The Miller Theatre's Composer Portraits Series Presents UNSUK CHIN Featuring Ensemble Signal, 3/13
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with Unsuk Chin featuring Ensemble Signal: Brad Lubman, conductor, Rachel Calloway,mezzo-soprano, Oliver Hagen, piano, Bill Solomon, percussion, and Ning Yu, piano. The show is Thursday, March 13, 2014, 8:00 p.m. at the Miller Theatre (2960 Broadway at 116th Street) and Tickets are $20-$30 and for Students with valid ID they are $12-$18.
Miller Theatre's "ever-intriguing" (The New Yorker) signature series continues to celebrate the best contemporary composers from around the globe-emerging and established-with evening-length musical profiles. This season, all seven composers will participate in onstage discussions during their Portraits.
Thursday, March 13, 2014, 8:00 p.m.
Miller Theatre (2960 Broadway at 116th street)
Born and raised in 1960s South Korea, Unsuk Chin developed a one-of-a-kind musical voice from an early age. Largely self-taught, she received her first formal training at Seoul National University, where encounters with avant-garde Western forms, sounds, and techniques made a big impression. She moved to Europe and studied with Ligeti. Her music-colorfully orchestrated, rhythmically vital, and influenced by studies in electronics-has since won the prestigious Grawemeyer Award and been championed by orchestras, new-music bands, and conductors worldwide.
Unsuk Chin was born in 1961 in Seoul, South Korea, and has lived in Berlin since 1988. Her music has attracted international conductors including Simon Rattle, Gustavo Dudamel, Kent Nagano, Esa-Pekka Salonen, David Robertson, Peter Eötvös, Neeme Järvi, Markus Stenz, Myung-Whun Chung, George Benjamin, Susanna Mälkki, François -Xavier Roth, Leif Segerstam and Ilan Volkov, among others. It is modern in language, but lyrical and non-doctrinaire in communicative power.
Chin has received many honors, including the 2004 Grawemeyer Award for Music Composition for her Violin Concerto, the 2005 Arnold Schoenberg Prize, the 2010 Prince Pierre Foundation Music Award, and the 2012 Ho-Am Prize. She has been commissioned by leading performing organizations and her music has been performed in major festivals and concert series in Europe, the Far East, and North America by orchestras and ensembles such as the Berlin Philharmonic, BBC Symphony Orchestra, Chicago Symphony Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra, Boston Symphony Orchestra, City of Birmingham Symphony Orchestra, Orchestre Philharmonique de Radio France, Los Angeles Philharmonic Orchestra, London Sinfonietta, Ensemble Intercontemporain, Ensemble Modern, Kronos Quartet, and Arditti Quartet. In addition, Unsuk Chin has been active in writing electronic music, receiving commissions from IRCAM and other electronic music studios.
In 2007, Chin's first opera, Alice in Wonderland, was given its world premiere at the Bavarian State Opera as the opening of the Munich Opera Festival and released on DVD by Unitel Classica. Her second opera, Alice Through the Looking Glass, is commissioned by The Royal Opera in London for premiere in the 2018/19 season. Since 2006, Chin has overseen the contemporary music series of the Seoul Philharmonic Orchestra, a series which she founded herself. Since 2011, she has served as Artistic Director of the "Music of Today" series of the Philharmonia Orchestra in London. Portrait CDs of her music have appeared on Deutsche Grammophon, Kairos, and Analekta. Unsuk Chin's works are published exclusively by Boosey & Hawkes.
Ensemble Signal, described by The New York Times as "one of the most vital groups of its kind," is a NY-based ensemble dedicated to offering the broadest possible audience access to a diverse range of contemporary works through performance, commissioning, recording, and education. Since its debut in 2008, the Ensemble has performed over 90 concerts, has given the NY, world, or U.S. premieres of over 20 works, and co-produced five recordings. At home in concert halls, clubs, and international festivals alike, Signal has performed at Lincoln Center Festival, Ojai Music Festival, Carnegie Hall's Zankel Hall, the Guggenheim Museum (NY), Miller Theatre at Columbia University, (le) Poisson Rouge, Tanglewood Music Center, and the Bang on a Can Marathon. They have worked directly with nearly all the composers they perform in order to offer the most authentic interpretations, a list that has included Steve Reich, Helmut Lachenmann, Michael Gordon, David Lang, Julia Wolfe, Oliver Knussen, Hilda Paredes, and Charles Wuorinen. Other notable collaborations include those with violinist Irvine Arditti and with longtime Philip Glass Ensemble Music Director and producer Michael Riesman, who has joined Signal as piano soloist and produced three of their recordings. Recent highlights include the 2013 Lincoln Center Festival's production of Monkey: Journey to The West, with music by Damon Albarn, directed by Chen Shi-Zheng. Upcoming highlights include the co-commission of a new work for large ensemble by Steve Reich, to be premiered in 2016-17.
Brad Lubman, conductor/composer, is founding co-Artistic Director and Music Director of Ensemble Signal. He has gained widespread recognition during the past two decades for his versatility, commanding technique, and insightful interpretations. His guest conducting engagements include major orchestras such as the DSO Berlin, Netherlands Radio Kamer Filharmonie, WDR Symphony Cologne, Cracow Philharmonic, Bavarian Radio Orchestra, Stuttgart Radio Symphony, Dresdner Philharmonic, American Composers Orchestra, New World Symphony, and the St. Paul Chamber Orchestra. He has worked with some of the most important ensembles for contemporary music, including London Sinfonietta, Ensemble Modern, Klangforum Wien, musikFabrik, Los Angeles Philharmonic New Music Group, and Steve Reich and Musicians. Lubman's own compositions have been performed in the USA and Europe and can be heard on his CD, insomniac, on Tzadik. Lubman is Associate Professor of Conducting and Ensembles at the Eastman School of Music, where he has directed the Musica Nova ensemble since joining the faculty in 1997, and on the faculty of the Bang-on-a-Can Summer Institute. He is represented by Karsten Witt Musik Management.