BWW Interviews: Broadway's James Tabeek Chats Going from Stage to Screen on THE RESIDUALS

Related: James Tabeek, THE RESIDUALS
BWW Interviews: Broadway's James Tabeek Chats Going from Stage to Screen on THE RESIDUALS

Described by friend, and co-creator of THE RESIDUALS, Michael Paul Smith as the "Unofficial Mayor of Midtown," James Tabeek has appeared on Broadway in BEAUTY AND THE BEAST, TABOO, and MARY POPPINS, and on tour with WICKED. However, recently, James has been subtly moving his career away from the stage towards screens of all sizes. His first step in this new direction was in the first season of the hit webseries THE RESIDUALS. The comedy tells the tumultuous stories of actors auditioning for commercials. James plays Devan, the assistant to hot-headed casting director Mark Lyell (played by SUBMISSIONS ONLY's Mark Gessner).

Recently, James spoke with BWW about the show, his Broadway career, and his childhood big break alongside Dulé Hill.

I know you were friends with Mike and Gillian (Pensavalle, Mike's wife and co-creator) before THE RESIDUALS, so how did they get you on board for the show?

James and <a href=Boy George from TABOO" height="259" src="" width="338" />
James and Boy George from TABOO

Mikey, I call him Mikey, and GP, and I are friends through the business, and I've always really admired them for their talent; and they're both very tenacious, which I appreciate, because I'm the same way. Mikey told me he was writing this webseries about actors auditioning for commercials, and he actually wrote the part with me in mind, which I thought was really cool and refreshing, because that doesn't happen that often. So, he wrote the role of Devan, and he asked if I would come in and read it. And (laughing) I just kind of fell in love with it, because I can relate. So, I came in and read, and it was a great fit and I responded really well to it. Mikey is such a wonderful writer; he has such a great ear for dialogue and a feeling for how people relate to each other. He was so open to people bringing their own perspective, so there was a lot of improvisation, and he was very trusting in that, which I was very grateful for, and it just made the atmosphere that much more fun and that much more interesting for me as an actor.

Your character Devan came into the season about half-way through, so we haven't had a chance to learn much about him outside of work. How do you see Devan as a character?

You know what's so funny is that I've never said this to Mikey, but in Season 1, I kind of love it that we don't get to see Devan outside of the office, so our primary focus on him is his function at work, which is to hold everything together as it is falling apart.

And I particularly liked his relationship with Mark. I think they are excellent foils for each other. I also really enjoy Devan's relationship with Gillian's character, because I kind of see Devan as a young man who maybe didn't opt to be in this business. I think he probably comes from a very wealthy family, and was probably headed on the track to a more blessed lifestyle, but wanted to branch out and prove to his family and the world that he could make it on his own. So, I think he maybe fell into this job by happenstance.

(Laughing) I've never even said this to Mike, but I don't even think his name is Devan. I think his name could be Duncan, or David, or something else. And in the back of my mind, I have this feeling that Mark's character probably couldn't quite latch on to what his actual name is, so they just landed on Devan, and why fight with Mark, because he has the attention span of a flea? I imagine this poor character trying to hold this office together and the boss is calling him Devan, so, "Ok, we'll go with that."

One of the things that I really enjoyed was that when Valerie asked Devan how to get a little more BWW Interviews: Broadway's James Tabeek Chats Going from Stage to Screen on THE RESIDUALSresponsibility around the office, the cliché "sitcommy" thing would have been for Devan to be real caddy and territorial, but instead he took her under his wing a bit, which resulted in my favorite scene of the season (the PRICE IS RIGHT scene in Episode 9). So, for me, I really appreciated that it didn't go the cheap comedy route.

Well, I think that's one of the great things about Mikey's writing. It seldom goes where you expect it was going to go, but it always goes to a funnier place than you expected it to go. And that scene with Gillian is actually one of my favorites in the entire process that I had. And I think it says a lot about Devan's character that he wants to share the keys to the kingdom with Valerie, because he connects to her and sees what she does on a daily basis. And quite frankly, for Devan, any support he can get with wrangling Mark is helpful.

To Devan, Mark's character is kind of this crazy, runaway balloon at the Macy's Thanksgiving Day Parade knocking over telephone poles in the wind. And anymore handlers he can get on this balloon is a positive.

You've talked about this fully-fleshed out backstory for Devan, and I know Mike and Gillian are already in the planning stages for Season 2. Have you whispered in their ears about some of the things you would like to see for Devan in next season?

One of the reasons why I think people are connecting to the show is that it's really incredibly authentic. Everyone responsible from the writing to the editing, I want to say that Gillian did an incredible job with the editing and all of the shots she picked, to the actors are all people who experience this on a daily basis. There've been times when I've been at an audition for a commercial and ridiculous things are happening, because ridiculous things are always happening, and I'm thinking in the back of my head, "I have to write this down in the notes section of my phone to tell Mikey, so he can write it into Season 2."

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Matt Tamanini Matt is BroadwayWorld's Chief TV and Film critic. He also writes across other BWW sites, and serves as BWW's Database Manager. He received a BA in Journalism/Communications from The Ohio State University and has worked in sports broadcasting, media relations, and journalism. He also has directed and/or produced over 30 plays and musicals, and is currently writing two plays of his own. You can connect with Matt through Twitter: @BWWMatt.

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