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BWW Interview: Tenor Matthew Polenzani - Boy Toy of the Tudor Queens BWW Interview: Tenor Matthew Polenzani - Boy Toy of the Tudor Queens
by Richard Sasanow - March 22, 2016

Tenor Matthew Polenzani--he of the refined singing, elegant deportment and serious nature--is having a great season at the Met, with major roles in a pair of new productions. First, he was Nadir, whose love for the priestess Leila (Diana Damrau) tempts her to give up her vows in Bizet's LES PECHEURS... (more...)
Breaking News! The Kennedy Center and WNO Announce 2016-17 Season - Partnerships With Yo-Yo Ma, Renee Fleming, and Q-Tip and More! Breaking News! The Kennedy Center and WNO Announce 2016-17 Season - Partnerships With Yo-Yo Ma, Renee Fleming, and Q-Tip and More!
by BWW News Desk - March 08, 2016

The John F. Kennedy Center for the Performing Arts today announced programming for the 2016–2017 season for the Center, the National Symphony Orchestra, and Washington National Opera. Under President Deborah F. Rutter's continued leadership, the Kennedy Center is re-imagining ways of presenting the ... (more...)
Carlo Rizzi Returns to the Lyric Opera of Chicago in Verdi's NABUCCO Carlo Rizzi Returns to the Lyric Opera of Chicago in Verdi's NABUCCO
by BWW News Desk - December 15, 2015

Carlo Rizzi is ready to enter an exciting period of work in the New Year. The conductor's 2015/16 season continues in January with a return to the Lyric Opera of Chicago for Matthew Ozawa's new production of Verdi's Nabucco. He heads to Milan the following month to begin rehearsals for Teatro alla S... (more...)
Dallas Opera to Premiere Mark Adamo's BECOMING SANTA CLAUS, 12/4 Dallas Opera to Premiere Mark Adamo's BECOMING SANTA CLAUS, 12/4
by BWW News Desk - November 12, 2015

DALLAS, NOVEMBER 11, 2015 – The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4that 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. ... (more...)
BWW Interview: Olga Peretyatko, the Met's Shimmering Gilda in RIGOLETTO BWW Interview: Olga Peretyatko, the Met's Shimmering Gilda in RIGOLETTO
by Richard Sasanow - November 02, 2015

When singers seem to come out of nowhere, it's usually not the case at all, but the culmination of years of hard work. But for Russian soprano Olga Peretyatko--the Met's current Gilda in the lively 'Ratpack' production of Verdi's RIGOLETTO--it certainly seemed like it.... (more...)
Experiments in Opera Presents THE TRAVEL AGENCY IS ON FIRE: BURROUGHS CUT UP THE GREAT BARDS Tonight Experiments in Opera Presents THE TRAVEL AGENCY IS ON FIRE: BURROUGHS CUT UP THE GREAT BARDS Tonight
by BWW News Desk - October 16, 2015

Experiments in Opera—the composer-driven collective with an air of mad scientists in the lab—opens its 2015-16 season with the premiere of 11 new commissions for ensemble and voice in The Travel Agency is On Fire: Burroughs Cuts Up the Great Bards, presented tonight, October 16, 2015 at the East Vil... (more...)
Experiments in Opera Presents THE TRAVEL AGENCY IS ON FIRE: BURROUGHS CUT UP THE GREAT BARDS, 10/16 Experiments in Opera Presents THE TRAVEL AGENCY IS ON FIRE: BURROUGHS CUT UP THE GREAT BARDS, 10/16
by BWW News Desk - September 21, 2015

Experiments in Opera—the composer-driven collective with an air of mad scientists in the lab—opens its 2015-16 season with the premiere of 11 new commissions for ensemble and voice in The Travel Agency is On Fire: Burroughs Cuts Up the Great Bards, presented Friday, October 16, 2015 at the East Vill... (more...)
Dallas Opera Balances Budget Dallas Opera Balances Budget
by BWW News Desk - September 11, 2015

Building on two previous seasons that ended “in the black,” The Dallas Opera is very proud to announce that it has maintained a balanced operating result for a third consecutive fiscal year, as of June 30, 2015. ... (more...)




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BWW Opera Review: Met's New ELEKTRA Has the Cast and Conductor--But Where's the Catharsis?BWW Opera Review: Met's New ELEKTRA Has the Cast and Conductor--But Where's the Catharsis?
by Richard Sasanow