BWW Reviews: DANCE IN PRISONS: CONFINEMENT VS FREEDOM, WHAT IS IT? Demonstrates How Dance Can Save Lives

Related: Edward Henkel, What is It?, 92nd Street Y, Katherine Vockins, Rehabilitation Through The Arts, Andre Noel, Figures in Flight 5 Dance Company, Prison Dance, Susan Slotnick, Bethany Wootan-Noel

Photo by Joyce Culver

Edward Henkel presented his event Dance in Prisons; Confinement vs. Freedom, What is It??, as part of his MovementTalks: Dance as a Catalyst for Change series, which is in its fourth season, at the 92nd Street Y on Friday, December 13. The former dancer welcomed Katherine Vockins, founder of Rehabilitation Through The Arts (RTA), to the stage to talk about her program, which she started in Sing Sing Correctional Facility in 1996. Since then the creative arts program has branched out to four other men and women's prisons in New York State. RTA offers activities for inmates to get involved in, such as theatre, singing, painting, creative writing and dancing.

Another guest invited to speak onstage for the majority of the presentation was former prisoner Andre Noel. He joined Figures in Flight 5 Dance Company, a facet of RTA's dance department, after witnessing one of their dance pieces titled "Each Other." While watching the routine, it reminded him of his life on the streets and gave him goose bumps. After feeling such a strong connection with the dance he decided to join the company. Noel now holds the position of dance captain of the group. During some practices in the prison he occasionally filled in for head choreographer Susan Slotnick and assistant Bethany Wootan-Noel when they were absent.

Noel, who was first incarcerated at age 17, performed the first piece of the night, which was a solo to Sam Cooke's "A Change Is Gonna Come," wearing an all-black outfit topped with a fedora hat. He started off the dance sitting in a chair and from the moment he rose up his passion-filled movement called attention to the audience. His motions were predominantly fluid with sharp accents intermittently thrown into the mix. While he glided along the floor with ease and radiated a steady stream of confidence, this added to the piece's overall themes of hope and resilience. The lyrics and tempos in the music seemed to greatly inspire the movements.




More On: Edward Henkel, 92nd Street Y, Dance Company, Sam Cooke, John Legend, Lynette Hawkins.

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Vanessa Oswald I?m a writer and dancer from the Buffalo, New York region who has traveled to New York City seeking new opportunities. I started dancing at the age of three and have continued to dance throughout high school, college and currently run my own dance business Danceamour in my hometown. I teach classes of various genres including Hip-Hop, Modern, Jazz and Breakdancing, while I have other instructors who teach Ballet, Burlesque and Acro. Prior to running my own business I also taught at select studios in the upstate New York area, which include Spirit Of Dance Studio, Jeannie?s Dance Connection and Jaclyn Carol?s Dance Academy. Over the years I?ve been a featured dancer in the Tanzen Dance Company and Mon? Dance Company. A few of the festivals I?ve danced in with these groups are the Elmwood Festival, MusicIsArt Festival, Peach Festival and Italian Festival. Along with my involvement in dance I also love to write on the subject. I received a bachelor?s degree in Journalism from The College at Brockport in 2010. Since graduating I have been promoted to a full-time staff writer at RTT News where I write and edit stories on entertainment, music and health news. I also freelance for several Buffalo area publications, such as Artvoice, Thrive Magazine, Niagara Gazette and Tonawanda News. I?m currently writing for the Brooklyn-based Resource Magazine as an intern, while also freelancing for CentralPark.com.



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