Chucho Valdes Comes To Storrs 1/27-28
Pianist and composer Chucho Valdés will perform in Storrs, CT with the Afro-Cuban Messengers on Jan 27 & 28, 2012, featuring performances from the Grammy Award winning album, Chucho's Steps.
About the performance: In his first solo project since 2003's New Conception, Valdés once again speaks through his distinctive and extraordinary compositions and arrangements, reflecting his personal and creative evolution.
About the artist: "Born in Quivicán, Cuba, in 1941, Chucho Valdés is one of Cuba's most famous pianists, bandleaders, composers and arrangers. Having began his music training with his father, famed pianist Bebo Valdés, when he was 3 years old, Chucho's style melds his diverse experiences and skills: classical, jazz, bop, Cuban and swing, all combined by his virtuosic dexterity on the piano. Perhaps best known for founding the influential Latin jazz band IRAKERE in 1972, Valdés continues to develop unique works of art, generating ideas for a change of style, orchestral format and concept, that nonetheless end up characteristically reflecting pure Chucho."
"While exploring his own growth, Valdés, joined by the Afro-Cuban Messengers, pays tribute to those that have influenced him and aided his musical development. For example, the title track, a tribute to John Coltrane and his masterpiece Giant Steps, rounds off the harmonic structure in 50 bars without repetition. The improvisation and variations heard in this track create the illusion of a concert or suite, while exhibiting the virtuosity of Valdés and the Afro-Cuban Messengers. The upbeat and funky opening track, "Zawinul's Mambo," pays homage to Austrian keyboardist and composer, Joe Zawinul, whom Valdés cites as an integral inspiration to the development of his composition and technique."
"New Orleans," a tribute to the musicians of New Orleans, specifically the Marsalis family, is a walk through the history of the "birthplace of jazz" beginning with Jelly Roll Morton's transformation of ragtime to jazz.
In the opening notes of "Yansa," Valdés and the Afro-Cuban Messengers deftly evoke Yoruba mythology's "Queen of the Wind and Storms." In conjuring this powerful Goddess, Valdés juxtaposes the powerful cacophony of violent storms with the melodic resolution found in the call and response of a chorus. His interpretation of this classic deity weaves the clave rhythm in and out of the composition in a very non-traditional manner, providing a fresh modern insight to an ancient religious belief.
"Julian," a bluesy lullaby dedicated to Chucho's youngest son, is a melodic tune ranging from the lyrical to the playful. The beautiful melody, along with the saxophone and trumpet solos, contribute to the wonder of simplicity inspired by father-son tenderness.