BWW Reviews: Whether Michelle Duffy or Heather Beck, ItÂ's ALWAYSÂ…PATSY CLINE in Munster


Gradually emerging as a work for the theater from casual beginnings in Houston in 1988, expanded for productions in Atlanta and Nashville (starring Mandy Barnett) in the mid-1990s, then to off-Broadway, to Chicago and beyond, "Always…Patsy Cline" was created to frame the immortal songs and voice of Patsy Cline in a theatrical context. With book by Ted Swindley, it was always a slight piece, with two actresses, a band and about two hours of material--counting the intermission. Yet the show has been made a staple of sorts in regional theaters far and near, by audiences for nostalgia, country classics and powerhouse actresses. Theatre at the Center in Munster, Indiana, (a half-hour's drive and a world away from the Chicago Loop) planned a production many months ago, to star Chicago native and now Los Angeles television star Michelle Duffy ("Desperate Housewives," "House"). And all was well.

However, Broadway had other plans for Duffy, who is now in preparation to co-star in the new Alan Menken/Glenn Slater musical "Leap of Faith," starring former Chicagoan Raul Esparza and set to begin performances at the St. James Theatre on Broadway on April 3rd. The Munster run of "Always…Patsy Cline" is scheduled from February 26th to April 1st, so apparently that wasn't going to work out! Duffy reluctantly bowed out, and Munster artistic director William Pullinsi and the show's director, Brian Russell, looked around for a new star. And not just any star, mind you. One who can embody the spirit and voice of one of country music's most legendary stars, and sing 27 complete songs during every performance. Eight times a week.

Their search led them to the Dutch Apple Dinner Theatre in Lancaster, Pennsylvania, where a different two-hander musical, "A Closer Walk With Patsy Cline," was currently in performance, starring Kendallville, Indiana, native Heather Beck. A match was made, and here we are. And Cline, and Chicago area audiences, are richer for the winds of fate blowing the way they did. Twenty-nine-year-old Beck is great. And her co-star, the busy Chicago actress Janelle Snow, is pretty great too. She's got most of the talking to do, and she handles it magnificently.

The conceit of this show is that a real-life sort of superfan, Houston's Louise Seger, is telling us, the audience, about her devotion to singing star Cline, whose career lasted just six years, from an appearance on "The Arthur Godfrey Show" in 1957 until her death in a small plane crash in 1963. The two women met in 1961, and were pen pals for the remainder of Cline's life (the Winchester, Virginia, native died at age 30). The first woman inducted into Nashville's Country Music Hall of Fame, Cline was the subject of the Jessica Lange film "Sweet Dreams," was a character in the Loretta Lynn bio-pic "Coal Miner's Daughter" (played by Beverly D'Angelo) and was one of the biggest selling artists of the early compact disc era (her greatest hits compilation sold millions and millions of copies, fueled by such immortal hits as "Crazy" [by Willie Nelson], "Walkin' After Midnight," "I Fall To Pieces," "It Wasn't God Who Made Honky Tonk Angels," "Blue Moon of Kentucky" and "She's Got You").

And so, through directly addressing the audience, calling up an unseen DJ to play Cline's records, conjuring Cline to appear in her memory, and taking part in a few dialogue scenes with her idol (including a memorable night in her kitchen), Snow's Seger reveals much about her quite average divorcee life and how Cline, a more sophisticated-looking woman that any country star before her, helped her through her troubles and made her a better person for it.

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Paul W. Thompson Paul W. Thompson, a contributor to since 2007, is a Chicago-based singer, actor, musical director, pianist, vocal coach, composer and commentator. His career as a performer, teacher and writer is centered at Paul W. Thompson Music, located in Chicago’s historic Fine Arts Building, where he teaches the great songs of Broadway to the next generation of musical theater performers. A native of Nashville, Tennessee, Paul was raised in a family of professional musicians and teachers, steeped in classical, gospel, country, pop, sacred and show music. Dubbed a “thin, winsome lad” at the age of 13 by a critic for the Nashville Banner, he earned two degrees in musical theater (a B.F.A. with Honors from Baylor University and an M.M. from the University of Miami, Florida), plus an M.B.A. with Distinction from DePaul University. Paul’s memberships include Actors’ Equity Association, the American Guild of Musical Artists, the National Academy of Recording Arts and Sciences (proud voter for the Grammy Awards!), the National Association of Teachers of Singing and New York’s Drama League.

Moving easily between the worlds of classical music, religious music, classic pop and musical theater, Paul has appeared onstage or in the orchestra pit in concerts, musicals, operettas and operas in 30 states and in Europe, in a career spanning more than 35 years. His Chicagoland stage credits include “Forever Plaid” at the Royal George Theater and twenty mainstage productions at Light Opera Works. Paul joined the Chicago Symphony Chorus in 1995 (he was Tenor I Section Leader for four years and sings on two Grammy-winning recordings), and is one of Chicago’s foremost liturgical singers, marking 20 years as a member of the choir at St. James Cathedral (Episcopal) in 2011.He has composed and arranged a number of anthems, hymns and songs for worship and concert use, and collaborates on the creation of new works of musical theater. Paul can be found on Monday nights watching showtune videos at the world-famous Sidetrack nightclub, the inspiration for his weekly column, “The Showtune Mosh Pit.” His proudest achievement is that he has seen the original Broadway production of every Tony Award-winning Best Musical since “Cats.” No, really. Since “Cats!”

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