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CAPA, in association with the King Arts Complex, presents Ladysmith Black Mambazo at 8pm on Wednesday, February 8, at the Southern Theatre (77 S. High St.). Tickets are $28 and $33 at the Ohio Theatre Ticket Office (39 E. State St.), all Ticketmaster outlets, and www.ticketmaster.com. To purchase by phone, please call (614) 469-0939 or (800) 745-3000. Students between the ages of 13-19 may purchase $5 PNC Arts Alive All Access tickets while available.
This performance is made possible through the generous support of CAPA season sponsor American Airlines and Spectrum Series sponsors David and Mo Meuse.
Assembled by Joseph Shabalala in Durban, South Africa, in the early 1960s, the young farm boy turned factory worker took the name Ladysmith Black Mambazo after his rural hometown, a reference to black oxen, the strongest of all farm animals, and the Zulu word for axe (mambazo) as a symbol of the group’s ability to “chop down” any singing rival who might challenge them. Their collective voices were so tight and harmonies so polished that they were eventually banned from competitions.
The group's path had a specific direction. “To bring this gospel of loving one another all over the world,” Joseph says. However, he’s quick to point out that the message is not specific to any one religious orientation. “Without hearing the lyrics, this music gets into the blood, because it comes from the blood,” he says. “It evokes enthusiasm and excitement, regardless of what you follow spiritually.”
A radio broadcast in 1970 opened the door to their first record contract. It was the beginning of an ambitious discography that currently includes more than 50 recordings. Their philosophy in the studio was–and continues to be–just as much about preservation of musical heritage as it is about entertainment. The group borrows heavily from a traditional music called isicathamiya (is-cot-a-ME-ya), which developed in the mines of South Africa where black workers were taken by rail to work far away from their homes and their families. Poorly housed and paid worse, the mine workers would entertain themselves after a six-day week by singing songs into the wee hours on Sunday morning. When the miners returned to the homelands, this musical tradition returned with them.
In the mid-1980s, Paul Simon visited South Africa and incorporated the group’s rich tenor/alto/bass harmonies into his Graceland album—a landmark 1986 recording that was considered seminal in introducing world music to mainstream audiences. Graceland won many awards including the Grammy Award for Best Album of the Year. A year later, Simon produced Ladysmith Black Mambazo’s first US release, Shaka Zulu, which won the 1988 Grammy Award for Best Traditional Folk Album. Since then, and in total, the group has received 15 Grammy Award nominations and three Grammy Award wins, including one in 2009.
In addition to their work with Paul Simon, Ladysmith Black Mambazo has recorded with numerous artists from around the world, including Stevie Wonder, Josh Groban, Dolly Parton, Ben Harper, and many others. Their 2006 CD, Long Walk to Freedom had guest singers join them such as Sarah McLachlan, Natalie Merchant, Melissa Etheridge, Emmylou Harris, Taj Mahal, and others.