BAD JEWS to Move to Laura Pels Theatre in September 2013
Thursday, February 28
In the spring of 1994, two outcast teens make a pact to die happy. All they need to do is see Nirvana live in concert and then they will jump off the 101 overpass. But a first kiss, a restraining order, and Kurt Cobain's ailing health threaten their plans. A Grunge Rock Fueled Love Story.
Christian Durso (Playwright) is a playwright, screenwriter and classically trained actor. He holds an MFA from the University of San Diego/Old Globe and a BFA from NYU's Tisch School of the Arts. He is a member of the Los Angeles based IAMA Theatre Company where his most recent play SHINER was named to the Tracking Board's 2012 Young and Hungry List as one of the top 100 scripts of the year. His plays have been performed in Los Angeles and have enjoyed readings at The Old Globe and EST/LA. He is currently developing a young adult novel into a screenplay with REEL FX. Also an actor, Christian has worked regionally at The Old Globe, Shakespeare Santa Cruz, Great Lakes Theatre (OH), Idaho Shakespeare Festival as well as Off-Broadway.
Ed Sylvanus Iskandar (Director) is a 2012 Drama Desk Award nominee for his direction of Sean Graney's These Seven Sicknesses at The Flea, where he also directed Amy Freed's Restoration Comedy (both NY premieres). Ed is Founding Artistic Director of the groundbreaking NYC theatre collective Exit, Pursued by a Bear (EPbB), where he incubated productions of Restoration Comedy, These Seven Sicknesses, Jason Williamson's Lesser Mercies and Arok of Java, King Lear and Jeff Whitty's The Further Adventures of Hedda Gabler starring Whitty and Billy Porter (all NY premieres). Ed currently serves as the Director of Creative Development for Singapore Repertory Theatre (SRT). He is a New York Theatre Workshop Usual Suspect, a Drama League Directing Fellow, a two-time Resident Director at the Oregon Shakespeare Festival, an alumnus of the Lincoln Center Directors Lab,
and the recipient of the Robert M. Golden Medal for distinguished achievement in the creative arts and the Sherifa Omade Edoga Prize for work involving social issues. Ed has taught at Stanford (BA Modern Thought & Literature, and Drama) and Carnegie Mellon (MFA Directing). Upcoming: World premiere of Gabriel Jason Dean's Bacha Bazi (Broadway option, Davenport Theatrical). In 2013: NY premieres of Jason Williamson's All Good Angels (EPbB, recipient of EST/Sloan Foundation Grant), Roland Schimmelpfennig's The Golden Dragon (The Play Company), Ismail Khalidi's Tennis in Nablus (The Culture Project), and the Asian premiere of David Ives' Venus in Fur (SRT).
BENEFIT OF THE DOUBT
Friday, March 1
Jane just got dumped and she's hell-bent on figuring out what went wrong, no matter how much dignity it costs her. Jane's best friends try to pick up the pieces, but one's own romantic foibles and the other's unrelenting idealism make them ill-equipped to deal with Jane's teetering sanity. Written by current Juilliard playwriting fellow Kate Gersten, this match.com-age comedy hopscotches through misadventures in dating and the art of being a best friend.
Kate Gersten (Playwright) is currently a Lila Acheson Wallace Playwriting Fellow at The Juilliard School under the mentorship of Marsha Norman and Christopher Durang. Her thesis play, Benefit of the Doubt was produced this year at The Juilliard School and was directed by Danny Goldstein. Her other plays include Father Figure, and Exposed! The Curious Case of Shiloh and Zahara which was produced as part of the Midtown International Theater Festival in 2009 (Dir: Dan Fogler). That production received 12 nominations from the festival for which she won an award for Outstanding Playwriting of a New Script, and was nominated for Outstanding Lead Actress. As an actress, Kate has appeared in numerous film and television projects. Favorite New York and regional theater credits include The Rise and Fall of Annie Hall (Dir: Sam Gold, The Lion Theater), Elephant in the Room (Dir: Dan Fogler), 10X25 (Atlantic), The Cherry Sister's Revisited (Humana), The Miracle Worker (Bay Street), The San Francisco production of Hedwig and the Angry Inch, The Skin of Our Teeth, On the Razzle, A Clockwork Orange, Our Country's Good (All Williamstown). In addition to her work at Juilliard, Kate has a BA from UCLA's school of Film and Television.
Gaye Taylor Upchurch (Director). Off-Broadway: Laura Marks's Bethany (The Women's Project); Simon Stephens's Harper Regan with Mary McCann (Atlantic Theater); Simon Stephens's Bluebird with Simon Russell Beale (Atlantic Theater). Her work has been seen at The Culture Project, La Mama, and Lincoln Center Institute among others, and she has developed new work at Primary Stages, New Dramatists, NY Stage & Film, The Kennedy Center, Dixon Place, Playwright's Center, Geva, LCT Director's Lab, and SPACE on Ryder Farm. She worked with Sam Mendes as Associate Director on The Bridge Project's productions of The Cherry Orchard, The Winter's Tale, Tempest, and As You Like It (BAM/Old Vic/International tour). She is an alumna of the Women's Project Directors Lab and The Drama League.
Roundabout Underground is an initiative launched in 2007 to introduce and cultivate artists in Roundabout's 62-seat Black Box Theatre, at the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street, NYC, NY, 10036). Prior productions include the acclaimed world premieres of Stephen Karam's Speech & Debate (2007), Steven Levenson's The Language of Trees (2008), Adam Gwon's Ordinary Days (2009), Kim Rosenstock's Tigers Be Still (2010), David West Read's The Dream of the Burning Boy (2011), Andrew Hinderaker's Suicide, Incorporated (2011) and Joshua Harmon's Bad Jews (2012).
Major support for Roundabout Underground provided by members of Roundabout Leaders for New Works including, Alec Baldwin, Lois and Irvin Cohen, Linda L. D'Onofrio, Peggy and Mark Ellis, Jodi Glucksman, Sylvia Golden, Caryn and James Magid, the Laura Pels International Foundation for Theatre, Laura S. Rodgers, the Harold and Mimi Steinberg Charitable Trust, Yolanda R. Turocy, Lori Uddenberg, Deborah and Thomas Wallace, and Xerox Foundation.
The Harold and Miriam Steinberg Center for Theatre reflects Roundabout's commitment to produce new works by established and emerging writers as well as revivals of classic plays. This state-of-the-art off-Broadway theatre and education complex is made possible by a major gift from The Harold and Mimi Steinberg Charitable Trust. The Trust was created in 1986 by Harold Steinberg to promote and advance American Theatre as a vital part of our culture by supporting playwrights, encouraging the development and production of new work, and providing financial assistance to theatre companies across the country. Since its inception, the Trust has awarded over $45 million to more than 100 not-for-profit theatre organizations.
Roundabout Underground is an initiative to showcase new plays that will either allow an experienced director to go back to his/her creative roots or give a debut production to an emerging writer or director. Robyn Goodman (Artistic Consultant to the Roundabout), who has significant artistic development experience, produces the initiative that continues to be a creative breeding ground for nurturing new talent.
The 62-seat Black Box Theatre, below the Laura Pels Theatre in the Harold and Miriam Steinberg Centerfor Theatre, allows Roundabout to take artistic risks that are better suited for a more intimate space.
Roundabout Theatre Company presents a variety of plays, musicals, and new works on its five stages, each of which is specifically designed to enhance the needs of Roundabout's mission. Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design, is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics. Roundabout's Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions. The Stephen Sondheim Theatre offers a state of the art LEED certified Broadway theatre in which to stage major large-scale musical revivals. Together these distinctive homes serve to enhance Roundabout's work on each of its stages.
American Airlines is the official airline of Roundabout Theatre Company. Roundabout productions are made possible, in part, with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts, with the support of Governor Cuomo and the New York State Legislature.
Roundabout Theatre Company's 2012-2013 season features The Mystery of Edwin Drood by Rupert Holmes, starring Stephanie J. Block, Will Chase, Gregg Edelman, Jim Norton and Chita Rivera, directed by Scott Ellis; Picnic by William Inge directed by Sam Gold; The Big Knife by Clifford Odets, starring Bobby Cannavale, directed by Doug Hughes; Talley's Folly by Lanford Wilson, directed by Michael Wilson; The Unavoidable Disappearance of Tom Durnin by Steven Levenson, directed by Scott Ellis.
Roundabout Theatre Company's Tony Award winning Anything Goes has set sail on a National Tour that will cruise into more than 25 other cities during the 2012/2013 season.