Prince Charming George Hamilton and Callipygian Christopher Sieber Dazzle Detroit in LA CAGE


By Dr. Anton Anderssen

Prince Charming George Hamilton and callipygian Christopher Sieber are now on stage at the beautiful Fisher Theatre, in the outrageous and wacky musical "La Cage aux Folles".  Broadway In Detroit is always working hard to bring entertainment that appeals to diverse audiences, and this is one of those niche productions that had audiences rolling in the floors with laughter.

Irreverent and glamorous, this is the story of a gay couple who own a cabaret on the French Riviera.  Their son John-Michel (Michael Lowney) is straight, and wants to marry a girl from an ultra-conservative family.  My heart bleeds for these folks, because I know first-hand the emotional turmoil felt on both sides of the fence. 

I came from an ultra-conservative family, in an ultra-religious community in Amish Territory in a red state, and we had a home that looked like John-Michel was our decorator.  We had crosses, pictures of Jesus, even pews where people sat when they came to our home prayer meetings.  Two of my uncles, James and Clarence were conservative Baptist preachers, with religious convictions to rival the Westboro Baptist Church.  My mother went to a conservative all-girl Catholic high school, run by nuns from Hell.  The stork must have made a wrong turn when it brought me, a sensitive Broadway-Show-Tunes-loving bubbly, chubbly progressive, something like Cameron (Eric Stonestreet) on "Modern Family" into this land of "Green Acres".  Zsa Zsa / Eva Gabor on a pig farm, it was.

The bridge between left and right is fraught with peril, and it is invariably constructed of eggshells. I'm certain that John-Michel's task of telling his future in-laws that his parents are gay is similar to one of Mitt Romney's sons announcing his betrothal to Honey Boo Boo.  

I never fell for George Hamilton as gay Georges from Saint-Tropez; I saw him as a star with a really good sense of humor.  I suspect he's on stage because he's a huge box office draw, and he's there to charm the audiences.  Hamilton is always perceived as sharply dressed, highly refined, with immaculate grooming. In La Cage, he lets us see him with disheveled hair after he pulls his head out of Albin's butt.  It's a hilarious side of Hamilton we rarely get to see.

The callipygian Christopher Sieber is best known for his role as the handsome daddy on "Two of a Kind;" in La Cage he plays Albin and his alter-ego "Zaza." Sieber brought the house down in Act I's finale, "I Am What I Am".  This song was recorded by Gloria Gaynor and proved to be one of her biggest hits. It was also recorded by other artists, including Tony Bennett, Pia Zadora, John Barrowman and Shirley Bassey, becoming the anthem of the Gay Pride movement.  Sieber has more talent in his little finger than I'll ever have in my whole body.  I'm really envious of him – his handsome looks, amazing talent, incredible career, and radiating charisma. But I won't let me envy turn an ugly shade of green; instead I'm going to say, he's a gift to the stage.

Sieber is hunky and adorable, showing exceptional talent as a stage chameleon, however I never got into his female character – I guess I just like him too much as a man.  The chorus never struck me as drag queens either – just acrobats in dresses and big hair.  At pride events I've seen gurl impersonators that look like Jennifer Aniston "to the T" so real it was impossible to tell they were genetically male.  The Cagelle gurls (Matt Anctil, Logan Keslar, Donald C. Shorter Jr., Mark Roland, Terry Lavell, and Trevor Downey) have developed muscles in places where I don't even have places: to me, they still looked like men.

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Anton Anderssen Dr. Anton Anderssen is a cultural anthropologist, specializing in "high culture." Visit his web page at Anton is a member of several high IQ societies, including Mensa, Triple 9, ISPE and Prometheus. He has seasonal residency on the Italian Riviera, The Alps, Hawaii, Michigan and elsewhere world-wide covering cultural events. Dr. Anderssen's articles are included in the United States Library of Congress as part of their Official Performing Arts Historical Web Archives.

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