2014-05-16America/New_YorkAudition2014-05-16THE PHANTOM OF THE OPERA - The Majestic TheatreTHE PHANTOM OF THE OPERA - The Majestic Theatre
THE PHANTOM OF THE OPERA (Broadway)– EPA Cameron Mackintosh and The Really Useful Company | New York, NY
Date of Audition:
Equity Principal Time(s) Equity Principal Auditions Monday, July 7th,2014
10 AM to 6 PM
lunch 1 to 2
$1807/week minimum Location
Pearl Studios NYC "519"
519 8th Avenue
New York, NY
Equity actors who sing, for future replacements for the Broadway.
see breakdown. Preparation
Please be prepared to sing a BRIEF song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided.
Please bring a current picture and resume, stapled together. Other Dates
ECC/Dancers: 6/17/14, at Alvin Ailey Studios, 10:30am women, 2pm men
EPA: 7/7/14, 10-6, at Pearl 519
ECC/Singers: 7/9/14, at Pearl 519, 10am women, 2pm men Other
Casting: Tara Rubin Casting
Music: Andrew Lloyd Webber
Lyrics: Charles Hart
Book: Richard Stilgoe and Andrew Lloyd Webber Personnel
Director: Harold Prince
Choreographer: Gillian Lynne
Production Spvsr. Seth Sklar-Heyn
Production Musical Spvsrs.: Kristen Blodgette and David Caddick
Production Dance Spvsr: Denny Berry
· EPA Rules are in effect.
· A monitor will be provided. Performers of all ethnic and racial background are encouraged to attend. Always bring your Equity Membership Card to auditions.
Seeking future replacements for the Broadway company of “The Phantom Of The Opera.”
Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices.
Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F.
PLEASE NOTE: OPERA SINGERS AND MINORITIES ARE ENCOURAGED TO ATTEND.
20’s: beautiful young singer. Soprano voice that combines elements of classical and pop singing. A light, floaty soprano. She sings briefly to high E.
30’s – 40’s: high baritone or tenor (with a good low range) from low A flat to high A flat. Needs a dynamic, bravura, “star” performance, both frightening and irresistible.
RAOUL, VICOMTE de CHAGNY:
Late 20’s – early 30’s: dashing, handsome young aristocrat. High baritone (2 octave range from A flat to A flat).
FIRMAN & ANDRE:
Late 30’s – 50ish; the managers of the Paris Opera House. Trying to be elegant, they are slightly befuddle and bumbling. Need good instincts for stylish comedy. Good supporting roles. Baritones; one sings to A, one to G.
30’s – EARLY 40’s; the prima donna of The Paris Opera. A diva in every sense of the word. Coloratura soprano, to high E. Requires opera training.
Late 30’s – early 50’s; the Opera’s ballet mistress. An ominous, stern, forbidding figure. Mezzo soprano to high B flat.
Late teens – early 20’s; a member of the Corps de Ballet. Must dance on pointe and sing mezzo soprano to G.
Late 30’s – 50’s; the opera’s leading tenor, Italian style singer, sings to high C. Requires opera training.