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<title>BroadwayWorld.com Cabaret Stories</title>
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<title>JUNETEENTH: FREEDOM HAS NO BORDERS to Premiere at Joe&apos;s Pub</title>
<description>&lt;p&gt;Joe&amp;#39;s Pub will present Juneteenth: Freedom Has No Borders, a one-night concert of songs from Juneteenth, The Musical, a new work with book, music, and lyrics by composer, poet, and playwright &lt;a href=&quot;https://www.broadwayworld.com/people/Darrel-Alejandro-Holnes/&quot;&gt;Darrel Alejandro Holnes&lt;/a&gt; on Friday, June 19 at 9:30pm (doors open at 9pm) at Joe&amp;#39;s Pub (425 Lafayette St, New York, NY 10003) as part of &lt;a href=&quot;https://www.broadwayworld.com/people/Carnegie-Hall/&quot;&gt;Carnegie Hall&lt;/a&gt;&amp;#39;s United in Sound: America at 250.&lt;/p&gt;

&lt;p&gt;Tickets ($36) are available for advance purchase at &lt;a href=&quot;https://publictheater.org/performances-jp/2026/j/juneteenth-the-musical-in-concert-by-darrel-alejandro-holnes/&quot;&gt;https://publictheater.org/performances-jp/2026/j/juneteenth-the-musical-in-concert-by-darrel-alejandro-holnes/&lt;/a&gt;. The performance will run approximately 75 minutes, with no intermission.&lt;/p&gt;

&lt;p&gt;Juneteenth, The Musical tells the story of the first Juneteenth through one love that refused to die. On a Texas plantation in the final days of slavery, Anna and Elijah fall in love - and are torn apart, he fleeing north to join the Union Army, she escaping south to Mexico, which had abolished slavery decades before the United States. Their two roads to freedom - one north, one south - converge in a story of liberation, love, and resistance. The score braids African American, Mexican-American, Mexican, and Creole traditions into one living inheritance, weaving gospel and folk-blues with corrido, conjunto, and zydeco.&lt;/p&gt;

&lt;p&gt;&amp;quot;Freedom didn&amp;#39;t travel in a straight line, and it didn&amp;#39;t only run north,&amp;quot; said Juneteenth, The Musical creator &lt;a href=&quot;https://www.broadwayworld.com/people/Darrel-Alejandro-Holnes/&quot;&gt;Darrel Alejandro Holnes&lt;/a&gt;. &amp;quot;As with most of my work, this concert is about the people history forgot - and the love that outlasted everything done to keep two lovers apart.&amp;quot;&lt;/p&gt;

&lt;p&gt;The concert stars Kalea Leverette (Broadway&amp;#39;s Harry Potter and the Cursed Child) as Anna, &lt;a href=&quot;https://www.broadwayworld.com/people/Carla-R-Stewart/&quot;&gt;Carla R. Stewart&lt;/a&gt; (Broadway&amp;#39;s The Color Purple and TINA: The &lt;a href=&quot;https://www.broadwayworld.com/people/Tina-Turner/&quot;&gt;Tina Turner&lt;/a&gt; Musical) as Mama Rue, &lt;a href=&quot;https://www.broadwayworld.com/people/Claudia-Logan/&quot;&gt;Claudia Logan&lt;/a&gt; (BET&amp;#39;s Diarra from Detroit) as The Angel D. Vine, Chafik Jay as Elijah, and Justin Anthony as Sancho, with Background Vocals by Sabrina Spraggins and a special guest appearance by Amyra Le&amp;oacute;n, the Harlem-born vocalist, composer, and multidisciplinary artist whose work centers Black liberation and communal healing.&lt;/p&gt;

&lt;p&gt;Music direction, arrangements, and orchestrations are by Balint Varga, leading a band of Broadway and touring musicians: &lt;a href=&quot;https://www.broadwayworld.com/people/Asher-Denburg/&quot;&gt;Asher Denburg&lt;/a&gt; (piano; Broadway&amp;#39;s &lt;a href=&quot;https://www.broadwayworld.com/people/Jeff-Ross/&quot;&gt;Jeff Ross&lt;/a&gt;: Take a Banana for the Ride, National Tour of A Beautiful Noise), Yuka Tadano (bass; Broadway&amp;#39;s Swept Away, Suffs, A Beautiful Noise), Yotam Ben-Or (harmonica; Broadway&amp;#39;s Floyd Collins), Josh Bailey (drums and percussion; Broadway&amp;#39;s &amp;amp; Juliet and The Outsiders), and Lou Garrett (guitar and banjo; National Tour of The Book of Mormon). The concert is produced by De Mangue Productions and Miss Mason Productions (&lt;a href=&quot;https://www.broadwayworld.com/people/Roger-Q-Mason/&quot;&gt;Roger Q. Mason&lt;/a&gt;).&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Darrel-Alejandro-Holnes/&quot;&gt;Darrel Alejandro Holnes&lt;/a&gt; is an Afro-Panamanian American composer, playwright, and poet whose work moves across theater, music, and the page. His work for the stage includes Black Feminist Video Game (&lt;a href=&quot;https://www.broadwayworld.com/people/The-Civilians/&quot;&gt;The Civilians&lt;/a&gt;; 59E59; Center Theatre Group; Oregon Shakespeare Festival), Bolero (The Sol Project&amp;#39;s Sol Fest, Stages Houston&amp;#39;s Sin Muros Festival), and Bayano (&lt;a href=&quot;https://www.broadwayworld.com/people/National-Black-Theatre/&quot;&gt;National Black Theatre&lt;/a&gt;&amp;#39;s I Am Soul Residency; Eugene O&amp;#39;Neill Theater Center finalist; &lt;a href=&quot;https://www.broadwayworld.com/people/Carnegie-Hall/&quot;&gt;Carnegie Hall&lt;/a&gt;&amp;#39;s Nuestros Sonidos Festival). He is the author of the poetry collections Stepmotherland (University of Notre Dame Press), winner of the Andr&amp;eacute;s Montoya Poetry Prize, and Migrant Psalms (&lt;a href=&quot;https://www.broadwayworld.com/people/Northwestern-University/&quot;&gt;Northwestern University&lt;/a&gt; Press). A National Endowment for the Arts Creative Writing Fellow with residencies including MacDowell, he is the founder of the Candela Playwrights Summer Fellowship. &lt;a href=&quot;http://darrelholnes.com&quot;&gt;darrelholnes.com&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/JUNETEENTH-FREEDOM-HAS-NO-BORDERS-to-Premiere-at-Joes-Pub-20260612</link>
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<pubDate>Fri, 12 Jun 2026 16:52:27 PST</pubDate>
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<title>Norm Lewis, Robert Bannon and More to Perform at 54 Below Next Week</title>
<description>&lt;p&gt;Next week, 54 Below, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including &lt;a href=&quot;https://www.broadwayworld.com/people/Norm-Lewis/&quot;&gt;Norm Lewis&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Robert-Bannon/&quot;&gt;Robert Bannon&lt;/a&gt; and more.&amp;nbsp;&lt;/p&gt;

&lt;h2&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Norm-Lewis/&quot;&gt;Norm Lewis&lt;/a&gt; Returns With Broadway &amp;amp; Beyond &amp;ndash; JUNE 14 &amp;ndash; 20 AT 7PM&lt;/h2&gt;

&lt;p&gt;The performance on June 19 will also be livestreamed.&lt;br /&gt;
It is summertime, and &lt;a href=&quot;https://www.broadwayworld.com/people/Norm-Lewis/&quot;&gt;Norm Lewis&lt;/a&gt; (The Phantom of the Opera, Once on This Island, The Gershwins&amp;#39; Porgy and Bess, Chicken &amp;amp; Biscuits) is back at 54 Below with Broadway &amp;amp; Beyond.&lt;/p&gt;

&lt;p&gt;Known for Christmas shows that have become the stuff of legend at the venue, the Broadway favorite returns this season for a limited run of seven nights, bringing back his acclaimed non-holiday series in an all-new edition audiences will not want to miss.&lt;/p&gt;

&lt;p&gt;The timing could not be more perfect. With the Tony Awards just a week earlier, Norm takes the stage June 14 through June 20, continuing that celebration of musical theatre while also sharing other beloved songs that have shaped his life and career.&lt;/p&gt;

&lt;p&gt;He is joined onstage, and off, by his usual crew of misfits, with a live band and direction by &lt;a href=&quot;https://www.broadwayworld.com/people/Richard-Jay-Alexander/&quot;&gt;Richard Jay-Alexander&lt;/a&gt;. With &lt;a href=&quot;https://www.broadwayworld.com/people/Norm-Lewis/&quot;&gt;Norm Lewis&lt;/a&gt;, you know it is always a party.&lt;/p&gt;

&lt;p&gt;$118.50 cover charge (includes $13.50 in fees). $183 premium seating (includes $18 in fees) - $188 premium seating (includes $18 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Treston-J-Henderson/&quot;&gt;Treston J. Henderson&lt;/a&gt; Brings His Living Room Back To 54 Below&amp;nbsp;&amp;ndash; JUNE 15 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;This performance will also be livestreamed.&amp;nbsp;&lt;br /&gt;
Returning to 54 Below, &lt;a href=&quot;https://www.broadwayworld.com/people/Treston-J-Henderson/&quot;&gt;Treston J. Henderson&lt;/a&gt; invites you back into his living room for another unforgettable night of music, community, and joy. Fresh off traveling around the country with the first national tour of MJ the Musical, Treston brings his heart, his voice, and his story back to the place where it all feels like home.&lt;/p&gt;

&lt;p&gt;The Living Room Session is an intimate, soulful evening inspired by the magic of singing right at home where the music is free, the spirit is high, and every song tells a story. With a powerhouse voice and an eclectic setlist rooted in gospel, R&amp;amp;B, and musical theatre, Treston curates a night that feels equal parts concert, testimony, and family reunion.&lt;/p&gt;

&lt;p&gt;So come sit back, relax, shout if you feel it, dance if the groove hits, cry if the spirit moves you and most importantly, come have a good time. Joined alongside some of New York City&amp;#39;s most talented performing artists from Broadway and beyond, Treston&amp;#39;s return to 54 Below promises an evening full of soul-stirring music, heartfelt moments, and the kind of joy you carry with you long after the last note is sung.&lt;/p&gt;

&lt;p&gt;Music direction by Rashad McPherson. Featuring &lt;a href=&quot;https://www.broadwayworld.com/people/Jay-Copeland/&quot;&gt;Jay Copeland&lt;/a&gt;, Jamila Hunter, Rajan&amp;eacute; Katurah, Eric Shawn, &lt;a href=&quot;https://www.broadwayworld.com/people/Rachel-Webb/&quot;&gt;Rachel Webb&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Amaya-White/&quot;&gt;Amaya White&lt;/a&gt;, and Terrence Williams Jr. Joined by Elisha Blocker on drums, John David Bratton II on bass, and Marcos Robinson on guitar. $41.50 cover charge (includes $6.50 in fees). $69 premium seating (includes $9 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;Voices For Change Spotlights Neurodivergent Artists &amp;ndash; JUNE 16 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;Join us at 54 Below for an uplifting evening as The Voices for Change team raises funds to promote neurodivergent performers in the theater community.&lt;/p&gt;

&lt;p&gt;Featuring talented vocalists that have graced Broadway and Off-Broadway stages as well as television screens, this cabaret will include songs from Dear Evan Hansen, Next to Normal, Disney&amp;#39;s Frozen, and more. Accompanied by Matthew Brand.&lt;/p&gt;

&lt;p&gt;Featuring Caeley Arellano, &lt;a href=&quot;https://www.broadwayworld.com/people/Savannah-Austin/&quot;&gt;Savannah Austin&lt;/a&gt;, Derek Bedell, &lt;a href=&quot;https://www.broadwayworld.com/people/Juliet-Benn/&quot;&gt;Juliet Benn&lt;/a&gt;, Rhea Brand, Carmen Catlin, Vinya Chhabra, Keilah Clarke, Mabel Danielian, &lt;a href=&quot;https://www.broadwayworld.com/people/Winter-Donnelly/&quot;&gt;Winter Donnelly&lt;/a&gt;, Zoe Dunn, Jessica Evgenikos, Jacob Fisch, Joshua Garcia, Sophia Greenberg, Jordyn Gulliford, &lt;a href=&quot;https://www.broadwayworld.com/people/Jake-Hamilton/&quot;&gt;Jake Hamilton&lt;/a&gt;, Willow Hart, &lt;a href=&quot;https://www.broadwayworld.com/people/Avery-Hope/&quot;&gt;Avery Hope&lt;/a&gt;, Emersyn Hunt, &lt;a href=&quot;https://www.broadwayworld.com/people/Sadie-Johnson/&quot;&gt;Sadie Johnson&lt;/a&gt;, Emily Kim, Daniel Lin, &lt;a href=&quot;https://www.broadwayworld.com/people/Gloria-Manning/&quot;&gt;Gloria Manning&lt;/a&gt;, Natalie Melo, Cate R&amp;eacute;, Ella Reichbach, Mia Soleil Sanchez, Eri Sica, Jacey Sink, Remi Stein, Hanako Stepper, Cayden Tan, Grace Teta, Carina Vail, &lt;a href=&quot;https://www.broadwayworld.com/people/margot-weintraub/&quot;&gt;margot weintraub&lt;/a&gt;, and Marin Wilson.&lt;/p&gt;

&lt;p&gt;Voices For Change is a nonprofit organization founded by Cayden Tan and &lt;a href=&quot;https://www.broadwayworld.com/people/Cordelia-Cornell/&quot;&gt;Cordelia Cornell&lt;/a&gt; to uplift neurodivergent youth through the arts. $41.50 cover charge (includes $6.50 in fees). $69 premium seating (includes $9 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;Broadway&amp;#39;s Front Of House Staff Step Into The Spotlight&amp;nbsp;&amp;ndash; JUNE 17 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;Back by popular demand! Join us for a celebration of the vocal talents of Broadway&amp;#39;s Front of House staff. This edition spotlights the incredible FOH team from Six on Broadway.&lt;/p&gt;

&lt;p&gt;From merch teams and ushers to bathroom attendants and bar staff, these are the people who keep the magic alive offstage, and now it&amp;#39;s their time to shine on stage.&lt;/p&gt;

&lt;p&gt;Produced by Rikki Jacobs. Music direction by &lt;a href=&quot;https://www.broadwayworld.com/people/Jeffrey-Schmelkin/&quot;&gt;Jeffrey Schmelkin&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Featuring Zacqu&amp;eacute; Aaronson, &lt;a href=&quot;https://www.broadwayworld.com/people/Autumn-Dion/&quot;&gt;Autumn Dion&lt;/a&gt;, Emma Healy, Lindsey Lewis, Marion Michaels, Kyle Morales, Emily Szajnuk, Kent Walker, and Caroline Weston. Also joined by special guest &lt;a href=&quot;https://www.broadwayworld.com/people/Abigail-Barlow/&quot;&gt;Abigail Barlow&lt;/a&gt;. Featuring Jared Shaw on drums.&lt;/p&gt;

&lt;p&gt;$41.50 cover charge (includes $6.50 in fees). $69 premium seating (includes $9 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;Powerhouse Honors Legendary Female Music Icons &amp;ndash; JUNE 18 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;Join us at 54 Below as we celebrate the legendary women of the 1980s and &amp;#39;90s whose voices have shaped generations of music with Powerhouse: The Icons.&lt;/p&gt;

&lt;p&gt;Both a tribute and a celebration, this show spotlights the influence, legacy, and cultural impact of artists including &lt;a href=&quot;https://www.broadwayworld.com/people/Whitney-Houston/&quot;&gt;Whitney Houston&lt;/a&gt;, C&amp;eacute;line Dion, &lt;a href=&quot;https://www.broadwayworld.com/people/Mariah-Carey/&quot;&gt;Mariah Carey&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Tina-Turner/&quot;&gt;Tina Turner&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Lauryn-Hill/&quot;&gt;Lauryn Hill&lt;/a&gt;. Produced and directed by Samantha Gibbs and Emi Zea.&lt;/p&gt;

&lt;p&gt;$47 cover charge (includes $7 in fees). $74.50 premium seating (includes $9.50 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Crystal-Monee-Hall/&quot;&gt;Crystal Monee Hall&lt;/a&gt; And Friends Celebrate Juneteenth &amp;ndash; JUNE 19 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;Join &lt;a href=&quot;https://www.broadwayworld.com/people/Crystal-Monee-Hall/&quot;&gt;Crystal Monee Hall&lt;/a&gt; and a host of performers and special guests from Broadway and beyond for an evening celebrating Blackness and freedom through music.&lt;/p&gt;

&lt;p&gt;The concert explores Black musical traditions from spirituals and gospel to the blues and their many modern descendants.&lt;/p&gt;

&lt;p&gt;Music direction by &lt;a href=&quot;https://www.broadwayworld.com/people/Mark-Meadows/&quot;&gt;Mark Meadows&lt;/a&gt;. Featuring &lt;a href=&quot;https://www.broadwayworld.com/people/Ayodele-Casel/&quot;&gt;Ayodele Casel&lt;/a&gt;, Kevin Gardner, &lt;a href=&quot;https://www.broadwayworld.com/people/Amber-Iman/&quot;&gt;Amber Iman&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Marcus-Paul-James/&quot;&gt;Marcus &lt;/a&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Paul-James/&quot;&gt;Paul James&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Daniel-J-Watts/&quot;&gt;Daniel J. Watts&lt;/a&gt;. $41.50 cover charge (includes $6.50 in fees). $74.50 premium seating (includes $9.50 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Robert-Bannon/&quot;&gt;Robert Bannon&lt;/a&gt; Returns For His Annual Pride Celebration&amp;nbsp;&amp;ndash; JUNE 20 AT 9:30PM&lt;/h2&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Robert-Bannon/&quot;&gt;Robert Bannon&lt;/a&gt; returns to 54 Below to celebrate Pride for the third year in a row with &lt;a href=&quot;https://www.broadwayworld.com/people/Robert-Bannon/&quot;&gt;Robert Bannon&lt;/a&gt;&amp;#39;s Pride Playlist.&lt;/p&gt;

&lt;p&gt;The evening will feature Bannon&amp;#39;s personal journey through music, including his Pride anthem &amp;quot;I Think He Knew,&amp;quot; alongside disco classics, diva tributes, special guests, and surprises.&lt;/p&gt;

&lt;p&gt;Last year, BroadwayWorld proclaimed, &amp;quot;Bannon&amp;#39;s vocals were insane, his guests were magical, and the whole night was a big gay disco party not soon to be forgotten.&amp;quot;&lt;/p&gt;

&lt;p&gt;$47 cover charge (includes $7 in fees). $80 premium seating (includes $10 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;Oedipus! Brings A Hilarious Twist To A Greek Classic &amp;ndash; JUNE 21 AT 7PM&lt;/h2&gt;

&lt;p&gt;Join us at 54 Below for a wonderfully hilarious and joyful evening featuring the songs of Oedipus! A New Musical Comedy.&lt;/p&gt;

&lt;p&gt;The award-winning musical reimagines the classic Greek tragedy in the backwoods of West Virginia, complete with songs such as &amp;quot;The Need a Man Blues,&amp;quot; &amp;quot;Safety Orange,&amp;quot; &amp;quot;Moonpies &amp;amp; RC Cola,&amp;quot; and &amp;quot;The Fertility Song.&amp;quot;&lt;/p&gt;

&lt;p&gt;Oedipus! stars &lt;a href=&quot;https://www.broadwayworld.com/people/Janine-LaManna/&quot;&gt;Janine LaManna&lt;/a&gt; and features &lt;a href=&quot;https://www.broadwayworld.com/people/David-Edwards/&quot;&gt;David Edwards&lt;/a&gt;, Tony Javed, Edwin Wald, &lt;a href=&quot;https://www.broadwayworld.com/people/Zuri-Washington/&quot;&gt;Zuri Washington&lt;/a&gt;, Pam Schmier Hacker, and Jennifer Norkin Schwartz.&lt;/p&gt;

&lt;p&gt;Directed by Anne Fliotsos.&lt;/p&gt;

&lt;p&gt;$63.50 cover charge (includes $8.50 in fees). $102 premium seating (includes $12 in fees). $25 food &amp;amp; beverage minimum.&lt;/p&gt;

&lt;h2&gt;Live At 54 Below Streams Select Performances Worldwide&lt;/h2&gt;

&lt;p&gt;LIVE AT 54 BELOW&lt;/p&gt;

&lt;p&gt;54 Below&amp;#39;s streaming series brings select performances to audiences around the world in real time.&lt;/p&gt;

&lt;p&gt;The following performances will be streamed live:&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Treston-J-Henderson/&quot;&gt;Treston J. Henderson&lt;/a&gt;: The Living Room Session Vol. 2 - June 15 at 9:45pm ET&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Norm-Lewis/&quot;&gt;Norm Lewis&lt;/a&gt;: Broadway &amp;amp; Beyond - June 19 at 7pm ET&lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;&amp;nbsp;&lt;/h2&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Norm-Lewis-Robert-Bannon-and-More-to-Perform-at-54-Below-Next-Week-20260612</link>
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<pubDate>Fri, 12 Jun 2026 13:16:06 PST</pubDate>
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<title>My Legrand Love of London: MELISSA ERRICO – GIRL SINGER IN LONDON</title>
<description>&lt;p&gt;Certain cities become milestones in an artist&amp;rsquo;s life, the place away from home where, repeatedly, you find yourself at key moments of transition and self-discovery. New York is one for many &amp;ndash; but I&amp;rsquo;m a native New Yorker, so it&amp;rsquo;s merely home for me.&amp;nbsp; Paris is the one most American writers choose, where they escape to find themselves &amp;ndash; but though I love Paris, it&amp;rsquo;s a place I visit to sing more than haunt with my soul.&lt;/p&gt;

&lt;p&gt;My city is London. When I was a young girl in my teens in an internship at The Kings Head Pub, it was the place that I discovered, for the first time, that I loved the musical theater and could really sing its songs. Many early roles required me to play British girls like &lt;a href=&quot;https://www.broadwayworld.com/people/Eliza-Doolittle/&quot;&gt;Eliza Doolittle&lt;/a&gt; on Broadway in &amp;ldquo;My Fair Lady,&amp;rdquo; Guenevere from &amp;ldquo;Camelot&amp;rdquo; with &lt;a href=&quot;https://www.broadwayworld.com/people/Jeremy-Irons/&quot;&gt;Jeremy Irons&lt;/a&gt; at The Hollywood Bowl and elsewhere, as well as &lt;a href=&quot;https://www.broadwayworld.com/people/George-Bernard-Shaw/&quot;&gt;George &lt;a href=&quot;https://www.broadwayworld.com/people/Bernard-Shaw/&quot;&gt;Bernard Shaw&lt;/a&gt; at The Irish Repertory Theater in New York &amp;ndash; playing Candida, Major Barbara, Gwendolyn and, recently, &lt;a href=&quot;https://www.broadwayworld.com/people/Mrs-Patrick-Campbell/&quot;&gt;Mrs. &lt;a href=&quot;https://www.broadwayworld.com/people/Patrick-Campbell/&quot;&gt;Patrick Campbell&lt;/a&gt;.&amp;nbsp; For many years I found myself working in London at the Crazy Coqs nightclub in Soho, where I discovered myself as a cabaret singer. It was during that time, that I was overjoyed to sing at the memorial of my beloved mentor &lt;a href=&quot;https://www.broadwayworld.com/people/Michel-Legrand/&quot;&gt;Michel Legrand&lt;/a&gt; at the Royal Festival Hall with the great musician &lt;a href=&quot;https://www.broadwayworld.com/people/James-Pearson/&quot;&gt;James Pearson&lt;/a&gt;, artistic director of Ronnie Scott&amp;rsquo;s Jazz Club.&amp;nbsp; Then, having devoted myself for several years to the music of &lt;a href=&quot;https://www.broadwayworld.com/people/Stephen-Sondheim/&quot;&gt;Stephen Sondheim&lt;/a&gt;, I found myself last July 12 in Cadogan Hall singing his New York for London&amp;mdash;and to my delight gave his Manhattan to a West End crowd.&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;800&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435343/LONDON%202025%20_%20Cadogan%20Hall%20_%20Sondheim%20with%20Ronnie%20Scotts%20All%20Star%20band_%20Photo%20CharlieFlint-3.jpg&quot; width=&quot;533&quot; /&gt;
&lt;figcaption&gt;Errico at Cadogan Hall in 2025. Photo credit: Charlie Flint&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Now, having spent the past few years of my life finding myself ever more &amp;lsquo;adjacent&amp;rsquo; to the sweet and mysterious world of jazz, I&amp;rsquo;m coming back to London for the ultimate test of a jazz singer, invited to sing at Ronnie Scott&amp;rsquo;s jazz club on July 12, again, singing a program of &lt;a href=&quot;https://www.broadwayworld.com/people/Michel-Legrand/&quot;&gt;Michel Legrand&lt;/a&gt;&amp;rsquo;s great swooning songs. To make the occasion even more piquant, it will overlap with my tennis-star husband &lt;a href=&quot;https://www.broadwayworld.com/people/Patrick-McEnroe/&quot;&gt;Patrick McEnroe&lt;/a&gt;&amp;rsquo;s sixtieth birthday &amp;ndash; which we will celebrate, one more curlicue, during the Wimbledon tournament, which has been a family regularity for the past thirty years, as Patrick has throughout that time either played in, or commented on it for American television. (Indeed, I&amp;rsquo;ll be on stage exactly at the same time as the Men&amp;rsquo;s Final match, so I&amp;rsquo;ll be singing to London just as he&amp;rsquo;s talking to America!)&amp;nbsp; Every July&amp;nbsp; has been a London, or rather a Wimbledon, July for us for so long &amp;ndash; my three daughters have gotten used to traipsing over to Wimbledon in early summer. When they were small, we rented little houses and trampolines for them; now beautiful young women, they come restlessly for a few days, on their way to their own dance residences in Amsterdam and France, surrounded by artistic ambition and ambient boyfriends.&lt;/p&gt;

&lt;p&gt;Still&amp;hellip;. Ronnie Scott&amp;#39;s! Oh, I&amp;rsquo;ve had great days at New York&amp;rsquo;s equivalent jazz club, Birdland, where I&amp;rsquo;ve been in Valentine&amp;rsquo;s residence for five straight years (Yes, I&amp;rsquo;ll be back in 2027!). But there, I&amp;rsquo;m singing something more like my usual &amp;ndash; a mix of sultry-sexy crooning and stage soprano larking that led one critic to call me &amp;ldquo;a cross between &lt;a href=&quot;https://www.broadwayworld.com/people/Julie-London/&quot;&gt;Julie London&lt;/a&gt; and &lt;a href=&quot;https://www.broadwayworld.com/people/Julie-Andrews/&quot;&gt;Julie Andrews&lt;/a&gt;.&amp;rdquo;&amp;nbsp; At Ronnie&amp;rsquo;s, I know, I&amp;rsquo;m facing a legacy&amp;mdash;I&amp;rsquo;m up against a roster of the big ones, the real jazz singers: Ella!&amp;nbsp; Sassy! Peggy! And perhaps the one who haunts me most right now, the greatest British jazz singer, &lt;a href=&quot;https://www.broadwayworld.com/people/Cleo-Laine/&quot;&gt;Cleo Laine&lt;/a&gt;, whose videos, with her in flowing, flowered &lt;a href=&quot;https://www.broadwayworld.com/people/Zandra-Rhodes/&quot;&gt;Zandra Rhodes&lt;/a&gt; gowns, I watch ardently, not to say a little nervously.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;I know that when &lt;a href=&quot;https://www.broadwayworld.com/people/Amy-Winehouse/&quot;&gt;Amy Winehouse&lt;/a&gt; wanted to show the world that she had jazz chops as well as pop chops, Ronnie&amp;rsquo;s was where she went to show them. Even my dear friend and supporter &lt;a href=&quot;https://www.broadwayworld.com/people/Gianni-Valenti/&quot;&gt;Gianni Valenti&lt;/a&gt;, the owner of Birdland, warned me, none too gently, that I had to play at the top of my game when I went to Ronnies. (It put me in mind of a moment a few years ago when, having been cast in a great part at the now legendary Kennedy Center &amp;ndash; and yes, it was the Kennedy Center, then -- Sondheim festival, my classical pianist Dad said to me, &amp;ldquo;You&amp;rsquo;d better get to work! You&amp;rsquo;re good. But you&amp;rsquo;re not that good, yet.&amp;rdquo;) Fortunately, I&amp;rsquo;ll be supported&amp;ndash; no, not supported, that sounds too small, partnered with is better, for ours is a musical marriage &amp;ndash; the great &lt;a href=&quot;https://www.broadwayworld.com/people/Tedd-Firth/&quot;&gt;Tedd Firth&lt;/a&gt;, who, like the greatest accompanists, makes the trip from jazz to cabaret concert and back effortlessly.&amp;nbsp; (Tommy Flanagan and &lt;a href=&quot;https://www.broadwayworld.com/people/Ellis-Larkins/&quot;&gt;Ellis Larkins&lt;/a&gt;, Ella&amp;rsquo;s great accompanists, were solo geniuses, as Tedd is, too.)&amp;nbsp;&lt;/p&gt;

&lt;p&gt;But&amp;hellip; what is it exactly that divides the jazz singer from the [concert-cabaret] Broadway singing that I started out &lt;strong&gt;with,&lt;/strong&gt; doing the famously formidable score of &amp;ldquo;My Fair Lady&amp;rdquo; on Broadway in my twenties? Some of it, of course, is musical: you learn to play with the score rather than following it obediently; you back phrase and &amp;ndash; front phrase? Is that a phrase? &amp;ndash; weaving your own &amp;lsquo;reading&amp;rsquo; of the song into the notes on the page. You improvise, to put it simply: something utterly forbidden when you&amp;rsquo;re on-stage, facing footlights.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;But it&amp;rsquo;s more subtle than simply learning to swing; more artful than understanding improvisation.&amp;nbsp; My first real jazz outing, scary as it was sublime, was at the Montreal Jazz Festival, where I found myself on stage in front of eight thousand people, while wearing an exceptionally low-cut gown &amp;ndash; that I had chosen without perhaps &lt;em&gt;enough, uh,&lt;/em&gt; forethought. (No regrettable malfunctions, just very revealing!) Yet, singing with the great jazz guitarist &lt;a href=&quot;https://www.broadwayworld.com/people/George-Benson/&quot;&gt;George Benson&lt;/a&gt;&amp;rsquo;s band, doing &lt;a href=&quot;https://www.broadwayworld.com/people/Stevie-Wonder/&quot;&gt;Stevie Wonder&lt;/a&gt; and my beloved &lt;a href=&quot;https://www.broadwayworld.com/people/Michel-Legrand/&quot;&gt;Michel Legrand&lt;/a&gt;, the gifted, road-weary boys behind me somehow locked into a groove, a place where what I was singing and what the musicians behind me were playing became one thing, one musical atmosphere, one experience.&lt;/p&gt;

&lt;p&gt;It was the oneness, the unity, of the music that thrilled me &amp;ndash; and I think thrilled the crowd.&amp;nbsp; And that, perhaps, more than any other single thing, is what makes jazz, jazz and a jazz singer different from all the rest. You have to land the notes, find the feeling, above all communicate the words&amp;hellip; but the band in jazz is not there to support you; it&amp;rsquo;s there to &lt;em&gt;embrace&lt;/em&gt; you, to create an atmosphere where you&amp;rsquo;re as entangled with the musicians as any electron is with another spinning electron. It&amp;rsquo;s no accident that &lt;a href=&quot;https://www.broadwayworld.com/people/Cleo-Laine/&quot;&gt;Cleo Laine&lt;/a&gt; is unthinkable without the presence of her sax-playing husband, &lt;a href=&quot;https://www.broadwayworld.com/people/John-Dankworth/&quot;&gt;John Dankworth&lt;/a&gt;, as essential to her as those &lt;a href=&quot;https://www.broadwayworld.com/people/Zandra-Rhodes/&quot;&gt;Zandra Rhodes&lt;/a&gt; gowns. Or that on Ella&amp;rsquo;s legendary 1974 recording at Ronnie&amp;rsquo;s, &amp;ldquo;Ella in London&amp;rdquo; she&amp;rsquo;s accompanied not only by the great Flanagan&amp;mdash; but also has Joe Pass on guitar (!) and Bobby Durham on drums, all geniuses capable of supporting their own bands and appearing on their own. I&amp;rsquo;m lucky that way, too -- in addition to Tedd, I&amp;rsquo;ll have &lt;a href=&quot;https://www.broadwayworld.com/people/Michel-Legrand/&quot;&gt;Michel Legrand&lt;/a&gt;&amp;rsquo;s own drummer Sebastian De Krom, David Archer on guitar, and Oli Hayhurst on bass.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;That&amp;rsquo;s what separates jazz singing from the sound of the Broadway soprano&amp;mdash; a commitment to the concept that musicians in concert can discover themselves as a single organism, in ways that startle even them. The thing happens!&amp;nbsp; And when I think of that, suddenly, all these London Julys &lt;span style=&quot;color:black&quot;&gt;have a &lt;/span&gt;single shared purpose. All art &amp;ndash; and for that matter all sport &amp;ndash; ends up being a metaphor for family. For what my evergreen tennis analyzing husband and I have in common &amp;ndash; and try to teach our daughters -- is a commitment to a common cause, to something in life that transcends your own immediate ego and becomes your life. You lose a lot in tennis and so you learn to value the company of the touring &amp;lsquo;family&amp;rsquo; as much as the results of the tournament.&amp;nbsp; You beat yourself up dancing ballet, as my daughters do &amp;ndash; but you learn that it&amp;rsquo;s the unity of the corps that matters.&amp;nbsp; And so, Mom, in her &lt;a href=&quot;https://www.broadwayworld.com/people/Zandra-Rhodes/&quot;&gt;Zandra Rhodes&lt;/a&gt;-inspired flowered tribute gown, will try to weave a spell of common purpose with the brilliant musicians who support her, and put on a show worthy of those past singers whose ghosts, she hopes, stand to embrace her on stage at Ronnie&amp;rsquo;s.&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Learn more about the artist at &lt;a href=&quot;https://melissaerrico.com/&quot;&gt;melissaerrico.com&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Tickets to see &lt;a href=&quot;https://www.broadwayworld.com/people/Melissa-Errico/&quot;&gt;Melissa Errico&lt;/a&gt; in London on July 12 are available &lt;a href=&quot;https://www.ronniescotts.co.uk/find-a-show/melissa-errico-with-the-tedd-firth-quartet&quot;&gt;on the Ronnie Scott&amp;rsquo;s website here&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Photo credit: &lt;a href=&quot;https://www.broadwayworld.com/people/Michael-Hull/&quot;&gt;Michael Hull&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/My-Legrand-Love-of-London-MELISSA-ERRICO-GIRL-SINGER-IN-LONDON-20260612</link>
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<pubDate>Fri, 12 Jun 2026 13:07:18 PST</pubDate>
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<title>AN EVENING OF CLASSIC BROADWAY to Return to Vitello&apos;s in Studio City</title>
<description>&lt;p&gt;An Evening of Classic Broadway, returns to Vitello&amp;#39;s at The Velvet Martini Lounge, 4349 Tujunga Ave., Studio City, for an afternoon performance on Sunday, June 28th.&lt;/p&gt;

&lt;p&gt;Conceived by producer &lt;a href=&quot;https://www.broadwayworld.com/people/Dianne-Fraser/&quot;&gt;Dianne Fraser&lt;/a&gt; and Host/Music Director &lt;a href=&quot;https://www.broadwayworld.com/people/Brad-Ellis/&quot;&gt;Brad Ellis&lt;/a&gt;, the critically-acclaimed show launched at Feinstein&amp;#39;s at Vitello&amp;#39;s before their extended stay at Rockwell Table and Stage.&lt;/p&gt;

&lt;p&gt;Joining &lt;a href=&quot;https://www.broadwayworld.com/people/Brad-Ellis/&quot;&gt;Brad Ellis&lt;/a&gt; and &lt;a href=&quot;https://www.broadwayworld.com/people/Dianne-Fraser/&quot;&gt;Dianne Fraser&lt;/a&gt; on June 28th are Classic Broadway sensations &lt;a href=&quot;https://www.broadwayworld.com/people/Eydie-Alyson/&quot;&gt;Eydie Alyson&lt;/a&gt;, Julie Garny&amp;eacute; and &lt;a href=&quot;https://www.broadwayworld.com/people/Damon-Kirsche/&quot;&gt;Damon Kirsche&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;$35 cover +$35 food/beverage minimum. Tickets here: &lt;a href=&quot;https://www.eventbrite.com/e/the-return-of-classic-broadway-tickets-1989415312754&quot; target=&quot;_blank&quot;&gt; https://www.eventbrite.com/e/the-return-of-classic-broadway-tickets-1989415312754&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Doors open at noon for lunch. Showtime 1pm. Valet and Street Parking available.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://www.vitellosrestaurant.com&quot; target=&quot;_blank&quot;&gt;www.vitellosrestaurant.com&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/AN-EVENING-OF-CLASSIC-BROADWAY-to-Return-to-Vitellos-in-Studio-City-20260611</link>
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<pubDate>Thu, 11 Jun 2026 20:52:05 PST</pubDate>
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<title>Comedian Christi Somers to Bring New Solo Show to Joe&apos;s Pub</title>
<description>&lt;p&gt;Comedian Christi Somers will debut a new solo comedy hour at Joe&amp;#39;s Pub on July 12, exploring themes of loss, faith, love, and personal transformation through stand-up, storytelling, and song.&lt;/p&gt;

&lt;p&gt;Somers will perform her latest comedy hour at Joe&amp;#39;s Pub in New York City on Sunday, July 12. The new show combines her signature style of sharp comedy, theatrical storytelling, and candid reflections on life, loss, and resilience.&lt;/p&gt;

&lt;p&gt;Drawing from her own experiences, Somers examines childhood, grief, faith, relationships, and the unexpected moments that shape personal growth. The performance blends stand-up comedy with storytelling and music, creating what she describes as a more personal and immediate connection with audiences.&lt;/p&gt;

&lt;p&gt;With a background in musical theatre, Somers has been performing since childhood and appeared extensively in regional productions before turning her focus to comedy. This marks her third full-length comedy hour, following previous engagements at Joe&amp;#39;s Pub and Carolines.&lt;/p&gt;

&lt;p&gt;&amp;quot;I&amp;#39;m very proud of everything I&amp;#39;ve done in the past, but that version of Christi feels like a completely different person,&amp;quot; said Somers. &amp;quot;I&amp;#39;ve changed&amp;mdash;I&amp;#39;ve experienced tremendous loss, fallen in love and gotten married, left behind the city life for something slower and more intentional, shifted my career toward something more meaningful, and learned how to find peace in the ordinary.&amp;quot;&lt;/p&gt;

&lt;p&gt;She added, &amp;quot;Honestly, I just want to connect with people. That&amp;#39;s really the heart of this show: using comedy to build real connections, because laughter breaks down walls.&amp;quot;&lt;/p&gt;

&lt;p&gt;The new hour explores the shared experiences that connect people through humor, vulnerability, and honesty, while continuing Somers&amp;#39; blend of comedy and theatrical performance.&lt;/p&gt;

&lt;h2&gt;Christi Somers&lt;/h2&gt;

&lt;p&gt;Date: Sunday, July 12, 2026&lt;/p&gt;

&lt;p&gt;Time: 6:00 p.m.&lt;/p&gt;

&lt;p&gt;Doors: 5:30 p.m.&lt;/p&gt;

&lt;p&gt;Venue: Joe&amp;#39;s Pub&lt;/p&gt;

&lt;p&gt;425 Lafayette Street&lt;/p&gt;

&lt;p&gt;New York, NY 10003&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Comedian-Christi-Somers-to-Bring-New-Solo-Show-to-Joes-Pub-20260611</link>
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<pubDate>Thu, 11 Jun 2026 20:39:25 PST</pubDate>
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<title>Trudy Carmichael To Make NYC Cabaret Debut At Don’t Tell Mama This July</title>
<description>&lt;p&gt;Backed by popular demand, Las Vegas lounge diva Trudy Carmichael is making her highly anticipated NYC cabaret debut this summer with the premiere of her explosive musical tell-all, &amp;quot;Trudy Carmichael: Just Who Does She Think She Is?&amp;quot;&lt;/p&gt;

&lt;p&gt;Directed by &lt;a href=&quot;https://www.broadwayworld.com/people/Lennie-Watts/&quot;&gt;Lennie Watts&lt;/a&gt; and created and performed by award-winning vocalist and musical improviser &lt;a href=&quot;https://www.broadwayworld.com/people/Robin-Rothman/&quot;&gt;Robin Rothman&lt;/a&gt;, this production comes fresh off Trudy&amp;#39;s run as a Miss Subways Finalist and wins for both the Judges&amp;#39; Choice and Grand Prize at the First Annual R.E.P. Awards. This strictly limited engagement will play for two performances only at the historic cabaret venue Don&amp;#39;t Tell Mama (343 W. 46th Street, NYC) on July 16 and 19.&lt;/p&gt;

&lt;p&gt;In one of the most delightfully delusional debuts of the season, Trudy sets out to conquer the Big Apple cabaret scene, but as reality hits, she is forced to answer the ultimate question: Just who does she think she is? Backed by multi-MAC Award winner &lt;a href=&quot;https://www.broadwayworld.com/people/Tracy-Stark/&quot;&gt;Tracy Stark&lt;/a&gt; on keys and Steve Whyte on drums, Trudy delivers a powerhouse evening of mashed-up show tunes, 80s pop anthems, plus an exclusive Q&amp;amp;A with the audience to inspire an improvised number. By peeling back the curtain and offering a rare and chaotic glimpse into her larger-than-life persona, Trudy serves up a reminder to all to celebrate your truth and never let anyone take away your inner sparkle.&lt;/p&gt;

&lt;h2&gt;ABOUT THE ARTISTS:&lt;/h2&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Robin-Rothman/&quot;&gt;Robin Rothman&lt;/a&gt; (Trudy Carmichael) is an NYC-based actor, musical improviser, and singer/songwriter who has trained at UCB and the Magnet Theater. She is best known as the creator of her brassy alter ego, Trudy Carmichael, whose critically acclaimed solo work has toured comedy and Fringe festivals across the U.S. and Europe, including the Edinburgh Festival Fringe. Her notable scripted credits include Peter, Who? (NYMF), WEtv&amp;#39;s holiday campaigns, and performing alongside comedy legends &lt;a href=&quot;https://www.broadwayworld.com/people/Kevin-McDonald/&quot;&gt;Kevin McDonald&lt;/a&gt;, Janeane Garafolo, and Dave Hill in &lt;a href=&quot;https://www.broadwayworld.com/people/Kevin-McDonald/&quot;&gt;Kevin McDonald&lt;/a&gt; Superstar at the Soho Playhouse.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Lennie-Watts/&quot;&gt;Lennie Watts&lt;/a&gt; (Director) is a 23-time Manhattan Association of Cabarets (MAC) Award winner, director, producer, and singer who has been a prominent fixture of the New York creative scene for over 30 years. Recognized by The Village Voice as &amp;quot;a one-man cabaret army&amp;quot; and named one of the 50 Most Influential People in New York Cabaret by Nightlife Exchange, he has directed productions at world-class venues like Town Hall and &lt;a href=&quot;https://www.broadwayworld.com/people/Symphony-Space/&quot;&gt;Symphony Space&lt;/a&gt;, and serves as the Artistic Director of the non-profit vocal school, &lt;a href=&quot;https://singnasium.org/pages/teaching-artists&quot; target=&quot;_blank&quot;&gt;Singnasium&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Tracy-Stark/&quot;&gt;Tracy Stark&lt;/a&gt; (Musical Director) is an extraordinary 17-time MAC Award winner, Bistro Award winner, and Broadway World Award winner for Musical Direction. A highly sought-after pianist, arranger, and conductor, she directs 75-100 unique shows a year and has served as the Musical Director for the Eugene O&amp;#39;Neill Cabaret Conference since 2013. Her extensive career includes performing at iconic venues like &lt;a href=&quot;https://www.broadwayworld.com/people/Carnegie-Hall/&quot;&gt;Carnegie Hall&lt;/a&gt; and Lincoln Center alongside legendary artists such as &lt;a href=&quot;https://www.broadwayworld.com/people/Lesley-Gore/&quot;&gt;Lesley Gore&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Phoebe-Snow/&quot;&gt;Phoebe Snow&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Nona-Hendryx/&quot;&gt;Nona Hendryx&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;STEVE WHYTE (Percussion) is an NYC-based musician, a Moth GrandSlam champion, and a three-time StorySlam winner. A veteran of the Magnet Theater comedy circuit, he currently performs in their flagship show, The Armando Diaz Experience. Known for bringing sharp comedic sensibilities and driving rhythm to live theater, Steve has provided improvised percussion for premier productions including Choral Rage, The Made-Up Musical, and Baby Wants Candy.&lt;/p&gt;

&lt;p&gt;Photo Credit:&amp;nbsp;Helane Blumfield&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Trudy-Carmichael-To-Make-NYC-Cabaret-Debut-At-Dont-Tell-Mama-This-July-20260611</link>
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<pubDate>Thu, 11 Jun 2026 19:03:32 PST</pubDate>
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<title>Review: Inside GOV BALL DAY Two at Flushing Meadows Corona Park</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;After an extremely fun Day 1 at Gov Ball, it was time to reset and head back for Saturday, Day 2. The lineup was just as stacked, featuring a wide range of artists and headlined by K-pop group Stray Kids.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;500&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435127/image-20260611152054-6.jpeg&quot; style=&quot;float:right&quot; width=&quot;400&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;I started my day the same time as yesterday, heading to the Snapchat Stage at 1:30 p.m. for Flowerovlove. Her set felt like the embodiment of getting ready to go out with your friends. It was like watching a real-life Barbie on stage, complete with fun, playful energy and humorous tracks like &amp;ldquo;I&amp;rsquo;ve Seen Ur Ex&amp;rdquo; and &amp;ldquo;Casual Lady.&amp;rdquo; It was an easy, feel-good way to kick off the day.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Right after, at 2:00 p.m., I made my way to the Main Stage for Wisp, and the shift in tone was immediate. Wisp entered with a softer presence that matched her voice perfectly, leaning into a more intimate sound. Her breathy vocals sat against a stronger rock backing, all enhanced by trippy visuals behind her. It wasn&amp;rsquo;t the kind of set you casually watch, it was something you fully sink into.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435127/image-20260611152054-7.jpeg&quot; width=&quot;600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;After that, I took a quick break to escape the nearly 90-degree heat before heading back to the Main Stage for 2hollis at 3:15 p.m. His set opened with an explosion of energy, kicking off with &amp;ldquo;sidekick&amp;rdquo; and immediately showing off his rave-rap style. The crowd was electric, matching his intensity from the start. He came out in a striking outfit and committed fully to the performance, never letting the energy dip. A standout moment was &amp;ldquo;crush,&amp;rdquo; which slowed things down just enough to give the set some balance. 2hollis felt like high-octane talent concentrated into one person, relying entirely on his own presence.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;533&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435127/image-20260611152054-8.jpeg&quot; style=&quot;float:left&quot; width=&quot;400&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;At 4:00 p.m., Ravyn Lenae took over the Snapchat Stage with a smooth, classic R&amp;amp;B set that felt completely locked in from the start. With clean vocals and polished instrumentation, she opened with &amp;ldquo;Genius&amp;rdquo; and &amp;ldquo;Sticky,&amp;rdquo; immediately setting a relaxed but confident tone. Her voice stayed incredibly controlled throughout, gliding over the live instrumentation in a way that felt effortless but still intentional. Midway through, she teased an unreleased track titled &amp;ldquo;Saturday Night,&amp;rdquo; which had the crowd fully engaged and excited for what she has coming next. She closed with &amp;ldquo;Love Me Not,&amp;rdquo; turning the set into a full singalong and ending on a high that still matched the smooth energy she carried throughout.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Wet Leg hit the stage at 4:45 p.m., and their set quickly proved why they&amp;rsquo;ve become such a staple in indie rock. Opening with &amp;ldquo;Catch These Fists,&amp;rdquo; they immediately leaned into their offbeat, slightly chaotic energy. Frontwoman Rhian Teasdale brought a mix of eccentric movement and sharp delivery, while Hester Chambers grounded the set with steady, driving guitar work. Songs like &amp;ldquo;Wet Dream&amp;rdquo; and &amp;ldquo;Ur Mum&amp;rdquo; kept the momentum going. By the time they closed with &amp;ldquo;Mangetout,&amp;rdquo; the crowd fully let loose, shouting along and matching the band&amp;rsquo;s unpredictable energy.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435127/image-20260611152054-9.jpeg&quot; width=&quot;601&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;During Wet Leg&amp;rsquo;s set, news broke that an incoming storm would cut the festival short. Instead of the planned 10:00 p.m. end time, everything would now wrap by 7:30, with Stray Kids moving their set up by two hours. The announcement also confirmed that Blood Orange and Kali Uchis would no longer be performing, which understandably left a lot of fans disappointed.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;With the schedule shifting, I rushed over to Major Lazer at 5:30 p.m. One thing I quickly learned is that Major Lazer operates as a full DJ collective made up of Diplo, Walshy Fire, Ape Drums, and vocalist America Foster. The set was nonstop energy, with dancers constantly moving across the stage and adding to the overall spectacle. They mixed their own tracks like &amp;ldquo;Lean On&amp;rdquo; with crowd favorites like &amp;ldquo;Jump&amp;rdquo; and &amp;ldquo;Temperature,&amp;rdquo; creating a set that never slowed down. The crowd stayed fully hyped the entire time, carried by constant beat drops, quick transitions, and high-energy choreography that made it feel more like a full performance than just a DJ set.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435127/image-20260611152054-10.jpeg&quot; width=&quot;600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;By 6:15 p.m., it was time for headliners Stray Kids, the eight-member K-pop group made up of Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N., though Seungmin was absent due to an ankle injury. Even with that, the group didn&amp;rsquo;t lose any momentum. They opened strong with &amp;ldquo;TOPLINE&amp;rdquo; and &amp;ldquo;S-Class,&amp;rdquo; immediately showing they were not holding back. The set continued with fan favorites like &amp;ldquo;MANIAC,&amp;rdquo; &amp;ldquo;DOMINO,&amp;rdquo; and &amp;ldquo;Thunderous,&amp;rdquo; all paired with their sharp, high-impact choreography that drew huge reactions from the crowd. Midway through, Bang Chan built anticipation live with the band before launching into &amp;ldquo;Chk Chk Boom,&amp;rdquo; which stood out as a major highlight. Toward the end, they leaned into special versions of their tracks, including a rock version of &amp;ldquo;LALALALA&amp;rdquo; and EDM versions of &amp;ldquo;Do It&amp;rdquo; and &amp;ldquo;Side Effects.&amp;rdquo; They closed with &amp;ldquo;MIROH,&amp;rdquo; ending the night on one of their biggest hits. Even with the shortened set time, they delivered a performance that felt dynamic, polished, and fully deserving of a headlining slot. Stray Kids is my favorite K-pop boy group and they did not disappoint at all during their unfortunately cut short set.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Even though the night ended much earlier than expected, none of the energy or excitement was lost. Day 2 still delivered across the board and set the stage for an even stronger final day.&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Photos Courtesy of The Governors Ball &amp;amp; Photographers Emma Wannie, Rich Fury, @okaynicolita, Maggie London, Roger Ho, and Jean Silva&lt;/p&gt;

&lt;p&gt;Learn more about Governor&amp;#39;s Ball and where to follow them to get tickets for next year&amp;#39;s festival on their website at&amp;nbsp;&lt;a href=&quot;https://www.governorsballmusicfestival.com/&quot;&gt;www.governorsballmusicfestival.com&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-Inside-GOV-BALL-DAY-Two-at-Flushing-Meadows-Corona-Park-20260611</link>
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<pubDate>Thu, 11 Jun 2026 16:52:40 PST</pubDate>
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<title>The Skivvies Will Return to Joe&apos;s Pub With FILM STRIPS 2: BACK IN THE HABIT OF ELECTRIC BOOGALOO</title>
<description>&lt;p&gt;The Skivvies are set to return to Joe&amp;#39;s Pub with Film Strips 2: Back in the Habit of Electric Boogaloo. This performance will be&amp;nbsp;a follow up to the duo&amp;#39;s Film Strips show last year. The set will feature wild arrangements from movies that meant something to them, whether nostalgic, absurd, bad or amazing.&lt;/p&gt;

&lt;p&gt;Special guests for this performance will include &lt;a href=&quot;https://www.broadwayworld.com/people/Matt-Doyle/&quot;&gt;Matt Doyle&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Maria-Wirries/&quot;&gt;Maria Wirries&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/John-Riddle/&quot;&gt;John Riddle&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Nora-Schell/&quot;&gt;Nora Schell&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Andrew-Keenan-Bolger/&quot;&gt;Andrew Keenan-Bolger&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Andy-Mientus/&quot;&gt;Andy Mientus&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Kuhoo-Verma/&quot;&gt;Kuhoo Verma&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The performance will take place on July 20 at 9:30pm. Tickets are available now online.&lt;/p&gt;

&lt;h2&gt;About The Skivvies&lt;/h2&gt;

&lt;p&gt;The Skivvies are&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Lauren-Molina/&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Lauren-Molina/&quot;&gt;Lauren Molina&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Nick-Cearley/&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Nick-Cearley/&quot;&gt;Nick Cearley&lt;/a&gt;, singer/actor/musicians performing stripped down arrangements of eclectic covers and eccentric originals. Not only is the music stripped down - cello, ukulele, glockenspiel, melodica - but the Skivvies literally strip down to their underwear to perform.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/The-Skivvies-Will-Return-to-Joes-Pub-With-FILM-STRIPS-2-BACK-IN-THE-HABIT-OF-ELECTRIC-BOOGALOO-20260611</link>
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<pubDate>Thu, 11 Jun 2026 09:18:19 PST</pubDate>
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<title>Review: Goldie Dver Classic and Classy in THE RHYTHM OF LIFE at The Laurie Beechman Theatre</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;MAC Award winner and repeated nominee Goldie Dver is back at work and proving, once more, why she keeps getting invited back to the awards table.&amp;nbsp; The last time Dver was on the New York City solo show scene, she was presenting her one woman tribute to &lt;a href=&quot;https://www.broadwayworld.com/people/Anthony-Newley/&quot;&gt;Anthony Newley&lt;/a&gt;, and this time around, Goldie has produced a one woman tribute to &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt;&amp;hellip; or has she?&amp;nbsp; See, that&amp;rsquo;s the thing about Goldie Dver and her cabaret career - every show that she does has an intention, every performance that she writes has layers, and every show that she performs has a story, one that is relatable, one that is accessible, and one that is, ultimately, about her and her life experiences.&amp;nbsp; We don&amp;rsquo;t go to shows to be lectured to - we can do that at the Learning Annex, we can call up any number of TED Talks for a lecture.&amp;nbsp; We go to shows to hear stories.&amp;nbsp; Sometimes the stories are a series of songs performed by a singer who, maybe, doesn&amp;rsquo;t have a wish to tell their own story - that series of songs still has value, especially to lovers of music and lyrics and the writers who create both.&amp;nbsp; Sometimes the series of songs exist within the framework of the artist&amp;rsquo;s story, so that we, the audience, get the benefit of all those little stories, as well as the big one.&amp;nbsp; In true Dver fashion, Goldie has doubled down on the storytelling so that, inside of the RHYTHM OF LIFE house, she is telling her story, her parents&amp;rsquo; story, &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt;&amp;rsquo; story, and every single little story of Dorothy&amp;rsquo;s that Goldie has come to tell with music.&amp;nbsp; You see, this isn&amp;rsquo;t a tribute show - it&amp;rsquo;s a catalogue show.&amp;nbsp; There isn&amp;rsquo;t a throughline about &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt;, just a conversation between Goldie Dver and her audience about Goldie, Dorothy, show business, Broadway, history, and even the people in the seats out front.&amp;nbsp; THIS is an ACT.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;782&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5832.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;THE RHYTHM OF LIFE transforms The &lt;a href=&quot;https://www.broadwayworld.com/people/Laurie-Beechman/&quot;&gt;Laurie Beechman&lt;/a&gt; Theatre into a &lt;a href=&quot;https://www.broadwayworld.com/people/Judy-Garland/&quot;&gt;Judy Garland&lt;/a&gt; movie, or maybe Playboy After Dark or that TV special from the Seventies with &lt;a href=&quot;https://www.broadwayworld.com/people/Steve-Lawrence/&quot;&gt;Steve Lawrence&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Eydie-Gorme/&quot;&gt;Eydie Gorme&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Ethel-Merman/&quot;&gt;Ethel Merman&lt;/a&gt;.&amp;nbsp; Goldie and her director, &lt;a href=&quot;https://www.broadwayworld.com/people/James-Beaman/&quot;&gt;James Beaman&lt;/a&gt;, haven&amp;rsquo;t done anything to the Beechman itself - the lovely mylar spangled walls are the same, the glamorous drapes with ropes and tassels still adorn the stage, the light grid is still rich with colors of the carousel (though this show has the best lighting design I&amp;rsquo;ve, yet, seen at this club, ever).&amp;nbsp; What Beaman and Dver have done is extremely simple:&amp;nbsp; they placed the most elegant floral arrangement you&amp;rsquo;ve ever seen in your life on top of the piano, which seems to have been shined within an inch of its life, sparkling in the fresnels like it never has before.&amp;nbsp; Then they angled the piano JUST the right way so that you can really see &lt;a href=&quot;https://www.broadwayworld.com/people/Dan-Pardo/&quot;&gt;Dan Pardo&lt;/a&gt;, who is a character in their &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt; play.&amp;nbsp; Then they dressed Dan, Bassist &lt;a href=&quot;https://www.broadwayworld.com/people/John-Miller/&quot;&gt;John Miller&lt;/a&gt;, and Drummer Chip Fabrizi in tuxedos.&amp;nbsp; Then they dressed Goldie in what can only be described as the &lt;a href=&quot;https://www.broadwayworld.com/people/Joan-Crawford/&quot;&gt;Joan Crawford&lt;/a&gt; version of a tuxedo:&amp;nbsp; no trou(!), only a voluminous satin ballgown skirt, a tuxedo shirt with a popped collar, and just the right amount of bling at the ears, the wrist, the waist, and a couple of fingers.&amp;nbsp; It&amp;rsquo;s like stepping back in time into a nightclub from the swankiest version of the Sixties, with just a tinge of trouble&amp;hellip; like maybe there&amp;rsquo;s a gangster seated at table ten, or a dastardly club manager waiting in the wings, or a jealous female peeping through the curtains with mischief on her mind.&amp;nbsp; This is the vibe that Goldie and co. have created for their &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt; show &amp;hellip; the only thing missing is the atmospheric cigarette smoke so prevalent back in the day that modern zoning laws have (thankfully) ruled out.&amp;nbsp; Goldie Dver is here to take you back in time, and, that, she achieves at a level ten.&amp;nbsp; This is cabaret artistry personified.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;857&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5861.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;As for the show itself, it is beyond critique.&amp;nbsp; The structure of Dver&amp;rsquo;s script is perfect, whether the tale being told is about her mom and dad (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;note the photo of them on the piano&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;) or about her childhood (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;she has arrived with mementos from her own life&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;), whether the reminiscences being recounted regale us with factoids of Fields&amp;rsquo; prolific career or shine a light on Goldie&amp;rsquo;s time treading the boards.&amp;nbsp; Like a gentle pinball machine, Goldie drops us into this pocket of her trajectory, and then into that pocket of theirs, and she does it with ease and a fair amount of socializing with the audience (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Dver has never shied away from crowd work in her appearances&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;).&amp;nbsp; She requires no linear voyage to make the audience follow her, all she needs is intention, which she has in abundance.&amp;nbsp; She also has an incredible (underline it) band supporting her, led by &lt;a href=&quot;https://www.broadwayworld.com/people/Dan-Pardo/&quot;&gt;Dan Pardo&lt;/a&gt;, who is not only a musical marvel, he&amp;rsquo;s a doggone fine performer himself.&amp;nbsp; Joining in for some banter, Dan does scene work very well.&amp;nbsp; Chiming in on some duets, Dan is an extremely palatable musical talent.&amp;nbsp; He plays well, he plays well with others, and he sounds amazing, both as a singer and as a pianist (his arrangements for Goldie are top of the line).&amp;nbsp; Between Pardo and Misters Fabrizi and Miller, the &lt;a href=&quot;https://www.broadwayworld.com/people/Peggy-Lee/&quot;&gt;Peggy Lee&lt;/a&gt;/&lt;a href=&quot;https://www.broadwayworld.com/people/Frank-Sinatra/&quot;&gt;Frank Sinatra&lt;/a&gt; effect is complete; even without dialogue or direction, the gentlemen of the band embody the atmosphere provided by the suits, the set, and the situation.&amp;nbsp; They are characters in THE RHYTHM OF LIFE story, and, like true professionals, they commit to the bit, one hundred percent.&amp;nbsp; &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;763&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5917.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Musically, the program is also beyond reproach.&amp;nbsp; Naturally, on her opening night of June 2nd, there were little stumbles in the recitation of dialogue, here and there, maybe some memory gone awry (Dan to the rescue!), the kind of thing that happens to everyone on their first night - but when it came to the singing, there were no hiccups, not one.&amp;nbsp; Goldie is in great voice.&amp;nbsp; There are newfound textures to her sound, a gravitas that grows out of her low notes, and a sweetness surrounding her soprano.&amp;nbsp; There are no notes to be given, with regards to Dver&amp;rsquo;s technique as a singer - as for the storytelling that she layers in and around these American Songbook treasures, Goldie&amp;rsquo;s acting training is showing. &amp;nbsp; Whether playing the park-and-bark scene with opening numbers &amp;ldquo;I&amp;rsquo;m a Brass Band&amp;rdquo; and &amp;ldquo;I Feel a Song Coming On&amp;rdquo; or groovin&amp;rsquo; and jivin&amp;rsquo; around the entire stage to title track &amp;ldquo;The Rhythm of Life,&amp;rdquo; Dver is delivering fully realized performances of Fields&amp;rsquo; lyrics, and since this is a catalogue of a lyricist&amp;rsquo;s work, that&amp;rsquo;s everything.&amp;nbsp; Goldie, Dan, and Jamie have selected a thorough cross-section of Fields&amp;rsquo; work throughout the years, and she is performing appropriate renditions of the compositions, sometimes allowing the author&amp;rsquo;s original intent to take the light, like a swoony &amp;ldquo;Don&amp;rsquo;t Blame Me,&amp;rdquo; while other tracks have been treated to one of Pardo&amp;rsquo;s stunning arrangements, like a mashup of &amp;ldquo;The Way You Look Tonight&amp;rdquo; with &amp;ldquo;I&amp;rsquo;m Way Ahead.&amp;rdquo;&amp;nbsp; From start to finish, the entire program rises to the top - indeed, something surprising happened to this writer on June 2nd. &amp;nbsp; When I review a show, I write a star next to the songs I consider highlights.&amp;nbsp; This does not happen, ever, but when I got home and opened the folder with my notes on it, this is what I saw:&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;1134&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_9145.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Those scribbled out stars speak volumes for the quality of entertainment, for the level of storytelling being showcased by Dver and co., which need surprise no one.&amp;nbsp; Goldie&amp;rsquo;s track record indicates that she knows what she&amp;rsquo;s doing when she sits down to create - especially when it comes to picking collaborators, and this show is no different from the rest.&amp;nbsp; But there&amp;rsquo;s something different about her.&amp;nbsp; She&amp;rsquo;s having a moment, she&amp;rsquo;s in the pocket.&amp;nbsp; After the Newley show, and her Sneak Peek series, her Crazy Coqs debut, and the work she is doing within the cabaret community, Goldie Dver seems to be standing in a new light, and with the people who strive for her to be in that light, many of whom are on the RHYTHM OF LIFE creatives list.&amp;nbsp; She is fortunate in her association with these gentlemen, each of whom appear in service of her artistry by offering her theirs, particularly the gent driving the train.&amp;nbsp; Nobody understands this format better than &lt;a href=&quot;https://www.broadwayworld.com/people/James-Beaman/&quot;&gt;James Beaman&lt;/a&gt;, and he has put Goldie Dver on a kind of cabaret version of the Twentieth Century Limited, deftly delivering her onto the stage of the &lt;a href=&quot;https://www.broadwayworld.com/people/Laurie-Beechman/&quot;&gt;Laurie Beechman&lt;/a&gt;, where, hopefully, we can all catch her and her monkey-suited musicians honoring &lt;a href=&quot;https://www.broadwayworld.com/people/Dorothy-Fields/&quot;&gt;Dorothy Fields&lt;/a&gt; and the golden age of the Nightclub Act again, real soon.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;979&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5987.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Find great shows to see on the &lt;a href=&quot;https://www.broadwayworld.com/people/Laurie-Beechman/&quot;&gt;Laurie Beechman&lt;/a&gt; website &lt;a href=&quot;https://www.thebeechman.com/&quot;&gt;HERE.&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Visit the Goldie Dver website &lt;a href=&quot;https://www.goldiedver.com/&quot;&gt;HERE.&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;em&gt;&lt;strong&gt;Photos by Stephen Mosher&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;873&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5796.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;786&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5849.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;723&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5897.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;854&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5908.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;993&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5952.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;787&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5961.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;812&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5969.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;img alt=&quot;&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5974.jpg&quot; /&gt;&lt;/p&gt;



&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;689&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_5979.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1281&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6007.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1022&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6020.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;917&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6027.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;890&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6050.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1099&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6078.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;982&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6089.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;996&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6099.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6106.jpg&quot; width=&quot;1126&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;843&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6122.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6123.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;864&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2435026/IMG_6126.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-Goldie-Dver-Classic-and-Classy-in-THE-RHYTHM-OF-LIFE-at-The-Laurie-Beechman-Theatre-20260612</link>
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<pubDate>Fri, 12 Jun 2026 09:53:13 PST</pubDate>
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<title>Review: Unitard&apos;s ABOVE THE FRUITED PLAIN at Red Eye NY Is Anything But Plain</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Reacting to live onstage comedy can be a funny kind of thing &amp;ndash; &amp;ldquo;funny&amp;rdquo; meaning &amp;ldquo;ha ha&amp;rdquo; or &amp;ldquo;odd.&amp;rdquo; One audience member&amp;rsquo;s laugh-out-loud reaction may be another&amp;rsquo;s shrug. What strikes one person as pure fun strikes another as puerile &amp;ndash; juvenile rather than juicy. Such was the &amp;ldquo;your mileage may vary&amp;rdquo; situation among the laughers and chucklers and eye-rolling attendees during a recent performance by the sketch comedy trio known collectively as Unitard (&lt;a href=&quot;https://www.broadwayworld.com/people/Mike-Albo/&quot;&gt;Mike Albo&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Nora-Burns/&quot;&gt;Nora Burns&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/David-Ilku/&quot;&gt;David Ilku&lt;/a&gt;). The performers seem feisty and fearless, self-aware, versatile, willing to be silly, satirical, and salacious, both courageous and outrageous, with mixed results.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Following a sold-out show on April 30 at Joe&amp;rsquo;s Pub, Unitard regrouped for a performance on the stage of a little theatre space within gay bar Red Eye NY, in the shadow of the Port Authority transportation hub on West 41st Street and Ninth Avenue. And the intrepid trio will trod those boards again on June 24. Celebrating their 25th anniversary, they address the audience, do some quick costume changes (occasionally donning wigs) to portray a myriad of mad characters and recognizable types. Subject matter included red carpet celebrity interviews, a certain red-faced member of a certain political party,&amp;nbsp; a series of detailed invitations to sex parties, cannabis and a catastrophe for Humpty Dumpty who fell off the wall he was perched upon. And &amp;ldquo;off the wall&amp;rdquo; certainly characterizes much of the style. Often breezy, rarely mean-spirited, Unitard has a prominent but casual LGBTQ+ comfort zone and representation in the characters presented. (&amp;ldquo;Some of our most loyal fans are actually straight,&amp;rdquo; is one flip comment in the introductory remarks.)&amp;nbsp; There is some singing, especially at the beginning, using pre-recorded musical accompaniment.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;If you think you&amp;rsquo;d widely grin, giggle, or guffaw as the performers sing and dance to a disco ditty discussing &lt;a href=&quot;https://www.broadwayworld.com/people/Donald-Trump/&quot;&gt;Donald Trump&lt;/a&gt;, set to the tune of his own fave disco song &amp;ldquo;Y.M.C.A.&amp;rdquo; with canned music and new lyrics (&amp;ldquo;One man&amp;ndash; he can start a war&amp;rdquo; and replacing the titular letters to spell &amp;ldquo;I-R-A-N&amp;rdquo;) or notorious prisoner Ghislaine Maxwell teaching an exercise class, chanting, &amp;ldquo;Squat, swat, get in the yacht,&amp;rdquo; or find it amusing when these actors pretend to be people perusing photos of penises on an app to discuss the respective sizes, this show is for you.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Sharper, fully realized bits and skits with stronger characterization included: an Alcoholics Anonymous support group meeting with an oversharing member whose motivation for attending is a clever surprise; movie actors saddled with a wildly inappropriate and incompetent intimacy coordinator; and a wink at &amp;ldquo;America before woke-ism.&amp;rdquo;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Irreverent to the max, presenting material that&amp;rsquo;s out-and-out outlandishly illogical and decidedly scatological, some pieces seem best appreciated by those politically informed who don&amp;rsquo;t suffer fools gladly while some sketches seem like the kind of content that would send junior high school-aged boys&amp;ndash; for whom content about close contact with fecal matter is a most welcome laughing matter. And one wonders if some of Unitard&amp;rsquo;s loyal following over their 25-year career began as such teens.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Ready, willing, and able to hit any target and topic, the variety of tones and treatments in Unitard&amp;rsquo;s comedy capers in their forms of funny recalls a spoken line in the musical &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;A Funny Thing Happened on the Way to the Forum: &lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&amp;ldquo;We will &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;employ every device we know in our desire to divert you.&amp;quot;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Learn more about Unitard &lt;a href=&quot;https://www.instagram.com/unitardcomedy/&quot;&gt;on their Instagram here&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Header photo of Unitard by Noah Fecks&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Red Eye NY is at 355 West 41 Street in Manhattan&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Tickets for the June 24 show &lt;a href=&quot;https://redeyetickets.com/events/unitard-above-the-fruited-plain-june-24&quot;&gt;are available here.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-Unitards-ABOVE-THE-FRUITED-PLAIN-at-Red-Eye-NY-Is-Anything-But-Plain-20260611</link>
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<pubDate>Thu, 11 Jun 2026 16:12:25 PST</pubDate>
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<title>CRITICAL HITS: A Video Game Cabaret to Open at The Green Room 42</title>
<description>&lt;p&gt;Join the cast at The Green Room 42 on Saturday, June 13th at 9:30pm for a night of revelry and celebration of our favorite video games with&amp;nbsp;Critical Hits: A Video Game Cabaret.&lt;/p&gt;

&lt;p&gt;The show features hits from &amp;quot;Portal, &amp;quot;Super Mario Odyssey,&amp;quot; &amp;quot;Undertale,&amp;quot; and many, many, more!&amp;nbsp;&lt;/p&gt;

&lt;p&gt;The cast features &lt;a href=&quot;https://www.broadwayworld.com/people/Aaron-Clark-Burstein/&quot;&gt;Aaron Clark Burstein&lt;/a&gt;, Amanda DeLalla, Danielle Breitstein, Marquis Ellis, KJ Lampar, &lt;a href=&quot;https://www.broadwayworld.com/people/Brett-Miller/&quot;&gt;Brett Miller&lt;/a&gt;, Matthew Penalva, Kaden Potak, &lt;a href=&quot;https://www.broadwayworld.com/people/Cesario-Tirado-Ortiz/&quot;&gt;Cesario Tirado-Ortiz&lt;/a&gt;, Noah Simau, Lee Simes, and JQ Welch. The band includes JQ Welch on piano, &lt;a href=&quot;https://www.broadwayworld.com/people/Peter-Douskalis/&quot;&gt;Peter Douskalis&lt;/a&gt; on guitar, Mikayla Coxe on keys, Thomas Carley on bass, and Cadence Meadows on drums.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/CRITICAL-HITS-A-Video-Game-Cabaret-to-Open-at-The-Green-Room-42-20260610</link>
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<pubDate>Wed, 10 Jun 2026 15:32:09 PST</pubDate>
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<title>New Videos From BEAUTIFUL: THE CAROLE KING MUSICAL and NATURAL WOMAN at 54 Below</title>
<description>&lt;p&gt;54 Below has released three new performance clips from recent evenings celebrating the songwriting legacy of &lt;a href=&quot;https://www.broadwayworld.com/people/Carole-King/&quot;&gt;Carole King&lt;/a&gt;, drawing on material from both BEAUTIFUL: THE &lt;a href=&quot;https://www.broadwayworld.com/people/Carole-King/&quot;&gt;Carole King&lt;/a&gt; MUSICAL and the venue&amp;#39;s NATURAL WOMAN concert programming. The videos capture three distinct performers working through some of King&amp;#39;s most enduring compositions, each bringing a different vocal sensibility to a catalog that has defined decades of American popular music.&lt;/p&gt;

&lt;p&gt;The first clip features EJ Adiele performing &amp;quot;Will You Love Me Tomorrow,&amp;quot; one of the songs King originally wrote for other artists before it became a cornerstone of her own story. Adiele&amp;#39;s reading leans into the song&amp;#39;s emotional vulnerability, treating the lyric as a genuine question rather than a period piece. The second video showcases Praise Oranika tackling &amp;quot;Some Kind of Wonderful,&amp;quot; another early King composition that found its audience through outside recordings before King&amp;#39;s own voice became the primary lens through which listeners heard her work. Oranika brings a warmth and directness to the material that suits the intimate 54 Below setting.&lt;/p&gt;

&lt;p&gt;The third clip comes from the NATURAL WOMAN programming strand, with &lt;a href=&quot;https://www.broadwayworld.com/people/Gabrielle-Elisabeth/&quot;&gt;Gabrielle Elisabeth&lt;/a&gt; performing &amp;quot;(You Make Me Feel Like A) Natural Woman,&amp;quot; the song that has become perhaps the single most recognizable title in King&amp;#39;s catalog. Elisabeth&amp;#39;s performance anchors the clip in the kind of full-voiced commitment the song demands, and the result is one of the more striking moments across the three videos. All three evenings were produced by Joshua Rothstein with music direction by &lt;a href=&quot;https://www.broadwayworld.com/people/Matthew-Lowy/&quot;&gt;Matthew Lowy&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The releases arrive as King&amp;#39;s theatrical biography continues to draw attention across multiple productions. BroadwayWorld recently covered &lt;a href=&quot;https://www.broadwayworld.com/article/New-Performance-Videos-From-BEAUTIFUL-THE-CAROLE-KING-MUSICAL-at-Theatre-Under-The-Stars-20260607&quot;&gt;Theatre Under The Stars&amp;#39; production of BEAUTIFUL: THE &lt;a href=&quot;https://www.broadwayworld.com/people/Carole-King/&quot;&gt;Carole King&lt;/a&gt; MUSICAL&lt;/a&gt;, which released its own set of performance clips featuring renditions of several songs that also appear in the 54 Below programs.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/videoplay.php?colid=2434775&quot;&gt;Click Here to Play!&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/New-Videos-From-BEAUTIFUL-THE-CAROLE-KING-MUSICAL-and-NATURAL-WOMAN-at-54-Below-20260610</link>
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<pubDate>Wed, 10 Jun 2026 11:34:11 PST</pubDate>
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<title>Review: Inside GOVERNOR&apos;S BALL Day One at Flushing Meadows Corona Park</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Governor&amp;rsquo;s Ball (Gov Ball) is an annual New York City music festival that features over 60 musical acts from across the world. Gov Ball kicked off its first day on Friday, June 5th with an incredible lineup, including headliner Lorde.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Since its start in 2011, Gov Ball has consistently delivered lineups packed with both major names and rising indie artists, and this year is no exception. With so much talent packed into one day, it&amp;rsquo;s impossible to see everything, so here&amp;rsquo;s a rundown of the artists I had the chance to catch on Friday.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;I started the day at 1:00 p.m. with WHATMORE, a New York City&amp;ndash;based hip-hop group made up of Cisco Swank, Yoshi T., Jackson August, Sebastiano, and Elijah Judah. Their set was pure energy. They were constantly moving, running from one end of the stage to the other without slowing down once. That nonstop movement translated directly into the crowd, keeping the energy high from start to finish.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;500&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434753/image-20260610101118-6.jpeg&quot; style=&quot;float:left&quot; width=&quot;400&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;At 1:30 p.m., I headed over to the Snapchat Stage to catch British singer-songwriter Absolutely. The second she stepped onstage, you were fully pulled into her world. From the dollhouse-inspired visuals to her styling to the tone of her voice, everything felt intentional. Her sound blended R&amp;amp;B and EDM in a way that stood out across the day, and songs like &amp;ldquo;No Audience&amp;rdquo; and &amp;ldquo;Elevator&amp;rdquo; from her album &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Paracosm&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt; made it clear she&amp;rsquo;s someone to keep an eye on.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;By 2:00 p.m., I was back at the main stage for Audrey Hobert. After going viral with &amp;ldquo;Sue Me,&amp;rdquo; featured on the series &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Off Campus&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;, she pulled in a noticeably large crowd. Opening with &amp;ldquo;I Like to Touch People,&amp;rdquo; she immediately set the tone for her sound and style. A mid-set costume change added a fun layer to the performance, and she closed with &amp;ldquo;Sue Me,&amp;rdquo; getting the entire crowd singing along.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;King Princess took over the Snapchat Stage at 2:30 p.m. with a set that felt effortlessly cool. The Brooklyn native leaned into the authenticity of her music, creating a relaxed but fully engaging atmosphere. Tracks like &amp;ldquo;Hit the Back&amp;rdquo; and &amp;ldquo;Talia&amp;rdquo; had the crowd locked in, and a surprise acoustic performance of a new song about not knowing when to leave a party added a more personal moment to the set.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;500&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434753/image-20260610101118-7.jpeg&quot; style=&quot;float:right&quot; width=&quot;400&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;After that, I made my way to Del Water Gap&amp;rsquo;s 3:15 p.m. set, which ended up being one of my unexpected favorites of the day. Returning to Gov Ball for a second time, there was a clear sense of comfort and confidence throughout his performance. Even in a wool suit in 90-degree weather, he never held back. &amp;ldquo;Better Than I Know Myself&amp;rdquo; created a laid-back indie-pop vibe, while &amp;ldquo;High Tops&amp;rdquo; dug into more emotional territory, exploring love and loss in a way that felt honest and grounded.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Punk-rock icons Pierce the Veil hit the Snapchat Stage at 5:30 p.m., bringing a completely different kind of energy to the day. Their set felt explosive from the start, with a crowd that was already fully committed before the first song even began. The band leaned into their signature post-hardcore sound, blending heavy instrumentals with emotional vocals that longtime fans clearly connected to. There was constant movement, both onstage and in the crowd, with mosh pits forming and fans screaming along to every word. It was one of the most high-intensity sets of the day, and it stood out for how fully it shifted the atmosphere of the festival into something louder, heavier, and completely immersive.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434753/image-20260610101118-8.jpeg&quot; width=&quot;600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;6:30 p.m. brought the group I was most looking forward to on the first day, Katseye. Katseye is a six-member girl group consisting of Daniela, Sophia, Lara, Megan, Yoonchae, and Manon who has been on an extended hiatus. The group has only been around for two years at this point and has a limited number of songs to pull from, but in their hourlong set they played nearly every song in their discography. Opening with &amp;ldquo;Pinky Up&amp;rdquo;and following it with &amp;ldquo;Debut&amp;rdquo; they started off with a bang by also doing the iconic dance break from the 2024 MAMA Awards. They cover every major hit they&amp;#39;ve had online including, &amp;ldquo;Gameboy,&amp;rdquo; &amp;ldquo;Touch,&amp;rdquo; &amp;ldquo;Internet Girl,&amp;rdquo; &amp;ldquo;Gabriela,&amp;rdquo; and even &amp;ldquo;Monster High Fright Song.&amp;rdquo; Long time fans got the opportunity to see every iconic number and every dance. And of course they ended with their most well-known hit, &amp;ldquo;Gnarly,&amp;rdquo; which had the crowd going wild from the very beginning to the end of the dance break. Katseye stood out as an impressive force during the festival and proved to be an act I would want to go see again.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434753/image-20260610101118-9.jpeg&quot; width=&quot;600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;533&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434753/image-20260610101118-10.jpeg&quot; style=&quot;float:left&quot; width=&quot;400&quot; /&gt;&lt;span style=&quot;color:#000000&quot;&gt;Headlining the Snapchat Stage at 7:30 p.m. was Baby Keem, who was promoting his latest record and tour for &lt;em&gt;Ca$ino&lt;/em&gt;. Opening with the title track, he moved through new material like &amp;ldquo;Good Flirts&amp;rdquo; and &amp;ldquo;$ex Appeal&amp;rdquo; alongside fan favorites such as &amp;ldquo;MOSHPIT&amp;rdquo; and &amp;ldquo;ORANGE SODA,&amp;rdquo; keeping the crowd fully locked in from start to finish. What really elevated the performance was the physical staging, a massive production built around a giant broken-down TV screen that flickered and distorted visuals throughout the set, layered with bursts of pyrotechnics that hit at key moments and a Vegas-style showgirl moving across the stage. The whole thing felt oversized and intentional, turning the stage into a full visual world that matched the scale and confidence of the performance itself.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;His set came to an end at 8:30 p.m., which meant it was time for the main stage headliner, Lorde. Delivering one of the most striking sets of the day, built around both a commanding vocal performance and a sharply designed stage production. Early on in the set she put &amp;ldquo;Royals,&amp;rdquo; she immediately grounded the crowd in familiarity before pushing into a sound that leaned heavily into layered synth textures, giving the whole performance a darker, more atmospheric edge than a straightforward pop set. Her vocals stayed impressively controlled throughout, cutting cleanly through the dense synth sound without ever feeling overpowered by it.. The staging matched that same level of precision, with lighting shifts and visual pacing that felt tightly synced to the emotional arc of each song rather than just decoration. As the set built toward its final stretch, the energy shifted into more urgent territory with &amp;ldquo;Green Light&amp;rdquo; hitting as a release point that lifted the entire crowd, followed by &amp;ldquo;Girl, so confusing&amp;rdquo; closing things out with a more chaotic, emotionally charged edge that still stayed anchored in her control. By the end, it felt like a set that balanced restraint and release in equal measure, with strong vocals, immersive synth-driven production, and staging that consistently elevated the music rather than distracting from it.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Friday was just the first day of an incredible three-day weekend, and the level of artistry and range of sound on display is hard to find outside of a festival. My favorites of the day were Absolutely, Del Water Gap, Pierce The Veil, and Katseye. I&amp;rsquo;ll definitely be keeping an eye on what comes next from the artists I discovered, while also coming away with a new appreciation for the ones I already knew. Now it&amp;rsquo;s time to reset and prepare for day two.&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Photos Courtesy of The Governors Ball &amp;amp; Photographers, Rich Fury, Ismael Quintanilla III, and&amp;nbsp;@okaynicolita&lt;/p&gt;

&lt;p&gt;Learn more about the festival and where to follow them to be the first to buy tickets for next year&amp;#39;s shows on their website at&amp;nbsp;&lt;a href=&quot;https://www.governorsballmusicfestival.com/&quot;&gt;www.governorsballmusicfestival.com&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-Inside-GOVERNORS-BALL-Day-One-at-Flushing-Meadows-Corona-Park-20260610</link>
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<pubDate>Wed, 10 Jun 2026 15:35:02 PST</pubDate>
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<title>AMERICABARET: A STAR-SPANGELED 250th BIRTHDAY PARTY To Perform At The Triad Theater</title>
<description>&lt;p&gt;Award-winning entertainer&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Anthony-Fett/&quot;&gt;Anthony Fett&lt;/a&gt;, acclaimed for his hit holiday show&amp;nbsp;Gayer Than Christmas, will celebrate America&amp;#39;s semiquincentennial with the premiere of &amp;ldquo;AMERICABARET: A Star-Spangled 250th Birthday Party.&amp;quot;&lt;/p&gt;

&lt;p&gt;A joyful and patriotic musical celebration,&amp;nbsp;AMERICABARET&amp;nbsp;will raise a glass to freedom with a spirited salute to the Great American Songbook. The evening features beloved songs by legendary American composers and performers including&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/George-M-Cohan/&quot;&gt;George M. Cohan&lt;/a&gt;,&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Irving-Berlin/&quot;&gt;Irving Berlin&lt;/a&gt;,&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Dolly-Parton/&quot;&gt;Dolly Parton&lt;/a&gt;,&amp;nbsp;Lin Manuel Miranda&amp;nbsp;and more.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;Fett brings together an all-star creative team for this special event. The production is directed by&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Nate-Patten/&quot;&gt;Nate Patten&lt;/a&gt;&amp;nbsp;(&lt;a href=&quot;https://www.broadwayworld.com/people/Brooke-Shields/&quot;&gt;Brooke Shields&lt;/a&gt;&amp;#39; Previously Owned,&amp;nbsp;Elf on Broadway), with musical direction by MAC Award-winning pianist&amp;nbsp;Yasuhiko &amp;quot;YAZ&amp;quot; Fukuoka, and choreography by&amp;nbsp;&lt;a href=&quot;https://www.broadwayworld.com/people/Lauren-Gemelli/&quot;&gt;Lauren Gemelli&lt;/a&gt;&amp;nbsp;(Chicago,&amp;nbsp;42nd Street).&lt;/p&gt;

&lt;p&gt;Known for his dynamic &lt;a href=&quot;https://www.broadwayworld.com/people/Stage-Presence/&quot;&gt;Stage Presence&lt;/a&gt; and powerful vocals, Fett has earned praise for his energetic performances.&amp;nbsp;Combining humor, nostalgia, and timeless American music,&amp;nbsp;AMERICABARET&amp;nbsp;promises an evening of celebration, community and pride.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;The performance will take place on&amp;nbsp;on&amp;nbsp;Wednesday, July 1, 2026 at 7:00 PM&amp;nbsp;at&amp;nbsp;The Triad Theater. Tickets start at&amp;nbsp;$17.76.&amp;nbsp; Additional information and ticket purchases can be made at &lt;a href=&quot;https://www.broadwayworld.com/people/Anthony-Fett/&quot;&gt;Anthony Fett&lt;/a&gt;&amp;#39;s website.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/AMERICABARET-A-STAR-SPANGELED-250th-BIRTHDAY-PARTY-To-Perform-At-The-Triad-Theater-20260610</link>
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<pubDate>Wed, 10 Jun 2026 07:42:47 PST</pubDate>
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<title>A BOOGIE DOWN BRONX TALE to Return to The Green Room 42 with Brenda Liz Henry</title>
<description>&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Brenda-Liz-Henry/&quot;&gt;Brenda Liz Henry&lt;/a&gt; will reprise her solo cabaret debut A Boogie Down Bronx Tale on Saturday, June 20th, 1PM at The Green Room 42. The show will feature a variety of musical genres that inspired Henry growing up, including the genre that was born in her borough - Hip Hop! Audiences will learn not only about the role that music played in Henry&amp;#39;s life, but also how she found her way to the cabaret stage. The show features musical director/arranger &lt;a href=&quot;https://www.broadwayworld.com/people/Gregory-Toroian/&quot;&gt;Gregory Toroian&lt;/a&gt; on piano, &lt;a href=&quot;https://www.broadwayworld.com/people/Skip-Ward/&quot;&gt;Skip Ward&lt;/a&gt; on bass, and &lt;a href=&quot;https://www.broadwayworld.com/people/David-Silliman/&quot;&gt;David Silliman&lt;/a&gt; on drums. Directed by &lt;a href=&quot;https://www.broadwayworld.com/people/Lina-Koutrakos/&quot;&gt;Lina Koutrakos&lt;/a&gt;. &amp;nbsp; A Boogie Down Bronx Tale premiered at The Green Room 42 on June 4, 2026.&lt;/p&gt;

&lt;p style=&quot;margin-left:0; margin-right:0&quot;&gt;From her earliest memories, &lt;a href=&quot;https://www.broadwayworld.com/people/Brenda-Liz-Henry/&quot;&gt;Brenda Liz Henry&lt;/a&gt; has loved music and storytelling. Over the last decade, Henry has performed at Don&amp;#39;t Tell Mama, &lt;a href=&quot;https://www.broadwayworld.com/people/The-Duplex/&quot;&gt;The Duplex&lt;/a&gt;, Pangea, and The Green Room 42.&amp;nbsp;&lt;/p&gt;

&lt;p style=&quot;margin-left:0; margin-right:0&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Gregory-Toroian/&quot;&gt;Gregory Toroian&lt;/a&gt; is a musical director, arranger, jazz pianist, vocalist, songwriter, and educator. He has been featured in Cabaret Scenes magazine and was the 2020 Bistro Award winner for Outstanding Collaboration with &lt;a href=&quot;https://www.broadwayworld.com/people/Sue-Matsuki/&quot;&gt;Sue Matsuki&lt;/a&gt;, with whom he had also won a MAC award for Best Duo Production. In addition to working with such artists as &lt;a href=&quot;https://www.broadwayworld.com/people/Tony-Bennett/&quot;&gt;Tony Bennett&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Jon-Hendricks/&quot;&gt;Jon Hendricks&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Cab-Calloway/&quot;&gt;Cab Calloway&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Donna-Summer/&quot;&gt;Donna Summer&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Melissa-Errico/&quot;&gt;Melissa Errico&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Marilyn-Maye/&quot;&gt;Marilyn Maye&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Karen-Mason/&quot;&gt;Karen Mason&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Jane-Olivor/&quot;&gt;Jane Olivor&lt;/a&gt;, he has appeared in almost every jazz club and cabaret (major and minor), in New York. He has toured with principal dancers from the New York City Ballet and has made numerous radio and television appearances including the Today Show and &lt;a href=&quot;https://www.broadwayworld.com/people/Maury-Povich/&quot;&gt;Maury Povich&lt;/a&gt;. Recordings include his work as musical director, arranger, and pianist on the recent debut album of &lt;a href=&quot;https://www.broadwayworld.com/people/Maria-Corsaro/&quot;&gt;Maria Corsaro&lt;/a&gt;, &amp;ldquo;Love Makes the Changes&amp;rdquo;; &amp;ldquo;A New Take&amp;rdquo;, the debut album of award-winning cabaret artist &lt;a href=&quot;https://www.broadwayworld.com/people/Sue-Matsuki/&quot;&gt;Sue Matsuki&lt;/a&gt;; and CD&amp;#39;s with Suzanna Ross, &lt;a href=&quot;https://www.broadwayworld.com/people/Leslee-Warren/&quot;&gt;Leslee Warren&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Lina-Koutrakos/&quot;&gt;Lina Koutrakos&lt;/a&gt;, Linda Kahn, &lt;a href=&quot;https://www.broadwayworld.com/people/Meri-Ziev/&quot;&gt;Meri Ziev&lt;/a&gt;, and Lisa Kantor. Toroian&amp;#39;s vocal arrangements have been featured on a series of albums in the US and Japan, by the vocal group String of Pearls. Toroian also wrote the music to the title song of the Boston Red Sox documentary, &amp;ldquo;Joy of Sox&amp;rdquo;. He currently offers an array of performance workshops.&lt;/p&gt;

&lt;p style=&quot;margin-left:0; margin-right:0&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Skip-Ward/&quot;&gt;Skip Ward&lt;/a&gt; is a Grammy Award Winning Bassist, Guitarist, and Ukulele-ist (is that a word), who can also get around on Lap Steel, Tuba, Penny Whistle, piano and sing background vox. Ward is a classically-trained jazz musician with a penchant for rock n&amp;#39; roll, and fusion, blues and bluegrass. Artists he has played/recorded with include: &lt;a href=&quot;https://www.broadwayworld.com/people/Tony-Trischka/&quot;&gt;Tony Trischka&lt;/a&gt;, with &lt;a href=&quot;https://www.broadwayworld.com/people/Steve-Martin/&quot;&gt;Steve Martin&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Phoebe-Snow/&quot;&gt;Phoebe Snow&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Southside-Johnny/&quot;&gt;Southside Johnny&lt;/a&gt; and the Asbury Jukes, &lt;a href=&quot;https://www.broadwayworld.com/people/Cyndi-Lauper/&quot;&gt;Cyndi Lauper&lt;/a&gt;, Cassandra Wilson, David Sancious (Sting, &lt;a href=&quot;https://www.broadwayworld.com/people/Eric-Clapton/&quot;&gt;Eric Clapton&lt;/a&gt;), &lt;a href=&quot;https://www.broadwayworld.com/people/Melissa-Manchester/&quot;&gt;Melissa Manchester&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Glenn-Miller/&quot;&gt;Glenn Miller&lt;/a&gt; Orchestra and more! You may have also seen him on &lt;a href=&quot;https://www.broadwayworld.com/people/David-Letterman/&quot;&gt;David Letterman&lt;/a&gt;, SNL or the &lt;a href=&quot;https://www.broadwayworld.com/people/Ellen-Degeneres/&quot;&gt;Ellen Degeneres&lt;/a&gt; Show. You&amp;#39;ll hear Ward on many soundtracks, and he has been on national tours with a number of major theatrical productions. In New York City: Shakespeare in the Park (As You Like It), Hands On A Hardbody, Million Dollar Quartet, High School Musical, Jesus Christ Superstar, Song &amp;amp; Dance, A Chorus Line and West Side Story.&lt;/p&gt;

&lt;p style=&quot;margin-left:0; margin-right:0&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/David-Silliman/&quot;&gt;David Silliman&lt;/a&gt; is a drummer and percussionist. Silliman&amp;#39;s middle name should be &amp;ldquo;versatility&amp;rdquo;. Whether accompanying song stylists such as &lt;a href=&quot;https://www.broadwayworld.com/people/Mariah-Carey/&quot;&gt;Mariah Carey&lt;/a&gt;, Cassandra Wilson, and &lt;a href=&quot;https://www.broadwayworld.com/people/Blossom-Dearie/&quot;&gt;Blossom Dearie&lt;/a&gt; or playing with Colombian Harpist Edmar Castaneda,&amp;nbsp; Silliman&amp;#39;s exciting rhythmic energies add color and mood to any musical performance. He&amp;#39;s also comfortable playing in the pit of a Broadway show or with the New Jersey Symphony.&amp;nbsp; Silliman has over 20 years of experience. His performances have taken him to concerts and festivals in Italy, Vienna, Berlin, the North Sea, Monterey, Uruguay and Lithuania. Silliman was born and raised in the San Francisco Bay Area, where he was exposed to a wide variety of music. Silliman&amp;#39;s first studies were in the Classical field, studying snare drum, xylophone and timpani. Later studies exposed him to Jazz, Latin Jazz, Brazilian and Funk music.&amp;nbsp;&lt;/p&gt;

&lt;p style=&quot;margin-left:0; margin-right:0&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Lina-Koutrakos/&quot;&gt;Lina Koutrakos&lt;/a&gt; is an award-winning singer/songwriter/teacher/director based in New York City. As a singer, she has repeatedly received rave reviews from The New York Times to Billboard Magazine in both rock and roll and cabaret and has been awarded Cabaret&amp;#39;s most prestigious awards for &amp;ldquo;Best Female Vocalist&amp;rdquo; and &amp;ldquo;Entertainer of the Year,&amp;rdquo; multiple times. For three decades Koutrakos has been a New York City musical fixture - as both soloist and as a director and performance coach. Her directorial nods include being a 4-time winner for &amp;ldquo;Best Director&amp;rdquo; from the MAC Association as well as a lifetime Backstage Bistro Award-Winner for &amp;ldquo;Best Director.&amp;rdquo;. Koutrakos was on staff as a Master Teacher for years at both the Eugene O&amp;#39;Neill Cabaret Symposium and The Yale Cabaret Conference. She was the first Master Teacher with The St. Louis Cabaret Conference and co-founded NYC&amp;#39;s Summer in the City yearly workshop on weekends. She has since gone on to start her own performance workshop &amp;ldquo;Performance Connection,&amp;rdquo; which umbrellas many ongoing and specialty workshops and seminars both online and in person. The Advance Performance Workshop in NYC has produced many award-winning performers and shows over the last 2 decades. Her singing and being the founder of the Midwest Cabaret Conference in Chicago for 10 years won her the &amp;ldquo;Gold Coast&amp;rdquo; Award with the Chicago Cabaret Professionals in 2019. She spearheads an annual Advanced Performance Workshop on the island of Mykonos. Due to her performance workshops with full bands to one-on-one clients across the U.S. to her own award-winning original material and one woman shows, Koutrakos has been called a &amp;ldquo;Walking Master Class&amp;rdquo; by Billboard Magazine.&amp;nbsp;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/A-BOOGIE-DOWN-BRONX-TALE-to-Return-to-The-Green-Room-42-with-Brenda-Liz-Henry-20260610</link>
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<pubDate>Wed, 10 Jun 2026 05:10:28 PST</pubDate>
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<title>HONEY DAVENPORT: MADE LIKE YOU to Make New York Premiere at Lips NYC</title>
<description>&lt;p&gt;Celebrate Juneteenth with the New York premiere of &lt;a href=&quot;https://www.broadwayworld.com/people/Honey-Davenport/&quot;&gt;Honey Davenport&lt;/a&gt;: Made Like You, a cabaret celebration of the &amp;quot;messy&amp;quot; side of human connection and the daily practice of hope.&lt;/p&gt;

&lt;p&gt;From the high-glam, hyper-visible world of RuPaul&amp;#39;s Drag Race to the empowering, historic stage of International Mr. Leather, legendary performer &lt;a href=&quot;https://www.broadwayworld.com/people/Honey-Davenport/&quot;&gt;Honey Davenport&lt;/a&gt; presents Made Like You.&amp;nbsp;&lt;span style=&quot;font-family:-apple-system,BlinkMacSystemFont,&amp;quot;segoe ui&amp;quot;,Roboto,&amp;quot;helvetica neue&amp;quot;,Arial,&amp;quot;noto sans&amp;quot;,sans-serif,&amp;quot;apple color emoji&amp;quot;,&amp;quot;segoe ui emoji&amp;quot;,&amp;quot;segoe ui symbol&amp;quot;,&amp;quot;noto color emoji&amp;quot;&quot;&gt;This one-of-a-kind production traces an extraordinary evolution of identity, capturing the true meaning of endurance and the liberating power of living a completely authentic life. Through a fusion of storytelling, sharp wit, and show-stopping numbers, the show aims to transcend barriers, sparking a message of hope and global community unity. Directed by Heart With Many Rooms, Honey invites you to step into a world where boundaries are broken, crowns are redefined, and everyone is invited to celebrate the skin they&amp;#39;re in.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Honey-Davenport/&quot;&gt;Honey Davenport&lt;/a&gt;: Made Like You will be performed for one night only -- Friday, June 19, 2026 at 10pm at Lips. Tickets are $25 for general admission or $40 for VIP tickets that include reserved seating and a meet-and-greet. IMPORTANT: There is also a $25 food/drink minimum at this performance.&amp;nbsp;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/HONEY-DAVENPORT-MADE-LIKE-YOU-to-Make-New-York-Premiere-at-Lips-NYC-20260609</link>
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<pubDate>Tue, 09 Jun 2026 15:56:32 PST</pubDate>
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<title>Review: The New York Vocal Collective&apos;s INDIGO Soars at El Museo Del Barrio</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;New York Vocal Collective&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt; took the stage in New York City at El Museo Del Barrio, bringing together a group of vocalists for a performance that balanced tight ensemble work with individual artistry. As part of their summer programming, the concert showcased what happens when strong singers are placed in a collaborative, high-level a cappella environment, with a focus on both musical precision and emotional connection.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The New York Vocal Collective functions as an advanced training ensemble, pulling together singers to workshop, rehearse, and ultimately perform a set of fully arranged contemporary a cappella pieces. It&amp;rsquo;s not just about blending voices. The program pushes performers to think about arrangement, dynamics, and storytelling within a group setting, which gives the final performance a level of intention that feels much more developed than a typical showcase.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;395&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434549/image-20260609152328-5.jpeg&quot; width=&quot;593&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The first choral section opened strong with &amp;ldquo;Folded&amp;rdquo; by Kehlani. The arrangement leaned into a smooth, controlled blend, letting the harmonies build gradually rather than forcing big moments too early. It created a grounded emotional tone that carried well across the ensemble.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;527&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434549/image-20260609152328-6.jpeg&quot; style=&quot;float:left&quot; width=&quot;395&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&amp;ldquo;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;Wishes&amp;rdquo; by Tiny Habits came later in the and shifted things slightly, bringing a lighter but still emotionally clear energy. The group handled the dynamic changes well here, especially in how they balanced the softer moments with fuller choral sections without losing clarity.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The solo and small group section gave the performers more room to step forward, with &amp;ldquo;Hazards On&amp;rdquo; by Julia Barrist standing out. Backed by Max Shackman and Amy Azzara on vocals, with Matt Eyles on piano and Jordan Rubenstein on guitar, the performance felt intimate and focused. It pulled the audience in by stripping things back and letting the storytelling take priority over vocal scale. Barrist has formed a following on social media do to her signature &amp;ldquo;crunchy harmonies&amp;rdquo; and this song utilized them beautifully creating a sound you dont get to hear as often in music.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Another solo highlight came with&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;593&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434549/image-20260609152328-7.jpeg&quot; style=&quot;float:right&quot; width=&quot;395&quot; /&gt;&lt;span style=&quot;color:#000000&quot;&gt; &amp;ldquo;I Want to Hold Your Hand,&amp;rdquo; written by &lt;a href=&quot;https://www.broadwayworld.com/people/John-Lennon/&quot;&gt;John Lennon&lt;/a&gt; and &lt;a href=&quot;https://www.broadwayworld.com/people/Paul-McCartney/&quot;&gt;Paul McCartney&lt;/a&gt;, featuring Devon Gates on bass and vocals. The arrangement gave the bass a central role, which helped ground the performance while her cool and calm vocals added to the calming and charming energy the song gives out. The whole number was a masterclass on a dynamic solo performance while balancing playing and singing.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The final choral section closed things out with &amp;ldquo;Dancing on the Wall&amp;rdquo; by MUNA, which leaned into a stronger rhythmic drive. The group felt more locked in here, with a confidence that let them push the energy without losing blend.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&amp;ldquo;I Found My Smile Again&amp;rdquo; by D&amp;#39;Angelo followed and brought things into a more grounded, soulful space. Before the group began the audience was taught harmonies to sing for the end of the song. The arrangement allowed for a richer tone across the ensemble, giving the performance a sense of release as the show wrapped up. The arrangement plus the audience involvement truly created the sense of community the New York Vocal Collective strives for.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;395&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434549/image-20260609152328-8.jpeg&quot; width=&quot;593&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Overall, the New York Vocal Collective worked because of its balance between precision and personality. The structure of the program gave space for both ensemble cohesion and individual expression, and by the end, it felt like a group that had really settled into its sound.&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Learn more about the New York Vocal Collective and where to watch a stream of the May 30 concert &lt;a href=&quot;https://linktr.ee/nyvocalcollective&quot;&gt;on their Linktree here&lt;/a&gt;.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-The-New-York-Vocal-Collectives-INDIGO-Soars-at-El-Museo-Del-Barrio-20260609</link>
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<pubDate>Tue, 09 Jun 2026 16:17:23 PST</pubDate>
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<title>Review: FILIPINOS ON BROADWAY Celebrates Talent and Community at 54 Below</title>
<description>&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;593&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434528/image-20260609130922-4.jpeg&quot; style=&quot;float:right&quot; width=&quot;395&quot; /&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Filipinos on Broadway&lt;/em&gt;&amp;nbsp; returned to 54 Below, bringing together a wide range of Filipino performers for a one-night celebration of talent, identity, and community. The concert highlighted both established and rising artists, creating a space that felt as much about representation as it did about performance. From the start, there was a clear sense of purpose behind the night, with each number contributing to a larger feeling of pride and visibility.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;The cast featured &lt;a href=&quot;https://www.broadwayworld.com/people/Reanne-Acasio/&quot;&gt;Reanne Acasio&lt;/a&gt;, Aeden Alvarez, Gabriel Argate, &lt;a href=&quot;https://www.broadwayworld.com/people/Niki-Badua/&quot;&gt;Niki Badua&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Amaya-Braganza/&quot;&gt;Amaya Braganza&lt;/a&gt;, Josh Carandang, Tatianna C&amp;oacute;rdoba, Zac Cruz, Joah Ditto, &lt;a href=&quot;https://www.broadwayworld.com/people/Jo-Garcia-Reger/&quot;&gt;Jo Garcia-Reger&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Angelica-Hale/&quot;&gt;Angelica Hale&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Jessi-Kirtley/&quot;&gt;Jessi Kirtley&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Naomi-Latta/&quot;&gt;Naomi Latta&lt;/a&gt;, Miranda Macasero, &lt;a href=&quot;https://www.broadwayworld.com/people/Gabriel-Vernon-Nunag/&quot;&gt;Gabriel Vernon Nunag&lt;/a&gt;, Raymond Salgado, &lt;a href=&quot;https://www.broadwayworld.com/people/Kay-Sibal/&quot;&gt;Kay Sibal&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Regine-Sophia/&quot;&gt;Regine Sophia&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Angelo-Soriano/&quot;&gt;Angelo Soriano&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Christopher-James-Tamayo/&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Christopher-James/&quot;&gt;Christopher James&lt;/a&gt; Tamayo&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Jason-Yanto/&quot;&gt;Jason Yanto&lt;/a&gt;. It&amp;rsquo;s a large group, but the show handled it well, giving performers space to stand out while still maintaining a strong ensemble presence throughout the night.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;395&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434528/image-20260609130905-1.jpeg&quot; width=&quot;593&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Josh Carandang delivered one of the most vocally impressive moments with &amp;ldquo;Somebody to Love&amp;rdquo; by Queen. It&amp;rsquo;s a demanding song, both technically and emotionally, and he met it head-on. The control in the upper register stood out immediately, but what made the performance land was how grounded it felt. He didn&amp;rsquo;t rush the build, letting the song grow naturally into its bigger moments, which made the payoff feel earned rather than pushed.&lt;/span&gt;&lt;img alt=&quot;&quot; height=&quot;593&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434528/image-20260609130905-2.jpeg&quot; style=&quot;float:left&quot; width=&quot;395&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Angelica-Hale/&quot;&gt;Angelica Hale&lt;/a&gt; brought a different kind of intensity with &amp;ldquo;Fallin&amp;rsquo;&amp;rdquo; by &lt;a href=&quot;https://www.broadwayworld.com/people/Alicia-Keys/&quot;&gt;Alicia Keys&lt;/a&gt;. The performance leaned into the emotional pull of the song without overcomplicating it. Vocally, there was a clear strength and consistency that carried through the entire number, but it was the phrasing that made it stand out. She gave the song space to breathe, which allowed the emotion to come through in a way that felt honest and direct.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Regine-Sophia/&quot;&gt;Regine Sophia&lt;/a&gt; and Miranda Macasero teamed up for &amp;ldquo;Get Happy / Happy Days Are Here Again,&amp;rdquo; and the pairing worked well because of how balanced it felt. The number relies on contrast and interplay, and both performers leaned into that without trying to overpower each other. The result was a clean, well-structured performance that highlighted both voices while keeping the energy steady throughout.&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;395&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434528/image-20260609130905-3.jpeg&quot; width=&quot;593&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Aeden Alvarez brought a strong sense of groove to &amp;ldquo;Don&amp;rsquo;t You Worry &amp;rsquo;Bout a Thing,&amp;rdquo; joined by Augie Bello on saxophone. The live sax added a layer of texture that gave the performance a more dynamic feel, and Alvarez matched that energy vocally. There was a looseness to the performance that worked in its favor, allowing the rhythm to drive the number without losing control of the vocals.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;What made &lt;em&gt;Filipinos on Broadway&lt;/em&gt; work overall was how clearly it centered both talent and community. The variety of performances kept the night engaging, but the throughline of shared identity gave it a stronger sense of cohesion. At 54 Below, that combination of individuality and unity landed in a way that felt both celebratory and grounded, making the concert feel meaningful without losing its sense of entertainment.&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;Find more upcoming shows at 54 Below &lt;a href=&quot;https://54below.org/calendar/&quot;&gt;on their website here&lt;/a&gt;.&lt;br /&gt;
&amp;nbsp;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-FILIPINOS-ON-BROADWAY-Celebrates-Talent-and-Community-at-54-Below-20260609</link>
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<pubDate>Tue, 09 Jun 2026 16:55:49 PST</pubDate>
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<title>Kate Baldwin Performs Songs from THOROUGHLY MODERN MILLIE, SOUTH PACIFIC &amp; More at 54 Below</title>
<description>&lt;p&gt;54 Below has released a series of performance clips from a recent evening with two-time Tony nominee &lt;a href=&quot;https://www.broadwayworld.com/people/Kate-Baldwin/&quot;&gt;Kate Baldwin&lt;/a&gt;, capturing the soprano in a wide-ranging program that drew on decades of musical theatre history. Accompanied throughout by her longtime collaborator &lt;a href=&quot;https://www.broadwayworld.com/people/Georgia-Stitt/&quot;&gt;Georgia Stitt&lt;/a&gt; on piano and guitarist &lt;a href=&quot;https://www.broadwayworld.com/people/Chris-Peters/&quot;&gt;Chris Peters&lt;/a&gt;, Baldwin moved fluidly between beloved standards and personal touchstones, offering audiences a glimpse into the repertoire that has defined her career.&lt;/p&gt;

&lt;p&gt;The first video pairs Baldwin with &lt;a href=&quot;https://www.broadwayworld.com/people/Alex-Newell/&quot;&gt;Alex Newell&lt;/a&gt; for a spirited rendition of &amp;quot;How the Other Half Lives&amp;quot; from THOROUGHLY MODERN MILLIE, the two voices trading lines with an easy chemistry that energizes the comic number. The clip stands as one of the evening&amp;#39;s more theatrical moments, leaning into the song&amp;#39;s vaudeville-inflected playfulness. A second performance finds Baldwin in more reflective territory, weaving together material from SOUTH PACIFIC with threads from CHICAGO in a medley she frames around the character of Nellie Forbush, drawing a through line between the wide-eyed optimism of Rodgers and Hammerstein and the harder-edged world of Kander and Ebb.&lt;/p&gt;

&lt;p&gt;Additional footage captures Baldwin turning to HELLO, DOLLY!, delivering &amp;quot;Ribbons Down My Back&amp;quot; with the kind of warmth and precision that made her Broadway run in that show so celebrated. The performance is intimate and unhurried, Stitt&amp;#39;s piano providing a spare, supportive backdrop. A fourth clip closes the collection with Baldwin tackling the title number from SUNDAY IN THE PARK WITH GEORGE, Sondheim&amp;#39;s intricate melodic architecture given room to breathe in the supper club setting.&lt;/p&gt;

&lt;p&gt;The evening reflects the breadth of Baldwin&amp;#39;s stage work, from her Tony-nominated turn in HELLO, DOLLY! to her recent run as Roxie Hart in CHICAGO. 54 Below has been a consistent home for Broadway talent this season, as recent &lt;a href=&quot;https://www.broadwayworld.com/article/Review-YOU-MUST-BELIEVE-IN-SPRING-at-54-Below-a-Glorious-Showcase-Of-Cabaret-Talent-20260605&quot;&gt;coverage of the venue&amp;#39;s cabaret programming&lt;/a&gt; has shown.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/videoplay.php?colid=2434491&quot;&gt;Click Here to Play!&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Kate-Baldwin-Performs-Songs-from-THOROUGHLY-MODERN-MILLIE-SOUTH-PACIFIC-More-at-54-Below-20260609</link>
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<pubDate>Tue, 09 Jun 2026 10:34:36 PST</pubDate>
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<title>Review: STEFANO BATTAGLIA BAND at Rizzoli Book Store A Season Highlight</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;It&amp;rsquo;s summertime in New York City, and what that means is that there are even more amazing and exciting adventures to be had around town than there are on a regular basis.&amp;nbsp; The key is simply in finding the adventures.&amp;nbsp; On May 31st, I caught wind of a jazz combo putting on a show in the back of a bookstore in Chelsea.&amp;nbsp; Who knew? &amp;nbsp; Who knew there were still bookstores in the world, and who knew that you could find a jazz show taking place on a Sunday afternoon amidst the stacks, the shelves, and the various categories of coffee table books, travel guides, and gardening tips?&amp;nbsp; Well, this writer and jazz lover thanks his lucky stars that this happenstance happened along because the STEFANO BATTAGLIA BAND put on not only one of the best shows I&amp;rsquo;ve seen this season, but one of the best jazz shows I&amp;rsquo;ve seen, ever.&amp;nbsp; The Rizzoli at Broadway and 26th is a sweet location to catch a show like this, and I&amp;rsquo;ll tell you why:&amp;nbsp; it is intimate, and you get to see the action up close.&amp;nbsp; But I&amp;rsquo;ll also tell you this: this band should be playing Birdland or the Blue Note or Dizzy&amp;rsquo;s Club, that&amp;rsquo;s how good they are.&amp;nbsp; So the patrons of the May 31st afternoon performance should count themselves lucky, for they have had a chance to be in a small space with these five exciting musicians - anyone else who finds themselves with that opportunity should grab it. &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;771&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5671.jpg&quot; width=&quot;1600&quot; /&gt;&lt;span style=&quot;color:#000000&quot;&gt;A joint venture between the Peperoncino Jazz Festival &amp;lsquo;26 and the Rizzoli Music Aperitivo Series (organized by Ludovico Granvassu under the Mondo Jazz banner), the May 31st event was also an album release celebration.&amp;nbsp; Battaglia&amp;rsquo;s new album ONE MILE AWAY (on EMME Records) was released on February 19th, and he and his four brilliant colleagues played a healthy selection of songs from the album, along with a few tunes not on the recording (available on most streaming platforms).&amp;nbsp; The Peperoncino Jazz Festival is an Italian event more than two decades old, using multi-venue locations to play jazz music in the Calabria region of the country.&amp;nbsp; New York City is in its fifth year of presenting the New York Session of the festival during the last half of May and slightly into June.&amp;nbsp; Among the participating venues are Smoke Jazz Club, Casa Italiana Zerilli-Marimo NYU, &lt;a href=&quot;https://www.broadwayworld.com/people/Italian-Cultural-Institute/&quot;&gt;Italian Cultural Institute&lt;/a&gt;, National Jazz Museum Harlem, and The Hot Club of New York, and some of the artists appearing in these concerts have been &lt;a href=&quot;https://www.broadwayworld.com/people/Benny-Benack/&quot;&gt;Benny Benack&lt;/a&gt; III, Italian Quartet, &lt;a href=&quot;https://www.broadwayworld.com/people/Jerry-Weldon/&quot;&gt;Jerry Weldon&lt;/a&gt; Italusa Quartet, David Cerreta Quintet, and multiple Grammy Award winner Nicole Zuraitis.&amp;nbsp; Sadly, it was at the Stefano Battaglia Band&amp;rsquo;s concert that I even found out about the festival, but you can bet I will be strongly invested in it in 2027 (visit their Facebook page&lt;a href=&quot;https://www.facebook.com/PeperoncinoJazzFestival&quot;&gt; HERE).&lt;/a&gt; &amp;nbsp; The Rizzoli Music Aperitivo Series is created by Mr. Granvassu, purveyor of the Mondo Jazz radio show, and has an Instagram page &lt;a href=&quot;https://www.instagram.com/mondo_jazz/?hl=en&quot;&gt;HERE&lt;/a&gt;.&amp;nbsp; Both organizations should be looked into for some of those New York adventures we all crave and love, because, after seeing the Battaglia show, this writer is ready to endorse everyone connected to the magic.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;953&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5558.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;For his spectacular concert in the Rizzoli bookstore (where extra seats had to be added to accommodate the crowd, so well attended was the event), Mr. Battaglia enlisted the aid of Trumpeter Daniel Sky, Saxophonist Daniele Germani, Pianist Emanule Filippi, and Drummer Avery Logan, and chiefly among the reasons to be at this particular performance is the ability to be up close enough to see the fury of the fingers as each musician plied their craft.&amp;nbsp; It is one thing to listen to an album; it is another thing to hear such exceptional music, live and in person, and it is another thing, still, to be close enough to see the athletic accomplishment that goes into the playing of the instruments, and with audience members on three sides, every musician had personal sets of eyes trained on their skill, whether they were playing as an ensemble or executing one of several intricate solos that rang through the room.&amp;nbsp; It was, in a word, thrilling&amp;hellip; as thrilling as the music itself.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5632.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Starting off with his own &amp;ldquo;Under Construction,&amp;rdquo; Battaglia grabbed the audience and jumped into the deep end.&amp;nbsp; This is modern-day jazz, layered with complex time signatures and musical characterizations that give each of the instrumentalists their own space to rise to the surface, all the while creating a joint experience through which all their individual voices meld together as one, not unlike the city in which we live.&amp;nbsp; When you hear a title like &amp;ldquo;Under Construction,&amp;rdquo; you can&amp;rsquo;t help but think of all the construction sites we pass every day, here in Manhattan, and maybe the name of the track refers to all the parts of our life that are under construction, but let&amp;rsquo;s be honest about it - those are just as cacophonous as the city construction sites.&amp;nbsp; It&amp;rsquo;s like an opera, with all the different conversations taking place at once, layering in on top of one another, until it becomes a symphony of glorious, sometimes discordant, sometimes harmonious, melodic noise. &amp;nbsp; This writer found it extremely appropriate that this was the opening number of a jazz set being experienced just after strolling through a summer night in one of New York City&amp;rsquo;s most socially active neighborhoods.&amp;nbsp; It was a wise and significant choice for the start of the show.&amp;nbsp; The number is right off of the One Mile Away CD (which I have been playing on a loop since this performance - it is worth checking out), but the second number of the night, &amp;ldquo;Brothers&amp;rdquo; is not, and more&amp;rsquo;s the pity.&amp;nbsp; Hopefully, Battaglia will record this composition at some point, for the piece immediately fills one with emotion.&amp;nbsp; Honestly, it&amp;rsquo;s like a cut from a Dave Grusin movie soundtrack, with the story being rich inside of the music AND the arrangement.&amp;nbsp; The melodic and harmonic lines actively talk to each other and with one another.&amp;nbsp; It is music, compositions, performances, like this that make people like, &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;strong&gt;&lt;em&gt;need&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt; jazz.&amp;nbsp; In a 2020 interview that I did with &lt;a href=&quot;https://www.broadwayworld.com/people/Glenn-Close/&quot;&gt;Glenn Close&lt;/a&gt;, the legendary actress said that jazz &amp;ldquo;is the closest expression of who we are as humans. I think it expresses our nervous system, basically,&amp;rdquo; and this very composition and performance were a perfect example of what Ms. Close is saying.&amp;nbsp; We don&amp;rsquo;t know why the piece is called &amp;ldquo;Brothers&amp;rdquo; but the way that the treatment paired the musicians with one another for segments, and then back again, it felt like we were listening to sets of siblings having a conversation.&amp;nbsp; It was an intricate and elegant musical dialogue between all five proficients, telling us that these men and their instruments are all the brothers.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5682.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;For the ninety-minute performance, Battaglia and company played, and they played with each other - you could see the joy they took from creating together.&amp;nbsp; There were cuts from the album, like the visceral &amp;ldquo;A Bushwick Tale,&amp;rdquo; in which each player seemed to represent a different life, a different street, a different apartment or person in Bushwick, and there were cuts that are maybe being saved for a future album, like an extremely satisfying homage to Chi Coltrane, with a stunning intro that felt like the rush of blood or of breathing before seguing into the most glorious, sumptuous music you&amp;rsquo;ve ever heard.&amp;nbsp; And for all the excellence all afternoon, a highlight (for this writer) came near the end of the program, when the company played the title song from Battaglia&amp;rsquo;s new album, &amp;ldquo;One Mile Away&amp;rdquo; - and while the music itself was a highlight, it was compounded by Battaglia&amp;rsquo;s comment that he wrote the song because &amp;ldquo;we always put our happiness one mile away.&amp;rdquo;&amp;nbsp; Remarking on the human tendency to say, &amp;ldquo;I&amp;rsquo;ll be happy when&amp;hellip;&amp;rdquo; Mr. Battaglia struck a real nerve with this writer.&amp;nbsp; I&amp;rsquo;ve done it.&amp;nbsp; Have you done it?&amp;nbsp; Well, since the day I heard Stefano say those words, I have been laser-focused on choosing happiness every moment of every day.&amp;nbsp; I hope I can sustain it.&amp;nbsp; I think that I might, if only I listen to the recording frequently, because it represents (in these musically-inclined ears) all the things we encounter in one day that make us happy.&amp;nbsp; The song seems (for me) an audible depiction of sun coming down through trees, people watching in New York City streets, an orange at four in the afternoon, or dancing to a favorite tune while cleaning the house.&amp;nbsp; There is a kind of eloquence to the composition that comes across both on the album and in the room at Rizzoli, for a ddeliciously lengthy amount of time.&amp;nbsp; That&amp;rsquo;s one of the great things about going to a jazz show (and this one was a right proper example of it) - each number is a ten or thirteen minute story that you can get lost in.&amp;nbsp; This ain&amp;rsquo;t no three and a half minute cover of &amp;ldquo;Moon River&amp;rdquo; - it&amp;rsquo;s a composition by a New York City artist that, if you listen the way you can and should, will tell you the tale of this city and the people who walk the streets beside us.&amp;nbsp; This entire show, start to finish, was an abundance of art, an embarrasment of riches, and, really and truly, looking around the room at Rizzoli, seeing the faces of the people in the seats out front, watching them sway their bodies or bob their heads in time with the music, seeing the appreciative and understanding expressions on their faces that said they GOT what they were being told, it was clear that they were happy.&amp;nbsp; Happiness, on May 31st, was not one mile away - it was in the room with the Stefano Battaglia Band. &amp;nbsp; The next time they play, make sure you&amp;rsquo;re in the room, too.&amp;nbsp; Trust me.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Stefano Battaglia has an Instagram page &lt;a href=&quot;https://www.instagram.com/stefanobattagliamusic/&quot;&gt;HERE&lt;/a&gt;&amp;nbsp;and a Linktree page &lt;a href=&quot;https://linktr.ee/stefanobattaglia?utm_source=ig&amp;amp;utm_medium=social&amp;amp;utm_content=link_in_bio&amp;amp;fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQPOTM2NjE5NzQzMzkyNDU5AAGnCokfZtkcuvDjqTw0R6f4X-bkPkyCu1yVhURPekZyDzlTcdoaDQ0h1rS1HnQ_aem_mNtJ9dCHpRdSGvXgS6tU-Q&quot;&gt;HERE&lt;/a&gt;.&amp;nbsp; Listen to ONE MILE AWAY &lt;a href=&quot;https://bfan.link/one-mile-away&quot;&gt;HERE.&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Learn more about the&amp;nbsp;&lt;span style=&quot;color:#000000&quot;&gt;Peperoncino Jazz Festival on their Facebook page&amp;nbsp;&lt;a href=&quot;https://www.facebook.com/PeperoncinoJazzFestival&quot;&gt;HERE&lt;/a&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Visit the&amp;nbsp;&lt;span style=&quot;color:#000000&quot;&gt;MONDO JAZZ IG page &lt;a href=&quot;https://www.instagram.com/mondo_jazz/?hl=en&quot;&gt;HERE&lt;/a&gt;&amp;nbsp;and the Rizzoli events page &lt;a href=&quot;https://www.rizzolibookstore.com/upcoming-events&quot;&gt;HERE&lt;/a&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;&lt;em&gt;&lt;strong&gt;Photos by Stephen Mosher&lt;/strong&gt;&lt;/em&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5701.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5733.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5761.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5766.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5549.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5555.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5568.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5550.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434479/IMG_5569.jpg&quot; width=&quot;933&quot; /&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-STEFANO-BATTAGLIA-BAND-at-Rizzoli-Book-Store-A-Season-Highlight-20260609</link>
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<pubDate>Tue, 09 Jun 2026 22:06:49 PST</pubDate>
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<title>Review: NIGHT OF A THOUSAND JUDYS Honors An Icon at Joe&apos;s Pub</title>
<description>&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;The 14th Annual &lt;em&gt;Night of a Thousand Judys&lt;/em&gt; (benefiting The Ali Forney Center) was held at Joe&amp;#39;s Pub on June 1, kicking off Pride Month celebrations for the LGBTQIA+ community and their allies.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Written and hosted by the outgoing Justin Elizabeth Sayre, the evening showcased their unique blend of singer, comedian, and raconteur. Backed by two &amp;quot;twink&amp;quot; dancers (Sayre&amp;#39;s word), Holden Jones and Kyle Kowalewski, both looked exceptionally dapper in their tailored suits and hats. Sayre opted for something far more comfortable&amp;mdash;a muumuu-inspired pantsuit or possibly printed silk pajamas&amp;mdash;Sayre described the look as &amp;quot;God, Aunt Margie Loves a River Boat Cruise!&amp;quot; which felt entirely appropriate.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-26.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Holden Jones, &amp;nbsp;Justin Elizabeth Sayre, and Kyle Kowalewski. Photo credit: Austin Ruffer&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Opening the evening with &amp;quot;When the Midnight Choo-Choo Leaves for Alabam,&amp;quot; Sayre&amp;#39;s infectious enthusiasm was matched by Jones and Kowalewski, setting an energetic, celebratory tone for the evening.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Jay Armstrong Johnson was the first guest artist to tackle a Judy Garland classic, choosing &amp;quot;Zing! Went the Strings of My Heart.&amp;quot; Delivered as a full-throated anthem, Johnson, dressed in a sleeveless sheer shirt, exuded cabaret swagger while Erica Von Kleist punctuated the performance with a sassy saxophone solo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Danielle Grabianowski followed with &amp;quot;More Than You Know.&amp;quot; Dressed entirely in black, she continued with what would become the evening&amp;#39;s guiding principle: no imitations of Garland but rather reclaiming her songs as their own. Beginning with a delicate, airy tone and subtle vibrato, Grabianowski steadily built the number to a big finish&amp;mdash;even the subway rumbling beneath Joe&amp;#39;s Pub seemed to applaud along.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Alysha Umphress, resplendent in a floral floor-length dress, performed &amp;quot;As Long As He Needs Me&amp;quot; from &lt;em&gt;Oliver!&lt;/em&gt; For anyone questioning its inclusion among Garland&amp;rsquo;s standards, Umphress reminded the audience that it became a signature number during &lt;em&gt;The Judy Garland Show&lt;/em&gt; in 1963. Beginning as a sultry ballad, the song blossomed into a jazzy reinvention, aided by a wonderful musical rapport with bassist Booker King, before culminating in a soaring high note.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Clearly impressed, Sayre reminded the audience that only gay money was accepted this evening&amp;mdash;by which, of course, he meant the bill featuring Abraham Lincoln.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;The evening&amp;#39;s first honor, the Good Judy Award, was presented to producer Steven Tartick, whose distinguished career championing LGBTQIA+ artists and productions currently includes Broadway&amp;#39;s &lt;em&gt;Cats: The Jellicle Ball&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-155.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Charles Busch and&amp;nbsp;Steven Tartick&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Adam Kantor and Leah Siegel delivered a fierce and dynamic rendition of the legendary Judy Garland/Barbra Streisand duet &amp;quot;Get Happy&amp;rdquo; and &amp;ldquo;Happy Days Are Here Again,&amp;quot; earning the biggest ovation of the evening up to that point.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Last year&amp;#39;s Judy Icon Award recipient, Nathan Lee Graham, followed with &amp;quot;You&amp;#39;re Nearer.&amp;quot; Looking elegant in a shirtless suit, Graham lunged onto a stool and delivered the song as a lush, romantic ballad infused with theatrical flair. Enhanced by a lovely flute solo from Von Kleist, the performance built toward a classic big Judy finish that received massive applause.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-84.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Nathan Lee Graham&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Claybourne Elder charmed the audience with &amp;quot;The Trolley Song,&amp;quot; prefaced by a story about performing the number with his older gay brother while growing up. They staged their own cabarets at home, recruiting their &amp;quot;plain&amp;quot; siblings as unwilling passengers aboard the trolley. Tonight, however, Elder finally had the starring role to himself. So enthusiastic was he that he &amp;ldquo;reeled&amp;rdquo; off the stage and recruited an audience member to serve as his passenger. Acting out the lyrics&amp;mdash;including the famously flirtatious line, &amp;quot;&lt;/span&gt;&lt;span style=&quot;color:#1f1f1f&quot;&gt;just to stand with his hand holding mine&lt;/span&gt;&lt;span style=&quot;color:black&quot;&gt; &amp;quot;&amp;mdash;Elder turned the song into an irresistible bit of musical theater. Even Sayre observed, &amp;quot;That was so much gayer than it needed to be.&amp;quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Wearing a stylish layered red mini dress, Jae W.B. brought smoky sensuality to &amp;quot;Come Rain or Come Shine.&amp;quot; Beginning with a slow, seductive interpretation, the performance appeared headed for a big finish before unexpectedly pulling back into a beautifully restrained ending.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-107.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Jae W.B.&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;At this point, Sayre shifted the evening&amp;#39;s tone. Reflecting on the current political climate, they remarked that they&amp;#39;d hoped the 2020s might resemble the Roaring 1920s, complete with flappers and bathtub gin. Instead, they noted, LGBTQIA+ people continue to be &lt;/span&gt;&lt;span style=&quot;color:#1f1f1f&quot;&gt;ignored by the government, being made fun of and persecuted. &lt;/span&gt;&lt;span style=&quot;color:black&quot;&gt;Drawing parallels to Garland&amp;#39;s own struggles, Sayre reminded the audience that her resilience came from her ability to pivot, connect, and recognize her own worth. &amp;quot;We may not be on TV for long,&amp;quot; they joked, &amp;quot;but we&amp;#39;re doing the hair. Except on FOX News. Nobody&amp;rsquo;s doing hair there!&amp;quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;As serious as the moment became, Sayre ultimately preached &amp;quot;the gospel of Judy&amp;quot;&amp;mdash;one they admitted was &amp;quot;far better than the Bible.&amp;quot; They concluded with a heartfelt declaration: &amp;quot;I love you all. Even the ones here I don&amp;#39;t like.&amp;quot; That blend of sincerity and humor led naturally into their second musical number, &amp;quot;Last Night When We Were Young.&amp;quot; Seated on a stool, Sayre delivered the ballad with affecting simplicity before surprising the audience with a big Judy belt and finish.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-115.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Justin Elizabeth Sayre&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;The Judy Icon Award was presented to Charles Busch&amp;mdash;described fittingly as &amp;quot;the leading lady we all wish we could be.&amp;quot; As Busch approached the stage, he received the evening&amp;#39;s first standing ovation. Recalling his first viewing of &lt;em&gt;The Wizard of Oz&lt;/em&gt; on a neighbor&amp;#39;s color TV, Busch reflected that he simultaneously experienced two revelations: Judy Garland and his first gay couple. Somehow, the two became permanently intertwined.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-128.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Charles Busch&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Accompanied by Jono Mainelli, Busch performed No&amp;euml;l Coward&amp;#39;s &amp;quot;If Love Were All,&amp;quot; famously recorded by Garland at Carnegie Hall. Connected deeply to every lyric, Busch transformed the song into a master class in interpretation. It was elegant, moving, and pure gold.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;The evening&amp;#39;s final guest artists were both vocal powerhouses. Sherz Aletaha, wearing a leopard-print gown, brought down the house with &amp;quot;I Got Rhythm.&amp;quot; Backed by the evening&amp;#39;s outstanding band&amp;mdash;Von Kleist on saxophone, King on bass, Paige Andrews on drums, and Drew Wutke on piano&amp;mdash;the performance swung into high gear with key changes, extended high notes, and irresistible energy. Then Aisha De Haas closed the solo performances with &amp;quot;When the Sun Comes Out.&amp;quot; Dressed in an elegant black gown, she delivered the number with remarkable poise and a rich, captivating voice that held the audience spellbound.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;625&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-143.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;Aisha De Haas&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;The evening concluded with the entire company gathered onstage for &amp;quot;Over the Rainbow.&amp;quot; The audience joined them. Hearing a room full of Friends of Dorothy sing Garland&amp;#39;s anthem was both moving and deeply affirming. In that moment, a chosen family assembled at Joe&amp;#39;s Pub and sang as one, offering a powerful reminder of the strength found in community. Happy Pride!&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p style=&quot;text-align:start&quot;&gt;P.S. It&amp;#39;s not too late to join this special evening by donating to the very worthy&amp;nbsp;&lt;a href=&quot;https://cbo.io/app/public/bidapp/thousandjudys/donate&quot;&gt;Ali Forney Center&amp;nbsp;here&lt;/a&gt;. Learn more about the non-profit and what they do at&amp;nbsp;&lt;a href=&quot;https://www.aliforneycenter.org/&quot;&gt;www.aliforneycenter.org&lt;/a&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;Photography by Austin Ruffer.&lt;/p&gt;

&lt;div style=&quot;text-align:center&quot;&gt;
&lt;figure class=&quot;image&quot; style=&quot;display:inline-block&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;333&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434475/1000judys-146.jpg&quot; width=&quot;500&quot; /&gt;
&lt;figcaption&gt;full cast of 14th Annual Night of 1000 Judys&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;/div&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-NIGHT-OF-A-THOUSAND-JUDYS-at-Joes-Pub-20260609</link>
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<guid isPermaLink="true">https://www.broadwayworld.com/cabaret/article/Review-NIGHT-OF-A-THOUSAND-JUDYS-at-Joes-Pub-20260609</guid>
<pubDate>Tue, 09 Jun 2026 12:47:47 PST</pubDate>
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<item>
<title>Eight Ways to Celebrate Juneenth in NYC Through Music, Comedy and Dance</title>
<description>&lt;p&gt;This year, New York City artists are celebrating Juneteenth with a vibrant slate of performances across NYC, including a wide swathe of music, comedy, dance and more.&amp;nbsp; We gathered eight of our top picks for you to check out, spanning everything from free outdoor dance parties and children&amp;#39;s events to a showcase&amp;nbsp;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;of NYC&amp;rsquo;s best all-black improv and sketch teams!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Third Annual Juneteenth Celebration at Hostos Center for the Arts &amp;amp; Culture at Hostos Community College&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Thursday June 18 at 7 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://www.eventbrite.com/e/juneteenth-celebration-at-hostos-center-for-the-arts-culture-free-event-tickets-1985725672942?msockid=39a9836a0c8f6c2b29e495f00de86d5c&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;FREE RSVP available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Hostos Center&amp;rsquo;s Third Annual Juneteenth Celebration, in collaboration with &lt;a href=&quot;https://www.broadwayworld.com/people/Carnegie-Hall/&quot;&gt;Carnegie Hall&lt;/a&gt; as part of their United in Sound America at 250 festival, features dance, music, and spoken word with the Forces of Nature Dance Theatre Company. This critically acclaimed New York City company transcends boundaries, weaving together contemporary dance with the rich traditions of West Africa and the African diaspora. Its electrifying performances incorporate elements of ballet, hip-hop, house, and even martial arts, resulting in a visually stunning and thought-provoking experience. Forces of Nature Dance Theatre celebrates cultural heritage and inspires audiences with its innovative artistic expression.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Tickets:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&amp;nbsp;Free entry. &lt;a href=&quot;https://www.eventbrite.com/e/juneteenth-celebration-at-hostos-center-for-the-arts-culture-free-event-tickets-1985725672942?msockid=39a9836a0c8f6c2b29e495f00de86d5c&quot;&gt;RSVP here&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Celebrate Juneteenth at Brower Park (Brooklyn)&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 from 11 am to 3 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://www.brooklynkids.org/events/juneteenth/&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;FREE; info available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Celebrate freedom and Black joy at Brooklyn Children Museum&amp;rsquo;s community Juneteenth gathering in Brower Park. Move to live music, create art together, and celebrate at this free event that&amp;rsquo;s open to all. Presented with Council Member Chi Oss&amp;eacute;, Friends of Brower Park, Brooklyn Conservatory of Music, and Brooklyn Public Library.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Juneteenth LP at Joe&amp;rsquo;s Pub&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 at 6:30 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://publictheater.org/performances-jp/2026/j/juneteenth-lp/&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;Tickets available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Back for an 11th year celebrating Juneteenth at Joe&amp;#39;s Pub, the NYC-based music collective Juneteenth LP continues to reimagine a classical music that is so expansive in its reach and scope that it grazes the edges of jazz, funk, spirituals, and the blues. With music programming set against a backdrop of slick arrangements of Afrobeats, hip-hop, R&amp;amp;B, gospel and soul, we celebrate Freedom Day by honoring the Black musicians then and now, who against all odds chose a life of creativity by picking up a violin, a conductor&amp;rsquo;s baton or a composer&amp;rsquo;s pen. Join us as we pay tribute to the intoxicating sonic cultural wealth of the African Diaspora. Yes, you&amp;#39;ll learn about Black classical composers, but frankly, if you don&amp;#39;t end up shaking your ass, we didn&amp;#39;t do it right.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Tickets:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&amp;nbsp;Tickets are $30 (inclusive of advance phone/web service fee). There is a 2 drink or 1 food item minimum per person.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Juneteenth: The Musical in Concert by &lt;a href=&quot;https://www.broadwayworld.com/people/Darrel-Alejandro-Holnes/&quot;&gt;Darrel Alejandro Holnes&lt;/a&gt; at Joe&amp;rsquo;s Pub&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 at 6:30 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://publictheater.org/performances-jp/2026/j/juneteenth-the-musical-in-concert-by-darrel-alejandro-holnes/&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;Tickets available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Juneteenth: The Musical follows Samuel, a formerly enslaved man who escapes to join the Union Army, and Ruby, the woman he loves and left behind. When Samuel returns to Texas in 1865 to marry her, his former master refuses to let go&amp;mdash;even though the war is over and slavery is legally abolished. What follows is a story of love, defiance, and liberation, as Samuel, Ruby, Black Union soldiers, and Mexican allies who had long sheltered freedom seekers across the border join forces to make emancipation real. Blending gospel, spirituals, zydeco, and norte&amp;ntilde;a, this bilingual, dance-driven musical celebrates the origins of America&amp;#39;s newest federal holiday&amp;mdash;and the ordinary people who forced a nation to keep its promise.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Tickets:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&amp;nbsp;Tickets are $36 (inclusive of advance phone/web service fee). There is a 2 drink or 1 food item minimum per person.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;REPARATIONS! A JUNETEENTH CELEBRATION OF BLACK IMPROV COMEDY! at Caveat&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 @ 7 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://caveat.nyc/events/reparations-a-juneteenth-celebration-of-black-improv-comedy-6-19-2026&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;Tickets available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;You&amp;rsquo;re invited to the 5th Annual passing out of REPARATIONS! Come join host and WildNOut Castmate, Sydney Duncan, as she celebrates Juneteenth with a blackity-black showcase of NYC&amp;rsquo;s best all-black improv and sketch teams with a surprise special guest stand-up set!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Tickets:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;&amp;nbsp;Tickets (including fees) are $18.76 early bird (until Jun 12, 7:00PM) $24.41 standard, $25.00 at the door, $11.63 livestream&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Lincoln Center Presents &lt;a href=&quot;https://www.broadwayworld.com/people/Carl-Hancock-Rux/&quot;&gt;Carl Hancock Rux&lt;/a&gt;&amp;rsquo;s Oh Sankofa (outdoors)&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 at 7 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://lincolncenter.org/series/summer-for-the-city/carl-hancock-ruxandrsquos-lessemgreateroh-sankofalessemgreater&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;FREE; info available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;The annual Juneteenth celebration at Lincoln Center for the Performing Arts returns this year with a powerful multidisciplinary performance written, directed, and curated by &lt;a href=&quot;https://www.broadwayworld.com/people/Carl-Hancock-Rux/&quot;&gt;Carl Hancock Rux&lt;/a&gt;. Through music, choral performance, dance, and storytelling, Oh Sankofa pays tribute to the use of African-American folklore as a vital means of survival during the trauma of the Transatlantic Slave Trade. The work features actor/comedian &lt;a href=&quot;https://www.broadwayworld.com/people/Phyllis-Yvonne-Stickney/&quot;&gt;Phyllis Yvonne Stickney&lt;/a&gt;; performers Vinson Fraley and &lt;a href=&quot;https://www.broadwayworld.com/people/Chanon-Judson/&quot;&gt;Chanon Judson&lt;/a&gt;; blues jazz guitarist &lt;a href=&quot;https://www.broadwayworld.com/people/Marvin-Sewell/&quot;&gt;Marvin Sewell&lt;/a&gt;; the Etienne Lashley Choir; &lt;a href=&quot;https://www.broadwayworld.com/people/Jamel-Gaines/&quot;&gt;Jamel Gaines&lt;/a&gt; Creative Outlet Dance Theater; and contemporary art garments and installation by Dianne Smith.&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Lincoln Center Presents The Tune Up A Juneteenth Celebration&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 at 7:30 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://lincolncenter.org/series/summer-for-the-city/the-tune-up-269&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;FREE; info available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;The Tune Up! is back for Season 2 ready to celebrate Juneteenth with you! If you celebrated freedom day with us last year then you&amp;rsquo;ll want to rejoin the party cause we&amp;rsquo;re hitting happier and harder than ever with new material and special guests! SLP and her 8-piece band The Joyful Noise bring you a soul-raising variety show with plays, music, brand new songs, powerful lyrics, comedy, and raw in-the-moment reflections. This new performance series created by Pulitzer Prize-winning dramatist &lt;a href=&quot;https://www.broadwayworld.com/people/Suzan-Lori-Parks/&quot;&gt;Suzan-Lori Parks&lt;/a&gt; and directed by Bessie Award-winning Artistic Director of The Flea Theater &lt;a href=&quot;https://www.broadwayworld.com/people/Niegel-Smith/&quot;&gt;Niegel Smith&lt;/a&gt; is a sip-your-drinks, make-new-friends, dance-in-the-aisles kind of evening that traffics in big sounds and bold ideas. Come share the love!&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;REAL Black: A Juneteenth Celebration with Crystal Monee Hall and Friends at 54 Below&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Friday June 19 at 9:30 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://54below.org/events/real-black-a-juneteenth-celebration-with-crystal-monee-hall-and-friends/&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;Tickets available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Join Crystal Monee Hall and a host of amazing performers and special guests from Broadway and beyond for an evening of celebrating Blackness and freedom through music. We&amp;rsquo;ll sing up a celebration of Black music throughout the ages as a family&amp;mdash;from spirituals, gospel, to the blues, and their many modern descendants. Come put one up for the ancestors and celebrate Juneteenth with us. Music direction by Mark Meadows.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;Tickets:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&amp;nbsp;Tickets start at $19.50 with a food &amp;amp; beverage minimum of $25 per person.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;We Outside! A Brooklyn Juneteenth, Vol. IV (outdoors in Downtown BK)&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;h2&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#0f4761&quot;&gt;&lt;strong&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;Saturday June 20 at 7 pm&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:black&quot;&gt;&lt;a href=&quot;https://www.eventbrite.com/e/we-outside-a-brooklyn-juneteenth-vol-iv-tickets-1990460429727?aff=oddtdtcreator&quot; target=&quot;newwinddow&quot;&gt;&lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#b20223&quot;&gt;FREE; info available here.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;We Outside! returns to Downtown Brooklyn for an all-day Juneteenth celebration rooted in Black joy, expression, and togetherness.&lt;/p&gt;

&lt;p&gt;Presented by 651 ARTS and The Soapbox Presents, We Outside transforms The Plaza at 300 Ashland into Downtown Brooklyn&amp;rsquo;s biggest stoop - a vibrant public gathering where music, movement, storytelling, food, artistry, and community collide.&lt;/p&gt;

&lt;p&gt;A full schedule and more information for &lt;span style=&quot;background-color:white&quot;&gt;&lt;span style=&quot;color:#212529&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/brooklyn/article/WE-OUTSIDE-A-Brooklyn-Juneteenth-Vol-IV-to-Return-to-Downtown-Brooklyn-20260604&quot;&gt;We Outside&lt;/a&gt; is available &lt;a href=&quot;https://www.eventbrite.com/e/we-outside-a-brooklyn-juneteenth-vol-iv-tickets-1990460429727?aff=oddtdtcreator&quot;&gt;here&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Eight-Ways-to-Celebrate-Juneenth-in-NYC-Through-Music-Comedy-and-Dance-20260609</link>
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<pubDate>Tue, 09 Jun 2026 10:00:05 PST</pubDate>
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<title>LA DOLCE VITA: A SWEET TASTE OF SUMMER to Make Debut at The Green Room 42</title>
<description>&lt;p&gt;Bronder Creative Productions will present the inaugural performance of Operatini: La Dolce Vita - A Sweet Taste of Summer on Friday, June 26, 2026 at 7:00 PM at The Green Room 42 in New York City.&lt;/p&gt;

&lt;p&gt;Created and produced by Sonia Bronder, Operatini is a new boutique opera and live music series designed to introduce audiences to opera through intimate performances, engaging storytelling, and a welcoming atmosphere that bridges the gap between traditional opera and contemporary live entertainment.&lt;/p&gt;

&lt;p&gt;La Dolce Vita celebrates the romance, passion, humor, and beauty of summer through an evening of beloved operatic selections and timeless vocal music performed by a cast of artists in one of New York City&amp;#39;s premier cabaret venues.&lt;/p&gt;

&lt;p&gt;The evening will feature:&lt;/p&gt;

&lt;p&gt;&amp;bull; Marieke de Koker, Mezzo-Soprano&lt;br /&gt;
&amp;bull; Mia Farinelli, Soprano&lt;br /&gt;
&amp;bull; Eric Sebek, Tenor&lt;br /&gt;
&amp;bull; Dr. Xiyu Deng, Pianist and Music Director&lt;br /&gt;
&amp;bull; Sonia Bronder, Creator and Host&lt;/p&gt;

&lt;p&gt;Unlike a traditional opera performance, Operatini invites audiences into a more personal and immersive experience where world class vocal artistry is presented in an intimate setting that encourages connection, conversation, and discovery.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;Every ticket includes the complete Puccini Experience featuring an Operatini keepsake glass, a commemorative rose presentation, a signed cast program, and an unforgettable evening of live music and storytelling.&lt;/p&gt;

&lt;p&gt;&amp;quot;We created Operatini because we believe opera should feel welcoming, exciting, and accessible to everyone,&amp;quot; said creator and producer Sonia Bronder. &amp;quot;This inaugural performance is about sharing extraordinary artistry in a way that invites new audiences into the experience while celebrating the timeless beauty of the music.&amp;quot;&lt;/p&gt;

&lt;h2&gt;ABOUT OPERATINI&lt;/h2&gt;

&lt;p&gt;Operatini is a boutique opera and live music series produced by Bronder Creative Productions. Created to bring classical vocal music to modern audiences, Operatini combines exceptional artistry, intimate venues, and immersive audience experiences to create performances that are both sophisticated and approachable.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/LA-DOLCE-VITA-A-SWEET-TASTE-OF-SUMMER-to-Make-Debut-at-The-Green-Room-42-20260608</link>
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<pubDate>Mon, 08 Jun 2026 18:41:40 PST</pubDate>
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<title>Mackenzie Bruen to Launch Paper Crowns Productions With Debut Cabaret at The Green Room 42</title>
<description>&lt;p&gt;Theatre artist, producer, and director Mackenzie Bruen is launching Paper Crowns Productions, a new production company dedicated to creating imaginative, artist-driven theatrical events that celebrate storytelling, collaboration, and community.&lt;/p&gt;

&lt;p&gt;Inspired by the childhood tradition of crafting paper crowns and transforming everyday moments through imagination, Paper Crowns Productions was founded on the belief that theatre has the power to bring people together, spark creativity, and create meaningful connections between artists and audiences.&lt;/p&gt;

&lt;p&gt;Through cabarets, concerts, developmental readings, and original theatrical works, Paper Crowns Productions aims to provide opportunities for both emerging and established artists while producing events that are joyful, heartfelt, and accessible.&lt;/p&gt;

&lt;p&gt;The company&amp;#39;s inaugural production, Enemies to Lovers: A Musical Theatre Cabaret, will take place on August 14, 2026, at The Green Room 42. Featuring a cast of New York performers, the evening will explore one of storytelling&amp;#39;s most beloved tropes through musical theatre, pop, and contemporary songs celebrating rivalry, tension, and romance.&lt;/p&gt;

&lt;p&gt;For updates on upcoming productions, auditions, and events, follow @papercrownsproductions on Instagram and TikTok.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Mackenzie-Bruen-to-Launch-Paper-Crowns-Productions-With-Debut-Cabaret-at-The-Green-Room-42-20260608</link>
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<pubDate>Mon, 08 Jun 2026 13:38:01 PST</pubDate>
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<title> Kat Gang to Launch Residency At The Nines In NYC and Release BOSSA &amp; BORDEAUX Album</title>
<description>&lt;p&gt;Jazz singer Kat Gang will launch her residency with her quintet at The Nines in NYC alongside the June 19th, 2026 release of her live album, Bossa &amp;amp; Bordeaux.&lt;/p&gt;

&lt;p&gt;Drawing inspiration from classic jazz traditions while adding her own modern flair, she brings warmth and sophistication to every performance. Her new album BOSSA &amp;amp; BORDEAUX is an intimate evening in sound-a velvet-lit collection of acoustic jazz standards drawn from the romance of French chanson and the effortless sway of Brazilian bossa nova. Performed with understated elegance and emotional depth, the album moves like candlelight across a late-night caf&amp;eacute; table: warm, wistful, and deeply human. With subtle nods to &amp;Eacute;dith Piaf and Ant&amp;ocirc;nio Carlos Jobim, BOSSA &amp;amp; BORDEAUX blends timeless melodies with a fresh, modern intimacy.&lt;/p&gt;

&lt;p&gt;KAT GANG has a soul steeped in jazz, captivating audiences with her rich tone, subtle phrasing, and authentic emotional depth. At the heart of BOSSA &amp;amp; BORDEAUX is a richly textured acoustic quintet featuring Kat Gang on vocals with Matthew Sheens on piano, Pat Brennan on guitar, Phil Palombi on bass, and Matt Chiasson on reed instruments, woven together in a soft and stylistic production mixed and mastered by David Darlington that favors nuance over spectacle. The album was born from their weekly performance at The Nines in New York City, as they soon realized they needed to somehow preserve the collaboration, generosity, and magic that happens when gifted artists gather with open ears and open hearts.&lt;/p&gt;

&lt;p&gt;The recordings were never meant to feel polished to perfection or distant from the listener. Kat wanted them to breathe. To sound human. To capture the feeling of musicians listening closely to one another in the room-allowing space, silence, warmth, and vulnerability to become part of the music itself. Every musician on this record brought extraordinary sensitivity, artistry, and soul to these arrangements. What you hear is not simply performance, but trust-a shared understanding of restraint, lyricism, and emotional honesty.&lt;/p&gt;

&lt;p&gt;Led by vocalist and bandleader KAT GANG, the project reflects years of devotion to the jazz tradition and a lifelong fascination with the emotional storytelling of international song. Educated at Berklee College of Music in Boston and Tisch School of the Arts at New York University, Kat has performed globally, touring in the UK, Italy, Israel, and Russia, and held residencies at The Plaza Hotel and Birdland Jazz Club in New York. She spent seven years studying music at the Royal Academy in London, England, has performed twice at the GRAMMY Awards with the National Academy of Recording Arts and Sciences, traded fours with &lt;a href=&quot;https://www.broadwayworld.com/people/Bobby-McFerrin/&quot;&gt;Bobby McFerrin&lt;/a&gt; at the Blue Note Jazz Festival, and currently holds a residency at The Nines with her quintet.&lt;/p&gt;

&lt;p&gt;With BOSSA &amp;amp; BORDEAUX, available June 19, 2026, KAT GANG offers her most personal and atmospheric work to date-a collection shaped by atmosphere, memory, and deep musical conversation, inspired by the poetry of French chanson, the gentle pulse of Brazilian bossa nova, and the timeless language of jazz.&lt;/p&gt;



&lt;p&gt;To order or stream BOSSA &amp;amp; BORDEAUX please visit:&lt;br /&gt;
&lt;a href=&quot;https://lnk.to/BossaBordeaux&quot;&gt;https://lnk.to/BossaBordeaux&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/-Kat-Gang-to-Launch-Residency-At-The-Nines-In-NYC-and-Release-BOSSA-BORDEAUX-Album-20260608</link>
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<pubDate>Mon, 08 Jun 2026 12:45:46 PST</pubDate>
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<title>Photos: The Bean Tones Harmonize at Birdland</title>
<description>&lt;p&gt;The Bean Tones brought their American tour to a thrilling close at Birdland in NYC on Monday night, delivering razor-sharp harmonies, boundless energy, and enough vocal precision to leave the room grinning. With a sparkling assist from&amp;nbsp;Saturday Night Live&amp;nbsp;trumpeter Summer Camargo, the group brought the house down. Check out photos below!&lt;/p&gt;

&lt;p&gt;The Bean Tones are a vocal jazz quartet that performs original arrangements and covers of a wide range of classic and contemporary music. Founded in 2018 while attending Berklee College of Music, the group began as a barbershop quartet before transitioning to primarily performing vocal jazz arrangements. They are now based in Los Angeles.&lt;/p&gt;

&lt;p&gt;Inspired by groups such as The Four Freshmen and The Hi-Lo&amp;rsquo;s, The Bean Tones blend their unique and charismatic sound with the vocal traditions of the 40&amp;rsquo;s and 50&amp;rsquo;s to create an exciting new sound for new audiences!&lt;/p&gt;



&lt;div id=&quot;image-set&quot;&gt;
&lt;p&gt;Photo Credit: Kevin Alvey&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;402&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f99204b09252464179.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;417&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9953b9db054520044.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones, Summer Camargo&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;409&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f998e3f33939436799.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;417&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f99bd8441717284664.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;835&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f99f3552a424054273.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;801&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9a2559b8715558378.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;840&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9a60a958988063075.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;811&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9a927019185877629.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;422&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9ac6270c753792653.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;417&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9afa98b7499018604.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;889&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9b2deb51047754319.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9b69d42a418588810.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;811&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9b9bab42597058503.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9bc3b88d641735120.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;847&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9bf17256842593604.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9c2a3274102319446.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;896&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9c52ef57230662530.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;900&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9c961bd2051210193.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;844&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9cbd36ac623625243.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;853&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9cf5a1d1428611745.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;441&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9d2dbac3087910370.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
Summer Camargo, The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;849&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9d52081b652179119.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
Summer Camargo&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;851&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9d8c878b864977337.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;409&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9dc184cd221275951.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;803&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9ded192e223504077.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;782&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9e246437326851088.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;802&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9e59740a222642365.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
Summer Camargo&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;394&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9e8a891c358468977.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;406&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9ec3d9c0009227606.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;480&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9ef6196a670075237.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;421&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9f32ef6b706464581.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;403&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9f71f418130022241.jpg&quot; width=&quot;599&quot; /&gt;&lt;br /&gt;
The Bean Tones&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;419&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25f9fda31b3339888369.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones, &lt;a href=&quot;https://www.broadwayworld.com/people/Jim-Caruso/&quot;&gt;Jim Caruso&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;423&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25fa00d1ad4127574714.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones, Fans&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;405&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2434067/tn-500_6a25fa04173f0395423826.jpg&quot; width=&quot;600&quot; /&gt;&lt;br /&gt;
The Bean Tones, &lt;a href=&quot;https://www.broadwayworld.com/people/Jacob-Khalil/&quot;&gt;Jacob Khalil&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Photos-The-Bean-Tones-Harmonize-at-Birdland-20260607</link>
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<guid isPermaLink="true">https://www.broadwayworld.com/cabaret/article/Photos-The-Bean-Tones-Harmonize-at-Birdland-20260607</guid>
<pubDate>Sun, 07 Jun 2026 20:41:02 PST</pubDate>
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<item>
<title>Natalie Giannosa Will Bring STARS ARE BORN: GAGA, BARBRA, JUDY &amp; ME to The Green Room 42</title>
<description>&lt;p&gt;The Green Room 42 will present Natalie Giannosa in &amp;quot;Stars are Born: Gaga, Barbra, Judy, and Me&amp;quot; on July 10th at 9:30pm. Natalie Giannosa will bring her celebrated solo cabaret to The Green Room 42 for its New York debut, with music direction by &lt;a href=&quot;https://www.broadwayworld.com/people/Ben-Covello/&quot;&gt;Ben Covello&lt;/a&gt;. After nearly three years of performing it across the globe on cruise ships, Natalie will introduce new songs and stories to the show.&lt;/p&gt;

&lt;p&gt;Paying tribute to powerhouses &lt;a href=&quot;https://www.broadwayworld.com/people/Judy-Garland/&quot;&gt;Judy Garland&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Barbra-Streisand/&quot;&gt;Barbra Streisand&lt;/a&gt;, and &lt;a href=&quot;https://www.broadwayworld.com/people/Lady-Gaga/&quot;&gt;Lady Gaga&lt;/a&gt; - each of whom starred in a version of A Star is Born - Natalie transforms a generic tribute show into a riotous and touching experience with her showstopping vocals, razor-sharp wit, and compelling interpretations of favorite classics. She will explore the lives and careers of these legendary women alongside her own, and she will remind you what the art of cabaret is capable of. Natalie will be joined by NYC drag icon Pissi Myles, along with &lt;a href=&quot;https://www.broadwayworld.com/people/Dillon-Klena/&quot;&gt;Dillon Klena&lt;/a&gt; (Jagged Little Pill Nat&amp;#39;l Tour). The show is produced and co-written by Allyson Roche.&lt;/p&gt;

&lt;p&gt;Natalie Giannosa in &amp;quot;Stars are Born: Gaga, Barbra, Judy and Me&amp;quot; plays at The Green Room 42 on July 10th at 9:30pm. Tickets are available starting at $19, with no food or beverage minimum. Tickets and more information are available at www.thegreenroom42.com.&lt;/p&gt;

&lt;p&gt;Natalie Giannosa is an award winning actress, headlining vocalist, and cabaret artist whose talent has taken her across the globe. Natalie found a creative home in producing, directing, and acting when she spearheaded two original projects, Stars Are Born:Gaga, Barbra, Judy &amp;amp; Me along with Loud &amp;amp; Clear which she performs across the globe with GrayBoy Entertainment. Natalie established herself as a successful multi-hyphenate after producing, directing, and starring in FUNNY., a hybridized short film-cabaret, which was awarded Best Sound &amp;amp; Experimental at the Los Angeles Comedy Film &amp;amp; Screenplay Festival. Among her many musical theatre credits, Natalie has appeared in The Toxic Avenger, which earned her the Outstanding Lead Performance in a Musical award at the OCTG Awards in Southern California.&lt;/p&gt;

&lt;p&gt;Pissi Myles is an accomplished drag comedian who has performed with musical acts like Kim Petras, &lt;a href=&quot;https://www.broadwayworld.com/people/King-Princess/&quot;&gt;King Princess&lt;/a&gt;, and Danity Kane. In addition to her weekly shows in New York City, she continues to produce hilarious parodies, like her viral hit single &amp;quot;Babashook&amp;quot;. She&amp;#39;s performed at Radio City Music Hall, the legendary Wigstock festival, and has been featured on Billboard, Vogue, Cosmopolitan Magazine, Huffington Post, RuPaul&amp;#39;s What&amp;#39;s The T Podcast, and more! You can find her at her many monthly and weekly shows and guest appearances throughout NYC.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Dillon-Klena/&quot;&gt;Dillon Klena&lt;/a&gt; will join the show straight off his run in Anastasia (Dmitry) at the legendary La Mirada Theatre. Dillon has been performing professionally around Southern California since the age of three. He made his NYC debut in Starry: A New Musical, and you may have seen him as Nick Healy in the National Tour of Jagged Little Pill, or in the new original musical, Rutka.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Ben-Covello/&quot;&gt;Ben Covello&lt;/a&gt;, who will provide music direction for the show, is a New York Music Director, Pianist, Conductor, Guitarist, Orchestrator, and Collaborator. He is involved in the developmental processes of new projects in collaboration with BAM, Deaf West, Manhattan Theater Club, Guild Hall, the Athens Conservatoire in Greece, Lincoln Center, American Conservatory Theater, Ars Nova, &lt;a href=&quot;https://www.broadwayworld.com/people/Goodspeed-Opera-House/&quot;&gt;Goodspeed Opera House&lt;/a&gt;, New York Stage and Film, Paper Mill Playhouse, and others. Ben has played on Broadway with Wicked, Redwood, and The Outsiders. He also toured with RENT and Jesus Christ Superstar. He recently finished providing music direction for Blood/Love Off-Broadway.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Natalie-Giannosa-Will-Bring-STARS-ARE-BORN-GAGA-BARBRA-JUDY-ME-to-The-Green-Room-42-20260607</link>
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<guid isPermaLink="true">https://www.broadwayworld.com/cabaret/article/Natalie-Giannosa-Will-Bring-STARS-ARE-BORN-GAGA-BARBRA-JUDY-ME-to-The-Green-Room-42-20260607</guid>
<pubDate>Sun, 07 Jun 2026 20:27:03 PST</pubDate>
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<item>
<title>PHOTOS: Lyrics &amp; Lyricists Presents THE LOVE AND LYRICS OF ALAN &amp; MARILYN BERGMAN at 92NY</title>
<description>&lt;div id=&quot;image-set&quot;&gt;
&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;background-color:#ffffff&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;At last night&amp;rsquo;s Lyrics &amp;amp; Lyricists presentation,&amp;nbsp;&lt;a href=&quot;https://www.92ny.org/event/the-love-and-lyrics-of-alan-and-marilyn-bergman&quot;&gt;&lt;em&gt;Every Kind of Light:&amp;nbsp;&lt;/em&gt;&lt;em&gt;The Love and Lyrics of Alan &amp;amp; Marilyn Bergman&lt;/em&gt;&lt;/a&gt;, at The 92NY, New York, every seat reserved for the press was occupied&amp;mdash;a telltale sign that something special was about to unfold. The enthusiastic audience and assembled media were not disappointed. Check out the performance photos below.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;background-color:#ffffff&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;Co-hosts Billy Stritch and Ann Hampton Callaway, joined by &lt;/span&gt;&lt;/span&gt;Nikki Ren&amp;eacute;e Daniels&lt;span style=&quot;background-color:#ffffff&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;, Brandon Victor Dixon, and Ali Stroker, delivered a beautifully crafted and expertly performed celebration of the legendary songwriting team&amp;#39;s songbook. Their heartfelt interpretations and musical artistry brought the Bergmans&amp;rsquo; timeless catalog vividly to life, giving the press&amp;mdash;and everyone fortunate enough to be in attendance&amp;mdash;plenty to applaud and write about.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;background-color:#ffffff&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;Billy Stritch, who crafted the show&amp;rsquo;s arrangements and orchestrations, anchored the evening from the piano, bringing his signature musical sophistication, warm vocals, and engaging commentary to the performance. Ann Hampton Callaway, a longtime friend and musical collaborator of the Bergmans, enriched the celebration with heartfelt reminiscences of her relationship with the legendary songwriting duo while delivering vocals of remarkable beauty and emotional depth.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:start&quot;&gt;&lt;span style=&quot;background-color:#ffffff&quot;&gt;&lt;span style=&quot;color:#000000&quot;&gt;The evening was further elevated by the Broadway voices of Nikki Ren&amp;eacute;e Daniels, Brandon Victor Dixon, and Ali Stroker, whose performances also brought the Bergmans&amp;rsquo; timeless songs to life. Together, they created a memorable tribute that left the 92NY audience with cherished Memories of an extraordinary night of music and storytelling.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;See photos from the concert below. Find more upcoming shows at 92NY &lt;a href=&quot;https://www.92ny.org/events&quot;&gt;on their website here&lt;/a&gt;, including tickets to the final performance of this concert on Monday June 8 at 7:30 pm.&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1147&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-281-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1294&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-258-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1264&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-241-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;, Nikki Ren&amp;eacute;e Daniels&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1619&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-265-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;, Nikki Ren&amp;eacute;e Daniels, &lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1223&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-212-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1876&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-315-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt; &amp;amp; Nikki Ren&amp;eacute;e Daniels&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1166&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-311-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-297-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1572&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-280-of-316.jpg&quot; width=&quot;1600&quot; /&gt;Nikki Ren&amp;eacute;e Daniels&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1607&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-275-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
Nikki Ren&amp;eacute;e Daniels, &lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1169&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-259-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1650&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-248-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1425&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-136-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
MAUDE&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1300&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-125-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
Every Kind Of Light: The Lyrics of Alan &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Marilyn-Bergman/&quot;&gt;Marilyn Bergman&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1067&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-106-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1136&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-90-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1181&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-60-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
Alan &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Marilyn-Bergman/&quot;&gt;Marilyn Bergman&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1275&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-41-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1190&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-39-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt; &amp;amp; &lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1246&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-110-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
92Y&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1327&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-24-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Brandon-Victor-Dixon/&quot;&gt;Brandon Victor Dixon&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ali-Stroker/&quot;&gt;Ali Stroker&lt;/a&gt;, Nikki Ren&amp;eacute;e Daniels&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1871&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-31-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Ann-Hampton-Callaway/&quot;&gt;Ann Hampton Callaway&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;843&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-35-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
Lyrics &amp;amp; Lyricists&lt;/p&gt;

&lt;p&gt;&lt;img alt=&quot;&quot; height=&quot;1412&quot; src=&quot;https://cloudimages.broadwayworld.com/upload13/2433968/tn-500_untitled-134-of-316.jpg&quot; width=&quot;1600&quot; /&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Eda-Sorokoff/&quot;&gt;Eda Sorokoff&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Nicolas-King/&quot;&gt;Nicolas King&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/PHOTOS-Lyrics-Lyricists-Presents-THE-LOVE-AND-LYRICS-OF-ALAN-MARILYN-BERGMAN-at-92NY-20260607</link>
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<guid isPermaLink="true">https://www.broadwayworld.com/cabaret/article/PHOTOS-Lyrics-Lyricists-Presents-THE-LOVE-AND-LYRICS-OF-ALAN-MARILYN-BERGMAN-at-92NY-20260607</guid>
<pubDate>Sun, 07 Jun 2026 13:00:25 PST</pubDate>
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<title>Review: Will Roland&apos;s Millennial Energy Shines at 54 Below</title>
<description>&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Last evening on Friday June 5, the famed 54 Below was charged with Millenial energy as one of their own stars took center stage in the persona of Grammy and Emmy Award-winning Broadway talent, &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt;.&amp;nbsp; Clad in rolled up jeans, a black T-shirt along with a turquoise jacket and sneakers, the bespectacled talented powerhouse definitely gave off those &amp;ldquo;Weird Al&amp;rdquo; Yankovic vibes as he began the evening yet with some tremendous vocals.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Roland&amp;rsquo;s show consisted of a his unique compilation of Broadway show tunes (as he said, he was in those shows, just not singing those lead songs) as well as classic rock hits. Talking as an &amp;ldquo;anxious&amp;rdquo; millennial, he proceeded to proudly tell the packed audience of his new fatherhood to an infant son.&amp;nbsp; As such, he now sees time in a different way.&amp;nbsp; Singing &amp;ldquo;1999 (Prince) / Will2K Medley,&amp;rdquo; he proceeded to explain how Y2K started the stress ball rolling for his generation with its fears of the new century and those wild apocalyptic visions - from economic crashes to end of world predictions.&amp;nbsp; It did get a bit scary if this reviewer remembers.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Onward, Roland began his journey of &amp;quot;weird nostalgia through music&amp;rdquo; starting with his beloved world of theater. Renditions of &amp;ldquo;Somewhere That&amp;rsquo;s Green&amp;rdquo; (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Little Shop of Horrors)&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;, &amp;ldquo;I Love Play Rehearsal&amp;rdquo; (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Be More Chill&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;) and &amp;ldquo;Meadowlark&amp;rdquo; (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;The Baker&amp;rsquo;s Wife&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;) showcased the powerful vocals this talented young performer possesses.&amp;nbsp; He has the vocal chops that Broadway craves for its next generation!&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt; described how the joys of new fatherhood coincided with career success as his big break on Broadway in &lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Dear Evan Hansen&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt; happened at the same time as the birth of his son.&amp;nbsp; His debut on the Tony Award-winning show brought a tidal wave of national attention to &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt;.&amp;nbsp; A phenomenal performance of &amp;ldquo;So Big / So Small&amp;rdquo; (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Dear Evan Hansen&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;) gave theatergoers a taste of the show.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Switching gears to rock music, Roland tooks us on a journey through his Long Island childhood with famed Oyster Bay native, &lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Joel/&quot;&gt;Billy Joel&lt;/a&gt;.&amp;nbsp; Belting &amp;ldquo;Scenes from an Italian Restaurant&amp;rdquo; &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt; gave the song&amp;nbsp; its true depth of emotion along with the kazoo solo! This reviewer along with the rest of the audience sang along to the hit whose lyrics are deeply ingrained in the mind of every member of the Baby Boomer / Generation Jones generation. &lt;a href=&quot;https://www.broadwayworld.com/people/James-Taylor/&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/James-Taylor-4/&quot;&gt;&lt;a href=&quot;https://www.broadwayworld.com/people/James-Taylor/&quot;&gt;James Taylor&lt;/a&gt;&amp;rsquo;s famous &amp;ldquo;Secret O&amp;rsquo;Life&amp;rdquo; and a final rousing five-star rendition of &amp;ldquo;Changes / (What&amp;rsquo;s So Funny &amp;lsquo;Bout) Peace, Love &amp;amp; Understanding&amp;rdquo; (&lt;a href=&quot;https://www.broadwayworld.com/people/David-Bowie/&quot;&gt;David Bowie&lt;/a&gt;, Nick Lowe) brought down the house!&amp;nbsp; With a last nod to the Broadway theater, the night ended with &amp;ldquo;Origin of Love&amp;rdquo; (&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;&lt;em&gt;Hedwig and the Angry Inch)&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color:#000000&quot;&gt;.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Folks, keep your eyes peeled, for this reviewer predicts that the future will be very bright for this talented young performer on the Broadway stages in the near future.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;hr /&gt;
&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;This show featured the talented &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt;, Music Director, Madelin Bensen, Band: &lt;a href=&quot;https://www.broadwayworld.com/people/Laura-Dadap/&quot;&gt;Laura Dadap&lt;/a&gt; (Bass), &lt;a href=&quot;https://www.broadwayworld.com/people/Jessie-Linden/&quot;&gt;Jessie Linden&lt;/a&gt; (Drums) and &lt;a href=&quot;https://www.broadwayworld.com/people/Chris-Peters/&quot;&gt;Chris Peters&lt;/a&gt; (Guitar).&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Learn more about &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Roland/&quot;&gt;Will Roland&lt;/a&gt; &lt;a href=&quot;https://www.will-roland.com/&quot;&gt;on his website here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;color:#000000&quot;&gt;Find more great shows to see on the 54 Below website &lt;/span&gt;&lt;a href=&quot;https://54below.org/&quot;&gt;&lt;span style=&quot;color:#1155cc&quot;&gt;here&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Review-Will-Rolands-Millennial-Energy-Shines-at-54-Below-20260607</link>
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<guid isPermaLink="true">https://www.broadwayworld.com/cabaret/article/Review-Will-Rolands-Millennial-Energy-Shines-at-54-Below-20260607</guid>
<pubDate>Sun, 07 Jun 2026 12:15:25 PST</pubDate>
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<title>Jeff Harnar and The Count Basie Orchestra Lead Birdland&apos;s June Lineup</title>
<description>&lt;p&gt;Birdland Jazz Club and Birdland Theater have announced a packed schedule of performances running June 8&amp;ndash;21, featuring jazz legends, acclaimed vocalists, rising stars, and longtime resident artists.&lt;/p&gt;

&lt;p&gt;Highlights include appearances by &lt;a href=&quot;https://www.broadwayworld.com/people/Jeff-Harnar/&quot;&gt;Jeff Harnar&lt;/a&gt;, The Legendary &lt;a href=&quot;https://www.broadwayworld.com/people/Count-Basie/&quot;&gt;Count Basie&lt;/a&gt; Orchestra directed by &lt;a href=&quot;https://www.broadwayworld.com/people/Scotty-Barnhart/&quot;&gt;Scotty Barnhart&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Natalie-Douglas/&quot;&gt;Natalie Douglas&lt;/a&gt;, &lt;a href=&quot;https://www.broadwayworld.com/people/Ravi-Coltrane/&quot;&gt;Ravi Coltrane&lt;/a&gt;, Duchess, Melissa Aldana, and the Anderson Brothers, alongside Birdland favorites and weekly recurring engagements.&lt;/p&gt;

&lt;hr /&gt;
&lt;h3&gt;June 8&amp;ndash;9: &lt;a href=&quot;https://www.broadwayworld.com/people/Vince-Giordano/&quot;&gt;Vince Giordano&lt;/a&gt; &amp;amp; The Nighthawks&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;GRAMMY Award winner &lt;a href=&quot;https://www.broadwayworld.com/people/Vince-Giordano/&quot;&gt;Vince Giordano&lt;/a&gt; and his acclaimed 11-piece ensemble return with their celebrated recreation of 1920s jazz, bringing the sounds of the Jazz Age to life through period instruments and arrangements.&lt;/p&gt;

&lt;h3&gt;June 8: &lt;a href=&quot;https://www.broadwayworld.com/people/Jeff-Harnar/&quot;&gt;Jeff Harnar&lt;/a&gt; Sings The 1959 Broadway Songbook&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Cabaret favorite &lt;a href=&quot;https://www.broadwayworld.com/people/Jeff-Harnar/&quot;&gt;Jeff Harnar&lt;/a&gt; revisits his acclaimed musical journey through the Broadway season of 1959, featuring songs from Gypsy, The Sound of Music, West Side Story, The Music Man, and more.&lt;/p&gt;

&lt;h3&gt;June 8 &amp;amp; 15: &lt;a href=&quot;https://www.broadwayworld.com/people/Jim-Caruso/&quot;&gt;Jim Caruso&lt;/a&gt;&amp;#39;s Cast Party&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;The long-running weekly open mic returns with host &lt;a href=&quot;https://www.broadwayworld.com/people/Jim-Caruso/&quot;&gt;Jim Caruso&lt;/a&gt; and musical director &lt;a href=&quot;https://www.broadwayworld.com/people/Billy-Stritch/&quot;&gt;Billy Stritch&lt;/a&gt;, welcoming Broadway performers, jazz artists, rising talent, and surprise guests.&lt;/p&gt;

&lt;h3&gt;June 9&amp;ndash;13: The Legendary &lt;a href=&quot;https://www.broadwayworld.com/people/Count-Basie/&quot;&gt;Count Basie&lt;/a&gt; Orchestra Directed by &lt;a href=&quot;https://www.broadwayworld.com/people/Scotty-Barnhart/&quot;&gt;Scotty Barnhart&lt;/a&gt;&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;The 19-time GRAMMY Award-winning orchestra continues the legacy of &lt;a href=&quot;https://www.broadwayworld.com/people/Count-Basie/&quot;&gt;Count Basie&lt;/a&gt; with a week of performances celebrating one of jazz&amp;#39;s most enduring big bands.&lt;/p&gt;

&lt;h3&gt;June 10 &amp;amp; 17: David Ostwald&amp;#39;s &lt;a href=&quot;https://www.broadwayworld.com/people/Louis-Armstrong/&quot;&gt;Louis Armstrong&lt;/a&gt; Eternity Band&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;Now in its 26th year at Birdland, David Ostwald&amp;#39;s ensemble celebrates the music of &lt;a href=&quot;https://www.broadwayworld.com/people/Louis-Armstrong/&quot;&gt;Louis Armstrong&lt;/a&gt; and other jazz pioneers with a rotating roster of acclaimed guest artists.&lt;/p&gt;

&lt;h3&gt;June 10 &amp;amp; 17: Frank Vignola&amp;#39;s Guitar Night&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;Jazz guitar virtuoso Frank Vignola hosts his popular weekly series, welcoming special guests Bill Wurtzel on June 10 and Vinny Raniolo on June 17.&lt;/p&gt;

&lt;h3&gt;June 11 &amp;amp; 18: The High Society New Orleans Jazz Band&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;The longtime &lt;a href=&quot;https://www.broadwayworld.com/people/Woody-Allen/&quot;&gt;Woody Allen&lt;/a&gt; collaborators bring their authentic New Orleans-style jazz to Birdland for two evenings of traditional favorites.&lt;/p&gt;

&lt;h3&gt;June 12 &amp;amp; 19: The Birdland Big Band&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Birdland&amp;#39;s resident big band returns with its signature blend of jazz, funk, Brazilian, Latin, and world music influences.&lt;/p&gt;

&lt;h3&gt;June 12&amp;ndash;14: &lt;a href=&quot;https://www.broadwayworld.com/people/Harry-Allen/&quot;&gt;Harry Allen&lt;/a&gt; Quartet&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;Celebrated saxophonist &lt;a href=&quot;https://www.broadwayworld.com/people/Harry-Allen/&quot;&gt;Harry Allen&lt;/a&gt; brings his swinging style and extensive jazz repertoire to Birdland for a three-night engagement.&lt;/p&gt;

&lt;h3&gt;June 13 &amp;amp; 20: Brandon Goldberg Trio&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Award-winning young pianist Brandon Goldberg showcases American Songbook standards and original compositions with his trio.&lt;/p&gt;

&lt;h3&gt;June 14: A Marvelous Party with Duchess &amp;ndash; Album Release Show&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Award-winning vocal trio Duchess celebrates the release of its new album A Marvelous Party, featuring jazz standards and close-harmony arrangements inspired by the Boswell Sisters.&lt;/p&gt;

&lt;h3&gt;June 14 &amp;amp; 21: The Birdland Latin Jazz Orchestra&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Directed by saxophonist David DeJesus, Birdland&amp;#39;s new Latin Jazz Orchestra performs classics from the Latin big band repertoire.&lt;/p&gt;

&lt;h3&gt;June 15: &lt;a href=&quot;https://www.broadwayworld.com/people/Natalie-Douglas/&quot;&gt;Natalie Douglas&lt;/a&gt; in A Juneteenth Jubilee &amp;ndash; Tributes: &amp;#39;70s Soul, Volume 2&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Award-winning vocalist &lt;a href=&quot;https://www.broadwayworld.com/people/Natalie-Douglas/&quot;&gt;Natalie Douglas&lt;/a&gt; returns for her annual Juneteenth celebration, spotlighting the soul music of the 1970s.&lt;/p&gt;

&lt;h3&gt;June 16&amp;ndash;20: &lt;a href=&quot;https://www.broadwayworld.com/people/Ravi-Coltrane/&quot;&gt;Ravi Coltrane&lt;/a&gt; Quartet&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;GRAMMY-nominated saxophonist &lt;a href=&quot;https://www.broadwayworld.com/people/Ravi-Coltrane/&quot;&gt;Ravi Coltrane&lt;/a&gt; leads his quartet in a week-long engagement showcasing his distinctive contemporary jazz sound.&lt;/p&gt;

&lt;h3&gt;June 19&amp;ndash;21: Melissa Aldana Quartet&lt;/h3&gt;

&lt;p&gt;Birdland Theater&lt;/p&gt;

&lt;p&gt;The GRAMMY-nominated saxophonist and Blue Note recording artist brings her acclaimed quartet to Birdland for a weekend engagement.&lt;/p&gt;

&lt;h3&gt;June 21: Anderson Brothers Play Duke at Newport&lt;/h3&gt;

&lt;p&gt;Birdland Jazz Club&lt;/p&gt;

&lt;p&gt;Juilliard-trained twins Peter and &lt;a href=&quot;https://www.broadwayworld.com/people/Will-Anderson/&quot;&gt;Will Anderson&lt;/a&gt; pay tribute to &lt;a href=&quot;https://www.broadwayworld.com/people/Duke-Ellington/&quot;&gt;Duke Ellington&lt;/a&gt;&amp;#39;s legendary 1956 Newport Jazz Festival performance with a 15-piece orchestra.&lt;/p&gt;&lt;img src=&quot;https://b.scorecardresearch.com/p?c1=2&amp;c2=18162732&amp;cv=2.0&amp;cj=1&quot; width=&quot;1&quot; height=&quot;1&quot; style=&quot;width:1px;height:1px&quot; /&gt;</description>
<link>https://www.broadwayworld.com/cabaret/article/Jeff-Harnar-and-The-Count-Basie-Orchestra-Lead-Birdlands-June-Lineup-20260605</link>
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<pubDate>Fri, 05 Jun 2026 22:58:11 PST</pubDate>
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