Dallas Theater Center to Collaborate with Dallas Museum of Art for RED, Feb-March 2013
Dallas Theater Center announced today its first production-specific collaboration with the Dallas Museum of Art in conjunction with the Tony Award-winning play Red, which runs February 7-March 24 at the Dee and Charles Wyly Theater, 9th Floor. This unique effort will invite patrons and visitors of both organizations to learn about the world of artist Mark Rothko by seeing the play at DTC, viewing original works of art by Rothko and his contemporaries at the DMA and engaging in a special events about the work at both DTC and at the DMA.
"Dallas Theater Center is committed to creating meaningful collaborations with our peer organizations in the Arts District," says DTC artistic director Kevin Moriarty. "This collaboration with the Dallas Museum of Art will invite our audience to engage in a dialogue that will extend beyond the play itself. We hope that throughout the run of Red audiences are inspired to visit the DMA and expand their understanding of art."
The collaboration includes public events and pre and post show learning opportunities beginning with an Arts & Letters Live program on January 17. The DMA will host Rothko specialist Carol Mancusi-Ungaro and a panel of experts moderated by Maxwell L. Anderson, the Eugene McDermott Director of the Dallas Museum of Art. This conversation will focus on the life and work of abstract expressionist Rothko and provide audience members with an in-depth look at the man at the center of Red. It will also include a brief sneak-peek performance excerpt.
"We're so pleased to work with DTC to give context to Mark Rothko's achievements, through his paintings in the DMA's collection and through the acute observations of talented experts, including Carol Mancusi-Ungaro, who knows his work as well as anyone," said Anderson.
A highlight of the collaboration will be Red In-Depth, a four-hour afternoon seminar on Saturday, February 23, which will take place at both the Wyly Theatre and the DMA. Seminar participants will start the afternoon at the Wyly, where they will engage in a pre-show lecture and a performance of Red. After seeing the play, the audience will join the cast in walking to the DMA for a personalized tour of paintings that reflect on the ideas in the play, as well as participating in opportunities for hands-on art experiences and a discussion with the actors and DMA staff members.
Other public engagement opportunities include Come Early, DTC's free, 30-minute pre-show lecture that will be offered one hour before every performance of the play at the Wyly, and Stay Late, a free, post-show conversation with cast members after each performance. The DMA will provide content to be shared in these settings, as well as collaborating to create Study Guides for teachers and students, on-line content available to anyone, and information published in the play's program.
In addition to public offerings, the DMA is providing director Joel Ferrell, set designer Bob Lavallee, and the cast of Red access to artistic and historical resources to support their creative work on the production. The institutions are also working together to develop a creativity workshop for DTC and DMA employees to learn more about Rothko and the production in cross-institutional settings, including opportunities for the entire DTC staff to visit the DMA and for the DMA staff to attend a free, private performance of Red.
A schedule of programming and events follows. For complete details about currently scheduled items and those in the development process, how to participate and how to purchase tickets, visit www.DallasTheaterCenter.org.
At a Glance: DTC and DMA's Red Collaborative Programming and Production Information
Dallas Theater Center's Red - Thursday, February 7-Sunday, March 24, 2013
How Would You Handle a Brush With Genius?
New York. 1958. Mark Rothko - uncompromising, volatile, brilliant - undertakes a new commission. His newly hired assistant challenges the master's theories. This production turns the 9th floor of the Wyly Theatre into Rothko's studio for a thrilling bio-drama as vivid as any primary color. Contains adult language.
• Thursday, January 17: ARTS & LETTERS LIVE event, Red: An Inside Look at the Art and Life of Mark Rothko
The DMA's literary and performing arts series will host an evening with conservator and specialist Carol Mancusi-Ungaro and others, moderated by Maxwell L. Anderson, to discuss the life and work of Mark Rothko. Director Joel Ferrell will share insights about the play Red, and actors Kieran Connolly (Rothko) and Jordan Brodess (Ken) will perform a brief excerpt.
• Thursday, February 7: Pay-What-You-Can performance of Red
This program allows patrons to purchase any seat in the house for any amount they choose. Tickets to this performance will be on sale online beginning Friday, February 1. Any unsold tickets will be available for purchase at the Wyly Theatre Box Office the night of the performance.
• Friday, February 8-Thursday, February 14: Red preview performances
• Friday, February 15: Red Opening Night (sold out)
• Tuesday, February 19 and Wednesday, February 27: Red Student Matinee Immersion
This student-only, school-day program pairs the experience of watching DTC's production of Red with a tour of art by Mark Rothko and other Abstract Expressionist artists at the DMA.
• Saturday, February 23 (1:00p): Red In-Depth
This four-hour experience will include a ticket to attend a performance of Red, a guided tour of the DMA, a hands-on creativity experience, and a conversation with members of the cast and DMA experts. Registration for Red In-Depth will begin on December 18. Spaces are extremely limited and expected to sell-out.
• Ongoing: Community Engagement
DTC will invite patrons to Come Early to learn about the play one hour before it starts and to Stay Late to talk with members of the cast for about 20 minutes after the show. There will also be several cross-audience prompts between the two organizations to encourage conversation about Mark Rothko and Red.
• Sunday, March 24: Red closes