Actors Theatre of Louisville 2017-18 Season - Louisville EPA
Actors Theatre of Louisville
AUDITION DATE
Apr 24, 2017
12:00 pm - 7:00 pm (EDT)
Auditions will be up to ten minutes each by appointment with the hours you indicate your availability.
APPOINTMENTS
Auditions must be by appointment. Please register for an appointment by completing the form at http://actorstheatre.org/auditions/
CONTRACT
LORT Non-Rep LORT B ($861/wk min) and LORT D ($637/wk min)
SEEKING
AEA actors of all race, ethnicity, gender, and ability are encouraged to attend. Please see breakdown for more information.
PREPARATION
2 monologues, both contemporary, no more than 3 minutes combined. if you like you may also prepare up to 1 minute of a song of your choice (please notify us if you will be singing in the appointment form & bring sheet music; an accompanist can be provided if requested during registration).
LOCATION
Actors Theatre of Louisville- Alexander Speer Building
315 West Market Street
5th Floor
Louisville, KY 40202
Audition building separate from theatre building/Shares entrance with Fedex
PERSONNEL
Emily Tarquin, Artistic Producer / Zachary Meicher-Buzzi, Artistic Manager
OTHER DATES
See breakdown.
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
ANGELS IN AMERICA: PARTS 1 & 2 (In Rotating Rep) by Tony Kushner, Directed by Meredith McDonough, 1st Reh: TBD, Opens: 8/31/17, Closes: 10/15/17, LORT B
Currently Seeking actors for ALL ROLES, each actor has doubling
DRACULA adapted and directed by William McNulty, 1st reh: 8/10/17, Opens: 9/8/17, Closes: 10/31/17, LORT D
Seeking actors of all race and ethnicity, requires wide emotional and physical range
DRACULA, male, early-mid 40, has a strange sense of exotica, an old-world charm hiding a ferocious, raging blood-thirsty monster
LUCY WESTPHAL, female, mid-late 20, transforms from a somewhat ill, sweet and gentle girl bereft by the death of her best friend and the apparent loss of her fiancé into a wild, drug-driven lost soul holding on by a thread of hope.
DR. SEWARD, male, early - mid 30, a physician who operates a home for the insane, he is a logical academic whose world has suddenly gone mad; his fiancé has died, his dear friend if quite ill and inexplicable things are happening.
ROBERT RENFIELD, Male, early - mid 30, a lunatic of unique appetites and an unfortunate sense of humor. Must have excellent physical skill.
NORBERT BRIGGS, Male, mid - late 30, an attendant at the asylum. A rouch customer; not entirely a brute, but capable of violent behavior when pushed.
LITTLE BUNNY FOO FOO: by Anne Washburn, Original Composition by Dave Malloy, Directed by Les Waters, 1st Reh: 12/9/17, Open: 1/11/18, Closes: 2/4/18. LORT D
THE BLUE FAIRY, any gender, a mysterious and ethereal creature, must be a singer
CATMONSTER, any gender, a big lug, must be a singer
GENTLEMEN TOADS, 4 male actor musicians, each proficient in either Saxophone, Trombone, Upright Bass, or Drums. Must be able to read sheet music.
SKELETON CREW by Dominique Morisseau, Directed by TBA, 1st Reh: 12/27/17, Open: 1/25/18, Closes: 2/11/18. LORT B
Currently seeking actors for ALL ROLES
Ensemble roles are available in A CHRISTMAS CAROL: 1st reh: 10/26/17, Open: 11/24/17, Closes: 12/23/17, LORT B
Plays in the Humana Festival of New American Plays for 2018 will be announced mid- November, 2017
No Roles are understudied except for roles in Dracula.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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