Pat Metheny Unity Group to Play Capitol Theatre, 3/13

Pat Metheny's versatility is nearly without peer on any instrument. Over the years, he has performed with artists from Herbie Hancock to David Bowie in a body of work that includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces in settings ranging from modern jazz to rock to classical. In his latest project, the Pat Metheny Unity Group, Metheny has assembled a group of multi-instrumental musicians that are as talented as they come-Antonio Sanchez, Chris Potter, Ben Williams, and Giulio Carmassi-to form a platform that can cover the entire spectrum of his 40-plus-year career and enable him to further integrate his concept of orchestration.

CAPA presents the Pat Metheny Unity Group at the Capitol Theatre (77 S. High St.) on Thursday, March 13, at 8 pm. Tickets are $30-$75 at the CAPA Ticket Center (39 E. State St.), all Ticketmaster outlets, and www.ticketmaster.com. To purchase tickets by phone, please call (614) 469-0939 or (800) 745-3000.

This performance is made possible through the generous support of 2013-14 CAPA season sponsor American Airlines.

Born into a musical family, Metheny started on trumpet at the age of 8, and switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age.

Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility-a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues.

With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.

As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than 20 years later (1996). He has also taught music workshops all over the world from the Dutch Royal Conservatory to the Thelonius Monk Institute of Jazz to clinics in Asia and South America.

He has been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool.

He has been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments.

It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. He has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for (Still Life) Talking, Letter from Home, and Secret Story.

Metheny has won 18 Grammy Awards including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, and Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammies for seven consecutive albums.

Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. He continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike.

Photo credit: Katz