BWW Reviews: NEW YORK CITY BALLET Delights With a Varied Robbins Triple Bill

BWW Reviews: NEW YORK CITY BALLET Delights With a Varied Robbins Triple Bill

The All Robbins program offered this spring season by New York City Ballet is a testament to the range and depth of the choreographer's genius. "Glass Pieces", the 1983 work to the driving rhythms of music by Philip Glass, is an ideal opener with its masterful blend of postmodern and classical movement styles that call to mind the pulsating urgency of urban life.

On Friday, May 9th 2014, Rebecca Krohn and Amar Ramasar were outstanding in the section of "Glass Pieces" entitled "Facades". He is one of my favorite NYCB dancers and he just keeps getting better. His technique is superb, but what really makes him a cut above is his believable emoting and his genuine connection with whomever he is partnering.

However, the ensemble work was less than perfect - especially the ladies, who couldn't seem to stay in line. This flaw was particularly apparent when they faced off with the gentlemen, who were in precise single file. I've pointed out the sloppiness of City Ballet corps work before. Part of the fault must lie with the rehearsal directors but I think a larger problem is that the dancers, most of whom must be yearning for solo and principal work down the road, simply aren't willing to be team players.

After an intermission, Tiler Peck and Robert Fairchild led the cast of "Opus 19/The Dreamer", choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride to the music of Prokofiev. Peck and Fairchild filled those famous shoes expertly, as they did when I saw the piece back in February. In fact Peck often reminds me of McBride, with her speedy and spot on footwork and larger-than-life stage presence. The ensemble was better in this offering, a dream-like evocation of a man in search of an elusive or perhaps imaginary love. Applause as well to solo violinist Kurt Nikkanen.

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Sondra Forsyth Sondra Forsyth is Editor-in-Chief of Broadway World Dance. A National Magazine Award winner and a member of Dance Critics Association, she founded Ballet Ambassadors in New York City and was the Artistic Director for 16 years with support from the New York City Department of Cultural Affairs. Currently, she teaches ballet and pointe at Ovations Dance Academy on Long Island and is the Ballet Mistress of Ovations Dance Repertory Company. Sondra has served as a guest teacher for the American Ballet Theatre open classes and on the faculty of The School at Steps on Broadway, the Harkness Dance Center of the 92nd Street Y, the Interlochen Center for the Arts, and Studio de Ballet Opera in Beirut, Lebanon. She was Co-Founder and Co-Artistic Director with Jan Hanniford Goetz of the Huntington School of Ballet and the Huntington Ballet Theatre on Long Island. Sondra is also Co-Editor-in-Chief of and formerly held the posts of Executive Editor at Ladies? Home Journal, Features Editor at Cosmopolitan, and Articles Editor at Bride?s. Sondra?s byline has appeared in Dance Magazine and Dance Teacher as well as many major publications. She is the author or co-author of twelve books and holds an M.A. from Harvard.