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BWW Reviews: More Lessons Taught Than Dancing in SIX DANCE LESSONS IN SIX WEEKS

BWW Reviews: More Lessons Taught Than Dancing in SIX DANCE LESSONS IN SIX WEEKS

Human existence can be a pretty lonely, tenuous thing. When push comes to shove, our dependence on our friends (or even strangers for that matter) is something you should never take for granted. This is just one of the lessons you will take away from your visit to the Agape Actors Co-op production of 'Six Dance Lessons in Six Weeks' currently playing in Georgetown in the East View High School's black box theater.

'Six Dance Lessons in Six Weeks' by Richard Alfieri, is a traditional 'two-hander' play. Two-hander is a term for a work with only two main characters. The two characters in question usually display differences in social standing or experiences which are explored and possibly overcome as the story unfolds. It has been translated into 12 languages and has been produced in over 20 countries. It has established itself as an international hit and one of the most produced plays in the world.

Alfieri's script is the story of a childless widow of a preacher, Lily Harrison, who has hired a gay dance instructor, Michael Minetti, for private dance lessons. While their relationship has an antagonistic beginning (and given the very different backgrounds of these two characters, that is to be expected), it slowly changes into a deep friendship as this unlikely duo slowly reveal their true selves to each other during the six weeks of dance lessons. One of the shows' most charming moments comes when Lily has canceled a lesson because of illness and Michael shows up anyway, with hot soup. While 'Six Dance Lessons in Six Weeks' is a comedy-drama that features both music and dance, it also addresses the real life issues of ageism and intolerance. Its the story of two people who have been marginalized by society - Lily by age and her single status and Michael because he is still a mostly closeted gay man.

The script is not without it's technical challenges... mostly the costume changes for the two performers. Director Jeff Davis has wisely employed the device of having a pair of dancers to display the lesson that Lily and Michael are in the middle of to entertain the audience while the actors make their changes.



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Frank Benge A Kansas native, Frank Benge has been involved in the Austin area theatre scene as a Director, Designer, Writer and Performer for the past 20 years. He holds a double BA in Theatre and English from Washburn University.



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