THEATREWORKS SILICON VALLEY 2017-18 VALLEY Equity Principal Audition - TheatreWorks Silicon Valley Auditions

Posted March 19, 2017
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THEATREWORKS SILICON VALLEY 2017-18 VALLEY - TheatreWorks Silicon Valley

Theatreworks Silicon Valley 2017-18 Season - San Francisco EPA

TheatreWorks Silicon Valley


AUDITION DATE

Mar 27, 2017

7:00 pm - 12:00 am


APPOINTMENTS

Visit https://www.theatreworks.org/contact-us/auditions/ before Friday, March 24 at 4:00pm to request an appointment.


CONTRACT

LORT Non-Rep LORT B, C Minimums - $861/wk, $799/wk


SEEKING

Actors and Singers for TheatreWorks' 2017/2018 Season of dramas, musicals, comedies and premieres, as well as projects in our New Works Initiative and Education programs.


PREPARATION

Total of 3 minutes: Either one song and one monologue, or two monologues. Bring sheet music in the key you plan to sing, headshot and resume.


LOCATION

American Conservatory Theatre Studios

30 Grant Ave

San Francisco, CA

8th Floor


PERSONNEL

Casting by Associate Artistic Director Leslie Martinson. Please see breakdown for authors.


OTHER DATES

See breakdown for dates.


OTHER

www.theatreworks.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

The Four Immigrants

Book, Music, and Lyrics by Min Kahng, Based on Manga Yonin Shosei by Henry Yoshitaka Kiyama, Translated as The Four Immigrants by Frederik L. Schodt, World Premiere. Directed by Leslie Martinson

Rehearsals begin June 13, 2017

Performs July 12 – August 6, 2017 at the Lucie Stern Theatre, Palo Alto

Setting: The show begins in 1904, and ends in 1924, primarily in San Francisco, California, and nearby locations.

Charlie (Male, Japanese, Tenor, 19-39), Optimistic, charismatic, convincing. He has studied American society, and loves Western philosophy & ideas.

Frank (Male, Japanese, Baritone, 19-39), Kind-hearted, not very bright. Loyal, determined. Secretly, loves selling shoes. Also plays “Twin Child.”

Fred (Male, Japanese, Baritone, 20-40), Down-to-earth farmin’ boy who loves the ladies. Came to seek his fortune. Also plays “Bum”, “Charlie’s Father” and “Bakkapei Bao.”

Henry (Male, Japanese, Tenor, 18-38), Quirky and talented artist who loves finding humor in unexpected places. Came to San Francisco to study at the Art Institute. Also plays “Bum”.

The female cast members play all the other characters, both male and female, primarily Asian-American roles.

Elder (Female, Mezzo, 30s-40s), To play roles including the “Elder at the Buddhist Church”, “Frank’s Lady”, “Hot Dog Doug” and “Scared Bride.”

Kimiko (Female, Alto, 30s-40s), “Kimiko” is a sturdy, strong farmwoman, with a commanding demeanor, who marries Fred. Other roles include “Robber”, “Henry’s Lady”, “Parrot”, and “White Man.”

Anti-Asiatic Leaguer (Female, High Belter, 20s-30s), Other roles include “Fireman”, “Liberty Belle”, “Giddy Bride”, “White Man” and “Toddler.”

Hana (Female, Soprano, 20s-30s), Hana is a performer at the Pan-Pacific Exposition who later marries Charlie. Other roles include “Dr. Omori”, “White Lady”, “Fan-Tan Dealer”, “Judge” and “Vague Bride.”

Constellations

by Nick Payne, Regional Premiere. Directed by Robert Kelley

Rehearsals begin July 28, 2017

Performs August 23 – September 17, 2017 at the Mountain View Center for the Performing Arts

Setting: multiple locations, limitless possibilities (the multiverse)

Marianne (Female, 30s)

Roland (Male, 30s)

The Prince of Egypt

Music and Lyrics by Stephen Schwartz, Book by Philip LaZebnik, World Premiere. Directed by Scott Schwartz

Rehearsals begin September 8, 2017

Performs October 6 – November 5, 2017 at the Mountain View Center for the Performing Arts

Setting: Ancient Egypt

Around the World in 80 Days

Adapted by Mark Brown, From the novel by Jules Verne. Directed by Robert Kelley

Rehearsals begin November 3, 2017

Performs November 29 – December 31, 2017 at the Lucie Stern Theatre, Palo Alto

Setting: Play opens in 1872 England and travels, as the play implies, all over the world.

Actor 1 (Male), Gauthier Ralph, British Consul, Director of Police, Priest, Sir Francis, Judge Obadiah, Chinese Broker, Ship Clerk, Porter, Bunsby, Proctor, Engineer, Mudge, Clerk, Speedy, Ship Engineer, Train Clerk

Actor 2 (Male), Andrew Stuart, Detective Fix, Priest, Conductor, Elephant Owner, Young Parsi, OysterPuff, Reverend Wilson’s Servant (a woman)

Actor 3 (Male), Passepartout, John Sullivan

Actor 4 (Female), James Forster, Newspaperman, Priest, Aouda

Actor 5 (Male), Fogg

The Santaland Diaries

by David Sedaris. Directed by Jeffrey Lo

Rehearsals begin November 14, 2017

Performs December 5 – 23, 2017 at the Lohman Theatre at Foothill College, Los Altos

Setting: Santaland in Macy’s department store, present day

Character Name: (Male, late 20s -early 30s)

Skeleton Crew

by Dominique Morisseau, coproduction with Marin Theatre Company, Regional Premiere. Directed by Giovanna Sardelli

Rehearsals begin at Marin Theatre Company January 2, 2018

Performs January 25 – February 18, 2018 in Marin

Rehearsals begin at TheatreWorks March 3, 2018

Performs March 7 – April 1, 2018 at the Lucie Stern Theatre, Palo Alto

Setting: Detroit, Michigan. Somewhere around the year 2008. The last small exporting auto-plant.

Faye (Female, African American, mid-late 50s), Working class woman. Tough and a lifetime of dirt beneath her nails. Somewhere, deep compassion.

Dez (Male, African American, mid-late 20s), Working class man. Young hustler, playful, street-savvy, and flirtatious…Somewhere, deeply sensitive.

Shanita (Female, African American, mid-late 20s), Working class young woman. Pretty but not ruled by it. Hard-working. By-the-books. Believes in the work she does. Also, pregnant. Somewhere, a beautiful dreamer.

Reggie (Male, African American, late 30s), White collar man. Studious. Dedicated. Compassionate. The Foreman. Somewhere, a fire brims.

The Bridges of Madison County

Book by Marsha Norman, Music and Lyrics by Jason Robert Brown, Based on the Novel by Robert James Waller. Directed by Robert Kelley

Rehearsals begin March 6, 2018

Performs April 4 – 29, 2018 at the Mountain View Center for the Performing Arts.

Setting: Iowa and Italy, 1965.

Francesca (Female, late 30s - early 40s), a beautiful Italian woman, generous, luminous, and funny, now married to a farmer and living in Iowa

Richard “Bud” Johnson (Male, mid 40s), Francesca’s husband, an Iowa farmer, a good guy, diligent and dependable, but always exhausted and irritated that things haven’t gotten easier.

Robert Kincaid (Male, 40-50), a ruggedly handsome, worldly, visionary photographer

Marian (Female, early 30s), Robert’s former wife, a musician, may play other women including: Chiara and State Fair Singer

Michael (Male, 16), Francesca and Bud’s son

Carolyn (Female, 14), Francesca and Bud’s daughter

Marge (Female, 45-60), Francesca’s neighbor, sassy and nosy

Charlie (Male, 60s), Marge’s husband

Finks

by Joe Gilford. Directed by Giovanna Sardelli

Rehearsals begin May 11, 2018

Performs June 6 – July 1, 2018 at the Mountain View Center for the Performing Arts.

Setting: New York City, 1950-1953

Mickey Dobbs (Male, 35-45), A comedian and actor

Natalie Meltzer (Female, 28-35), An actress and activist

Bobby Gerard (Male, 30-35), A choreographer

Fred Lang (Male, 40-50), An actor and painter

Rep. Francis Walter (Male, 45-55), Chairman, House Committee on Un-American Activities


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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