Bill Rauch Awarded Zelda Fichlander Award by Stage Directors and Choreographers Foundation

October 26
2:38 2012

Bill Rauch Awarded Zelda Fichlander Award by Stage Directors and Choreographers Foundation

Bill Rauch, Artistic Director of the Oregon Shakespeare Festival (OSF) is the 2012 recipient of The Zelda Fichandler Award recognizing an outstanding director or choreographer who is transforming the regional arts landscape through imaginative, brave work in theatre. The $5000 award, given by Stage Directors and Choreographers Foundation, heralds both accomplishment to date and promise for the future, and commends deep commitment to a community.

Bill Rauch is Artistic Director of the Oregon Shakespeare Festival. Prior to his appointment in 2006, Mr. Rauch completed a 20-year journey as co-founder and artistic director of Cornerstone Theater Company, where he directed over 40 productions, most of them in collaboration with diverse communities across the nation. Mr. Rauch has also directed at Lincoln Center, the Mark Taper Forum, the Guthrie, Arena Stage, Seattle Rep, Pasadena Playhouse, Long Wharf, Portland Center Stage, Great Lakes Theater Festival, and he is an Associate Artist of South Coast Rep and Yale Rep.

A peer review committee selected Mr. Rauch from twenty-six nominees from the Western region of the United States. “As someone who has had a dynamic effect on the west coast region, both as an artistic director and a first class artist, this choice is entirely apt and completely fulfills the goals of this prestigious honor. Bill represents the very best of our union and our craft on so many different levels. It is a pleasure to know and to work with him, and to recognize his many achievements in this much deserved way,” notes Selection Committee Chair Sheldon Epps. The committee noted Rauch’s extraordinary transformation of the arts landscape in Los Angeles through his establishment and leadership of Cornerstone Theater Company and his great success in creating community and expanding diversity, both dramaturgically and among the company of artists, at OSF, one of the nation’s most visible theatres and, seemingly, the polar opposite of the smaller, nimble Cornerstone.

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