FOLGER THEATRE 2015-16 SEASON Equity Principal Auditions - Folger Theatre Auditions

Posted February 17, 2015
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FOLGER THEATRE 2015-16 SEASON - Folger Theatre

Folger Theatre 2015-16 Season - DC EPAs by Appt
Folger Theatre | Washington, DC

Date of Audition:
3/2/2015


Call Type
Equity Principal

Time(s)
Equity Principal Auditions BY APPOINTMENT
Monday, March 2, 2015
9 AM to 5 PM
lunch 1 to 2

Contract
LOA
ref. to LORT: $555/week min.

Location
Folger Shakespeare Library
301 East Capitol Street SE
Washington, DC 20003
Haskell Center, Foulke Room - First Floor


Seeking
Equity actors for various roles in the season.

see breakdown.

Preparation
Please prepare a brief Shakespeare or other classical monologue.

Please bring a headshot and resume, stapled together.

Other Dates
An NYC EPA will be held on an upcoming date still yet TBD.
Check back with Casting Call.

Other
www.folger.edu/theatre.
Theatre Admin. Address: 201 East Capitol Street SE, Washington, DC 20003

Personnel
David Polk, General Manager

· A monitor will not be provided. The producer will run all aspects of this audition.

Appointments
AEA members email Teresa Wood, Casting Assistant - casting@folger.edu; (202) 544-4600 x270 (email preferred)
YOU MUST SPECIFY YOU ARE AEA

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

Folger Theatre practices non-traditional casting. We encourage people of every race, color, culture, age, gender, physical disability, and sexual orientation to audition, EOE.

Theatre's Statement/note: The First Production will either be AS YOU LIKE IT or A MIDSUMMER NIGHT'S DREAM. Therefore, both shows and information are listed below until the final decision has been made on which show will be in that slot.


PRODUCTION #1A – AS YOU LIKE IT

by William Shakespeare
Director: TBD
Casting: Daryl Eisenberg, CSA

Rehearsals Begin: December 29, 2015
Performances: January 26 – March 6, 2016

NOTE: All actors need to be excellent with Shakespearean language. This play will be performed with the actors’ natural accents. Roles may be doubled.

Seeking:

ROSALIND:
Female. 20s-30s. Disguises herself as Ganymede to become closer to her beloved Orlando during her exile in the forest. Clever, independent, strong-willed, and good-natured.

ORLANDO:
Male. 20s-30s. In love with Rosalind, he flees to the forest to escape his hateful older brother and the wrathful duke. Noble, intelligent, and youthful.

DUKE SENIOR:
Male. 50s-60s. Rosalind’s father, and the rightful ruler of the dukedom. Kind, reasonable, and good-spirited.

JAQUES:
Male. 30s-40s. Faithful lord who accompanies Duke Senior into exile. Melancholy and solitary.

CELIA:
Female. 20s-30s. Devoted friend to Rosalind, she disguises herself as a shepherdess Aliena and follows Rosalind into exile. Loving, easily infatuated, and loyal.

DUKE FREDERICK:
Male. 50s-60s. Duke Senior’s brother and usurper of the throne. Cruel, volatile, and vengeful.

LE BEAU:
Male. 20s-40s. A courtier of Duke Frederick’s. A gossip, yet honorable.

TOUCHSTONE:
Male. 30s-50s. A clown in Duke Frederick’s court who accompanies Rosalind and Celia into exile. Vulgar and mocking, yet grounded.

OLIVER:
Male. 30s-40s. Orlando’s older brother. Hateful and loveless, yet his brother’s generosity transforms him into a more compassionate person.

SILVIUS:
Male. 20s-30s. A shepherd in love with Phebe, who scorns him. Lovelorn and youthful.

PHEBE:
Female. 20s-30s. Young shepherdess who falls in love with Ganymede, who tricks her into marrying Silvius. Sarcastic and proud.

LORD AMIENS:
Male. 30s-50s. Accompanies Duke Senior into exile. Faithful and jovial.

CHARLES:
Male. 30s-40s. A wrestler in Duke Frederick’s court. Caring and clever.

ADAM:
Male. 50s-60s. Former servant of Sir Rowland, he accompanies Orlando into exile. Loyal and devoted.

CORIN:
Male. 50s-60s. A shepherd. Simple and realistic.

AUDREY:
Female. 20s-30s. A goatherd who marries Touchstone. Honest, virtuous, and unlearned.

WILLIAM:
Male. 20s. A young country boy in love with Audrey. Simple and sweet.

Total: Cast of 12

---------------

PRODUCTION #1B – A MIDSUMMER NIGHT’S DREAM

by William Shakespeare
Director: TBD

Rehearsals Begin: December 29, 2015
Performances: January 26 – March 6, 2016

NOTE: All actors need to be excellent with Shakespearean language. This play will be performed with the actors’ natural accents. Roles may be doubled.

Seeking:

PUCK:
Male or Female. 20s-30s. Oberon’s jester. Mischievous and enchanting.

OBERON:
Male. 30s-40s. King of the Fairies. Arrogant, angry, and vengeful.

TITANIA:
Female. 30s-40s. Queen of the Fairies. Proud, obstinate, and faithful.

LYSANDER:
Male. 20s-30s. In love with Hermia, flees Athens with her. Free-spirited and shallow.

DEMETRIUS:
Male. 20s-30s. Beloved of Helena, yet attempts to woo Hermia with her father’s favor. Disdainful and arrogant.

HERMIA:
Female. 20s-30s. In love with Lysander, flees Athens with him to escape her disapproving father and the pursuit of Demetrius. Strong-willed and excitable.

HELENA:
Female. 20s-30s. In love with Demetrius, who scorns her. Obsessive, anxious, and wistful.

EGEUS:
Male. 50s-60s. Father to Hermia. Old-fashioned, strict, insensitive.

THESEUS:
Male. 50s-60s. Duke of Athens. Steadfast, sympathetic, yet upholds the law.

HIPPOLYTA:
Female. 20s-40s. Queen of the Amazons, betrothed to Theseus. Proud and compassionate.

PETER QUINCE:
Male. 30s-50s. Organizes the group of men to present the play he has written for Theseus and Hippolyta’s wedding day.

NICK BOTTOM:
Male. 40s-50s. Pyramus in Quince’s play. Light-hearted, jovial, a ham.

FRANCIS FLUTE:
Male. 30s-50s. Thisbe in Quince’s play. Soft-spoken and thoughtful.

ROBIN STARVELING:
Male. 30s-50s. Moonshine in Quince’s play.

TOM SNOUT:
Male. 30s-50s. The Wall in Quince’s play. Cautious and serious.

SNUG:
Male. 30s-50s. The Lion in Quince’s play. Slow-witted yet sweet.

PHILOSTRATE:
Male. 30s-50s. Master of Revels at Theseus’s court.

COBWEB / MOTH / PEASEBLOSSOM / MUSTARDSEED:
Female. 20s. Titania’s fairies.

Total: Cast of 12

======

PRODUCTION #2 – DISTRICT MERCHANTS

by Aaron Posner
Director: Aaron Posner

Rehearsals Begin: April 5, 2016
Performances: May 3 – June 5, 2016

Seeking:

B.:
Male or Female. 20s-40's. A vibrant, smart, passionate, irreverent African-American singer/storyteller/musician. Engaged, wry, ironic, and insightful.

J.:
Male or Female. 20s-40's. A vibrant, smart, passionate, irreverent Jewish singer/ storyteller/musician. Engaged, wry, ironic, and insightful.

ANTOINE:
Male. 50s-60s. An prosperous, intelligent, melancholy, deep-feeling African-American merchant. A leader in his community, a fierce and loyal friend, and a man of conscience and conviction.

SHYLOCK:
Male. 50s-60s. A prosperous, ruminating, vitriolic Jewish merchant and money lender. A pillar of his own community, and an observant Jew. A man of conscience and conviction. Also angry, wounded and difficult.

JESSICA:
Female, Jewish, should feel early to mid 20s. Shylock's daughter. Bright, desperate, dynamic, sheltered, big-hearted, lovely and alluring.

BENJAMIN BASSANIO:
Male. 20s-30s. A charming, handsome, very light-skinned African American man. Ambitious, complex, strong and determined.

LORENZO (REN):
Male. 20s-30s. An unscrupulous, charming, enthusiastic and not overly insightful genuine rascal. Possibly Latino. Not white or black.

PORTIA:
Female. 20s-30s. A wickedly smart, very witty, entirely shrewd, somewhat jaded, very wealthy white daughter-of-a-lawyer.

NESSA:
Female. 20s-40s. Portia's servant/friend. Quick-witted, sharp-tongued, deeply insightful and radically honest. African American.

LANCELOT:
Male. 20s-40s. Shylock's servant. Confused, erudite, conflicted, funny, hopeful and heartfelt in word and deed. African American.


Total: Cast of 10

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