Gotham Chamber Opera Names Andrew Norman Third Composer in Residence

Gotham Chamber Opera in collaboration with Opera Philadelphia and Music-Theatre Group is proud to announce that composer Andrew Norman has been selected as its third Composer in Residence (CIR). Norman was chosen from over 100 applicants for the position and now has the opportunity to follow a personalized development track focused on the further development of his skills as an operatic composer.

Funded by a $1.73 million grant from The Andrew W. Mellon Foundation, the program fosters tomorrow's American operatic masterpieces through personalized creative development and intensive, hands-on composition opportunities for today's most promising opera composers. The Composer in Residence position combines its individualized plan of study with a living stipend and health benefits.

"I am very excited and honored to be the next Composer in Residence with these three innovative companies," said Norman. "I love opera, both new and old, but I have much to learn about the nuts and bolts of how it gets made. This residency, with its opportunities for experimentation and immersion, comes at the perfect time for me as I dive into my first large-scale opera project. I can't wait to get started."

Andrew Norman is a composer of chamber and orchestral music. A native Midwesterner raised in central California, Andrew studied the piano and viola before attending the University of Southern California and Yale. A lifelong enthusiast for all things architectural, Andrew writes music that is often inspired by forms he encounters in the visual world. His music draws on an eclectic mix of sounds and usually features some combination of bright colors, propulsive energy, a healthy dose of lyricism, and the fragmentation of musical ideas.

Gotham Chamber Opera, now in its twelfth season, is the nation's leading opera company dedicated to vibrant, fully staged productions of works intended for intimate venues. Its high quality presentations of small-scale rarities from the Baroque era to the present have earned Gotham an international reputation and unanimous critical praise.

Founded by conductor and Artistic Director Neal Goren, Gotham debuted in 2001 (as Henry Street Chamber Opera) with the American premiere of Mozart's Il sogno di Scipione. In subsequent seasons, Gotham has produced many more local and world premieres, including such works as Purcell's Dido and Aeneas, Milhaud's Les Malheurs d'Orphee, Bohuslav Martinu's Les Larmes du Couteau and Hlas Lesa, Sutermeister's Die schwarze Spinne, Handel's Arianna in Creta, Britten's Albert Herring, and Rossini's Il Signor Bruschino. The company renamed itself Gotham Chamber opera and became an independent 501(c)3 organization in 2003.

Gotham has partnered with notable New York and national institutions, including Lincoln Center Festival and Spoleto USA for the 2005 production of Respighi's La bella dormente nel bosco; the Morgan Library and Museum for Scenes of Gypsy Life (an evening of song cycles by Janá?ek and Dvo?ák) in 2008; and the American Museum of Natural History and the American Repertory Theater for 2010's production of Hadyn's Il mondo della luna. That production featured lunar exploration video developed by the Museum and NASA and broadcast on the Hayden Planetarium's 180-degree dome.

Gotham has earned a reputation for showcasing outstanding young singers alongside established directors and choreographers such as Mark Morris (the 2009 production of Hadyn's L'isola disabitata), David Parsons (the New York stage premiere of Astor Piazzola's tango opera, María di Buenos Aires), Karole Armitage (the world premiere of Ariadne Unhinged), Basil Twist (La bella), Christopher Alden (Scipione and Arianna in Creta), and Diane Paulus (Il mondo). In October 2010, Gotham partnered with director Moisés Kaufmann and his company, Tectonic Theater Project, to co-produce the first United States stage performances of Xavier Montsalvatge's El Gato con Botas, at the New Victory Theater.

For the 2011-2012 season, Gotham celebrated its tenth anniversary with the world premiere of Dark Sisters, by Nico Muhly, and a revival of its first production, Mozart's Il sogno di Scipione. Moving into its second decade in 2013, Gotham presented a sold-out run of Cavalli's Eliogabalo at The Box and two performances of Daniel Catán's La Hija di Rappaccini (Rappaccini's Daughter) at the Brooklyn Botanic Garden's Cherry Esplanade. That production then toured to Los Angeles, where it was presented by the Broad Stage at the Greystone Manor in Beverly Hills.

For more information, visit www.gothamchamberopera.org.