TimeLine Theatre Announces 2011-12 Season

TimeLine Theatre Announces 2011-12 Season

TimeLine Theatre Company, named the nation's theater "Company of the Year" for 2010 by Terry Teachout in The Wall Street Journal and "one of the Chicago theater's most impressive growth stories" by Chris Jones in the Chicago Tribune, announces its four-play 2011-12 season. Dedicated to presenting plays inspired by history that connect to today's social and political issues, TimeLine's 15th Anniversary season includes one world premiere, two Chicago premieres, a revival of a Pulitzer Prize-nominated work presented with a twist, and the TimeLine debut of two of Chicago's most prominent directors.

In response to unprecedented growth over the past two seasons, including a 75 percent increase in the number of subscribers and multiple sold-out productions, TimeLine is expanding to accommodate audience demand with longer runs made possible by the addition of using a second venue. The opening production of the 2011-12 season will be presented at Theater Wit, located at 1229 W. Belmont Avenue in Chicago, with the remaining three productions taking place at TimeLine Theatre's home just blocks away at 615 W. Wellington Avenue.

"TimeLine has crafted a vision for how we can continue to expand in smart ways, elevating our profile in Chicago and beyond and introducing our mission to a broader audience," Artistic Director PJ Powers said. "This expansion beyond our home on Wellington Avenue is part of that vision, as we increase the number of performances and available tickets in the season to allow more audience members to experience TimeLine's unique brand of theatre."


A WALK IN THE WOODS by Lee Blessing
directed by Nick Bowling
Opening August 22, 2011
Presented at Theater Wit, 1229 W. Belmont Ave., Chicago

In this compelling drama, two superpower arms negotiators meet informally in the woods after long, frustrating hours at the bargaining table. The Russian is a seasoned veteran, urbane and witty but profoundly cynical about what the negotiation sessions can accomplish. The American is a newcomer to bi-lateral talks and fervently idealistic about what can be achieved through perseverance and honest bargaining. Their absorbing, revealing and humorous conversations become a brilliant meditation on both the eternal hope and relentless futility of high stakes politics. A Walk in the Woods was nominated for the Pulitzer Prize and a Tony Award for Best New Play, and Time magazine called it "a work of passion and power with the ring of political truth."

In a twist on the traditional casting of two men for this play, approved by playwright Lee Blessing, A Walk in the Woods will feature TimeLine Company Member Janet Ulrich Brooks as the Russian negotiator and TimeLine Company Member David Parkes as the American. Brooks most recently appeared in The Seagull at The Goodman Theatre and has received Jeff Award nominations for her last four performances at TimeLine (All My Sons, When She Danced, Not Enough Air and Weekend). Parkes most recently appeared in TimeLine's Chicago premiere of Frost/Nixon and Everyman Theatre's Blackbird in Baltimore, and is currently appearing in Odradek at The House Theatre of Chicago.

Chicago Premiere
directed by BJ Jones
Opening September 10, 2011
Presented at TimeLine Theatre, 615 W. Wellington Ave.

Heralded in London and on Broadway, this new play by the Tony Award-winning writer of Broadway's Billy Elliot is based on the triumphant true story of a group of miners from Northern England who become the unlikeliest art world sensations. In 1934, these miners hired a professor to teach an evening class on art appreciation. Unexpectedly, they were asked to grab a brush and paint. After many months of banter, experimentation and practice, the result was an astonishing body of work that took the art world by storm. An arresting and hilarious salute to the power of individual expression and the collective spirit, The Pitmen Painters is a humorous, deeply moving and timely look at art, class and politics. "Extraordinary for all sorts of reasons" wrote The Guardian after the play's premiere in London, "it is a funny play that asks big questions about education, culture and the working class."

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