Combined LORT Auditions (Actors Theatre of Louisville and Guthrie Theater) - NYC EPA
Various Producers
AUDITION DATE
Apr 27, 2017
9:30 am - 5:30 pm (EDT)
Lunch 1 to 2
Apr 28, 2017
9:30 am - 5:30 pm (EDT)
Lunch 1 to 2
CONTRACT
LORT Non-Rep ATL: Cat. B and D ($861 and $637/wk current min) GT: Cat. A, B, and D ($992, $861 and $637/wk current min)
SEEKING
Equity actors and singers for various roles within the upcoming 2017-18 Seasons for:
The Actors Theatre of Louisville, Louisville, KY
and
The Guthrie Theatre, Minneapolis, MN
PREPARATION
TOTAL AUDITION TIME NO MORE THAN 2 MINUTES
Prepare EITHER:
1) Two one-minute monologues, one contemporary and one Shakespearean in verse; OR
2) Prepare a one-minute monologue of choice and 16 bars of a song. Bring sheet music; accompanist provided.
Bring picture and resume.
LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
Expected to be in attendance at the EPA:
Emily Tarquin- Artistic Producer, Actors Theatre of Louisville
Zachary Meicher-Buzzi- Artistic Manager, Actors Theatre of Louisville
Katja Zarolinski- Casting Associate for The Guthrie Theater, Member of McCorkle Casting
Michael Hicks- Accompanist
OTHER
www.actorstheatre.org
www.guthrietheater.org
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Actors Theatre of Louisville 2017-18 Season
mailing address: 316 W. Main St., Louisville, KY 40202
ANGELS IN AMERICA: PARTS 1 & 2 (In Rotating Rep)
by Tony Kushner
Directed by Meredith McDonough
1st Reh: 7/5/17, Opens: 8/31/17, Closes: 10/15/17
LORT B
Currently Seeking actors for ALL ROLES, each actor has traditional doubling
__________
DRACULA
adapted and directed by William McNulty
1st reh: 8/10/17, Opens: 9/8/17, Closes: 10/31/17
LORT D
Seeking actors of all races and ethnicities, requires wide emotional and physical range
DRACULA
male, early-mid 40, has a strange sense of exotica, an old-world charm hiding a ferocious, raging blood-thirsty monster
LUCY WESTPHAL
female, mid-late 20, transforms from a somewhat ill, sweet and gentle girl bereft by the death of her best friend and the apparent loss of her fiance into a wild, drug-driven lost soul holding on by a thread of hope.
DR. SEWARD
male, early - mid 30, a physician who operates a home for the insane, he is a logical academic whose world has suddenly gone mad; his finace has died, his dear friend if quite ill and inexplicable things are happening.
ROBERT RENFIELD
Male, early - mid 30, a lunatic of unique appetites and an unfortunate sense of humor. Must have excellent physical skill.
NORBERT BRIGGS
Male, mid - late 30, an attendant at the asylum. A rough customer; not entirely a brute, but capable of violent behavior when pushed.
__________
LITTLE BUNNY FOO FOO
by Anne Washburn, Original Composition by Dave Malloy, Directed by Les Waters
1st Reh: 12/9/17, Open: 1/11/18, Closes: 2/4/18.
LORT D
THE BLUE FAIRY
any gender, a mysterious and ethereal creature, must be a singer
CATMONSTER
any gender, a big lug, must be a singer
GENTLEMEN TOADS
3 male actor musicians, each proficient in either Saxophone, Trombone, or Drums. Must be able to read sheet music.
___________
SKELETON CREW
by Dominique Morisseau, Directed by TBA
1st Reh: 12/27/17, Open: 1/25/18, Closes: 2/11/18.
LORT B
Currently seeking actors for ALL ROLES
__________
A CHRISTMAS CAROL
1st reh: 10/26/17, Open: 11/24/17, Closes: 12/23/17,
LORT B
Currently seeking ensemble roles.
___________
Plays in the Humana Festival of New American Plays for 2018 will be announced mid- November, 2017
No Roles are understudied except for roles in Dracula.
Guthrie Theater 2017-18 Season
mailing address: 818 South 2nd Street, Minneapolis, MN 55415
ROMEO & JULIET (LORT A)
by William Shakespeare
directed by Joseph Haj
1st Reh: 15th August 2017
Opening: 15th September 2017
Closing: 28th October 2017
All roles open
WATCH ON THE RHINE (LORT B)
by Lillian Hellman
directed by TBA
1st Reh: 5th September 2017
Opening: 6th October 2017
Closing: 5th November 2017
All roles open
A CHRISTMAS CAROL (LORT A)
by Charles Dickens
adapted by Crispin Whittell
directed by TBA
1st Reh: 17th October 2017
Opening: 18th November 2017
Closing: 30th December 2017
All roles open
BLITHE SPIRIT (LORT B)
by Noël Coward
directed by TBA
1st Reh: 31st October 2017
Opening: 1st December 2017
Closing: 14th January 2018
All roles open
TBA - PLAY (LORT A)
To be announced April 17
1st Reh: 23rd January 2018
Opening: 23rd February 2018
Closing: 25th March 2018
All roles open
FAMILIAR (LORT B)
by Danai Gurira
directed by TBA
1st Reh: 13th February 2018
Opening: 16th March 2018
Closing: 15th April 2018
All roles open
GUESS WHO’S COMING TO DINNER (LORT A)
by Todd Kreidler
based on the screenplay Guess Who’s Coming to Dinner by William Rose
directed by TBA
1st Reh:13th March 2018
Opening: 13th April 2018
Closing: 27th May 2018
All roles open
AN ENEMY OF THE PEOPLE (LORT B)
by Kia Corthron
based on the play by Henrik Ibsen
directed by Lyndsey Turner
1st Reh: 27th March 2018
Opening: 4th May 2018
Closing: 3rd June 2018
All roles open
TBA – MUSICAL (LORT A)
To be announced April 17
1st Reh: 15th May 2018
Opening: 22nd June 2018
Closing: 26th August 2018
All roles open
THE LEGEND OF GEORGIA MCBRIDE (LORT B)
by Matthew Lopez
directed by TBA
1st Reh: 19th June 2018
Opening: 20th July 2018
Closing: 26th August 2018
All roles open
***All roles on our LORT A stage are understudied
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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