BroadwayWorld.com Arkansas Stories

Video: The Teen Critics' Great Expectations are Met at THE OUTSIDERS

Thu, 11 Jun 2026 12:21:28 PST

Curious what your teenager might think about some of Broadway's most beloved shows before you buy the tickets? BroadwayWorld's Teen Critics are here to help!

We are continuing the series with Ava (13), Ellie (12), and Zander (13), who recently headed to the Bernard B. Jacobs Theater to check out The Outsiders on Broadway. Curious about what they thought of the show? Find out in this video!

In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade and their Greaser family of “outsiders” battle with their affluent rivals, the Socs. This thrilling new Broadway musical navigates the complexities of self-discovery as the Greasers dream about who they want to become in a world that may never accept them. With a dynamic original score, The Outsiders is a story of friendship, family, belonging... and the realization that there is still “lots of good in the world.”

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Photos: EUGENE ONEGIN: A BLUEGRASS MUSICAL At TheatreSquared

Wed, 10 Jun 2026 23:04:06 PST

TheatreSquared is closing its 20th anniversary season with Eugene Onegin: A Bluegrass Musical, a new adaptation by Sarah Gancher directed by Rachel Chavkin. Check out photos from the production below.

Running June 10-28, Eugene Onegin: A Bluegrass Musical reimagines Alexander Pushkin's classic tale in 1940s rural Arkansas. Featuring an original bluegrass score by Gancher, the production follows Pushkin's doomed lovers through a distinctly Ozarks-inspired lens.

For the production, TheatreSquared has transformed its West Theatre into an intimate in-the-round performance space, with every seat located within 20 feet of the stage. The staging places audiences at the center of a jam-circle environment as 15 actor-musicians perform the score live while portraying the story's characters.

The musical is adapted by Obie Award winner Sarah Gancher, whose credits include Russian Troll Farm, and directed by Tony Award winner Rachel Chavkin, known for her work on Hadestown.

The production also marks the first time TheatreSquared's West Theatre has been configured in the round.

Eugene Onegin: A Bluegrass Musical runs through June 28 at TheatreSquared.

Photo Credit: Wesley Hitt

EUGENE ONEGIN: A BLUEGRASS MUSICAL

Review: RIPCORD at The Pocket Community Theatre in Hot Springs

Thu, 11 Jun 2026 00:57:00 PST

Some friendships begin with a smile. Others begin with a declaration of war. In David Lindsay-Abaire's RIPCORD, now playing at The Pocket Community Theatre in Hot Springs through Sunday, June 14, two women engage in an escalating battle of wills that results in one of the funniest productions I've seen in Hot Springs. Directed by Steve Mitchell, RIPCORD is packed with sharp humor and outrageous situations, but beneath all the laughter lies a deeply moving story about grief, family, forgiveness, and the unexpected connections that can change our lives when we least expect them.

The comedy begins almost immediately when Abby Binder, played by Michelle Crandall, learns she is about to lose her private room to a new roommate. Enter Marilyn Dunne, portrayed by Laurel Tiffin, whose cheerful disposition and relentless optimism are exactly the kind of qualities that make Abby's blood pressure rise. What begins as a disagreement over living arrangements quickly spirals into an all-out competition involving dares, practical jokes, and increasingly elaborate attempts to scare one another. One of my favorite lines come from Sean Blakely as Scotty, who grows more bewildered as the feud intensifies. After witnessing yet another round in Abby and Marilyn's ongoing war, he finally tells them they have some kind of weird "S & M relationship" going on and that it needs to stop. I almost spit out my drink when Blakely's exasperated delivery had us roaring with laughter.

The success of RIPCORD depends on the chemistry between its two leads, and Michelle Crandall and Laurel Tiffin are absolutely wonderful together. Crandall gives Abby a razor-sharp wit and stubborn determination that make every sarcastic remark seem like she embodied her demeanor. She creates a character who can be grumpy and hilariously difficult while still allowing us to see the hurt and loneliness beneath the surface. Opposite her, Tiffin radiates warmth and positivity as Marilyn. Her refusal to be intimidated by Abby creates the perfect comedic contrast, and she matches Crandall beat for beat throughout the evening. As the story progresses, they slowly peel away their characters' defenses, revealing the vulnerabilities hidden underneath all the bickering. It's sweet, really.

While the comedy keeps the audience laughing throughout the evening, the relationship between Abby and her son Benjamin provides the show's emotional realization. Carl Rayburn delivers a touching performance as a son who clearly loves his mother despite years of distance and hurt feelings. Watching Benjamin continue to reach out while Abby pushes him away is absolutely heartbreaking. Rayburn brings a quiet determination to the role, making it impossible not to root for him. Michelle Crandall handles these scenes beautifully, allowing glimpses of Abby's vulnerability to emerge beneath her gruff exterior and sharp tongue. Their interactions are filled with the kind of complicated emotions that many families will recognize, and I was so fully invested in their journey, it almost made me cry.

The supporting cast does an excellent job keeping the momentum moving. Sean Blakely shines as Scotty, often serving as the voice of reason amid the insanity while delivering some of the evening's biggest laughs. Andre Mouton's Derek and Grace Clowers' Colleen are delightful while assisting with Marilyn's increasingly elaborate plans and proving to be a catalyst for much of the show's mischief.

One of the most memorable sequences of the evening is the horror house scene, which adds a fun touch of creepiness to the comedy. Bai Mros as The Clown, Bekah Wilson as The Lady in White, and Douglas Morris as The Zombie Butler lean fully into the spooky atmosphere, creating a sequence that is both unsettling and hilarious. Their commitment to the horror elements elevates the scene far beyond a simple scare gag and turns it into one of the production's standout moments.

The scene reaches another level thanks to Michelle Crandall's fearless psychological comedy. In the midst of the haunted attraction chaos, Abby becomes attached to a doll and proceeds to carry it around as though she is reliving a past life. The visual is a bit disturbing, and Crandall commits to it with such sincerity that it makes you question her sanity.

Directors Steve Mitchell understand exactly what makes RIPCORD work. They allow the comedy to shine while never losing sight of the emotional story underneath. The pacing remains brisk enough, keeping the audience engaged through every twist and turn, but they also give the quieter moments room to breathe. As a result, the play's themes of grief, family, loneliness, forgiveness, and second chances resonate just as strongly as the jokes.

The Pocket Community Theatre continues to be one of Hot Springs' treasures, consistently bringing quality productions to the community. This cast clearly enjoys every moment of the show, and that enthusiasm spills over into the audience. Make plans to see RIPCORD at The Pocket Community Theatre before it closes on Sunday, June 14. Abby and Marilyn's hilarious battle may begin as a contest to determine who gets the room, but by the end, you'll be grateful you got a chance to spend time with these wonderfully stubborn women. For more information, visit their website at pockettheatre.com.

Review: FLURFFY IN THE LAND OF ALMOST AWAKE at Arkansas Museum Of Fine Arts in Little Rock

Wed, 10 Jun 2026 10:40:18 PST

I love children's theatre, even though my kids have long since aged out of the target demographic. There is something wonderfully refreshing about stepping into a world created purely to spark imagination and joy. Whenever I head to the Arkansas Museum of Fine Arts for one of their family productions, I know I'm going to leave happier than when I arrived. FLURFFY IN THE LAND OF ALMOST AWAKE is no exception. Filled with creativity and wonder, this charming original production reminds audiences of all ages that a little imagination can brighten even the ordinary moments of life. In a world that can sometimes feel overwhelming, AMFA has once again created a place where magic feels possible and everything seems a little bit brighter.

With book and lyrics by Liz McMath, music composition and arrangements by Tim Cooper, and based on characters created by Katie Campbell, Flurffy is turning 10 years old, and the gang is trying to come up with the perfect birthday party. Dressed in their pajamas, they sing and dance and play games until they find themselves drifting into the magical Land of Almost Awake, a whimsical place where imagination takes over and every new idea brings them closer to creating the perfect celebration.

From the moment audiences enter the theatre, they are invited to become part of the adventure. Children are encouraged to sit on colorful circles placed directly in front of the stage, creating an immediate connection between performers and audience members. Then Emily and Miki come out and sing songs while engaging the young theatre goers. In fact, immersion is one of the greatest strengths at almost any AMFA production. Emily and friends regularly invite participation, asking questions, encouraging responses, and making children feel like active participants in the story rather than passive observers. The excited reactions from the audience become part of the performance itself. Giggles, enthusiastic answers, and wide-eyed expressions filled the room as children eagerly followed every twist and turn of the adventure.

Leading the journey is the lovable Flurffy, brought to life through the exceptional puppetry of Aaron Burnside. Puppetry is one of the most magical forms of theatre because it asks audiences to believe in something that isn't real, and Burnside makes that easy. Within moments, the audience stops seeing a puppet and simply sees Flurffy. The children instantly connected with the character, responding with excitement whenever their fuzzy friend appeared.

Emily Swenskie brings warmth, energy, sincerity, and wide-eyed love and amazement to the role of Emily. She has a natural ability to connect with young audiences (and their adults) and guide them through the story's dreamlike landscape. Her enthusiasm is contagious, making every discovery feel exciting and every challenge worth overcoming.

Adding even more fun to the adventure is Miki Gaynor, who plays both Kayla and Moppet. Gaynor creates distinct and entertaining characters that keep the audience engaged while adding humor and personality to the story. Meanwhile, Pippa McMath charms as Pippa, bringing youthful wonder and authenticity that fit perfectly within the imaginative world of the production.

Also helping create the magic is Baleigh Almond, who serves on folio, providing live sound effects throughout the performance. Children's theatre offers wonderful opportunities to showcase the many ways stories are brought to life, and Almond's work adds another layer of creativity to the production. The sounds help shape the world around the characters while giving young audience members a glimpse into the artistry that happens behind the scenes.

The cast's playful energy brings out the inner child in the adults watching. Their wholehearted embrace of imagination rekindles a sense of wonder and reminds us of a time when anything felt possible and magic could be found around every corner. While the children in attendance were clearly having a wonderful time, I couldn't help but notice plenty of smiling adults enjoying the journey right alongside them, including myself.

When I go to AMFA to see FLURFFY, I know I am going to leave happier than when I arrived. The world they create is filled with joy, imagination, and possibility. It brightens my day, lifts my spirits, and reminds me that the world can still be a magical place. In a time when we could all use a little more wonder, FLURFFY IN THE LAND OF ALMOST AWAKE delivers it in abundance.

Best of all, FLURFFY IN THE LAND OF ALMOST AWAKE is completely free, so gather the family, bring your sense of wonder, and arrive early to grab a good seat for this joyful adventure that is sure to leave audiences of all ages smiling. For more information, visit their website at www.arkmfa.org.

Around The BroadwayWorld: Top News, Reviews, Interviews & More from May 2026

Tue, 09 Jun 2026 12:03:21 PST

Around the BroadwayWorld is our monthly snapshot of the biggest stories making waves across the global theatre community. In this May 2026 edition, we're bringing you a fresh batch of standout reviews from regional stages across the country - from Brigadoon at Pasadena Playhouse in Los Angeles to The Phantom of the Opera at Seattle's Paramount Theatre and Pippin at Signature Theatre in DC.

Diane Paulus directs an immersive, David Bowie-inspired Life on Mars at American Repertory Theater, the producers of Japan's Gypsy revival walk back a planned title change, and we go behind the scenes with interviews spanning Adam Fields of the Beetlejuice national tour, The Muny's casting director Michael Baxter, Richard Kind on finally taking on Edna in Hairspray, and BWW's Kid Reporters chatting with the touring Von Trapp kids of The Sound of Music. Plus, get a first look at exciting new productions through performance videos and photos, including Anastasia at La Mirada Theatre, Dear Evan Hansen at Arden Theatre, Pippin at Signature Theatre, and the Manila cast of Jesus Christ Superstar - and so much more from across the BroadwayWorld.

Diane Paulus Will Direct Immersive David Bowie Inspired LIFE ON MARS at American Repertory Theater

Joshua Wright | Boston

Diane Paulus will direct Life on Mars, an immersive theatrical production set to David Bowie's music, as the inaugural production at the Goel Center for Creativity & Performance in May.

GYPSY in Japan: Producers Walk Back Title Change Ahead of 2026 Revival

Joshua Wright | Japan

The Japanese revival of GYPSY will retain its original title when it returns to the stage in 2026, reversing an earlier decision to present the production under the name 'Rose.'

Interviews

Interview: Adam Fields of BEETLEJUICE National Tour

Brock Mills | Jacksonville

For Adam Fields, returning to Jacksonville with the national tour of Beetlejuice the Musical isn’t just another stop, it’s a full-circle moment. The production will play in Jacksonville from May 12–17 at the Jacksonville Center for the Performing Arts.

Interview: BWW’s 'Kid Reporters' Chat With THE SOUND OF MUSIC’s Touring Von Trapp Kids

Melissa Heckscher | Los Angeles

BroadwayWorld Los Angeles' kid reporters talk with the young touring cast of THE SOUND OF MUSIC to find out what it's like to be part of one of Broadway’s most iconic shows and what actually happens behind the curtain.

Interview: Chatting with The Muny's Casting Director Michael Baxter

James Lindhorst | St. Louis

Michael Baxter’s work will shine on The Muny stage during all 50 performances this summer. He led the efforts and had a hand in hiring every one of the 194 actors who will fill the principal and ensemble roles.

Interview: Richard Kind Talks Finally Taking on Edna in The Muny's HAIRSPRAY

James Lindhorst | St. Louis

When The Muny opens their production of Hairspray on June 15, 2026, the legendary Richard Kind will don Edna Turnblad’s housecoat and step into her fuzzy house slippers. Kind, star of stage, screen and film, calls it bucket list moments to get to perform at The Muny and play Edna all at the same time.

Reviews

Review: BRIGADOON at Pasadena Playhouse

Andrew Child | Los Angeles

Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human.

Review: THE PHANTOM OF THE OPERA at Paramount Theatre

Shelley Dean | Seattle

It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.

Review: PIPPIN at Signature Theatre

Aidan O'Connor | Washington, DC

Certain facets of the human condition are foundational to our very existence – change, connection, desire. One such particularly toxic universal truth is a constant need to be something more than we currently are. To search for happiness in external achievement rather than within ourselves, in our simple joys. Pippin at Signature Theatre breathes within that precise virulence, relatively orchestrated by a troupe of impeccably costumed and choreographed players. A feast for the eyes in all senses, Matthew Gardiner’s production surpasses even the highest of expectations.

Videos

Video: Watch La Mirada Theatre's ANASTASIA Star Lena Ceja Perform 'Journey to the Past'

Michael Major | Los Angeles

La Mirada Theatre has released new video footage of Lena Ceja rehearsing 'Journey to the Past' from their upcoming production of Anastasia. The production features Dillon Klena as Dmitry, a role first played on Broadway by his brother Derek Klena.

Photos/Video: DEAR EVAN HANSEN At Arden Theatre

A.A. Cristi | Philadelphia

Arden Theatre Company is now presenting DEAR EVAN HANSEN as the final production of its 2025/26 season, with performances continuing through July 5. New production photos and video have been released from the Philadelphia production, including footage of Evan A. Kaushesh performing “Waving Through a Window.”

Video: Watch 'Corner of the Sky' From Signature Theatre's PIPPIN

Michael Major | Washington, DC

Watch a video of Brayden Bambino performing 'Corner of the Sky' in Signature Theatre's production of Pippin. The in-the-round production is now running through July 26 with tickets available now.

Photos

Photos: Get a First Look at JESUS CHRIST SUPERSTAR in Manila

Oliver Oliveros | Philippines

The 2017 Olivier Award winner for Best Musical Revival, Tim Rice and Andrew Lloyd Webber’s rock opera 'Jesus Christ Superstar,' has officially opened at The Theatre at Solaire.

GARTH BROOKS makes special appearance during the ACMAs at Reynolds in Conway

Tue, 09 Jun 2026 10:48:05 PST

The Arkansas Country Music Awards, held Monday, June 1, at Reynolds Performance Hall in Conway, delivered a night filled with unforgettable memories, sincere tributes, and legendary performances. Co-hosted by country music historian and journalist Charles Haymes and Ashton Gill, the evening celebrated some of Arkansas's most influential contributors to country music. New inductees into the Arkansas Country Music Hall of Fame included The Whites, Allen Reynolds, and the husband-and-wife duo of Jimmy Doyle and Patsy Gayle Doyle. The celebration also featured appearances by country music royalty, including Crystal Gayle, who delighted the audience with a pair of her signature songs, and Ricky Skaggs, who joined the newly inducted Hall of Fame group The Whites for a memorable performance that highlighted the family's Arkansas roots and extraordinary influence on country and bluegrass music.

Jimmy Doyle & Patsy Gayle being inducted
into the Arkansas Country Music Hall of Fame
Photo Credit: Steve Rallens Photography

One of the evening's most entertaining moments came when Jimmy Doyle and Patsy Gayle accepted their Hall of Fame honor. For 47 years, the couple owned and operated Jimmy Doyle's Country Club, one of Arkansas's most beloved country music venues. Over nearly five decades, the club welcomed performers and fans from across the region and became a cornerstone of Arkansas country music culture. Doyle took the stage with a lifetime's worth of stories and was more than willing to share a few. His comedic wit, colorful memories, and natural storytelling ability had the audience laughing throughout his remarks.

The Whites
Photo Credit: Steve Rallens Photography

The Whites' induction was equally special. The family's Arkansas roots run deep, and their influence on country, gospel, and bluegrass music spans generations. Seeing them later share the stage with Ricky Skaggs was one of the night's musical highlights. Their harmonies remain as beautiful and effortless as ever, and the performance served as a fitting tribute to a family whose music has touched audiences around the world while remaining connected to Arkansas.

As if the evening had not already delivered enough star power, country superstar Garth Brooks took the stage to induct Allen Reynolds, delivering an emotional tribute that left both Reynolds and much of the audience visibly enamored.

Garth Brooks

“I would not be here tonight if it weren't for Allen,” Brooks said. “And I don't mean geographically. I mean I wouldn't be here. I'm not even sure I'd still be alive. I certainly wouldn't have lived even a fraction of the life I've been blessed to live because of Allen Reynolds.”

Brooks reflected on marrying into the music production relationship nearly four decades ago and learning firsthand about the character of the people who call the region home.

“One of the greatest gifts you guys have given me is the chance to travel the world,” he said. “When you travel, you quickly learn what the greatest asset of a region is. When I think of Arkansas, Missouri, Louisiana, Texas, Oklahoma, and Kansas, I think of the people. It's the land of common sense.”

He then described Reynolds as the embodiment of those values.

“Allen Reynolds is empathetic. He's a listener. He's great at forgiving. He's full of love,” Brooks said. “He's also the most courageous man I know. He's defiant when he needs to be, and he will fiercely defend people who either cannot defend themselves or shouldn't have to.”

Emcees Charles Haymes and Ashton Gill
Photo Credit: Steve Rallins Photography

Brooks shared a lesson from his father that perfectly summed up how he sees Reynolds.

“My dad used to tell me, ‘Son, a lion doesn't have to roar.’ Allen Reynolds is a lion.”

The country superstar praised Reynolds not only for his character but also for his immeasurable impact on the music industry.

“He's changed careers. He's changed the face of country music.”

Ricky Skaggs
Photo Credit: Eppic Shots Photography

As his emotions became more apparent, Brooks explained why traveling to Conway for the induction was so important to him.

“Allen Reynolds, I owe you my life,” he said. “Next to being the father of my three children and being married to the love of my life, being here tonight is one of the greatest honors I've ever had.”

He concluded with the official induction.

“Allen Reynolds, it is my honor to welcome you to the Arkansas Country Music Hall of Fame.”

Allen Reynolds with Garth Brooks

The audience rose to its feet (again) as Reynolds made his way to the stage, clearly surprised by Brooks' appearance.

“This is an uncommon condition for me,” Reynolds said. “I'm pretty speechless at this moment. Thank you, Garth. This has caught me totally off guard. I knew Crystal and Shawn would be here, but I had no idea Garth was coming.”

Reynolds began by thanking those who had joined him for the special occasion, including longtime collaborator Crystal Gayle.

“Crystal and I worked together for about ten years,” he said. “It was a beautiful collaboration all the way through—one of the best I've ever had.”

Crystal Gayle
Photo Credit: Steve Rallins Photography

Earlier in the evening, Gayle had captivated the audience with two performances that showcased the silky vocals that made her one of country music's most beloved stars. Her presence added another layer of prestige to an already star-studded event.

Reynolds then shared a humorous story behind one of Gayle's signature hits, Don't It Make My Brown Eyes Blue.

Reynolds recalled meeting songwriter Richard Leigh after they had already scored a No. 1 hit together with “I'll Get Over You.” When Leigh later played him “Don't It Make My Brown Eyes Blue” and explained that his publisher wanted to pitch it to another artist, Reynolds immediately knew the song belonged with Gayle.

“I said, ‘Shirley Bassey, my ass,’” Reynolds joked, drawing one of the evening's biggest laughs.

He also thanked fellow Hall of Fame member Shawn Camp.

“Shawn and I have been friends for many years,” Reynolds said. “He's a gifted musician, entertainer, and one of the best songwriters I've ever known.”

Shawn Camp
Photo Credit: Eppic Shots Photography

One of the most touching moments of Reynolds' acceptance speech came when he reflected on the friendship that introduced him to the world of songwriting and recording. He credited fellow Arkansas native Dickey Lee with helping set his life's course.

Reynolds explained that shortly after high school, a classmate who played upright bass offered to teach him. Though he couldn't afford an instrument of his own, he eagerly accepted the opportunity. Before his second lesson, however, his friend handed him the bass and asked him to fill in at a rehearsal.

“I told him I didn't know enough to do that,” Reynolds recalled. “He told me, ‘You have a good ear. That's how you learn.’”

Reynolds packed the bass into his car and headed to the rehearsal, where he met a young Dickey Lee.

“And there I met my future Best Friend, Dickey Lee,” he said.

The audience laughed when Reynolds admitted that his bass-playing career didn't last very long.

“I never did learn to play bass.”

What he did discover, however, was his future.

“Inspired by Dickey, I started writing songs,” Reynolds said. “And when we walked into a recording studio, I found my future.”

Then, Reynolds offered a wholehearted thank you.

“Dickey, I can't thank you enough for pulling back the curtain and revealing this world that I came to live in.”

Sylamore Special
Photo Credit: Steve Rallins Photography

Throughout the evening, a common thread connected every speech, song, and tribute: gratitude. As each winner was announced, they took time to thank the people who helped them along the way—family members, bandmates, mentors, fellow musicians, and loyal fans. This was truly a night to remember, and now I have so many new artists I need to visit before next year's awards show. Will they be able to top Garth Brooks? It'll be fun to see them try!

Cliff & Susan
Photo Credit: Eppic Shots Photography

Congratulations to the 2026 Arkansas Country Music Awards recipients

ENTERTAINER of the Year

Cliff & Susan

AMERICANA ARTIST of the Year

Jesse Welles

BLUEGRASS ARTIST of the Year

Sylamore Special

COUNTRY ARTIST of the Year

David Adam Byrnes

FEMALE VOCALIST of the Year

Kelsey Lamb

Kelsey Lamb performing with her mother, Sharon Lamb
Photo Credit: Eppic Shots Photography

MALE VOCALIST of the Year

Tyler Kinch

VOCAL DUO / GROUP of the Year

Cliff & Susan

ACOUSTIC ACT of the Year

Cam Shelton

Cam Shelton accepting Acoustic Act of the Year
Photo Credit: Eppic Shots Photography

MUSIC COLLABORATION of the Year

"Sunday Supper" by Waylon Wyatt & Bayker Blakenship. Produced by Brett Truitt.

YOUNG ARTIST of the Year

Presley Shipp

ALBUM of the Year

“Til the Sun Goes Down” by Waylon Wyatt. Produced by Waylon Wyatt and Tommy Trautwein.

Waylon Wyatt accepting one of his two 2026 awards
Photo Credit: Eppic Shots Photography

SONG of the Year

"Dancing with a Cowboy" Written by Darren Barry. Performed by Tyler Kinch.

Tyler Kinch (performer) and Darren Barry (songwriter) accepting Song of the Year for "Dancing with a Cowboy"
Photo Credit: Eppic Shots Photography

SONGWRITER of the Year

Lance Carpenter

MUSIC PRODUCER of the Year

Jeremy Huddleston

SOUND ENGINEER of the Year

Jeremy Huddleston

PROMOTER of the Year

Rickey Crawford

VIDEO of the Year

"All American" by Lance Carpenter. Directed by Steve Batres.

INSPIRATIONAL RECORDING of the Year

“I’m Going Up” by Boone & Company featuring Jake Stogdill, Sam Cobb, Gary Cook, Roger Adams, Robbie Boone and Andrew Thompson. Produced by Jake Stogdill.

RADIO STATION of the Year

KDXY, "The Fox 104.9," Jonesboro

RADIO DJ of the Year

Jess Jennings, KSSN, Little Rock

Jess Jennings accepting Radio DJ of the Year
Photo Credit: Steve Rallins Photography

PUBLICATION / BLOG / PODCAST of the Year

AY Magazine

VENUE of the Year

The Collins Theatre (Paragould)

BASS PLAYER of the Year

Garrett Jones

DRUMMER of the Year

Quinn Hill

FIDDLE PLAYER of the Year

Jenee Fleenor

Nathan Hunnicutt, president and founder, welcoming the crowd.
Photo Credit: Steve Rallins Photography

GUITAR PLAYER of the Year

Randall George

SPECIALTY / UTILITY MUSICIAN of the Year

Josh Matheny

ARKANSAS COUNTRY MUSIC HALL OF FAME inductees

The Whites

Allen Reynolds

Jimmy Doyle & Patsy Gayle

ARKANSAS HONORS ARKANSAS

Ted Mullenix

STEEL MAGNOLIAS Sells Out All Remaining Performances at Arkansas Repertory Theatre

Sun, 07 Jun 2026 12:08:49 PST

Arkansas Repertory Theatre has released a new video offering audiences a glimpse inside its current production of STEEL MAGNOLIAS, which has proven so popular that every remaining performance on the run has sold out.

Robert Harling's beloved play unfolds entirely within a Louisiana beauty salon, where a group of Southern women navigate friendship, grief, and joy with equal measures of wit and warmth. The piece has endured for decades as a touchstone of American regional theatre, celebrated for its sharp one-liners and its unflinching emotional honesty — captured perhaps most memorably in the line, "Laughter through tears is my favorite emotion."

This production, directed by Christine O'Grady, serves as the opening entry in The Rep's 2026 Golden SummerStage season, which marks the Little Rock company's 50th anniversary year under the leadership of Steve H. Broadnax III and Will Trice. BroadwayWorld's critic praised the production for its Southern charm and the strength of its ensemble work.

The sold-out run underscores the appetite for the classic across the country this season. The Rep's next SummerStage production, AIN'T MISBEHAVIN', is set to follow, continuing what has shaped up to be a landmark celebratory season for the Arkansas institution.

Click Here to Play!

Interview: 2025 MISS ARKANSAS TEEN Amelia Lisowe prepares to take final walk at Robinson Center

Fri, 05 Jun 2026 18:19:43 PST

At just 15 years old, 2025 Miss Arkansas' Teen Amelia Lisowe has already accomplished more than many people do in a lifetime. A dancer, choreographer, nonprofit founder, scholarship recipient, and national titleholder, Lisowe is proving that age is no barrier to making a meaningful impact.

As her year of service as Miss Arkansas' Teen comes to a close, Lisowe is preparing to spend next week at the upcoming Miss Arkansas competition, helping with events, thanking sponsors, and supporting the next group of contestants who will follow in her footsteps.

Her journey to the crown began when she won the title of Miss Greater Little Rock's Teen and advanced to the state competition. Despite being one of the youngest contestants and competing for the first time, she captured the title.

"I really thought I was just getting my feet wet," Lisowe said. "I didn't expect to win."

The Miss Arkansas Organization has opened countless doors for her. Throughout her year of service, she traveled nearly 18,000 miles, competed at Miss America's Teen, and earned four full-tuition college scholarships along with more than $20,000 in additional scholarship awards.

One of Lisowe's favorite aspects of the experience has been the relationships she has built.

"The connections have been incredible," she said. "I have friends, mentors, and supporters all across the state. Whether I need advice, help with scholarships, or even a last-minute costume, there's always someone willing to help."

A Mission That Started With a Nightlight

While many titleholders spend years searching for a community service platform, Lisowe began hers when she was just eight years old.

Her nonprofit, Lisowe's Lights, provides nightlights to children in foster care around the world. What began as a simple idea has grown into an international organization that has donated more than 38,000 nightlights across all 50 states, 10 countries, and every county in Arkansas. The organization has also generated more than $250,000 in product and monetary donations.

The inspiration came from her own childhood.

"I was scared of the dark," Lisowe explained. "I thought if I was scared in my own home, then a child entering a new foster home would be even more afraid."

When she found herself too young to volunteer with many organizations, she decided to create her own opportunity to help.

"If they wouldn't let me volunteer, then I was going to create something myself."

Today, Lisowe's Lights has ambassadors across the globe, including volunteers in the United Kingdom, Australia, and South Africa. These "Ambassadors of Light" organize nightlight drives, packing parties, and community outreach projects to spread the organization's mission.

The nonprofit has also expanded beyond nightlight donations. Lisowe now hosts events for foster families, including princess tea parties, breakfasts with Santa, pageants, and overnight experiences at local fire stations. Earlier this year, the organization held its first event in Northwest Arkansas, with plans for continued expansion.

National Recognition

Lisowe's efforts have earned attention far beyond Arkansas.

A local news story about her nonprofit eventually caught the attention of national media outlets, leading to features on Good Morning America, NBC Nightly News: Kids Edition with Lester Holt, and People Magazine.

One particularly memorable experience came when Jennifer Hudson invited her to appear on The Jennifer Hudson Show.

"They flew us to Los Angeles, and it was such an incredible experience," Lisowe recalled. "Jennifer Hudson also donated $2,500 to Lisowe's Lights."

The national exposure helped grow the nonprofit even further by attracting volunteers, donors, and ambassadors from around the country.

Dance, Theatre, and Life Beyond the Crown

When she isn't traveling the state as Miss Arkansas' Teen, Lisowe spends much of her time dancing.

She trains at Dance Dynamics and participates on Bryant High School's dance team while also competing nationally with her studio team.

The arts have always been a major part of her life. As a child, she performed in productions such as Sleeping Beauty Kids, Madagascar, The Jungle Book, and Annie. Later, she discovered a love for choreography and began creating dances for productions including High School Musical, Annie, and Mary Poppins. She is currently preparing to choreograph Rodgers & Hammerstein's Cinderella.

Though she once loved being center stage, Lisowe admits she now enjoys working behind the scenes.

"I think I like being a little more behind the scenes now," she said. "I definitely get plenty of time in the spotlight these days."

She even recently made a cameo appearance in Stage 13's production of Mean Girls, stepping back onto the stage for a memorable guest appearance.

Looking Ahead

While Lisowe's ultimate goal is to one day become Miss Arkansas, she still has a few years before she can compete.

In the meantime, she plans to continue building Lisowe's Lights, growing its reach, and expanding opportunities for foster children around the world.

As for college and future career plans, she is keeping her options open.

"It changes about five times every week," she laughed.

One thing, however, is certain. Whether she's wearing a crown, teaching choreography, speaking to community groups, or organizing nightlight donations, Amelia Lisowe is already making a remarkable difference.

As Amelia Lisowe prepares to take her final walk as 2025 Miss Arkansas' Teen during the 2026 Miss Arkansas and Miss Arkansas' Teen Competition, June 9-13 at the Robinson Center in Little Rock, she leaves behind a legacy of service, leadership, and compassion. From donating more than 38,000 nightlights to foster children around the world to representing Arkansas on the national stage, she has spent the past year proving that a crown is about much more than appearances. It's about using your voice to make a difference. As she passes her crown to the next titleholder, Arkansas will undoubtedly continue to hear great things from this remarkable young woman for years to come.

BroadwayWorld Launches Producer Fantasy Game

Tue, 09 Jun 2026 11:00:05 PST

Ever watched the weekly Broadway grosses roll in and thought you could pick the winners? Now you can put it to the test. BroadwayWorld has launched the Producer Fantasy Game, a free, season-long competition that lets theatre fans build a roster of Broadway shows and earn points based on how those productions actually perform at the box office. The draft window is open now.

How It Works

The setup is simple. During the draft window, you pick any six Broadway productions that opened this season. Drafting is non-exclusive, so there is no need to race a rival for a hot title. Any number of players can roster the same show.

From there, your shows go to work for you. Every week, each production on your roster earns fantasy points based on its reported box office grosses and capacity percentages. When Tony, Drama Desk, Drama League, and Outer Critics Circle nominations and wins are announced, your shows bank bonus points on top of that. And each week you can answer our Fantasy Forecast prediction questions for up to five bonus points per correct call.

Weekly Scoring

Each week, a show earns one base point for every $50,000 it grosses, so a $1 million week is worth 20 base points. On top of that, shows can earn bonuses: up to five points for filling seats (based on how close to full capacity the house ran), six points for grossing $2 million or more (or three points for grossing between $1 million and $2 million), and eight points if its gross jumped at least 15 percent from the week before. A show loses four points if its gross dropped at least 15 percent. If a show goes dark and reports no gross for a week, it scores zero for that week with no penalty.

The Fantasy Forecast

The Producer Fantasy Game is really two games in one. The first is the box office game: drafting shows and earning points from their weekly grosses and awards. The second is the Fantasy Forecast, a weekly set of prediction questions about what's happening on Broadway, where each correct answer is worth up to five points. You can play one or both.

We track them separately so you can shine at either. Your Producer score covers the box office game, your Forecast score covers your prediction results, and your Combined score adds the two together for the overall championship ranking. The leaderboard lets you toggle between Overall, Producers, and Forecasters, so a sharp predictor can top the Forecasters board even during a rough season for their roster, and a roster powerhouse can lead the Producers board without answering a single question.

Managing Your Roster

Your lineup stays at six shows all season, and you have plenty of room to maneuver. You get one free drop every week, three additional season drops to use anytime before the trade deadline, and free replacements whenever a show on your roster closes. New productions open throughout the season and become available the moment they start reporting grosses, so it pays to keep a transaction in your pocket for that buzzy new opening.

Join the Game

The Producer Fantasy Game is free for all BroadwayWorld users, and you can join any time the draft window is open. Draft within the first two weeks of the season and your roster is scored from opening week, so the earlier you get in, the more weeks you bank. Build your roster, make your predictions, and start climbing the leaderboard today.

Review: TUNA DOES VEGAS at Murry's Dinner Playhouse in Little Rock

Wed, 03 Jun 2026 15:42:28 PST

There are some places that feel like a theatre, and then there are places that feel like home. Murry's Dinner Playhouse in Little Rock has always been the latter for me. From the moment I walk through the doors, I know I'm in for an evening filled with great food, wonderful people, and top-notch entertainment. Their latest production, Tuna Does Vegas, running through June 27, delivers all three in abundance.

Before I even get to the show itself, let me tell you why I love Murry's so much.

One of the biggest reasons is the people.

The moment patrons arrive, they are greeted with warmth and hospitality that simply cannot be faked. Welcoming us to the theatre was the lovely Kara, who has become a favorite not only of mine but of countless audience members. There is something so comforting about seeing her familiar face. She has one of those smiles that reaches her eyes, making everyone feel instantly welcome and appreciated.

Then we were escorted to our seats by the always delightful Natalie Canerday. Theatre fans know Natalie as one of Arkansas's funniest performers, but she's just as entertaining when she's not on stage. Her infectious personality and natural charm make even the simple act of finding your table feel like part of the night's entertainment. Also, our waiter Devon seems to know all the patrons and entertains just as well as everyone else at this establishment.

Of course, another reason I love Murry's is the food.

My waitressing skills really come in handy at the buffet. With so many delicious options available, choosing just one or two things feels impossible. Fortunately, years of balancing multiple plates have prepared me for exactly this challenge. Why limit myself when I can strategically carry several plates and sample a little bit of everything? Sure, I could always go back for seconds, but once I sit down, I'm ready to commit myself to the full dining experience. I want to settle in, enjoy the atmosphere, visit with friends, and focus on the evening ahead.

Normally, my favorite item on the buffet is the lemon cod. It's one of those dishes I look forward to every time I visit Murry's. This time, however, the mustard pork nearly stole the crown. Tender and packed with flavor, it quickly became one of the stars of my plate. The chicken piccata was another standout, perfectly seasoned and absolutely delicious. Just when I thought I couldn't possibly eat another bite, I found myself eyeing the dessert table.

And I'm glad I did.

The varied desserts were fantastic. The carrot cake has officially become my new favorite, especially when they don't have the cheesecake ball available. Moist, flavorful, and topped with the perfect amount of frosting, it was impossible to resist. I also continue to love the bread pudding, which remains one of the most comforting desserts on the buffet. Between the entrées and the sweets, I left the dining room both happy and very well fed.

Then it was time for the show.

Written by Jaston Williams, Joe Sears, and Ed Howard, Tuna Does Vegas takes the eccentric residents of Tuna, Texas, and sends them on a trip to Las Vegas where, unsurprisingly, absolutely nothing goes according to plan. Weddings, mistaken identities, unexpected encounters, and plenty of small-town personalities colliding with Sin City's excesses create an evening of nonstop laughter.

The real marvel of the Tuna series is that every character is portrayed by only two actors.

In this production, those actors are two of my favorite performers when it comes to making audiences laugh: Quinn Gasaway and Brett Ihler. I don't even care what production they are in, if I know they are part of the cast, I want to be there!

My starry-heart eyes immediately go to Quinn Gasaway and Brett Ihler, who somehow manage to create an entire town full of unforgettable characters while barely giving the audience a chance to catch its breath between laughs.

Quinn Gasaway has an incredible gift for comedy. Some actors need dialogue to get a laugh. Quinn can get one with a glance. His facial expressions are priceless, and his physical comedy is absolutely impeccable. Every character he portrays feels completely unique, from posture to voice to mannerisms. Watching him transform from one larger-than-life personality to another is fascinating. There were moments when I found myself laughing before he even spoke because I knew something ridiculous was coming.

Then there's Brett Ihler, who has become one of the most reliable comedic performers in Arkansas theatre. Brett understands timing in a way that makes difficult comedy look effortless. He knows exactly when to pause, when to escalate the absurdity, and when to let a reaction speak louder than words. Every character feels distinct, and every scene he enters becomes funnier because of his presence. Whether he's delivering a punchline or simply reacting to the madness around him, he consistently finds ways to elevate the comedy.

One of the most astonishing aspects of the production is how quickly the characters appear and disappear. Just when you've settled into one hilarious personality, another comes bursting onto the stage moments later. Those lightning-fast costume changes would not be possible without two indispensable members of the company working tirelessly behind the scenes.

To help with the enormous challenge of keeping dozens of characters organized are Matthew Mentgen, who serves as dresser and understudy for Arles, the collection of characters portrayed by Quinn Gasaway, and Dakota Mansfield, who serves as dresser and understudy for Thurston, the characters portrayed by Brett Ihler.

While audiences may never fully see the controlled chaos happening backstage, they certainly benefit from it. Costume changes happen in the blink of an eye, allowing Quinn and Brett to seamlessly jump from character to character without losing any of the show's momentum. Mentgen and Mansfield deserve tremendous credit for helping make the impossible seem effortless. Their work is a reminder that every successful production depends not only on the performers under the spotlight but also on the dedicated theatre artists working behind the curtain.

Guiding all of this wonderfully organized madness is director Don Bolinger, who understands exactly what makes the Tuna shows so beloved. Comedy can be one of the hardest genres to get right, requiring precise timing and relentless energy, and Bolinger keeps both operating at full speed. The pacing is excellent, allowing every joke to land while never letting the action slow down. Under his direction, Gasaway and Ihler are free to showcase their remarkable talents while maintaining the structure necessary to keep this fast-moving production running smoothly.

If you need a break from the stresses of everyday life, make plans to visit Murry's Dinner Playhouse before June 27. Come hungry. Come ready to laugh. And come prepared to watch Quinn Gasaway and Brett Ihler put on an absolute masterclass in comedy. In Vegas terms, this production is a jackpot, and you don't want to miss it. For more information, visit their website at murrysdp.com.

CREATIVE STAFF

Artistic Director -- Glen J Gilbert

Stage Manager/Props/Lights/Sound -- Keylan Alderson

Director -- Don Bolinger

Costumes -- Dakota Mansfield

Set Design -- Don Bolinger

Set Construction -- Mark Carlisle

Scenic Painter -- Elena Petroukhina

Set Decoration -- Don Bolinger

Sound Engineer -- Andrew Smith

Photographer -- Warren McCullough

A DRAG QUEEN CHRISTMAS to Return for 12th Year With 39-City National Tour

Tue, 02 Jun 2026 19:57:07 PST

“A Drag Queen Christmas” will return for its 12th year, launching a 39-city national tour this November - December. The 2026 edition is hosted by returning fan favorite and theatre star Nina West, and features an all-new merry lineup of drag superstars from the Emmy-winning RuPaul's Drag Race franchise.

Artist pre-sale begins Wednesday, June 3 at 10 a.m. (local time) with the code “TWELVE,” and general on sale begins Friday, June 5 at 10 a.m. (local time) at dragfans.com.

This year's cast includes:

Myki Meeks, Winner of RuPaul's Drag Race Season 18 (2026)
Nini Coco, Runner-up, Drag Race Season 18 (2026)
Darlene Mitchell, Drag Race Season 18 (2026)
Juicy Love Dion, Drag Race Season 18 (2026)
Discord Addams, Drag Race Season 18 (2026)
Crystal Methyd, Drag Race All Stars Season 11 (2026) & Drag Race Season 12 (2020)
Silky Ganache, Drag Race All Stars Season 11 (2026), Drag Race All Stars Season 6 (2021), Drag Race Season 11 (2019)

“A Drag Queen Christmas” is the world's premiere holiday drag showcase and a sensational theatrical experience that delivers high camp, over-the-top lip-sync performances, side-splitting comedy, elaborate costumes, Broadway-style staging, and a whole lot of heart—something we all seek during the chaos of the holiday season. With plenty of spectacular surprises in store, the show offers audiences a chance to see drag queens at the top of their game perform showstopping numbers of epic holiday proportions on revered theater stages across America. Each year, “A Drag Queen Christmas” provides an annual tradition for folks from all walks of life to come together and connect, find community, and celebrate the season with joy and laughter.

This dazzling, 18+ holiday extravaganza runs two hours and offers fans the chance to add-on a VIP Meet & Greet Experience—including early access to the venue, photos with the queens on stage, autographs, and exclusive tour merchandise.

A Drag Queen Christmas 2026 Tour Dates:

November 11 - Detroit, MI (Fisher Theatre)

November 12 - Rochester, NY (Kodak Center)

November 13 - Rutland, VT (Paramount Theatre)

November 14 - Portland, ME (Merrill Auditorium)

November 15 - Boston, MA (Emerson Colonial Theatre)

November 17 - Red Bank, NJ (Count Basie Center for the Arts)

November 18 - Morristown, NJ (Mayo Performing Arts Center)

November 19 - Washington, DC (Warner Theatre)

November 20 - Durham, NC (Durham Performing Arts Center)

November 21 - Wilmington, NC (Wilson Center - Cape Fear Community College)

November 22 - Philadelphia, PA (Fillmore)

November 24 - Pittsburgh, PA (Byham Theater)

November 25 - Columbus, OH (Palace Theatre)

November 27 - Chicago, IL (Riviera Theatre)

November 28 - Appleton, WI (Fox Cities Performing Arts Center)

November 29 - Omaha, NE (Orpheum Theater)

November 30 - Oklahoma City, OK (The Criterion)

December 1 - Des Moines, IA (Hoyt Sherman Place)

December 2 - Kansas City, MO (Uptown Theater)

December 4 - Denver, CO (Paramount Theatre)

December 5 - Salt Lake City, UT (Kingsbury Hall)

December 7 - Seattle, WA (Moore Theatre)

December 9 - Sacramento, CA (Channel 24)

December 10 - San Francisco, CA (Golden Gate Theatre)

December 11 - Stockton, CA (Bob Hope Theatre)

December 12 - Los Angeles, CA (The Wiltern)

December 13 - Santa Rosa, CA (Luther Burbank Center)

December 15 - Mesa, AZ (Mesa Arts Center)

December 16 - Tucson, AZ (Fox Tucson Theatre)

December 17 - El Paso, TX (Plaza Theatre)

December 19 - Austin, TX (ACL Live at The Moody Theater)

December 20 - Dallas, TX (Winspear Opera House)

December 21 - Wichita, KS (Orpheum Theatre)

December 22 - St.Louis, MO (The Factory)

December 23 - Knoxville, TN (Tennessee Theatre)

December 26 - Tampa Bay, FL (Straz Center for the Performing Arts)

December 27 - Fort Myers, FL (Barbara B. Mann Performing Arts Hall)

December 28 - West Palm Beach, FL (Kravis Center for the Performing Arts)

December 29 - Jacksonville, FL (Florida Theatre)

Review: RYAN HARMON at Crosswoods in Clarksville

Sun, 31 May 2026 20:54:51 PST

When the Arkansas Country Music Awards take over Reynolds Performance Hall in Conway on Monday, June 1, one nominee who has certainly earned his place among Arkansas country music's elite is Ryan Harmon. Nominated for Male Vocalist of the Year, Harmon represents everything fans love about country music: genuine storytelling, powerful vocals, humility, and a knack for making every audience feel like they're part of the show. After recently seeing him perform live in Clarksville, I can confidently say that I am Ryan Harmon's newest #1 fan! His combination of talent and charisma made an immediate impression, and it is easy to understand why audiences across Arkansas continue to embrace him.

Awards and accolades are wonderful, but what makes Harmon special is his ability to connect with people. Over the years, he has steadily built a reputation as one of Arkansas's most respected performers, earning fans the old-fashioned way—one song, one stage, and one audience at a time.

Harmon is no stranger to the Arkansas Country Music Awards. In 2022, he was honored as Acoustic Act of the Year, recognition that highlighted his incredible ability to command a stage with little more than a guitar and a microphone. While many artists rely on elaborate productions, Harmon proves that great songs and genuine talent are often all that is needed to captivate an audience.

His versatility as a performer is equally impressive. Throughout his career, Harmon has entertained audiences alongside an eclectic range of artists, from Grand Ole Opry member Chris Janson to legendary hard rock band SteelHeart, and Harmon's reach extends far beyond Arkansas stages. In March 2020, the singer-songwriter found himself in the national spotlight when he auditioned for Season 3 of ABC's American Idol. Performing his original song, "I Knew This Would Happen," Harmon immediately caught the attention of viewers with his country-soul songwriting and relatable delivery. The audition quickly became an internet sensation, generating nearly 20 million views across the show's official social media platforms. Fans flooded the comments with support, many echoing the advice offered by judges Lionel Richie, Katy Perry, and Luke Bryan, who encouraged Harmon to focus his talents on Nashville rather than Hollywood.

I recently had the opportunity to see Harmon perform at Crosswoods Restaurant in Clarksville, and seeing him live only reinforced everything that makes him deserving of this nomination. There was no backing band, no flashy lighting package, and no elaborate production. It was simply Harmon and his guitar, yet he managed to hold the attention of everyone in the restaurant from the first song to the final note.

One of Harmon's greatest assets is his voice. Ryan possesses a sexy, soulful deep voice that immediately commands attention the moment he starts singing. There is a richness and warmth to his sound that wraps around a lyric and draws listeners into the story. Whether he is singing an original or a beloved country standard, his vocals have a way of making you melt.

My starry-heart eyes moment came when Harmon graciously took my request and performed "Slow Hand," the classic hit made famous by Conway Twitty. Friends, I was swooning. "Slow Hand" already carries a certain charm, but hearing it delivered through Harmon's deep, rugged vocals was something special. He sang it with confidence, charisma, and just enough swagger to make a girl blush. By the end of the song, I was convinced he could probably sing a restaurant menu and make it sound irresistable.

What struck me throughout the evening was how naturally he engaged with the audience. Harmon welcomed requests, shared stories, and created an atmosphere that felt warm and personal, and that ability to create a connection is what separates good performers from great ones. Harmon doesn't simply sing songs; he engages his audience. Also, that boy can pick a guitar!!

The Male Vocalist of the Year category is one of the most competitive races at this year's Arkansas Country Music Awards, but Harmon's nomination feels particularly fitting, and as fans gather at Reynolds Performance Hall on June 1 to celebrate the best in Arkansas country music, Ryan Harmon will undoubtedly be one of the artists worth watching. Whether he leaves with the trophy or not, his impact on the Arkansas music scene is already undeniable.

Review: STEEL MAGNOLIAS at Arkansas Repertory Theatre in Little Rock

Sun, 31 May 2026 17:15:17 PST

As Arkansas Repertory Theatre celebrates its remarkable 50th year and launches its SummerStage 2026 season under the leadership of Steve H. Broadnax III and Will Trice, audiences are being treated to one of the most beloved plays ever written. Directed by Christine O'Grady, Steel Magnolias is filled with the Southern charm that have made Robert Harling's classic a favorite for generations. Set inside Truvy's beauty shop, where hairstyles are perfected and life's biggest moments are shared, this production is a fitting celebration of storytelling and community, and proves once again why Arkansas Rep remains our flagship theatre.

For those who somehow have never experienced Steel Magnolias, the story follows six Louisiana women whose friendships deepen over the course of several years as they navigate marriages, births, health struggles, heartbreak, and loss. While the play is often remembered for its emotional punch, what has always made it special is its humor. These women love each other fiercely, but they also tease each other relentlessly, creating the kind of authentic friendships that feel instantly familiar.

This is truly an all-star cast, packed with performers who possess larger-than-life charisma and commanding Stage Presence. In fact, one of the biggest challenges in writing about this production is deciding who to focus on. Every actress has moments that steal the spotlight, yet none of them ever overshadow the ensemble. Instead, they work together like a perfectly blended symphony, creating the believable friendships that make Steel Magnolias so special. The chemistry among these women is so natural that it feels less like watching actors perform and more like spending an afternoon with lifelong friends.

As Truvy Jones, Miranda Jane serves as the welcoming heart of the beauty salon. My starry-heart eyes have to pause for a moment and appreciate her absolutely gorgeous red hair because, honestly, it deserves its own curtain call. In a show set inside a beauty shop, it feels perfectly fitting that the woman running the salon would have hair worthy of being its own cast member. Those vibrant red locks practically glow under the stage lights, perfectly complementing Truvy's warm personality and magnetic presence. Of course, Jane has the charisma and talent to command attention all on her own. She effortlessly guides the action, keeping the salon buzzing with humor and wisdom by delivering a razor-sharp one-liner or offering comfort to a friend. Jane makes Truvy the kind of woman everyone wishes they knew.

We are especially blessed that Grace Pitts has taken a little time away from her life and career in Atlanta to join this incredible cast. As Annelle Dupuy-Desoto, Pitts brings an endearing vulnerability to the role, perfectly capturing the uncertainty of a young woman searching for where she belongs. Watching Annelle slowly gain confidence and find her footing among these strong personalities is one of the production's greatest joys. Pitts handles every stage of that transformation with sincerity and charm, making Annelle's journey feel authentic from beginning to end.

As Shelby Eatenton-Latcherie, Louisa Mauzé radiates joy and optimism. Shelby's choices are not always easy for those around her to understand, but Mauzé fills the role with such spirit and conviction that audiences cannot help but root for her. Her bright energy lights up the stage and provides the emotional foundation for much of the story.

At the center of the play's emotional core is Jane Morgan Balgavy as M'Lynn Eatenton. Balgavy delivers a breathtaking performance that captures both the strength and vulnerability of a mother trying to protect the child she loves most. Every scene between Balgavy and Mauzé feels genuine, creating a mother-daughter relationship that anchors the entire production. You believe every ounce of their love and every disagreement, and by the time the story reaches its most emotional moments, the audience is completely invested.

It was so fun to watch Laurie Pascale and Alanna Hamill Newton, whose performances as Clairee Belcher and Ouiser Boudreaux provide some of the evening's biggest laughs. Even through some real-life personal drama, Pascale's Clairee is witty and delightfully mischievous, while Newton leans fully into Ouiser's cantankerous personality with impeccable comedic timing. Their verbal sparring matches are absolutely priceless. Every insult is delivered with the precision of a seasoned comedian, yet underneath all the bickering is a friendship that feels genuine and deeply rooted. The audience adored them, and so did I.

There were countless laughs throughout the evening, but there were also moments when the theatre became so quiet you could hear a pin drop. I heard sniffles around me more than once, especially at the end. That emotional balance is what makes Steel Magnolias such a treasured piece of American theatre, and this cast delivers it magnificently.

Visually, the production is believable. Scenic Designer André de Castro has created a beauty salon that feels welcoming, and instantly feels like home. Costume Designer Michael Ciaramitaro does wonderful work reflecting each woman's personality through wardrobe choices, while Jenea Jordan's wig and hair design deserves special recognition in a production where hairstyles are practically supporting characters.

As Arkansas Repertory Theatre enters its golden anniversary season, Steel Magnolias serves as a beautiful reminder of why live theatre continues to matter. It tells a deeply human story with compassion while showcasing six phenomenal actresses operating at the top of their game. It is funny and overflows with Southern charm.

Arkansas Rep has a great summer series, and I'm super excited about AIN'T MISBEHAVIN'. For more information and tickets, visit their website at therep.org.

Previews: 2026 ARKANSAS COUNTRY MUSIC AWARDS PREDICTIONS at Reynolds Performance Hall in Conway

Fri, 29 May 2026 23:03:05 PST

Predicting the Winners of the 2026 Arkansas Country Music Awards, Monday, June 1, at Reynolds Performance Hall in Conway

The Arkansas Country Music Awards have become one of the state's most anticipated celebrations of independent country music, honoring everyone from rising stars to seasoned veterans who continue to shape the Arkansas music scene. With voting complete and the awards ceremony approaching, it's time for my friends and I to make completely unofficial predictions and seeing how many we get right.

Please welcome my friend Jim Reidmueller from Southern Comfort Band who has graciously agreed to make musically educated guesses for this year's winners. Neither one of us has attended an ACMA show yet, so you can take this however you see fit. The Southern Comfort Band delivers a high-energy mix of fan-favorite classic rock, country, and driving blues that keeps dance floors packed and venues buzzing all night long. The band is made up of newcomers and local legends, bringing dynamic musical and vocal talent to the stage. For more information, visit their Facebook page at www.facebook.com/tscbark.

This year's nominees showcase an incredible mix of established favorites, breakout artists, and performers who have spent years building loyal fan bases throughout Arkansas and beyond. Several categories could truly go either way, but here are my predictions.

ENTERTAINER OF THE YEAR

Nominees are Cliff & Susan, David Adam Byrnes, Sylamore Special, Tyler Kinch, and Waylon Wyatt

BWW Theresa's Prediction: Cliff & Susan

Jim's Prediction: Tyler Kinch

This may be the toughest category of the night. David Adam Byrnes continues to be one of Arkansas's most recognizable country artists, while Waylon Wyatt has had a tremendous year and leads the nominee count alongside several other top contenders. However, Cliff & Susan seem to have built remarkable momentum heading into the awards. Their visibility, touring schedule, award nominations, and strong support within the Arkansas music community give them a slight edge.

COUNTRY ARTIST OF THE YEAR

Nominees are Blane Howard, David Adam Byrnes, Kelsey Lamb, Kish Moody, Ward Davis

BWW Theresa's Prediction: David Adam Byrnes

Jim's Prediction: Blane Howard

Few Arkansas artists have demonstrated the consistency that David Adam Byrnes has maintained over the years. He continues to release quality music, perform extensively, and remain highly visible throughout the country music community. This feels like a category where experience and sustained excellence could prevail.

FEMALE VOCALIST OF THE YEAR

Nominees are Abbey Pierce, Kelsey Lamb, Mallory Everett, Mary Heather Hickman, and Marybeth Byrd

BWW Theresa's Prediction: Kelsey Lamb

Jim's Prediction: Kelsey Lamb

Kelsey Lamb has emerged as one of the strongest voices in Arkansas country music. Between her nominations and the success of her recent music, she appears poised to take home one of the night's biggest individual honors. Her nomination for Song of the Year only strengthens her case.

MALE VOCALIST OF THE YEAR

Nominees are Blane Howard, David Adam Byrnes, Ryan Harmon, Tyler Kinch, Waylon Wyatt

BWW Theresa's Prediction: Ryan Harmon

Jim's Prediction: Tyler Kinch

As a former American Idol Contestant and the 2022 ACMA Accoustic Act of the year, Ryan Harmon has the voice that takes you back to old school country days, in the vein of Travis Tritt and other country rock artists. He knows how to tell a story and is confident taking center stage.

VOCAL DUO / GROUP OF THE YEAR

Nominees are Cliff & Susan, Copper Flats, Midnight South, 7 South, and TRIPPP

BWW Theresa's Prediction: Cliff & Susan

Jim's Prediction: Midnight South

If I am picking Cliff & Susan for Entertainer of the Year, it would be surprising not to predict them here as well. Their harmonies, songwriting, and growing recognition throughout the region make them the favorite in this category. As someone who recently saw them perform at Birdie's Cabaret Theater & Lounge, I can personally attest that their chemistry onstage is undeniable.

AMERICANA ARTIST OF THE YEAR

Nominees are Ashtyn Barbaree, Common Roots, Jesse Welles, Mark Currey, and Waylon Wyatt

BWW Theresa's Prediction: Ashtyn Barbaree

Jim's Prediction: Jesse Welles

I was torn between Ashtyn and Jesse, so since Jim picked Jesse, I'll go with Ashtyn. If I were to go with Jesse, it is because I love his Bob Dylan-esque style of singing, and the song Join ICE made me laugh. Ashtyn, on the other hand, sounds a little like Dolores O'Riordan from the Cranberries. She already captured this award in 2025 and enters the 2026 race with tremendous momentum, making her the artist to beat. Her music embodies everything the Americana category celebrates—a blend of folk, roots, alt-country, and deeply personal storytelling delivered with an unmistakable voice that is both ethereal and authentic.

BLUEGRASS ARTIST OF THE YEAR

Nominees are Arkansauce, Front Porch, Harmony Hollow, Mountain Heirs, and Sylamore Special

BWW Theresa's Prediction: Arkansauce

Jim's Prediction: Arkansauce

For more than a decade, this Bentonville-based quartet has been one of the most recognizable and hardworking roots bands to come out of Arkansas, building a loyal following through relentless touring, festival appearances, and a sound that blends traditional bluegrass with elements of newgrass, funk, jam-band improvisation, and Americana. What makes Arkansauce stand out is their ability to honor bluegrass traditions while keeping the genre fresh and accessible to newer audiences.

ALBUM OF THE YEAR

Nominees are:

“Don’t Call Me Darlin’” by Abbey Pierce. Produced by Jeremy Huddleston

“Echoes from the Open Road” by Kish Moody. Produced by Kish Moody

“Now I Know” by Blane Howard. Produced by Blane Howard and Derek George.

“Songs & Time” by Kenny Drain. Produced by Jeremy Huddleston.

“Til the Sun Goes Down” by Waylon Wyatt. Produced by Waylon Wyatt and Tommy Trautwein.

BWW Theresa's Prediction: ?????

Jim's Prediction: “Now I Know” by Blane Howard. Produced by Blane Howard and Derek George.

I honestly have no clue, so I'm letting Jim have this one!

SONG OF THE YEAR

Nominees are:

"Dancing with a Cowboy" Written by Darren Barry. Performed by Tyler Kinch.

"Human Together" Written by Lance Carpenter. Performed by Lance Carpenter featuring Jess Antonette.

"Introduce Myself" Written and performed by Luke Williams.

"Me Being Me" Written by Jim Femino, D. Vincent Williams and Vickie McGehee. Performed by Pamela Hopkins.

"West Virginia" Written by Cliff Prowse and Susan Prowse. Performed by Cliff & Susan.

BWW Theresa's Prediction: "West Virginia" Written by Cliff Prowse and Susan Prowse. Performed by Cliff & Susan.

Jim's Prediction: "Dancing with a Cowboy" Written by Darren Barry. Performed by Tyler Kinch.

Have you noticed that I'm a Cliff & Susan fan? To be fair, I haven't had the opportunity to catch a lot of these performers, but I'm super excited to hear everyone perform at the awards show this year!

SONGWRITER OF THE YEAR

Nominees are Barrett Baber, Brittany Moore, Jason Lee Campbell, Lance Carpenter, and Trey Stevens

BWW Theresa's Prediction: Adam Hambrick

Jim's Prediction: Jason Lee Campbell

The songwriting category is always difficult because many voters recognize accomplishments that happen behind the scenes. Adam Hambrick's reputation as a songwriter extends far beyond Arkansas. According to his website, Hambrick "has had songs recorded by many of Nashville's brightest stars including Keith Urban, Miranda Lambert, Sara Evans, Walker Hayes, Maddie and Tae, Eli Young Band, Lindsay Ell and many more."

Final Thoughts

If I had to make one prediction I feel most confident about, it would be Cliff & Susan having a huge night. They are nominated in multiple marquee categories and seem to have built significant momentum heading into the ceremony. Meanwhile, artists such as Tyler Kinch, Kelsey Lamb, David Adam Byrnes, and Waylon Wyatt could also leave with multiple awards before the evening is over.

Of course, predictions are half the fun. One of the things I love most about the Arkansas Country Music Awards is that every year there are surprises. That's what makes the event so exciting. No matter who wins, the real victory belongs to Arkansas music and the incredible artists who continue to prove that the Natural State produces world-class talent. For tickets to the event (and I'm told it is almost sold out), visit their website at arkansasmusic.org.

Review: & JULIET at Walton Arts Center in Fayetteville

Thu, 28 May 2026 16:31:56 PST

I have spoken to many who have openly said that they do not like Shakespeare. *dramatic gasp with hand up to heart* What? Well, for those that deny the Bard, this musical filled with pop anthems, glittering costumes, powerhouse vocals, and a heroine rewriting her own destiny will surely win you over. The national tour of & Juliet at Walton Arts Center is an absolute blast of confetti-covered joy, and Fayetteville audiences are eating up every second of it. Playing through Sunday, May 31, this Arkansas premiere takes Shakespeare’s tragic heroine and asks, “What if Juliet chose herself instead?” Directed by Luke Sheppard, the result is a hilarious, empowering, wildly entertaining musical packed with the chart-topping songs of Max Martin and friends that had the audience singing along and shouting 'you go girl!'

CJ Eldred and the company of the North American Tour of & JULIET
- Photo Credit Evan Zimmerman for MurphyMade

Written by Emmy-winning Schitt’s Creek writer David West Read, the musical flips the script on Romeo and Juliet by allowing Juliet to continue her story after Romeo’s death. Joined by her nurse Angelique and her friends, Juliet heads to Paris in search of freedom, adventure, and a life that belongs to her. Meanwhile, Shakespeare himself and his wife Anne Hathaway battle over how the story should unfold, creating a delightfully chaotic tug-of-war between old-school tragedy and modern-day empowerment. It's funny, endearing, and I loved every minute of it!

Fabiola Caraballo Quijada in the North American Tour of & JULIET
- Photo Credit Evan Zimmerman for MurphyMade

Fabiola Caraballo Quijada absolutely dazzles as Juliet, and it is easy to see why she earned last year’s prestigious Jimmy Award. She commands the stage with effortless confidence, radiant charm, and vocals that absolutely soar through the Walton Arts Center. Quijada beautifully captures Juliet’s emotional evolution from heartbroken teenager to empowered young woman discovering her own voice and independence. Her performance during “Roar” brought the audience to thunderous applause, and she has that rare star quality where your eyes naturally follow her every movement onstage.

Crystal Kellogg is sensational as Anne Hathaway, delivering a performance that has a grounded strength to the role while also leaning fully into the show’s playful comedy. Her chemistry with CJ Eldred’s Shakespeare is one of the production’s biggest highlights. Eldred is absolutely hysterical, embracing Shakespeare’s oversized ego with theatrical flair and razor-sharp comedic timing. Honestly, Shakespeare and Romeo together gave me major Cinderella’s Prince vibes from Into the Woods with all their dramatic swagger, overconfidence, and delightfully ridiculous charm. Eldred and Joseph Torres fully commit to that chaotic princely energy, and it makes their scenes incredibly funny.

Noah Marlowe and Nico Ochoa in the North American Tour of & JULIET
- Photo Credit Evan Zimmerman for MurphyMade

Nico Ochoa gives May a beautiful blend of vulnerability and humor, and my starry-heart eyes go to the beautiful scene where May and François finally share their sweet center stage kiss, a pivotal “embrace your truth” moment that absolutely makes you swoon. The tenderness between Ochoa and Noah Marlowe is so genuine that the audience collectively melted watching their relationship bloom. Marlowe brings lovable awkwardness to François, making him impossible not to root for.

Nicholas Edwards is an absolute standout as Lance, bringing the perfect amount of swagger and rockstar energy to the role. As an original cast member on Broadway, Edwards clearly knows how to work every moment for maximum impact, and the audience adored him from the second he stepped onstage. His vocals are phenomenal, his comedic timing is razor sharp, and his chemistry with Kathryn Allison’s Angelique is hilarious and surprisingly sweet. Allison also deserves major applause as Angelique, whose commanding vocals and expressive reactions make her an unforgettable scene-stealer throughout the evening.

Kathryn Allison and Paul-Jordan Jansen in the North American Tour of & JULIET
- Photo Credit Matthew Murphy

The ensemble deserves endless praise because this cast works HARD. The dancing (Choreographer Jennifer Weber/Dance Captain Kyra Smith) is relentless, the costume changes happen at lightning speed, and every performer commits fully to the joyful absurdity of the material. The costumes (Paloma Young) alone deserve their own standing ovation. They shimmer, sparkle, glow, and transform constantly, helping create a visual feast that feels modern while still giving cheeky nods to Shakespearean fashion. And, I can't go without saying how cool the aereal moments were. They were true rockstars!

The score is pure millennial pop perfection. Songs made famous by artists like Britney Spears, Katy Perry, Backstreet Boys, Kelly Clarkson, and *NSYNC are cleverly woven into the storytelling in ways that feel surprisingly natural. Hearing numbers like “Roar,” “Since U Been Gone,” and “…Baby One More Time” used to advance the plot instead of simply serving as jukebox nostalgia is part of the show’s genius. The arrangements (Bill Sherman) are huge, making this show more like a concert with theatrical flair.

MUSICIANS: Conductor/Keyboard -- Mark Binns, Associate Conductor/Keyboard -- Kelsi Fulton, Guitar -- Clay Nordhill, Bass -- Tabari Lake, Drums -- Zack Albetta; LOCAL MUSICIANS: Violin/Viola -- Ronnamarie Jensen, Cello -- Michael Puryear, Contractor (non-playing) -- Bem Harris.

The company of the North American Tour of & JULIET
- Photo Credit Evan Zimmerman for MurphyMade

Walton Arts Center continues bringing phenomenal Broadway tours to Northwest Arkansas, and & Juliet is another huge win for their season lineup. This production is flashy, hilarious, sweet, and ridiculously entertaining from start to finish. Whether you are a diehard musical theatre fan, a lover of early 2000s pop music, or simply someone who wants a joyful night out, this show delivers pure serotonin straight to the audience.

Grab your friends, warm up your vocal cords, and prepare to dance in your seat because this is one party of a musical you do not want to miss. & Juliet runs at Walton Arts Center through Sunday, May 31. For tickets, visit their website at waltonartscenter.com.

Rachel Chavkin Will Direct EUGENE ONEGIN: A BLUEGRASS MUSICAL at TheatreSquared

Thu, 28 May 2026 05:26:37 PST

TheatreSquared will close its 20th anniversary season with Eugene Onegin: A Bluegrass Musical, a new adaptation by Obie Award winner Sarah Gancher (Russian Troll Farm) directed by Tony Award winner Rachel Chavkin (Hadestown), running June 10–28 in a reconfigured West Theatre. For this production, T2 has transformed the space into an in-the-round jam circle — every seat within 20 feet of the stage — where 15 actor-musicians perform Gancher's original bluegrass score while inhabiting the roles of Pushkin's doomed lovers.

Set in 1940s rural Arkansas, Gancher's script takes a classic tale and makes it feel at home in the Ozarks, with help from her own bluegrass background and family ties to Arkansas. The production marks the first time the West Theatre has been staged in the round.

"Bluegrass was never meant to be performed at a distance. It's music made in a circle, among friends, in someone's living room or on a back porch,” says T2 Artistic Director Bob Ford. “We've built that circle inside the West Theatre, every performer playing their own instrument, every seat within 20 feet of the stage. When 15 musicians are playing that close, you don't just hear the music. You feel it.”

Beyond the Stage

TheatreSquared has paired Eugene Onegin: A Bluegrass Musical with a slate of community programs.

Meet the Creative Team

Wednesday, June 10, 2026 at 6:00 PM A pre-show conversation with director Rachel Chavkin and playwright Sarah Gancher.

Chris Cameron Trio Pre-Show Performances

Saturday, June 13th and 27th 2026 at 6:00 PM Free pre-show performances in The Commons by the Chris Cameron Trio, led by International Blues Challenge-winner Chris Cameron.

Sunday Night Social: Bluegrass Jam Sesh

Sunday, June 14th, 2026 from 5:00 to 8:00 PM A free outdoor jam session followed by a performance by Brooklyn indie-folk-pop-Americana band Bandits on the Run, presented in partnership with Ozark Folkways.

Meet the Artist: Albert Skiles

Wednesday, June 17th 2026 at 6:00 PM A conversation with Albert Skiles, the photographer, architect, and curator behind the Commons exhibit inspired by Eugene Onegin: A Bluegrass Musical.

Ashtyn Barbaree Pre-Show Performances

Thursday, June 18th and 25th, 2026 at 6:00 PM Free pre-show performances in The Commons by award-winning Fayetteville singer-songwriter Ashtyn Barbaree.

Script Circle

Sunday, June 28, 2026 at 12:30 PM An interactive discussion in TheatreSquared's Community Room exploring the script and themes of Eugene Onegin.

Sunday Night Social: Square Dance

Sunday, June 28, 2026 from 5:00 to 7:00 PM The Commons will come alive with live music, dancing, and free community fun in partnership with Ozark Folkways.

About the Show

In addition to Chavkin, the creative team features Tony winner Liam Robinson (Music Supervisor/Co-Orchestrator), Helen Hayes winner Steph Paul (Choreographer), Tony winner Rachel Hauck (Scenic Designer), Obie winner Haydee Zelideth Antuñano (Costume Designer), Marika Kent (Lighting Designer), Tony nominee Drew Levy (Sound Designer),Tony nominee Marina Montesanti (Associate Director), Pete Lanctot (Music Director), Tony Winner Todd Sickafoose (Co-Orchestrator), Brodie Jasch (Props Designer), Tony winner Ken Cerniglia (Dramaturg), Katie Girardot (Production Stage Manager), Gray Burdick (AEA Assistant Stage Manager), and Aowyn Anderson (Assistant Stage Manager).

Casting by Whitley Theatrical includes: Jane Bruce as Tanya, Cory Jeacoma as Eugene, Sydney Shepherd as Olga, Adrian Blake Enscoe as Lensky, with ensemble David Patrick Kelly, Mary Bacon, Matt Cusack, Allison Ann Kelly, Mike Lavender, Nikolai Margulis, and Belén Moyano. Live music will be played by the cast members, as well as by musicians Pete Lanctot, Dionne Hendricks, Clare Armenante, and Charles Lumar II.

Rachel Chavkin Will Direct EUGENE ONEGIN: A BLUEGRASS MUSICAL at TheatreSquared

Thu, 28 May 2026 05:26:37 PST

Beyond the Stage

TheatreSquared has paired Eugene Onegin: A Bluegrass Musical with a slate of community programs.

Meet the Creative Team

Wednesday, June 10, 2026 at 6:00 PM A pre-show conversation with director Rachel Chavkin and playwright Sarah Gancher.

Chris Cameron Trio Pre-Show Performances

Saturday, June 13th and 27th 2026 at 6:00 PM Free pre-show performances in The Commons by the Chris Cameron Trio, led by International Blues Challenge-winner Chris Cameron.

Sunday Night Social: Bluegrass Jam Sesh

Meet the Artist: Albert Skiles

Wednesday, June 17th 2026 at 6:00 PM A conversation with Albert Skiles, the photographer, architect, and curator behind the Commons exhibit inspired by Eugene Onegin: A Bluegrass Musical.

Ashtyn Barbaree Pre-Show Performances

Thursday, June 18th and 25th, 2026 at 6:00 PM Free pre-show performances in The Commons by award-winning Fayetteville singer-songwriter Ashtyn Barbaree.

Script Circle

Sunday, June 28, 2026 at 12:30 PM An interactive discussion in TheatreSquared's Community Room exploring the script and themes of Eugene Onegin.

Sunday Night Social: Square Dance

Sunday, June 28, 2026 from 5:00 to 7:00 PM The Commons will come alive with live music, dancing, and free community fun in partnership with Ozark Folkways.

About the Show

SONIC LIVE IN CONCERT to Launch Global Tour With US and UK Premieres

Wed, 27 May 2026 20:59:39 PST

As Sonic the Hedgehog celebrates 35 years as one of the most iconic video game franchises of all time, Senbla and SEGA today announced Sonic Live In Concert (www.sonicliveinconcert.com). This new concert experience brings the music and moments of the beloved video games to the stage.

Featuring iconic moments and music from the very first game in 1991 through today, the production will debut in the U.S. at the Dolby Theatre in Hollywood on September 26, 2026, before making its European premiere at London's Eventim Apollo on September 30. The U.S. tour will visit more than 30 cities nationwide, and a UK tour will follow in February 2027. More European dates will be announced at a later time. Tickets will go on sale May 29, 2026, with pre-sale tickets going on sale on May 28, 2026.

As part of a global rollout celebrating the franchise's milestone anniversary, Sonic Live In Concert features the most recognizable music from the Sonic universe, performed by a live ensemble alongside rock musicians, vocalists, and electronic elements. The setlist includes fan-favorite tracks and an incredible array of music from the very first game through to today accompanied by synchronized HD footage of iconic levels, moments and boss battles from the franchise. Audiences can expect musical Easter eggs woven into the arrangements, adding an extra layer of discovery that brings Sonic's world vividly to life on stage.

The concert also highlights the creative legacy behind Sonic's music from legendary composers Jun Senoue and Tomoya Ohtani, whose work has helped define Sonic's sound across generations.

"Sonic has some of the most distinct and celebrated music in gaming," says Ollie Rosenblatt, CEO of Senbla. "We wanted to create a live show that stays true to what the fans love about Sonic's music, from the electronic and melodic themes to high-energy rock."

“Music has always been a core part of Sonic's identity, shaping how fans experience this world across generations," said Ivo Gerscovich, Chief Business & Brand Officer at SEGA of America, Inc. "With this concert, we're looking forward to celebrating that legacy in a live setting; bringing together the energy, emotion, and creativity of Sonic's music in a way that both longtime fans and new audiences can enjoy together.”

Since his debut in 1991, Sonic the Hedgehog has become a global entertainment icon spanning video games, film, television, and consumer products. With renewed momentum driven by recent film releases, new game titles, and a global brand campaign tied to the 35th anniversary, the franchise continues to reach new generations of fans worldwide.

The performance schedule includes:

September 20, 2026 – Spokane, Washington – First Interstate Center for the Arts
September 22, 2026 – Seattle, WA – Paramount Theatre (preview)
September 23, 2026 – Portland, OR – Keller Auditorium (preview)
September 25, 2026 – San Diego, CA – San Diego Civic Theatre (preview)
September 26, 2026 – Hollywood, CA – Dolby Theatre
September 27, 2026 – Riverside, CA – Fox Performing Arts Center
September 29, 2026 – Mesa, AZ – Mesa Arts Center - Ikeda Theater
September 30, 2026 – London, U.K. – London Eventim Apollo
October 1, 2026 – Las Vegas, NV – Resorts World Theatre
October 2, 2026 – Fresno, CA – Saroyan Theatre
October 3, 2026 – San Jose, CA – San Jose Civic
October 4, 2026 – Reno, NV – Grand Theatre at The Grand Sierra Resort & Casino
October 6, 2026 – Denver, CO – Temple Hoyne Buell Theatre
October 8, 2026 – Irving, TX – The Pavilion at Toyota Music Factory
October 9, 2026 – Houston, TX – Bayou Music Center
October 10, 2026 – San Antonio, TX – Boeing Center at Tech Port
October 11, 2026 – Oklahoma City, OK – The Criterion
October 13, 2026 – Wichita, KS – Orpheum Theatre
October 15, 2026 – Omaha, NE – Orpheum Theater
October 16, 2026 – Peoria, IL – Prairie Home Alliance Theater
October 17, 2026 – Louisville, KY – The Louisville Palace Theatre
October 18, 2026 – St. Louis, MO – The Factory
October 19, 2026 – Nashville, TN – Ryman Auditorium
October 20, 2026 – Mobile, AL – Saenger Theatre
October 22, 2026 – Brandon, MS – City Hall Live
October 23, 2026 – Huntsville, AL – VBC Mark C. Smith Concert Hall
October 24, 2026 – Atlanta, GA – Fox Theatre
October 25, 2026 – Greensboro, NC – Steven Tanger Center for Performing Arts
October 27, 2026 – Charlotte, NC – Ovens Auditorium
October 28, 2026 – North Charleston, SC – North Charleston Performing Arts Center
October 29, 2026 – Jacksonville, FL – Florida Theatre
October 30, 2026 – St. Petersburg, FL – Duke Energy Center for the Arts - Mahaffey Theater
October 31, 2026 – Fort Lauderdale, FL – Broward Center for the Performing Arts - Au Rene Theater
November 1, 2026 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
February 17, 2027 – Glasgow, UK – Royal Concert Hall
February 18, 2027 – Edinburgh, UK – Usher Hall
February 19, 2027 – Manchester, UK – Bridgewater Hall
February 20, 2027 – Birmingham, UK – Symphony Hall

For more information, tour dates, and tickets, visit www.sonicliveinconcert.com.

Sofi Tukker, The Faint, & More Confirmed for Momentous 2026 Festival

Wed, 27 May 2026 11:38:51 PST

The Momentary has unveiled the lineup for Momentous 2026, a two-day electronic music and arts festival taking place November 6-7 in Bentonville, Arkansas. The festival will be headlined by Grammy-nominated New York City-based duo SOFI TUKKER, with additional performances by Hiroko Yamamura, Channel Tres (DJ Set), The Faint, Cut Copy (DJ Set), Annie-Claude Deschênes, J.Worra, Sextile, VNSSA, X-Coast, and Rin Peisert.

Momentous will also spotlight the community of local rising artists, featuring KSoul, Lucino, Anoc, Messy Sparkles, Trustory, ANTIMATTER, Starflyer, St. Bends, Carlitos, and more.

Now in its fourth year, Momentous is an Arkansas-based festival, blending bass, house, and techno. This year, the festival broadens its genre offerings with the addition of bands that incorporate electronic elements. This year’s performances will unfold across multiple stages throughout the Momentary’s campus.

On Friday, November 6, music will take over the indoor state-of-the-art RØDE House and the Momentary’s art galleries, transforming exhibition spaces into dance floors, with pop-up performances throughout the galleries. On Saturday, November 7, the festival expands outdoors to include the Momentary’s Green, adding an open-air stage to the festival’s programming.

Momentous will feature a night market with local and regional vendors, artists, and designers selling goods and wares in the Onyx atrium, as well as food and bar pop-ups with local chefs and bartenders. This year, The Momentary will host Chris Lake and Zedd as part of their outdoor music series. The venue has also recently hosted deadmau5, Kaskade, and more EDM icons.

General admission two-day passes for Momentous are $165 for the public, $132 for Momentary members, and $100 for students. Premium two-day passes are $250, which will include general admission amenities as well as access to Tower Bar VIP Lounge (Friday/Saturday), front row pit access (Saturday), an exclusive premium after party with Channel Tres (Saturday), and priority lines during the festival. For more information and tickets, please visit here.

AIN'T MISBEHAVIN' to Open at Arkansas Repertory Theatre This Summer

Wed, 27 May 2026 05:22:50 PST

Tickets are now on sale for Ain't Misbehavin', The Fat Waller Musical Show and the second production in The Rep's 2026 golden SummerStage season. The production will run JUNE 16-28.

Performances will be held on Tuesdays, Wednesdays, and Thursdays at 7:00 p.m.; Fridays at 8:00 p.m.; Saturdays at 2:00 p.m. and 8:00 p.m.; and Sundays at 3:00 p.m. Tickets are available at TheRep.org or by calling The Rep's Box Office at (501) 378-0405.

Ticket prices range from $25-$70, with discounts available for seniors, students, educators, and active military personnel.

This production is sponsored by Stella Boyle Smith Trust (Cathy & Mike Mayton, Trustees) and David & Janna Knight.

Get ready to tap your toes and snap your fingers — Ain't Misbehavin' is a musical party set to the unforgettable music of jazz legend Fats Waller. Bursting with the spirit of a Harlem nightclub and the energy of a live bandstand performance, this Tony Award-winning revue celebrates the wit, charm, and groundbreaking music that helped define the sound of the Harlem Renaissance. Flirtatious, joyful, and a little mischievous, the show is pure swing from start to finish.

Featuring a lively score packed with classics including “Honeysuckle Rose,” “The Joint Is Jumpin',” “Keepin' Out of Mischief Now,” “Mean to Me,” and the iconic title song, “Ain't Misbehavin',” the production blends powerhouse vocals, dynamic choreography, and infectious rhythm into an evening that captures the joy and sophistication of 1920s and 1930s Harlem nightlife. Rather than telling a single narrative story, the revue paints a vibrant portrait of an era — one filled with romance, humor, heartbreak, and celebration — through the music and spirit of Fats Waller and the artists who shaped American jazz.

Originally premiering on Broadway in 1978, Ain't Misbehavin' went on to win multiple Tony Awards, including Best Musical, and remains one of the most beloved musical revues in theatre history. Decades later, its music and message continue to resonate, honoring the enduring legacy of Black artistry and the transformative influence of jazz on American culture and performance.

Review: 2026 DIAMOND AWARDS at Walton Arts Center in Fayetteville

Tue, 26 May 2026 10:19:06 PST

Excitement filled the theatre from the area schools Saturday night, May 23, as they cheered on their finalists at Walton Arts Center’s second annual Diamond Awards. From deafening applause to waving signs and proud tears from directors, families, and classmates, the evening felt less like a competition and more like one giant celebration of Arkansas high school theatre. Hosted by Walton Arts Center Program Manager Sara Jones, the evening honored some of the brightest young performers in the region, with Elijah Taylor of Bentonville West High School taking home Best Actor and Cali Ferguson of Alma High School earning Best Actress. Both winners will now move on to represent Arkansas this June in New York City at the National High School Musical Theatre Awards, better known as The Jimmy Awards.

From the moment audiences entered Baum Walker Hall, the atmosphere buzzed with the kind of joyful nervousness only theatre kids can create. This year, 12 high school theatre programs that produced full-length musicals participated in the Diamond Awards program, with industry professionals adjudicating performances throughout the season to determine the nominees. The level of talent represented on that stage was staggering, proving once again that Arkansas is overflowing with gifted young artists.

The Diamond Awards does not simply hand out trophies. Nominees spent three intensive days at Walton Arts Center working with industry professionals, rehearsing together, building friendships, and preparing for the showcase performance that audiences experienced Saturday night. That camaraderie was visible all evening long. Students screamed for one another’s successes, leapt to their feet during ensemble numbers, and celebrated competitors like castmates.

Halfway through the evening, Walton Arts Center President and CEO Peter Lane addressed the audience and spoke passionately about the importance of arts education and opportunities like the Diamond Awards. He reflected on how many young performers across the country often have to travel far from home to receive Broadway-level mentorship and training, making programs like this especially meaningful for Arkansas students. Lane praised the Northwest Arkansas community for investing in young artists and acknowledged the many people whose hard work makes the Diamond Awards possible.

Lane gave special recognition to Music Director Jason Burrow, applauding his extensive professional experience touring productions like HAMILTON while continuing to pour his talents into Northwest Arkansas students. He also highlighted choreographers Emily Viator and Virginia Mock of Elite Dance for helping shape the showcase into the polished production audiences witnessed that night. Lane additionally acknowledged the adjudicators who traveled throughout the region to evaluate productions during the school year, along with Walton Arts Center’s production and technical teams whose work transformed the stage into a Broadway-worthy setting. The audience erupted into applause once again when Lane recognized Sara Jones for her leadership and dedication to the Diamond Awards program before enthusiastically encouraging the audience to continue celebrating the students.

Additional honors celebrated the incredible depth of talent throughout the state. Sansa Meadows of Clarksville High School and Jenna Scott of Bentonville High School earned Best Supporting Performance honors, while Isaac Sides of Bentonville High School received Outstanding Vocal Performance. The Outstanding Dance Performance award went to Andrew Bush of Alma High School and Karen Leite of Fort Smith Southside High School, both of whom clearly know how to command a stage with confidence and charisma. Sansa Meadows also received Outstanding Acting Performance, further cementing her as one of the breakout talents of the evening.

Fort Smith Southside High School captured Best Ensemble Performance for BIG FISH, and they absolutely lit up the Walton Arts Center stage with a showstopping production number that had the audience cheering from start to finish. The energy pouring off the stage was electric, and the tapping was pure theatrical joy. The sharp rhythms and larger-than-life smiles created one of those magical moments that spotlighted their personalities and star power. Extra points are awarded (by me) for those stunning costumes! Fort Smith Southside delivered a performance that felt and looked Broadway-ready from beginning to end.

The moment that made me shed a tear of pride (and I don't even know her) was when Samanthe Burrow received the Sparkle Award for Outstanding Arts Educator, an honor nominated by students themselves. Honestly, that may have been one of the most touching moments of the night because it highlighted the teachers and mentors pouring countless hours into shaping these young artists both onstage and off.

The Spirit of the Diamonds Award, voted on by the nominees, was awarded to Elizabeth Marine, recognizing not just talent, but leadership and kindness within the theatre community. Walton Arts Center also continued its wonderful Student Reporter initiative, honoring Riley Crow of Harrison High School and Reagan Hall of Bentonville West High School for their work in arts journalism and media storytelling. Theatre needs passionate storytellers behind the scenes too, and it was exciting to see those students celebrated alongside the performers, even though they were squeezed in there at the end.

The Diamond Awards create a lot of excitement, and I can't wait to see who all participates next year. Break a leg Elijah Taylor and Cali Ferguson! We know you will do great!

Review: TASKMASTER ARKANSAS at Birdie's Cabaret Theater & Lounge in North Little Rock

Sat, 23 May 2026 14:58:46 PST

There is something delightfully chaotic about watching comedians willingly humiliate themselves for points, and that is exactly what made Improv Little Rock’s TASKMASTER at Birdie's Cabaret Theater & Lounge such a ridiculously entertaining night in North Little Rock. Inspired by the beloved British television series, this Arkansas version somehow managed to feel both lovingly faithful to the original concept while embracing the wonderfully weird personality of Central Arkansas comedy. Hosted by Brett Ihler as the gloriously irritated Taskmaster and moderated by Gordy Brave, the Sunday, May 10 event turned Birdie’s into a playground of absurdity where local comedians competed in bizarre prerecorded challenges before returning to the stage to explain — and sometimes desperately defend — their thought processes to the audience.

One of the things I love most about Birdie's Cabaret Theater & Lounge is how versatile the venue is. One night you may see live music, another night burlesque or magic, and then suddenly you find yourself crying with laughter while local comedians attempt completely ridiculous tasks for bragging rights and points. The intimate cabaret atmosphere was the perfect setting because the audience got to experience the challenges together on screen and then immediately react alongside the comedians as they explained what in the world they were thinking. That combination made the night feel part film screening, part improv show, and part comedic therapy session.

Brett Ihler absolutely understood the assignment as Taskmaster. His dry irritation and overinflated authority gave the show the exact energy it needed, and he had a fantastic way of reacting to contestants with a mix of judgment, disbelief, and amusement. Meanwhile, Gordy Brave kept the evening flowing smoothly while guiding conversations about the tasks, helping each comedian unpack the logic — or complete lack thereof — behind their decisions.

And what a lineup of local comedy talent they assembled. Raven Duda-McMurray accepted the challenges with commitment that took a little encouraging but with great thought. May Gayden had a fantastic sense of timing both in the prerecorded segments and during the live discussions afterward, especially when explaining the reasoning behind certain choices that only became funnier with context. Leigh Marlow appeared in the videos while Ashley Ihler filled in onstage, which added an extra layer of playful chaos to the evening. I loved how Ashley supported her partner 100% through every task that was presented. Peter Petropoulakos leaned beautifully into awkward comedy, often making his explanations just as hilarious as the tasks themselves, while Michael Scott’s reactions during both the videos and the live commentary consistently landed huge laughs.

What made the format work so well was getting to see inside each comedian’s brain after the challenges played. Watching the prerecorded tasks was funny on its own, but hearing the contestants break down their strategies, panic, confusion, overconfidence, or complete surrender elevated the comedy even more. Sometimes their explanations made the challenge make sense. Sometimes it somehow made things even more baffling. Either way, the audience was fully invested.

Improv Little Rock continues proving that Arkansas performers can take inventive comedy concepts and make them entirely their own. Instead of simply recreating the television show beat for beat, they adapted the spirit of TASKMASTER into something that worked beautifully for a live audience while still highlighting the personalities and comedic instincts of local performers. The result was an evening that felt fresh, collaborative, and joyfully ridiculous.

By the end of the night, Birdie’s Cabaret Theater & Lounge felt less like a theatre and more like a room full of friends collectively losing control from laughter. You never know what kind of experience you are going to have when going to Birdie's, which is why I love it so much. The variety is wonderful, and if comedy isn't your idea of a good time, the next night there may be horror movies, beautiful burlesque artists, or magic shows hosted by the owners. Check out their lineup on their Facebook page or visit their website at www.birdiescabaret.com.

A STAR & STRIPES CELEBRATION to Feature Free Flag Day Concert in Little Rock

Thu, 21 May 2026 21:54:14 PST

The Little Rock Winds continues its America★250 celebration during its 29th annual Flag Day concert on Sunday, June 14th at 7 p.m. in historic MacArthur Park at 503 E. 9th Street in downtown Little Rock.

This old-fashioned concert in the park features marches, patriotic songs, and pop tunes. The concert kicks off with the Presentation of Colors by the Little Rock Air Force Base Honor Guard; the Pledge of Allegiance led by Colonel Kent Stone, United States Marine Corp (Retired), and the National Anthem performed by Little Rock Winds under the direction of conductor Israel Getzov. Military veterans and active members will be recognized as the band performs the service songs of all the U.S. Armed Forces.

During the concert, there will be a silent auction of the conductor's baton. Up for bid is the opportunity to conduct the band's performance of Sleigh Ride during the Christmas concert on December 10, 2026.

The celebration is sponsored by Stone Bank, MacArthur Museum of Arkansas Military History and Little Rock Parks and Recreation. Blue Bell Creameries will provide free ice cream and Woodmen Life will provide free hand-held flags to wave. Central Arkansas Water will provide free ice water for filling your water bottle.

The performance will be held on the old parade ground behind the museum. A designated handicap drop-off will be available on the east parking lot near the parade ground. Attendees should bring lawn chairs and may bring picnic baskets.

If it rains, the concert will move over to the Arkansas Museum of Fine Arts Theater in MacArthur Park.

Admission is free for the concert as well as for the MacArthur Military History Museum. Donations accepted.

Little Rock Winds was founded in 1993 to recognize the diverse heritage of the wind band tradition in Arkansas. It is dedicated to providing Arkansas communities with live wind band music, including a variety of compositions and transcriptions that inspire audiences, challenge the players, and preserve the wind band tradition. LR Winds is an important outlet for wind and percussion musicians in the central Arkansas area. The approximately 48 professional and semi-professional musicians are selected by audition and participate for personal development and enjoyment and as a service to the community. Six concerts are performed annually in Little Rock, and the band has performed statewide, from Texarkana to Cherokee Village, Harrison to McGehee.

Reynolds Performance Hall Reveals 2026/2027 Season

Fri, 22 May 2026 12:26:29 PST

Though it looks like I'm a socialite, I honestly don't go to a lot of parties. However, the one that I DO NOT want to miss is thrown by my friends at Reynolds Performance Hall in Conway. I love going to their annual Season Reveal because it feels like Christmas morning for arts lovers. This year's event on May 12 was extra fun because the evening was themed around Clue, which instantly set the tone for a night of theatrical intrigue and excitement. After the grand entrance of the pianist (you had to be there to witness how cool that was), guests were invited to participate in a whodunit game and submit their guesses as to who the "killer" was. I didn't stay long enough to find out the answer, but I gleefully accused Amanda Horton herself—because, honestly, who better to mastermind a season so irresistible that it murders any hope of sticking to a budget?

And speaking of irresistible, the 2026–2027 season unveiled by Amanda Horton and the UCA Public Appearances team is so spectacular that I am already trying to figure out how to clear my calendar. Have you seen the list? I want to see it all!

During the announcement, Amanda asked which performances we were most excited to see. Now, I do not normally like to give away my favorites, but since you asked, I am more than happy to break it down for you.

The Broadway Series alone is enough to make any musical theatre lover squeal with delight: Clue, Mrs. Doubtfire, A Christmas Story THE MUSICAL, and Shucked. I have seen all four of these productions, and every single one of them is an absolute winner. This lineup offers the perfect blend of mystery, comedy, holiday nostalgia, and down-home musical fun. Quite honestly, you should see every one of them. If I had to choose just one favorite from the Broadway Series, my starry-heart eyes go straight to SHUCKED. Endorsed by Reba McEntire, this delightfully corny musical is one of the funniest shows I have seen in recent years. The story is clever, the songs are irresistibly catchy, and the jokes come so quickly that you may miss one because you are still laughing at the previous punchline. Beneath all of the outrageous corn puns is a genuinely touching story about community, friendship, and embracing change. From start to finish, it is upbeat, hilarious, and overflowing with joy. I absolutely love it.

The Night Out Series is just as exciting and wonderfully eclectic. This collection includes Celtic Angels Christmas, Richard Thomas in Mark Twain TONIGHT!, Cirque Kalabanté, and Jeff Corwin. Each event offers something completely different, making this series an adventurous and entertaining journey through music, storytelling, acrobatics, and wildlife exploration. I have not yet seen any of these performances, which makes choosing a favorite especially difficult, but if I had to pick the one I am most eager to experience, it would be Richard Thomas in Mark Twain TONIGHT! Thomas has been performing this acclaimed one-man show for years, and I have wanted to see it for the longest time. Best known to many as John-Boy Walton from The Waltons, Thomas is a gifted storyteller, and I can only imagine how brilliantly he will bring the wit and wisdom of Mark Twain to life.

The Pops Series is equally dazzling, opening in September with Ann Wilson of Heart, continuing with Mark Chesnutt in November, followed by The Fabulous Equinox Orchestra in February, and culminating with Frankie Moreno performing alongside the Conway Symphony Orchestra. Once again, this is an incredibly difficult choice because each artist offers something special, and I fully intend to attend all of them. But if I had to select one, I would choose Frankie Moreno. Named Las Vegas Entertainer of the Year, Moreno brings the glitz, energy, and charisma of a true headliner. As someone who also hails from Las Vegas, this performance feels especially meaningful to me. There is a story there that I am not ready to share just yet, but suffice it to say that this concert feels like a wonderfully personal full-circle moment.

The Windgate Collection offers yet another delightful mix for music lovers, featuring Cantus, Exile, and Twitty & Lynn. Cantus is known for its lush harmonies and rich vocal sound that is simply breathtaking. Exile and Twitty & Lynn both fall within the country genre, but each brings a distinctly different style and energy to the stage. So how does one choose? After much consideration, my pick is Twitty & Lynn because they are the spawn of country royalty. As the descendants of Conway Twitty and Loretta Lynn, they carry forward two of the most legendary names in country music history, and that alone makes this concert impossible for me to resist.

The An Evening With Series offers two fascinating and completely different experiences: Reed Timmer and a screening of Napoleon Dynamite followed by a talkback with cast members. This one is truly a toss-up. I do not watch a lot of television, and I have never seen NAPOLEON DYNAMITE, which means both events offer the thrill of discovering something entirely new.

The Main Stage EdUCAtion Series may be designed for students, but I will say it loud and proud: I get just as excited about these announcements as any child in the audience. This year’s educational offerings include VELVETEEN: A NEW MUSICAL, Curious George, Cat Kid Comic Club, Doktor Kaboom, The Pout-Pout Fish, and Cirque Kalabanté. To supplement the series, Reynolds will also present a benefit performance of THE POUT-POUT FISH as well as Fraggle Rock LIVE. I am definitely excited to see what explosions Doktor Kaboom has in store, but if I am being truly honest, I was singing the Fraggle Rock theme song for quite some time after that title was announced. “Dance your cares away, worries for another day…” and just like that, I was hooked.

The Add-On Series offers two exceptional bonus events: Straight No Chaser and Richard Thomas in SEPTEMBER 30, 1955. It is incredibly cool that Richard Thomas filmed portions of this movie on the University of Central Arkansas campus some forty or fifty years ago, making this screening especially meaningful for the Conway community. But if I am choosing between the two, my heart belongs to Straight No Chaser. I absolutely LOVE this group, and since they will be appearing at the very beginning of their Christmas tour, audiences can likely expect festive favorites such as “The 12 Days of Christmas” and “The Christmas Can-Can.” Their concerts are joyful, hilarious, and musically stunning. This one will almost certainly sell out, so get your tickets early!

That is the magic of Reynolds Performance Hall. Located on the campus of University of Central Arkansas, this beautiful venue has become one of Arkansas’s premier destinations for live entertainment. Whether you are a Broadway fanatic, a concert enthusiast, a film buff, or a parent introducing your children to the wonder of live performance, Reynolds consistently presents events that rival what you might find in much larger cities.

If you were fortunate enough to have season passes last year, you still have through June 12 to renew and secure your seats before they are released to the general public. Beginning June 15, season packages open to everyone. My advice? Do not wait. This is a stellar season, and I have a feeling many of these performances are going to sell quickly.

I have said it before, and I will happily say it again: Central Arkansas is incredibly fortunate to have Reynolds Performance Hall. Thanks to Amanda Horton and the outstanding UCA Public Appearances team, we do not need to travel to New York, Nashville, or Los Angeles to enjoy first-rate entertainment. They bring world-class performances directly to Conway with a genuine passion for enriching our community through the arts.

So gather your theatre-loving friends, renew your subscriptions, and prepare for a year filled with music, laughter, inspiration, and more starry-eyed moments than your heart can handle. For more information and tickets, visit Reynolds Performance Hall or call the box office at (501) 450-3265.

Coming up Monday, June 1, The Arkansas Country Music Awards will fill the performance hall with new music and special guests like Ricky Skaggs and Crystal Gayle. For more information and tickets, visit their website at arkansasmusic.org.

Feature: BROADWAY BOUND AWARDS 2026 at Robinson Center in Little Rock

Wed, 20 May 2026 12:15:18 PST

There is nothing that sends my theatre-loving heart into full jazz hands mode quite like watching young performers step into the spotlight and belt their way toward Broadway dreams, and the 2026 Broadway Bound Awards, presented by Celebrity Attractions in partnership with Stage 13, was an absolutely dazzling reminder that the future of musical theatre in Arkansas is sparkling brighter than the marquee lights on Broadway Theatre. Held on May 11 at the magnificent Robinson Center, the evening brought together the most talented high school musical theatre performers from across the state for a glittering celebration of artistry, education, and the magic that happens when young people are given a stage and encouraged to dream big.

The Broadway Bound Awards give Arkansas students the opportunity to perform before industry professionals and compete for an all-expenses-paid trip to New York City, where two winners represent the state at the prestigious Jimmy Awards. More than just a competition, the event is a theatrical fairy godmother moment, offering mentorship, recognition, and the thrilling possibility that those Playbill-filled daydreams may soon become reality.

Hosted with Broadway-worthy charisma by Chris Kane, the evening unfolded with the polish and excitement of a true Tony Awards telecast. Kane’s enthusiasm was wonderfully infectious, and he had the perfect ability to make every student feel like they were already stars.

The judging panel added serious Broadway sparkle to the evening. Skye Scott, Madison Johnson, Matt Redmond, Taylor Iman Jones, Josh Inman, and Christian Waldron brought a wealth of professional experience and insightful feedback to the finalists. For these students, performing in front of artists of this caliber was like getting a golden ticket straight to the Great White Way.

Even with a few technical difficulties along the way, the excitement inside Robinson Center never dipped for a second. In true theatre-kid fashion, the students and their supporters handled every hiccup with grace and plenty of enthusiastic cheering. Every finalist arrived with their own devoted fan club, and the energy in the auditorium was absolutely electric. El Dorado deserves a special standing ovation for bringing an entire busload of supporters to cheer their four participants. Between the thunderous applause and proud tears, the evening felt like one giant statewide cast party.

One of the most thrilling moments of the night was, of course, the announcement of the Top 3 finalists.

The Top 3 male finalists were John Sullivan from Hot Springs World Class High School, Evan Hauser from Parkview Arts & Science Magnet High School, and Collin Carlton from Pulaski Academy.

The Top 3 female finalists were Annie Zimmerman from Episcopal Collegiate School, Blakely White from Little Rock Christian Academy, and Mallory Lafferty from Pulaski Academy.

Another especially meaningful moment came when John Sullivan received the Spirit of Broadway Award, voted on by his fellow finalists. There is no compliment sweeter than being recognized by your peers, and this honor speaks volumes about John’s kindness, leadership, and the bright, supportive energy he brings wherever he goes.

The celebration of talent extended well beyond the Top 3 finalists. Charlie Johnson of Episcopal Collegiate School danced away with both the Director’s Award for Outstanding Dancer and the People’s Choice Award, proving that he dazzled both the judges and the audience. Nyla Newton of Bryant High School earned the Triple Threat Award, which in musical theatre terms is basically the gold standard of awesome. Jordan Easter of Joe T. Robinson High School received the Director’s Award for Outstanding Vocalist. Lauren Smith of El Dorado High School was presented with the Rising Star Award. Morgan Humble of Lakeside High School earned the Director’s Choice for Outstanding Actor, and Khollin Franklin of Maumelle High School received the Breakthrough Performance Award.

Then came the confetti-worthy moment everyone had been waiting for. When Annie Zimmerman and Collin Carlton were announced as the 2026 Broadway Bound Awards winners, Robinson Center erupted in cheers loud enough to be heard all the way to Times Square. These two extraordinary performers will travel to New York City this summer to train with Broadway professionals and proudly represent Arkansas at the Jimmy Awards.

Having recently watched both Annie and Collin perform in Stage 13’s Pre-Professional Showcase, I can say with full fangirl confidence that these two are the real deal. Annie possesses a magnetic Stage Presence and emotional honesty that makes it impossible to look away, while Collin combines powerhouse vocals with effortless charm and the kind of confidence that lights up an entire theatre. Arkansas could not have selected two more sensational ambassadors.

My starry-heart eyes go to every single student who took part in this remarkable event. The level of talent on display was so jaw-droppingly high that choosing winners must have felt nearly impossible. Each finalist brought discipline, creativity, vulnerability, and enough raw talent to make even the most seasoned Broadway veteran sit up and take notice.

What touches me most about the Broadway Bound Awards is its tremendous educational impact. Thanks to Deana McCormack of Celebrity Attractions and the staff at Stage 13 for investing in Arkansas’s young artists and giving them the chance to perform on one of the state’s grandest stages. By connecting students with Broadway professionals and creating pathways to national opportunities, they are helping nurture the next generation of stars.

If the 2026 Broadway Bound Awards proved anything, it is that Broadway’s next leading men and ladies may very well be growing up right here in Arkansas. After witnessing the extraordinary talent that lit up Robinson Center, I am already mentally saving Playbills because I have absolutely no doubt that many of these students are destined for spectacular things. Break a leg Collin and Annie! We're rooting for you!

NOMINEES

Beebe High School -- The Lightning Thief: The Percy Jackson Musical -- Christopher Clark and Bailey Morrison

Bryant High School -- The Addams Family -- Eric Turner and Nyla Newton

Conway High School -- Mamma Mia! -- Lyn McKissick

Crossett High School -- Mamma Mia! -- Ryann White

El Dorado High School -- Six: Teen Edition -- Taylor Phillips and Jazmin Wong-Bennett

El Dorado High School -- Anastasia -- Michael McLeese and Lauren Smith

Episcopal Collegiate School -- Shrek! The Musical

-- Charlie Johnson and Annie Zimmerman

Fountain Lake High School -- Little Shop of Horrors -- Daeson Rhodes and Claire Roden

Hot Springs World Class High School -- The Wizard of Oz

-- John Sullivan and Anani Coleman

Joe T. Robinson High School -- Rodgers & Hammerstein's Cinderella

-- Jordan Easter and Ava Reed

Lakeside High School -- Hadestown: Teen Edition -- Flyynn Capps and Morgan Humble

Little Rock Central High School -- Little Shop of Horrors -- Gracie Wellborn

Little Rock CHristian Academy -- Bye Bye Birdie -- Kaisson Norwood and Blakely WHite

Maumelle High School -- You're a Good Man, Charlie Brown

-- Khollin Franklin and Frankie Martinez

North Little Rock High School -- You're a Good Man, Charlie Brown

-- Kekoa How and Madelyn Lawson

Parkview Arts & Science Magnet HIgh School -- Seussical the Musical

-- Evan Hauser and Clara Scuderi

Pulaski Academy -- Hadestown: Teen Edition -- Collin Carlton and Mallory Lafferty

Photo Credit: Warren McCullough

THE NOTEBOOK North American Tour Adds 26 Cities to 2026-27 Route

Tue, 19 May 2026 08:13:15 PST

The North American Tour of THE NOTEBOOK hasannounced engagements for the 2026-27 season, adding 26 cites to the previously announced route, including stops in Atlanta, Boston, Dallas, and Houston. The tour began performances on September 6, 2025, at Playhouse Square in Cleveland, Ohio, and has welcomed over 500,000 patrons to date.

Read the reviews for the touring production of The Notebook.

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart in a deeply moving portrait of the enduring power of love. Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of THE NOTEBOOK played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

THE NOTEBOOK features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

The creative team for the tour includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production's music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Tina Faye. Casting by The Telsey Office, Patrick Goodwin, CSA.

The production was recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

2026-2027 Tour Dates:

Detroit, MI — Fisher Theatre
September 22 – October 4, 2026

Dayton, OH — Schuster Center
October 6 – 11, 2026

Grand Rapids, MI — DeVos Performance Hall
October 13 – 18, 2026

East Lansing, MI — Wharton Center
October 27 – November 1, 2026

Richmond, VA — Altria Theater
November 3 – 8, 2026

Pittsburgh, PA — Benedum Center
November 10 – 15, 2026

Schenectady, NY — Proctors
December 1 – 6, 2026

Boston, MA — Emerson Colonial Theatre
December 8 – 20, 2026

Oklahoma City, OK — Civic Center Music Hall
December 29, 2026 – January 3, 2027

Houston, TX — Hobby Center
January 5 – 10, 2027

Dallas, TX — Winspear Opera House
January 12 – 24, 2027

New Orleans, LA — Saenger Theatre
January 26 – 31, 2027

Hershey, PA — Hershey Theatre
February 3 – 7, 2027

Providence, RI — PPAC
February 9 – 14, 2027

Rochester, NY — Auditorium Theatre
February 16 – 21, 2027

Fayetteville, AR — Walton Arts Center
February 24 – 28, 2027

Huntsville, AL — Von Braun Center
March 2 – 7, 2027

Ft. Lauderdale, FL — Broward Center
March 9 – 14, 2027

Ft. Myers, FL — Barbara B. Mann Hall
March 16 – 21, 2027

Naples, FL — Artis—Naples
March 23 – 28, 2027

North Charleston, SC — North Charleston PAC
March 30 – April 4, 2027

Birmingham, AL — BJCC Concert Hall
April 6 – 11, 2027

Atlanta, GA — Fox Theatre
April 13 – 18, 2027

Tucson, AZ — Centennial Hall
April 27 – May 2, 2027

San Jose, CA — Center for the Performing Arts
May 4 – 9, 2027

Sacramento, CA — SAFE Credit Union PAC
May 11 – 16, 2027

Review: STAGE 13 PRE-PROFESSIONAL SHOWCASE 2026 at Arkansas Repertory Theatre in Little Rock

Sat, 16 May 2026 09:12:38 PST

The theatrical talent in Central Arkansas never ceases to amaze me. We are blessed with a thriving arts community filled with gifted performers, directors, choreographers, and educators who generously pour their expertise into the next generation of artists. Because of that mentorship, our young performers are growing tremendously, developing the confidence, technique, and storytelling abilities needed to succeed on any stage they choose. The Stage 13 Pre-Professional Showcase 2026 at Arkansas Repertory Theatre on May 5 was a dazzling reminder that the future of Arkansas theatre is in exceptionally talented hands.

Presented by Stage 13 Foundation for the Performing Arts and generously sponsored by The Feland Family, the one-night showcase featured 18 rising stars from across Central Arkansas performing selections from some of Broadway’s most beloved musicals, including Hamilton, The Little Mermaid, Ragtime, Chicago, Rent, Legally Blonde, and The 25th Annual Putnam County Spelling Bee. There was a wonderful variety of performances, from solos and duets to full ensemble numbers, each offering students the chance to shine in different ways. The evening also included dramatic scenes from The Outsiders, The Wolves, and others which beautifully showcased the students’ acting abilities and proved that their talents extend far beyond singing and dancing.

Austin Bernard, Collin Carlton, Blakely White
Photo Credit: Warren McCullough

What makes this program even more extraordinary is that students must first audition to earn a place in the Pre-Professional Company. Once accepted, they receive this elite training free of charge thanks to scholarships funded by generous donors who understand the transformative power of arts education.

Blakely White, Keegan Washington
Photo Credit: Warren McCullough

From the moment the lights came up, it was clear these young artists were polished storytellers with the poise and discipline of seasoned professionals. To perform on the stage of The Rep is a dream for many actors, and each participant rose to the occasion with confidence and undeniable talent. There is absolutely no way I could choose a favorite performance from this extraordinary showcase. I have had the joy of watching many of these young artists in productions throughout Central Arkansas over the years, and I can personally attest to the tremendous growth in both their technical skills and Stage Presence. Stage 13 has helped these students blossom into confident, polished performers. Their vocals are stronger, their acting choices are more nuanced, and their ability to command an audience has reached an entirely new level.

Two performers who particularly exemplified the extraordinary talent nurtured through this program were Collin Carlton and Annie Zimmerman. After appearing in this showcase, both went on to win this year’s Broadway Bound Awards of Central Arkansas. Their victory earned them a paid trip to New York City this summer, where they will train with Broadway professionals and represent Arkansas at the prestigious Jimmy Awards. What an exciting testament to the caliber of talent being developed right here in Central Arkansas!

Scene from The Wolves
Photo Credit: Warren McCullough

Much of that success is due to the outstanding teaching artists who guide these students week after week. Bridget Davis, Molly Giles, Quinn Gasaway, Moriah Connerson, Kiona Reece, and Christian Waldron are an extraordinary team of professionals who are not only teaching songs and choreography, but also fostering discipline, collaboration, resilience, and self-expression. Their influence was evident in every performance.

Alyson Courtney, Warren McCullough

Leading this inspiring organization are Co-Executive Directors Alyson Courtney and Warren McCullough, whose vision and dedication continue to create extraordinary opportunities for young performers throughout Central Arkansas. Under their leadership, Stage 13 has become a premier training ground where aspiring artists are encouraged to dream big, work hard, and discover just how far their talents can take them.

Dreamgirls -- Karah Collins, Hannah Grace Twitty, Rylee Grant
Photo Credit: Warren McCullough

The showcase was also a beautiful reminder of how fortunate we are in Central Arkansas to have such a supportive arts community. Special thanks were extended to Will Feland, Jennie Clark Stewart, Chris Alley, Pat Carlton, Colonial Wine & Spirits, Chris Kotoun, and the dedicated Pre-Pro Parents whose encouragement and generosity help make opportunities like this possible.

Berkeley Courtney-Moore, Jason Jackson
Photo Credit: Warren McCullough

The Stage 13 Pre-Professional Showcase 2026 was far more than a recital. It was a celebration of hard work, mentorship, and the limitless potential of young artists. If this remarkable evening is any indication, the future of theatre in Arkansas is dazzling, dynamic, and more than ready for center stage.

Dogfight
Photo Credit: Warren McCullough

PRE-PROFESSIONAL SHOWCASE PERFORMERS

Annie Zimmerman

Austin Bernard

Austin Bernard
Photo Credit: Warren McCullough

Beckham Bunche

Berkeley Courtney-Moore

Blakely White

Braden Lisowe

Brooklyn Malvin

Collin Carlton

Elizabeth Atkins

Evan Hauser

Hannah Grace Twitty

Jason Jackson

Karah Collins

Keegan Washington

Mallory Lafferty
Photo Credit: Warren McCullough

Mallory Lafferty

Reese Von Storch

Rylee Grant

Sasha Bass

Sasha Bass
Photo Credit: Warren McCullough

STEEL MAGNOLIAS To Be Presented At Arkansas Repertory Theatre This Summer

Fri, 15 May 2026 20:11:16 PST

Tickets are now on sale for Steel Magnolias, written by Robert Harling. It is the first production in The Rep's 2026 ‘Golden' SummerStage season. The production will run MAY 26 - JUNE 7.

Ticket prices range from $25-$70, with discounts available for seniors, students, educators, and active military personnel.

This production is sponsored by Susie Rosenbaum & Bruce Maddox, Mathews Industries, and Jennifer Wilson-Harvey.

ABOUT THE PLAY:

Truvy Jones runs a successful beauty salon in Chinquapin, Louisiana, where all the ladies in the neighborhood have a standing Saturday appointment. Along with her anxious and eager assistant, Annelle, Truvy styles the hair of many of the women about town: wealthy widow and former first lady of Chinquapin, Clairee Belcher, local curmudgeon Ouiser Boudreaux ("I'm not crazy, I've just been in a bad mood for forty years"), intelligent and compassionate career woman M'Lynn, and her daughter Shelby, the prettiest girl in town. Shelby's engagement is the talk of the town, but the joy and excitement of her wedding quickly turn to concern as she faces a risky pregnancy and a myriad of health complications. As the women of Chinquapin make their ways over life's many hurdles together, they find comfort (and a fair amount of verbal ribbing) in one another. “You have no idea how wonderful you are,” M'Lynn tells the ladies at the end of the play. Truvy responds, with a smile, “Of course we do.”

First produced Off-Broadway in 1987, Steel Magnolias quickly became one of the most beloved plays in the American theatre canon. Written by Robert Harling as a tribute to his sister, Susan Harling Robinson, the play was inspired by his family's experience following Susan's battle with complications related to Type 1 diabetes.

In 1989, Harling adapted the play into the acclaimed feature film starring Sally Field, Julia Roberts, Dolly Parton, Shirley MacLaine, Olympia Dukakis, and Daryl Hannah. Filmed on location in Harling's hometown of Natchitoches, Louisiana, the movie introduced the story to millions and cemented Steel Magnolias as a cultural touchstone.

Nearly four decades after its premiere, Steel Magnolias continues to captivate audiences around the world with its unique blend of laughter and tears, proving that strength and tenderness are not opposites, but two sides of the same magnolia blossom.

Harling completed the first draft in just ten days, channeling his grief into a story that celebrates his sister's wit, courage, and indomitable spirit. The result is a deeply personal and universally resonant portrait of women whose relationships sustain them through life's most joyful and heartbreaking moments.

ABOUT THE ARTISTS:

The Rep's production features an ensemble of Arkansas artists including Miranda Jane (Designing Women, Into the Woods at The Rep) as “Truvy”, Grace Pitts (Elf, Mary Poppins at The Rep) as “Annelle”, Laurie Pascale (The Glass Menagerie at The Rep) as “Clairee”, Louisa Mauzé (Hair, Guys & Dolls at The Rep) as “Shelby”, Jane Morgan Balgavy as “M'Lynn”, and Alanna Hamill Newton (Pride & Prejudice, Ann at The Rep) as “Ouiser”.

The production is directed by Christine O'Grady (Hair at The Rep), working alongside André de Castro (Scenic Designer), Michael Ciaramitaro (Costume Designer), Faith Spencer (Lighting Designer), Multiband Studios (Sound Designer), Jenea Jordan (Wig & Hair Designer), and Luisa Ann Torres (Production Stage Manager).

“PAY-WHAT-YOU-CAN” NIGHTS FOR STEEL MAGNOLIAS:

The Arkansas Repertory Theatre is excited to announce The “Pay-What-You-Can” preview performances for Steel Magnolias. Patrons are invited to the Tuesday, May 26th and Wednesday, May 27th preview performances by paying any amount they wish for tickets. Tickets must be purchased in person at the Box Office at 601 Main Street on Tuesday, May 26th from 9 a.m. to 10:30 a.m.. For each show, there will be 100 tickets available for purchase across all two performances. Tickets are limited to two per person and are first-come, first-served. “Pay-What-You-Can” preview performances are sponsored by the Arkansas Democrat-Gazette.

THE REP'S 2026 SUMMERSTAGE SEASON:

Steel Magnolias | May 26 – June 7
Ain't Misbehavin'| June 16-28
Joseph & the Amazing Technicolor Dreamcoat| July 8-26
The Remarkable Resignation of Dr. Joycelyn Elders | August 11-23
Side by Side by Sondheim | September 8-20

Steel Magnolias

By Robert Harling

May 26 – June 7

Step into Truvy's beauty shop, where hair gets higher and friendships grow deeper, as a close-knit group of women share life's ups and downs with sharp humor and unwavering love. Full of heart and unforgettable one-liners, this modern Southern classic reminds us that the bonds we forge can carry us through anything.

Ain't Misbehavin'

The Fats Waller Musical Show

June 16-28

Get ready to tap your toes and snap your fingers — Ain't Misbehavin' is a musical party set to the unforgettable music of Fats Waller. With a bandstand spirit and Harlem nightclub style, this Tony Award–winning revue brims with songs that defined an era. Flirtatious, joyful, and a little mischievous, it's pure swing from start to finish. Produced in partnership with People's Light.

Joseph & the Amazing Technicolor Dreamcoat

Lyrics by Tim Rice, Music by Andrew Lloyd Webber

July 8-26

The Biblical story of Joseph and his coat of many colors comes to dazzling life. Bursting with infectious songs in every style — from rock to calypso to country and more — a new vision of this beloved musical brings fresh energy, joy, and cultural richness to a show that audiences of all ages adore.

The Remarkable Resignation of Dr. Joycelyn Elders

Written & Directed by Steve H. Broadnax III

August 11-23

From sharecropper's daughter to U.S. Surgeon General, Dr. Joycelyn Elders' journey is nothing short of extraordinary. Written and directed by Broadway's Steve H. Broadnax III (creator of last season's hit Me & the Devil), this world premiere play with music is a stirring portrait of resilience, conviction, and a woman who refused to be defined by anyone but herself- an Arkansas icon reclaiming her own story.

Side by Side by Sondheim

Music & Lyrics by Stephen Sondheim

With Music by Leonard Bernstein, Mary Rodgers, Richard Rodgers, Jule Styne

September 8-20

A witty and sophisticated evening of music and mischief, this sparkling celebration of Stephen Sondheim's genius includes favorite songs from Company, Follies, A Little Night Music, West Side Story, Gypsy, and more.

Review: ARTISTRY IN MOTION at North Little Rock High School Performing Arts Center

Wed, 13 May 2026 17:40:20 PST

If movement is a language, then the students and young dancers who took the stage for ARTISTRY IN MOTION on Thursday, April 30 at the North Little Rock High School Performing Arts Center spoke it fluently. Presented by the North Little Rock School District Dance Program, this annual showcase featured performances by the North Little Rock Dance Troupe, Theatre Dance I-IV students, and local preschool and elementary dancers, creating an evening that celebrated artistry and the pure joy of dance.

At the heart of this extraordinary program is Director and Choreographer Christen Burke Pitts, whose leadership has clearly cultivated a thriving dance community at North Little Rock High School. Under her guidance, students are not only trained in technique but encouraged to become creative artists in their own right. One of the most exciting aspects of ARTISTRY IN MOTION was seeing how Pitts opened the door for several student choreographers, along with special guest choreographers, to contribute original works to the showcase. That collaborative approach gave the evening a wonderful variety of styles and perspectives while allowing students to experience the artistic process from both sides of the stage.

One of my favorite things about arts education is seeing students grow not only as performers but as confident young people, and ARTISTRY IN MOTION was a beautiful reminder of what can happen when educators give students the opportunity to express themselves creatively. From the tiniest dancers taking the stage with wide-eyed excitement to the seasoned members of the Dance Troupe moving with precision and maturity, every performer had a chance to shine.

Adding to the evening’s charm were student emcees Josephine Cheatham and Nathan Zukowski, who served as delightful guides throughout the program. Introducing each act with confidence and wit, the duo kept the energy high between numbers and proved to be entertainers in their own right. Their playful banter and well-timed jokes had the audience laughing throughout the night, and they brought a warm, personable touch that made the showcase feel even more special.

The evening also included several meaningful award presentations that highlighted the dedication and leadership of standout students. Brianna Wood received the Clancy McDowell Scholarship Award, Morgan Stigall and Athena Croon were honored with the Raising the Barre Leadership Awards, and Haley Meeks received the Sally Riggs Insalaco Spirit of the Dance Award/Scholarship. Watching these talented young artists recognized in front of their peers and families added another layer of inspiration to the evening and underscored the strong sense of support and encouragement within the program.

The evening highlighted the remarkable breadth of the North Little Rock dance program. Theatre Dance I-IV students demonstrated the strong technical foundation they are developing while embracing the theatrical storytelling that makes dance so compelling to watch. Their performances were energetic, showing just how much care and preparation had gone into every number.

There were also two breathtaking solo performances that demonstrated the artistry and emotional maturity of these talented young dancers. Haley Meeks choreographed and performed a deeply moving piece to Passenger, revealing both her choreographic voice and her ability to communicate feeling through movement. Equally captivating was Elyse Young, who choreographed and performed to Need Me. Both dancers commanded the stage with confidence and vulnerability, creating two of the evening's most memorable moments.

Anytime music by Michael Jackson and his iconic dance moves are incorporated into a program, they automatically earn bonus points from me, and ARTISTRY IN MOTION delivered twice. First was CHICAGO, choreographed and performed by Taniea Johnson and Soie Waits, a dynamic duet that oozed style and confidence. Then later came BEAT IT, originally choreographed by Michael Peters and restaged by Christen B. Pitts, Danielle Dace, and Theatre Dance II students. Performed by the North Little Rock High School Theatre Dance II class, the number captured the sharp, unmistakable movement vocabulary that helped make the original music video legendary. As a lifelong Michael Jackson fan, I was grinning from ear to ear.

One of the sweetest moments of the evening came during a delightful performance to ZOO by Shakira. Watching the older members of the North Little Rock Dance Troupe partner with the preschool and elementary dancers was so cute. The high school students guided their younger counterparts with encouraging smiles and gentle reassurance, creating a touching display of mentorship and kindness.

There is something magical about watching children take the stage, many perhaps for the very first time, beaming with pride as they perform in front of family and friends. Their enthusiasm was infectious, and the audience responded with enthusiastic applause and cheers. Just as importantly, these younger students were able to look up to the high school dancers as role models and envision what they themselves might one day achieve.

That sense of mentorship and community is what makes programs like this so important. Dance teaches discipline, teamwork, musicality, and self-confidence. It gives students a creative outlet and a way to communicate emotions that words cannot always express. The North Little Rock School District Dance Program has clearly built a program that nurtures young artists at every stage of development, and ARTISTRY IN MOTION served as a shining example of that commitment.

North Little Rock Senior Dancers:

Rainah Anderson, I'Niyah Brown, Rayen Contreras, +Daysiah Covin, +DaMari Cribbs, Athena Croon, +*Kierston Crumpton, +*Crystal Delatorre, Elissa Frierson, Lily Hirscheider, +Taniea Johnson, Sy'nya Lindsey, Desirea Martin, +*Haley Meeks, Jonesha Nathan, Mishka Pacris, Darla Natalia Torres Ramirez, Zakira Royal, Mic'keia Stanley, Morgan Stigall, Samiah Rose Tenner, +*Soie Waits, and +*Elyse Young

+NLRHS National Honor Society for Dance Arts Members

*NHSDA Honor Graduates

StageMag Launches Programmable PDF Editor for Digital Theater Programs

Thu, 21 May 2026 10:04:02 PST

StageMag, the digital show program platform from BroadwayWorld, today launched its new PDF Editor to all producers and stage managers using the service. The tool gives editors granular, real-time control over how their digital program renders as a downloadable or printable PDF - the format most often used in lobby printouts, accessibility packets, and press kits.

Until now, the StageMag-to-PDF path was a one-shot export: whatever fit, fit. The new editor turns the export into a configurable surface. Each section of a program including the cast list, song list, director's note, bios, advertisements, sponsor pages, articles, listings and more — can be individually told how to paginate. Editors choose between three strategies per section:

Flow: natural pagination, sections may split across pages.
Own page: start the section on a fresh page.
Fit one page: start fresh and scale the section to occupy the whole page.

A live preview pane re-renders the PDF on every change, so editors see the final printed result as they work rather than guessing and re-exporting.Beyond the strategy picker, the editor exposes a set of advanced controls familiar to anyone who has hand-tuned a long-form print document: hide-element selectors (drop sponsor strips or vestigial nav from the print version), forced page breaks before or after named elements, a draggable section-order list, custom header/footer/watermark text, and a custom-CSS escape hatch for theaters whose programs follow a house style.

The release also includes paper-level controls including US Letter or A4, portrait or landscape, three margin presets, three type scales, and a "booklet" mode that adds a binding gutter for stapled lobby printouts.

The PDF Editor is available now to all StageMag-enabled productions at no additional cost, under the Share PDF tab in the program editor. Existing programs render with sensible defaults; the new controls are opt-in and per-production.

About StageMag

StageMag is BroadwayWorld's digital playbill platform, used by Broadway, Off-Broadway, regional, university, and community theater productions to publish interactive programs that audiences open on their phones from a QR code in the lobby. StageMag is offered as a free service to participating productions.

About BroadwayWorld

Founded in 2003, BroadwayWorld is the largest theater website in the world, covering Broadway, the West End, and theater news, reviews, interviews, and resources across all 50 US states and 45 countries.

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