Martin Short, Christine Lahti and More Join Culture Project's THE EXONERATED
Culture Project (Allan Buchman, Founder & Artistic Director), in association with Innocence Project, Marc & Steven Kaplan, and Cheryl Wiesenfeld, welcomes Steve Earle (The Revolution Starts…Now, Grammy Award), John Forté (The Score, Grammy nominee), Kathryn Grody (Scapino), Marg Helgenberger ("CSI"), Christine Lahti (God of Carnage), Richard Masur (This is Fiction), Joe Morton (Raisin), Martin Short (The Goodbye Girl), Danton Stone (Ivan in Art), Frank Whaley ("Blue Bloods"), and exoneree Kerry Max Cook, whose story is shared in the play, to the rotating cast of the 10th anniversary production of the hit award-winning play, The Exonerated, written by Jessica Blank and Erik Jensen, now in performance at Culture Project (45 Bleecker Street at Lafayette Street) where performances began September 15th for a limited seven-week engagement through November 4th.
The newest members of the rotating cast will appear, as scheduled:
October 16-21 Kerry Max Cook, Steve Earle, Joe Morton, Martin Short
(Mr. Short will appear as Kerry Max Cook for three performances only
Oct 16, 17 & 18; Mr. Cook will portray himself October 19, 20 & 21)
Directed by Bob Balaban (Gosford Park), the core non-rotating company of six includes Jim Bracchitta (Gypsy) as Prosecutor 2. Amelia Campbell (Our Country's Good, A Streetcar Named Desire) as Sandra Cook, Bruce Kronenberg as Prosecutor 1, Curtis McClarin (Bring in 'Da Noise, Bring in 'Da Funk) as David Keaton, April Yvette Thompson (Clybourne Park) as Georgia Hayes, and JD Williams ("The Wire," "Oz") as Robert Earl Hayes. They have been joined onstage by rotating cast members Stockard Channing, Brian Dennehy, Delroy Lindo, Lyle Lovett, Michael McKean, Chris Sarandon, Brooke Shields and exoneree Sunny Jacobs, whose story is shared within the play.
2012 marks the 10th anniversary of Culture Project's New York premiere of The Exonerated, a ground breaking dramatization of the real-life stories of six individuals who were sentenced to death and later freed amidst overwhelming evidence of their innocence. It is a powerful play culled from interviews, letters, transcripts, case files and court records of individuals on death row. As timely as ever, The Exonerated is once again poised to increase visibility and to create a sense of urgency as part of a rising movement to restore justice to a system that has shown itself time and again to be deeply flawed. Since 1989, when the first DNA exoneration took place, an additional 292 post-conviction DNA exonerations have been won in 36 states.