BWW Reviews: Brian Childers Lit Up the El Portal as Danny Kaye on New Year's Eve

An Evening with Danny Kaye/conceived, written & performed by Brian Childers/directed by Stephen Nachamie/musical direction by Jeff Biering/El Portal Mainstage, NoHo/New Year's Eve, December 31, at 4 pm and 9 pm

Brian Childers has been playing Danny Kaye for several years in various productions; first, in a two-person show, then as part of a four person play entitled The Kid from Brooklyn, which was the longest-running show at the El Portal from December 2007-February 2008, and now, once more at the El Portal in a one-man musical revue of Kaye's career, incorporating his stage tours, work for the USO and seven of his Hollywood films. This new show is a work in progress, and Childers plans to take it on the road with the hopes of performing it in London where Kaye scored a tremendous ovation.

Childers not only resembles the man but has an uncanny ability to replicate his voice, both talking and singing, and his precious, child-like mannerisms. The frenetic and sometimes overly silly Kaye, as a matter of fact, was so extraordinary and eclectic that to some, he was too difficult to comprehend. Geniuses are unpredictable! The constant movements, the continuous quick patter, the intensely personal focus...never let down for a split second, at least while performing. Robin Williams and Jim Carrey have both displayed similar fast-talking comedic techniques, which undoubtedly were influenced by Kaye, whose brilliance knew no bounds. Well, Childers has Kaye down pat, to the minutest blink of an eye and gesture with his fingers, even winking and flirting with females in the audience while singing. He came out into the crowd several times, at one point to pick his Vera Ellen to dance briefly for "The Best Things Happen While You're Dancing" in the White Christmas segment of Act II. The only thing missing in the movie segment, for me, was a group of small children to sing in chorus with Childers, as Kaye was a Pied Piper figure with little kids...a fact that Childers was quick to point out.

The first act told the story, with very little talk and mostly song, of Kaye's rise from Brooklyn, his tours, including the London Palladium and Paris and concluded with a WWII USO tour in uniform. Hits Childers included: "Tchaikovsky", "Ballin' the Jack", the very amusing Gypsy chorus with the audience divided into three parts, "Mad Dogs and Englishmen", a lovely "Molly Malone" and "Anatole of Paris", written by Sylvia Fine Kaye, Danny's devoted wife. Act II was the movies, and there was music featured from Up in Arms, The Five Pennies, White Christmas, The Court Jester and the unforgettable Hans Christian Anderson, from which he sang the largest number of tunes "Copenhagen", "Thumbelina", "Ugly Duckling", "Inchworm" and "Anywhere I Wander"... such rich material rendered beautifully by Childers. He concluded with "Minnie the Moocher" and with a few words of Kaye wisdom "Life is a big canvas, so throw as much paint on it as you can and live to the fullest!" He left the stage forming a conga line with "When the Saints Come Marching In".




More On: Danny Kaye, Brian Childers, Stephen Nachamie, Robin Williams, Jim Carrey, Vera Ellen, Sylvia Fine, Christian Anderson.

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Don Grigware Don Grigware is an Ovation nominated actor and writer whose contributions to theatre through the years have included 6 years as theatre editor of NoHoLA, a contributor to LA Stage Magazine and currently on his own website:

www.grigwaretalkstheatre.com

Don hails from Holyoke, Massachusetts and holds two Masters Degrees from the University of Massachusetts, Amherst in Education and Bilingual Studies. Don is a teacher of foreign language and ESL.

Don is a member of the prestigious Road Theatre Company in NoHo and is in his fifth year with BWW, currently serving as Senior Editor of the Los Angeles Page.



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