COWGIRLS - OPEN Auditions and By Appointment in GA
Date of Audition:
• A monitor will not be provided. The producer will run all aspects of this audition.
Email firstname.lastname@example.org to request appointment or video audition; If no email access, call 404-523-1477 x113 **
Performers of all ethnic and racial background are encouraged to attend.
Beethoven meets Blue Grass in this hilarious musical. A trio of classical musicians wind up accidentally booked as the featured act for the grand re-opening of a once Opry-esque roadhouse. The Coghill Trio has been mistaken for the Cowgirl Trio! Can they abandon Handel for Hank Williams and become country music heroines in just 24 hours?
SYNPOSIS: Jo is in a pickle: she has 24 hours to save Hiram Hall, her father's country/western saloon in Rexford, Kansas, from foreclosure. Although the Hall has seen better days, she's determined to keep it open, but how? What will pack in the crowds? Mickey, Jo's hard-livin' wise-crackin' waitress has just been dyin' to get up on that stage and prove that she's got what it takes to make it as a singer, and Mo, Jo's cook/cashier, is right behind her. That's all well and good, but Jo has other plans: she wants cowgirls and she's booked the Cowgirl Trio, sure it will save the saloon.
But there is no Cowgirl Trio; a misunderstanding on the phone brings to Rexford the Coghill Trio: Rita, Lee and Mary Lou, classical musicians, currently on a reunion tour. Jo isn't looking for classical music but the Coghill Trio are looking for a legitimate booking (as Mary Lou says, "where are we playing next ... Monty Hall?"). These six women surely mix like oil and water: Jo could have had a brilliant career as a country singer herself, but she gave up her dream to run her daddy's business; Mickey needs one more chance to sing or all her dreams will slip away; Mo can't bear to think that Jo might lose the place and will do anything to help her keep it; Rita planned the current tour because she and her husband are about to have their first child and she's not sure she'll ever perform again; Lee, always searching, has begun to feel like she's never going to find what she's looking for, and feels they should give Hiram Hall a chance; Mary Lou, just about to bust from following rules all her life, can't stand the fact that this isn't a real booking, and feels her career is doomed. Fate must have brought these six women together and they side out - it's classical versus country. Can they meet in the middle?
All races and ethnicities encouraged to audition.
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