The Canadian Opera Company's iconic double-bill of Béla Bartók's Bluebeard's Castle and Arnold Schoenberg's Erwartung returns to the company's mainstage to close its 2014/2015 season. COC Music Director Johannes Debus conducts both operas for the first time, leading the COC Orchestra through these visceral and haunting scores, all brought to life in a mind-bending and gravity-defying production by world-renowned Canadian artistic visionary Robert Lepage. Bluebeard's Castle is sung in Hungarian and Erwartung is sung in German, both with English SURTITLESTM, and runs for only seven performances on May 6, 8, 10, 12, 14, 16, 23, 2015 at the Four Seasons Centre for the Performing Arts.
Audiences and critics in Toronto, New York, Edinburgh, Melbourne, Hong Kong as well as those in Geneva, Vancouver, Montreal, Edmonton, Cincinnati and Seattle have been dazzled and astounded by the COC's double-bill production of Bluebeard's Castle/Erwartung since its 1993 premiere. It's been called "one of the greatest of all nights at the opera" (Globe and Mail), "one of the most exciting and inventive pieces of music theatre presented by an opera company anywhere" (Financial Post), "a stunning artistic vision" (Hong Kong Economic Journal) and "absolutely remarkable" (The Scotsman).
The 1993 premiere of Bluebeard's Castle/Erwartung by director Robert Lepage (2009's The Nightingale and Other Short Fables) was a watershed moment for the COC, establishing it as one of the world's most visionary and compelling opera companies. The COC subsequently garnered worldwide acclaim in presenting this production on the company's inaugural visits to the Brooklyn Academy of Music (1993), Edinburgh International Festival (1993), Melbourne International Festival (1994) and Hong Kong Arts Festival (1996). Bluebeard's Castle/Erwartung was subsequently revived on the COC's mainstage during its 1994/1995 and 2001/2002 seasons. It's now presented for the first time at the Four Seasons Centre for the Performing Arts.
Bartók's only opera, Bluebeard's Castle, features superstar Canadian bass John Relyea as the inscrutable Duke Bluebeard whose castle holds untold secrets. Relyea is one of today's finest basses and has appeared in many of the world's most celebrated opera houses. He made his highly anticipated COC debut in The Tales of Hoffmann in 2012 and returns with his "menacing, black-toned basso" (Chicago Tribune) in a favourite role for which he has been praised for delivering a "vivid" (Seattle Post-Intelligencer) and "powerful but versatile" (Seattle Weekly) performance.
Russian Ekaterina Gubanova,one of the finest mezzo-sopranos in the world, is Bluebeard's bride, Judith, who unlocks the rooms of her mysterious husband's castle. A featured soloist at such houses as the Metropolitan Opera; Teatro alla Scala; Royal Opera House, Covent Garden; Bayerische Staatsoper; Lyric Opera of Chicago; Teatro Real Madrid; and Gran Teatre del Liceu, Gubanova brings her "large, darkly expressive mezzo" (Wall Street Journal) to the COC for the first time.
Schoenberg's monodrama, Erwartung, about a woman who descends into madness, stars virtuosic Canadian mezzo-soprano Krisztina Szabó (2012's Love from Afar, 2010's Idomeneo, 2006's Ring Cycle). A graduate of the COC Ensemble Studio, Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft, with critics praising "her rich, dark timbre and fullness of sound" (Chicago Tribune) and how she sings "with passion, beauty and power" (Opera News). Szabó makes her role debut as the Woman.
COC Ensemble Studio graduate François Racine stages the 2015 revival, based on Robert Lepage's original direction. The production's spectacular and surprising integration of movement, light and theatrical sleight-of-hand, features set and costume design by Canadian Michael Levine (2015's Die Walküre, 2013's Dialogues des Carmélites, 2011's Rigoletto, 2006's Ring Cycle), lighting design by American David Finn (2015's Die Walküre, 2006's Ring Cycle, 2005's Macbeth) and media effects by Laurie-Shawn Borzovoy.
Symbolic settings replace more conventional, realistic sets of Bluebeard's castle and the forest where The Woman of Erwartung wanders. Instead of literal depictions, the lighting and scenery are designed to highlight both operas' emphases on the internal drama of the mind, resulting in stagecraft where "rarely have subconscious forces been so eloquently embodied on stage in image after image" (Globe and Mail).
Written within two years of each other, Bartók's Bluebeard's Castle (1909) and Schoenberg's Erwartung (1911) broke new musical ground by opening the door for future operatic experimentation. Bartók's score exemplifies a new, uniquely Hungarian music style where Schoenberg's opera was the very first atonal work written for the operatic stage, paving the way for future 20th-century works.
Regularly priced single tickets for Bluebeard's Castle/Erwartungrange from $49 - $424, with specially priced $22 tickets available for people under the age of 30. To purchase, go to
coc.ca, call COC Ticket Services at
416-363-8231, or visit the Four Seasons Centre for the Performing Arts Box Office, located at 145 Queen St. W., Monday to Saturday from 11 a.m. to 6 p.m.
