The Renaissance Society Kicks Off International New Music Series Tonight
The Renaissance Society presents an international new music concert series in conjunction with its group exhibition Suicide Narcissus, now through Dec. 15, 2013, featuring a lineup of musicians who will expose Chicagoans to dynamic compositions, instruments and techniques at the leading edge of new music rarely showcased in the city.
Four concerts from October to November will showcase the work of artists hailing from the United States, Germany and Japan, including: improvisational German trumpeter Birgit Ulher with Eric Leonardson (tonight, Oct. 8 at 8 p.m.); electro-acoustic chamber music outfit Gene Coleman and Ensemble N_JP (Oct. 23 at 8 p.m.); Chicago-based flutist Lisa Goethe-McGinn (Nov. 10 at 2 p.m.); and Japenese shamisen performers Yoko Reikano Kimura and Yumiko Tanaka (Nov. 13 at 8 p.m.). The musicians' work oscillates between the traditional and the contemporary, probing noise and silence equally, shifting between reactive improvisation and studied composition.
All four concerts will be held in the University of Chicago's Bond Chapel, an icon of the American Gothic revival period with a vaulting space and distinctive acoustics. The Renaissance Society's musical performances, exhibitions, lectures and additional programs are free and open to the public. For more information please visit www.renaissancesociety.org.
BIRGIT ULHER, trumpet, with Eric LeonardSON, electronics and assorted devices
TONIGHT, October 8 at 8 p.m.
Writing about her performances for trumpet, critic Johan Redin referred to Ulher's work as "extremely minimalistic and fragmented music [that is] as strange as it [is] fascinating and intellectually insisting." Manipulating the instrument through the use of splitting sounds, multiphonics, granular sounds, and silence, Ulher improvises pieces that test the limits of aural perception. Visual art, moreover, is a major interest of the musician; in 2007, Ulher partnered with the artists Allora & Calzadilla to record one of 9 versions of Reveille played as part of their sculptural installation Wake Up shown at The Renaissance Society. Leonardson is a Chicago-based performer and composer. The dynamic between Ulher and Leonardson will not revolve around push-pull call-response sequences as much as layers, textures and striations punctuated by abrupt bursts or nucleic moments like knots of wood set within a hypnotic grain.
Gene ColeMAN and ENSEMBLE N_JP
Wednesday, October 23 at 8 p.m.
Coleman's sensibility is aleatoric in nature. The specific instrumentation is not important so long as there is a combination of electronic, acoustic, and non-western traditional elements. N_JP is an electro-acoustic chamber music outfit featuring musicians from Japan, wholly steeped in traditional instruments, such as the sho (mouth organ), koto, or shamisen, (banjo), set alongside electronics, and traditional western classical instruments (cello, bass clarinet). Coleman's compositions are Feldmanesque in their stasis, privileging duration over discrete note events so as to dissolve binaries such as East/West, tradition/avant-garde. Sendai Transmissions is a new composition by Coleman. It is performed with accompanying video featuring a strong architecture component.