THE PRODUCERS Submission - Maltz Jupiter Theatre, Inc. Auditions

Posted September 13, 2016
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THE PRODUCERS - Maltz Jupiter Theatre, Inc.

THE PRODUCERS - NYC Appointments

Maltz Jupiter Theatre, Inc.

APPOINTMENTS

NYC auditions will be held on an upcoming date TBD in October.


CONTRACT

LORT Non-Rep

LORT B; $836/wk


SEEKING

Submissions from AEA members for various roles. See breakdown. NOTE: AEA members must submit themselves directly in order to be considered via this posting.


INSTRUCTIONS

Mail picture and resume ASAP. Mark submissions: THE PRODUCERS [Role___] / NYC Appointment AEA Submission

Deadline: Fri, Oct 7, 2016


SUBMIT TO

Bob Cline

2214 Frederick Douglass - suite 327

New York, NY 10026


PERSONNEL

Artistic Director: Andrew Kato ; Director: Mark Martino ; Choreographer: Shea Sullivan ; Music & Lyrics: Mel Brooks ; Book: Mell Brooks & Thomas Meehan ; Casting: Bob Cline


OTHER

Reh: 12/19 ; Open: 1/12 ; Close: 1/29

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

SEEKING:

Leo Bloom:

(35-45) an accountant…on the outside he’s boring and mousy, but on the inside he’s a hesitant optimist who is aching for something more…show biz! Tap skills would be a terrific bonus for “I Want to be a Producer” Range: A2-F4.

Max Bialystock:

(40-55) the consummate con man…animated, bombastic, never at a loss for charm and manners. The hysterical (and hysterically funny) portly whirlwind who drives the show. Range: A2-F#4.

Roger Debris:

( 50-60) New York's most famous and flamboyant stage director. Surrounds himself with deliciously beautiful clothing, people, and possessions. In a crowd, it would be impossible to miss him. He can pull off a “terrific buck and wing” and literally “tap circles” around Churchill. Range: G#2-G4.

Ulla Inga Hansen Benson Yonsen Tallen-Hallen Svaden-Svanson:

(20-30) a young and hopeful Swedish actress…her beauty just might eclipse her talent, Ulla is passionate about life and art…a clueless, innocent seductress..sings great and taps very well. Range: A3 - G5.

Carmen Ghia:

(25-40) Roger Debris' faithful and fierce (fierce has a lot of s’sssss) personal assistant. Severe in looks and passion for Roger, he may appear younger than he actually is thanks to skilled surgeons. Range: C3-A4.

Ensemble:

Strong dancer singer that end up playing…..accountants, dancing Bavarian peasants, convicts, first nighters, little old ladies, tapping storm troopers, leggy showgirls, nuns, blind violinists, usherettes, an all gay all the time team of theatrical designers, houseboys, frighteningly bad auditioners, Stalin, Churchill, etc. True triple threats who sing traditional musical theatre very well, dance very well in a variety of styles (most must be excellent tappers), and have the comic chops and fearless creativity to assume the wacky supporting roles that keep the comic engine of The Producers running on full throttle. Some specialty ensemble members are…Springtime for Hitler tenor: the uber-handsome (in a “master race” kind of way) singing lead of the worst production number in history. Mr. Marks: Leo’s boss …a short-tempered, cigar-chomping little tyrant. Hold Me-Touch Me: a woman of “80 or so”…a quintessential little old lady…a very hornylittle old lady she particularly likes playing her favorite game: “The Virgin Milkmaid and the Well-Hung Stable Boy”. Sergeant O’Brien: gruff top cop…speaks in a heavy New York Irish accent and Judge Maxwell: elderly…and very grumpy

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