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Review Roundup: CARNAGE Film

Review-Roundup-CARNAGE-Film-20010101

Roman Polanski's upcoming God of Carnage features John C. Reilly, Jodie Foster, Kate Winslet and Christoph Waltz in the movie version of Yasmina Reva's Tony-winning play. The film just debuted this summer at the Venice Film Festival (August 31- September 10) and will open the New York Film Festival on September 30. It's due to hit movie theatres in the United States on November 18, 2011.

After receiving rave reviews in London, God of Carnage opened on Broadway March 22, 2009 to unanimous praise. The Yasmina Reza comedy won the Tony Award for Best Play and Best Direction of a Play (Matthew Warchus). God of Carnage also won the 2009 Olivier Award for Best New Comedy. God of Carnage reunites the creative team that staged the Tony Award-winning Best Play, Art. Designed by Mark Thompson (sets and costumes), with lighting by Hugh Vanstone, sound by Simon Baker & Chris Cronin, the play has music by Gary Yershon. The production closed in 2010 with Jeff Daniels, Janet McTeer, Lucy Liu and Dylan Baker.

Justin Chang, Variety: While the four actors deliver distinctive turns, marked by body language often more pointed than the dialogue, the proceedings are somewhat dampened by the miscasting of one couple. Foster, called on to function as more of an ensemble player than usual, nails Penelope's insufferable micro-managing and liberal do-gooder impulses, but the tightly wound actress doesn't bellow with the full-blooded authority the role requires. Reilly is almost too easily cast as Michael, pointedly the shlubbiest and most blue-collar of the bunch, at times tilting the material toward a broader style of comedy than desired.

Todd McCarthy, The Hollywood Reporter: Onstage, the action pivots on an incident that is frequently mentioned but not seen: The injuring of one boy by another in playground fight. The film, however, opens with a striking shot of a Brooklyn waterfront park with the East River and the skyline of lower Manhattan in the background. Two boys (one of them played by the director's son Elvis) engage in combat, with one of them hitting the other with a stick, resulting in not inconsiderable injuries.



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