Florida Grand Opera Plans Its Most Ambitious Season Yet

Florida Grand Opera Plans Its Most Ambitious Season Yet

Under the leadership of General Director and CEO Susan T. Danis, Florida Grand Opera's 2017-18 season continues the upward trajectory of the past few seasons. The company will offer an exciting mix of works, from the eighteenth through the twentieth centuries, in compelling productions cast with some of the finest international singers available. The theme of the season is "Divas to Die For"-a quartet of operas that portray four women in peril who take emotionally fraught journeys and emerge from them changed forever.

The 2016-17 season earned high critical approval, with particular praise being lavished on Jorge Martín's Before Night Falls and Verdi's Un ballo in maschera (A Masked Ball). In his review of Before Night Falls in The Pittsburgh Post-Gazette, Robert Croan wrote, "Susan T. Danis deserves the highest praise for bringing important new repertory into every season since she took over in 2013." Writing about Un ballo in maschera, South Florida Classical Review's Lawrence Budmen called it "a world-beater...FGO's finest Verdi production in many seasons."

"We are thrilled with the critical and audience response to this past season," says Susan T. Danis. "But there's nothing to be gained by being complacent. Our success this year has only made us determined to deliver an even better season-better productions, better casting, better outreach to the community-in 2017-18."

That season opens on November 11, 2017, with Gaetano Donizetti's Scottish tragedy Lucia di Lammermoor. The score features some of the most dramatic music Donizetti ever composed, including the dazzling mad scene, a vocal obstacle course that is considered one of the ultimate tests of coloratura sopranos. Playing the heroine who is forced by her family into an arranged marriage and winds up slaughtering her bridegroom on their wedding night is the acclaimed soprano Anna Christy, whose triumphs include Gilda in Rigoletto at English National Opera, Marie in La fille du régiment, and Muffin in William Bolcom and Arnold Weinstein's A Wedding at Lyric Opera of Chicago. Recently she had great success appearing at the Metropolitan Opera as Sophie in Werther. Christy shares the role with Haeran Hong, who has appeared on the roster of the Metropolitan Opera and is the International Queen Elizabeth Grand Prize winner. Sharing the role of Edgardo, the lover whom Lucia's family maneuvers out of the way, are tenors Joshua Guerrero and Jesús León, who join the company of Juan Diego Flórez, Javier Camarena, and Marcelo Alvarez as two of today's outstanding Latino tenors. The conductor is Alexander Polianichko, who returns to FGO after his critically acclaimed leadership of the company's Eugene Onegin last winter.

On January 27, FGO's production of Richard Strauss's Salome opens. With its steamy and evocative portrayal of the decadence of King Herod's court in ancient Jerusalem, this 1905 masterpiece retains its power to stun today's audiences. Starring as the depraved princess is soprano Melody Moore, who has triumphed in many thorny modern works, including Mieczyslaw Weinberg's The Passenger at Houston Grand Opera, Janá?ek's Kát'a Kabanová at Seattle Opera, and Stephen Schwartz's Seance on a Wet Afternoon at New York City Opera. She shares the role with Kirsten Chambers, who has played Salome at the Metropolitan Opera and Opera Hong Kong. A group of first-rate singing actors fills out the cast: baritone Mark Delavan, mezzo-soprano Elizabeth Bishop, and tenor John Easterlin. Leading the orchestra is the fast-rising Timothy Myers, who last autumn scored a significant international success leading Samuel Barber's Vanessa at Wexford Festival Opera.