Branford Marsalis Quartet featuring Dianne Reeves: The Music of John Coltrane and Johnny Hartman (September 17–20, 2026); Stella Cole with Del Sol Quartet (December 16, 2026); Emmaline: Sincerely, Sinatra (January 15, 2027); Cécile McLorin Salvant (February 4–7, 2027); Kenny Barron: Songbook (February 12–13, 2027); and Stella Heath: The Billie Holiday Project (March 13, 2027).

Holiday Season

SFJAZZ rings in the holiday season with a joyful lineup of festive performances that capture the spirit of the season through world-class artistry. Highlights include Swing Into the Holidays with Caity Gyorgy & Christian Wiggs (November 29, 2026); Christian Sands Trio (December 11–12, 2026); The Queen’s Cartoonists (December 15, 2026); Holiday for Strings featuring Stella Cole with the Del Sol Quartet (December 16, 2026); Cyrus Chestnut Quartet Plays A Charlie Brown Christmas (December 18, 2026); Christmas with the Count Basie Orchestra (December 19–20, 2026); Holiday Jam featuring Maurice “Mobetta” Brown (December 22, 2026); and New Year’s Eve with Cimafunk (December 31, 2026).

Family Matinee Series

SFJAZZ’s Family Matinee Series invites audiences of all ages to experience the joy of live music together in a fun, welcoming setting. These affordably priced and engaging daytime (11 AM) performances are designed especially for families, offering an accessible introduction to jazz and related genres through dynamic concerts by world-class artists. The 2026–27 Season Family Matinee Series includes Destiny Muhammad: In the Spirit of Coltrane (September 19, 2026); Marcus Shelby & Friends: Bebop Legends (October 24, 2026); Mariachi Flor de Toloache (November 21, 2026); A Charlie Brown Christmas with Adam Shulman Trio (December 12, 2026); Oakland Interfaith Gospel Choir (February 20, 2027); Realtime Collective: Women in Jazz (March 20, 2027); Rebeca Mauleón: Salsa Birthday Party (April 17, 2027); and Global Jazz, The Spirit of India (May 22, 2027).

Hotplate Series

The Hotplate Series returns with a vibrant showcase for the Bay Area’s most exciting emerging artists and creative voices. The 2026–27 Season Hotplate Series includes Camille Kerani – Plays John Coltrane’s A Love Supreme (September 13, 2026); Tiffany Austin – Sings Carmen McRae’s Carmen Sings Monk (October 8–9, 2026); and Christie Dashiell (February 4–5, 2027).

SFJAZZ Collective

Celebrating 22 years of innovation in jazz, each member of the current iteration of the SFJAZZ Collective—Chris Potter, David Sánchez, Mike Rodriguez, Warren Wolf, Edward Simon, Matt Brewer, and Kendrick Scott—will curate their own concert as a leader, highlighting their forward-thinking approach to modern-day jazz. The 2026–27 Season Collective Spotlight Series includes Edward Simon: Femeninas (October 23, 2026) and When Dogs Howl (March 25, 2027); David Sanchez Carib presents Tambó (October 29, 2026); Kendrick Scott Quintet (January 9–10, 2027); Mike Rodriguez Quintet (March 20–21, 2027); Chris Potter: Alive With Ghosts Today (April 3, 2027); Matt Brewer Quintet with Gonzalo Rubalcaba & Ambrose Akinmusire (April 4, 2027); and Warren Wolf: The History of the Vibraphone (April 24–25, 2027).

This season’s SFJAZZ Gala, taking place on May 7, 2027, will reunite current and former SFJAZZ Collective members in a historic celebration of two decades of contributions to jazz. Notable alumni include founding members Joshua Redman, Miguel Zenón, the late Bobby Hutcherson, Brian Blade, and Renee Rosnes, along with later standouts Joe Lovano, Stefon Harris, and Robin Eubanks. Concert lineup and details will be announced in Fall 2027.

Beyond SFJAZZ Center

The 2026–27 Season extends across the Bay Area with performances in a range of iconic venues. Highlights include Ravi Coltrane at Berkeley’s UC Theatre (September 19, 2026); Snarky Puppy at Oakland’s Paramount Theatre (October 2, 2026); Julian Lage Quartet at San Francisco’s Davies Symphony Hall (October 19, 2026); and Dr. Jekyll and Mr. Hyde with organist Dorothy Papadakos at Grace Cathedral (October 30, 2026).

Education & Community Engagement

SFJAZZ continues to deepen its commitment to education and community engagement through a wide range of programs designed to inspire, connect, and cultivate the next generation of artists and audiences. Throughout the 2026–27 Season, SFJAZZ will offer educational and community initiatives—including masterclasses, interactive workshops and courses, open sound checks, free community jam sessions, interactive courses, and more—that ensure the power of jazz reaches audiences across the Bay Area and beyond, fostering creativity, cultural exchange, and lifelong learning through music.

New Education Program — WeBop at SFJAZZ

SFJAZZ is partnering with Jazz at Lincoln Center to launch the West Coast version of the acclaimed early childhood music education program, WeBop (September 19 and October 24, 2026). Designed for children ages 2–5 and their caregivers, WeBop at SFJAZZ serves as the perfect preamble to the Family Matinee Series, introducing young children to jazz music and performance in a safe, welcoming, and interactive environment.

BroadwayWorld Launches Producer Fantasy Game

Tue, 09 Jun 2026 11:00:05 PST

Ever watched the weekly Broadway grosses roll in and thought you could pick the winners? Now you can put it to the test. BroadwayWorld has launched the Producer Fantasy Game, a free, season-long competition that lets theatre fans build a roster of Broadway shows and earn points based on how those productions actually perform at the box office. The draft window is open now.

How It Works

The setup is simple. During the draft window, you pick any six Broadway productions that opened this season. Drafting is non-exclusive, so there is no need to race a rival for a hot title. Any number of players can roster the same show.

From there, your shows go to work for you. Every week, each production on your roster earns fantasy points based on its reported box office grosses and capacity percentages. When Tony, Drama Desk, Drama League, and Outer Critics Circle nominations and wins are announced, your shows bank bonus points on top of that. And each week you can answer our Fantasy Forecast prediction questions for up to five bonus points per correct call.

Weekly Scoring

Each week, a show earns one base point for every $50,000 it grosses, so a $1 million week is worth 20 base points. On top of that, shows can earn bonuses: up to five points for filling seats (based on how close to full capacity the house ran), six points for grossing $2 million or more (or three points for grossing between $1 million and $2 million), and eight points if its gross jumped at least 15 percent from the week before. A show loses four points if its gross dropped at least 15 percent. If a show goes dark and reports no gross for a week, it scores zero for that week with no penalty.

The Fantasy Forecast

The Producer Fantasy Game is really two games in one. The first is the box office game: drafting shows and earning points from their weekly grosses and awards. The second is the Fantasy Forecast, a weekly set of prediction questions about what's happening on Broadway, where each correct answer is worth up to five points. You can play one or both.

We track them separately so you can shine at either. Your Producer score covers the box office game, your Forecast score covers your prediction results, and your Combined score adds the two together for the overall championship ranking. The leaderboard lets you toggle between Overall, Producers, and Forecasters, so a sharp predictor can top the Forecasters board even during a rough season for their roster, and a roster powerhouse can lead the Producers board without answering a single question.

Managing Your Roster

Your lineup stays at six shows all season, and you have plenty of room to maneuver. You get one free drop every week, three additional season drops to use anytime before the trade deadline, and free replacements whenever a show on your roster closes. New productions open throughout the season and become available the moment they start reporting grosses, so it pays to keep a transaction in your pocket for that buzzy new opening.

Join the Game

The Producer Fantasy Game is free for all BroadwayWorld users, and you can join any time the draft window is open. Draft within the first two weeks of the season and your roster is scored from opening week, so the earlier you get in, the more weeks you bank. Build your roster, make your predictions, and start climbing the leaderboard today.

INFINITE PRIDE to Return as SF Neo-Futurists' Annual Queer Benefit Show

Thu, 04 Jun 2026 05:10:07 PST

The San Francisco Neo-Futurists have announced the return of INFINITE PRIDE, an annual Pride benefit show featuring 30 gay plays performed in 60 even gayer minutes. Our flagship show, The Infinite Wrench, features an ever-changing menu of 30 short plays performed in a race against the clock. In this specialty show, we bring you plays both new and old, fabulously funny, silly, seductive, tender and timely to celebrate queerness in all its forms. INFINITE PRIDE 2026 will be performed three times only, once at El Rio on Monday, 6/22 and twice at The Stud on Tuesday, 6/23.

Infinite Pride is a benefit show: 50% of profits will go to Bay Area Workers Support (BAWS), a peer-led organization that supports sex workers with mutual aid, information and resources and social support.

Performances are at El Rio on Monday June 22nd, 8:00 PM and The Stud on Tuesday, June 23, 6:30 PM and 9:00 PM.

The event will feature openers Pussy Whipped (El Rio and 6:30 at The Stud) and Matty Mx! + Evangeline (9:00pm at The Stud).

Infinite Pride features San Francisco Neo-Futurist ensemble members and visiting artists Wallace Yan, Mars Ibarra, Jordan Williams, Hannah Cantor, Aster Light, Amy Langer, Greg Lakhan (NY) and Jasmine Henri Jordan (Chicago).

More about the San Francisco Neo-Futurists

The San Francisco Neo-Futurists are a critically-acclaimed collective of wildly prolific writer/director/performers who create theater that is a fusion of sport, poetry and living-newspaper. They strive to create performance that conveys experiences and ideas as directly and honestly as possible. The ensemble has been named “SF's premiere performance art troupe” (48 Hills) and one of “22 San Francisco things everyone must do” (SF Chronicle), and has won a number of local awards, including Best Theater Company in the SF Bay Guardian's Best of the Bay Readers Polls.

INFINITE PRIDE is a special performance of the company's critically-acclaimed weekly show, The Infinite Wrench, an ongoing, ever-changing hour of 30 short plays performed in a one-hour race against the clock. Every week, the SF Neo-Futurists write new plays to populate the show, meaning the show changes every weekend. Since their founding in November 2013, they've written and performed over 4,500 original short plays. The San Francisco Neo-Futurists are fiscally sponsored by Intersection for the Arts. Intersection for the Arts is a bedrock Bay Area arts nonprofit that's dedicated to helping artists grow. Through vital resources, including fiscal sponsorship, low-cost coworking and event space, and professional development programs, we empower people to continue creating, thinking big, and taking weird and wonderful risks.

BroadwayWorld.com San Francisco / Bay Area Stories

THE LUNCHBOX to Receive Second and Final Extension at Berkeley Rep

THE LUNCHBOX to Receive Second and Final Extension at Berkeley Rep

APPOINTMENT IN MENDOCINO to Receive Staged Reading at Magic Theatre SF

APPOINTMENT IN MENDOCINO to Receive Staged Reading at Magic Theatre SF

Cast Set for THE EMPLOYEE DHARMA HANDBOOK World Premiere at TheatreWorks Silicon Valley

Cast Set for THE EMPLOYEE DHARMA HANDBOOK World Premiere at TheatreWorks Silicon Valley

Handel's TOLOMEO to be Presented by Philharmonia Baroque Orchestra & Chorale

Video: ELEKTRA at San Francisco Opera

MAMMA MIA! & More Lead Bay Area's Summer 2026 Top Theatre Shows

Beauty And The Beast

anthropology

“Dracula: A Feminist Revenge Fantasy, Really”

In The Heights

Broadway Under the Stars - Mamma Mia!

Ride the Cyclone

THE LUNCHBOX

The Phantom of the Opera

Back to the Future The Musical

Jenn Colella: LIVE at the Nikko

Hairspray

The Sound of Music

THE PRINCE PARTS 1 & 2 to Close Central Works' Final Season After 36 Years

PERFORMANCE SCHEDULE

Ticket Pricing

The Prince Part 1

The Prince Part 2

ABOUT CENTRAL WORKS

THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

ABOUT THE CAST AND CREATIVES

THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

ABOUT THE CAST AND CREATIVES

Hardly Strictly Bluegrass 2026 to Kick Off with Steve Earle Benefit Concert

Video: ELEPHANT SHOES at Two River Theater

Thee Phantom & The Illharmonic Orchestra to Return to ATG San Francisco's Curran Theatre

Robert Plant with Saving Grace and Suzi Dian is Coming to SF's Orpheum Theatre

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Editor's Picks: Top News Stories

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

Reviews

Videos

Photos

SATYRICON to Make World Premiere at SF Eagle Bar This Summer

SATYRICON to Make World Premiere at SF Eagle Bar This Summer

San Francisco Opera Pride Concert to Feature Sapphira Cristál, Dance Party With DJ Juanita More!

Pride Concert Event Highlights:

Photos: JAGGED LITTLE PILL: THE MUSICAL at Center REP

Review: BECOMING A MAN at Z Space

WHAT JUST HAPPENED? to Extend Run at The Marsh Berkeley

ABOUT THE CAST AND CREATIVES

WHAT JUST HAPPENED? to Extend Run at The Marsh Berkeley

ABOUT THE CAST AND CREATIVES

THE FRE by Taylor Mac to Open at Oakland Theater Project in Limited Run

OTP'S 2026 SEASON: THE LAND OF THE FREE

TICKETS & PERFORMANCE INFORMATION

THE FRE by Taylor Mac to Open at Oakland Theater Project in Limited Run

OTP'S 2026 SEASON: THE LAND OF THE FREE

TICKETS & PERFORMANCE INFORMATION

SLEEPING BEAUTY and More Set for New Ballet 10th Anniversary Season

2026/2027 SEASON HIGHLIGHTS

New Ballet Season Preview at First Fridays

10 Year Anniversary Halloween Gala

The San Jose Nutcracker in partnership with Symphony San Jose

Fast Forward

Sleeping Beauty in partnership with Symphony San Jose

ABOUT DALIA RAWSON

SFJAZZ Reveals 2026-27 Season Featuring More Than 350 Concerts

Legends & Centennial Celebrations

Modern Jazz Greats

Fusion Grooves

Terence Blanchard’s UpSwing Series

Global Sounds & Innovators

Latin Jazz

Bay Area Roots

Songbook Series

Holiday Season

Family Matinee Series