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BWW Reviews: Ballet Preljocaj's SNOW WHITE

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BWW Reviews: Ballet Preljocaj's SNOW WHITE

Performing at the Lincoln Center is the be-all and end-all for dancers. The stakes are high, the pressure is on, and everyone is watching you. This is what all dancers aspire to. Needless to say, my expectations were high going into the evening. So how did Ballet Preljocaj hold up to the pressure? They left me breathless. The outstanding company proved why this is the dream for dancers. Just when you think that dance has nothing new to offer, that every performance you see is the same old, same old, something like this comes along and restores your faith in dance. Snow White is a timeless fairy tale, ranging in popularity from the Brothers Grimm fairy tale to the Disney adaptation to the more recent film re-tellings. You wouldn't think there would be much more to offer to the tale. Guess again. This adaptation took the magic right off the pages and delivered it seamlessly to the stage, telling a whole new side to the story that left me wanting more.

Perhaps you're not a fan of the ballet, but this isn't your typical run-of-the-mill ballet. There is something here for everyone. As someone who has always been on-stage rather than behind the scenes, I have no idea how they pulled off the amazing technicalities of this performance. The baffling tech-work began in the first scene when the King finds a baby Snow White, takes her into his arms, and twirls behind a panel on the stage, exiting from the other side with a toddler now in his arms. He pulls the trick off again as he twirls behind a second panel and emerges now with a fully grown Snow White, performed by the magnificent Nagisa Shirai. The infamous mirror was yet another baffling trick. A large frame descended from the ceiling, showing the Queen's reflection as she danced in front of it, her every move completely in sync. The trick-- it wasn't a real mirror. I'm still trying to figure out how they pulled that off.

The most amazing and unexpected trick of the night would have to be the astoundingly acrobatic seven dwarfs. When the curtain went up and a large mine set was revealed, I knew it was time for the infamous dwarfs. Given their size, it did not occur to me to look up, but that is exactly where they descended from. The dwarfs all crawled out of their own mine-holes on the wall one by one, and then continued to walk down the wall, parallel to the stage. Their entire dance number was done vertically with the help of harnesses, allowing them to perform gravity defying jumps, flips, and turns.

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Kristen Dickerson Kristen is a 23 year old writer who loves NYC! She's been dancing since the age of 4 and writing just as long. She is the author of the young adult novel, Across the Miles, and she loves the theater!



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