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Pianist Rudolf Buchbinder Performs With the New York Philharmonic, 2/14-16

January 11
3:06 2013

Pianist Rudolf Buchbinder Performs With the New York Philharmonic, 2/14-16

The "Viennese oracle" (The Philadelphia Inquirer) pianist Rudolf Buchbinder will be the featured soloist with the New York Philharmonic led by Music Director Alan Gilbert in three concerts from February 14-16, 2013 at Lincoln Center's Avery Fisher Hall. Buchbinder will perform Brahms' Piano Concerto No. 2 in B-flat Major, Op. 83; the concerts will also include Tchaikovsky's Symphony No. 6, Pathétique. Buchbinder's next performances in the U.S. are on March 8-10, 2013, as soloist with the Philadelphia Orchestra led by Christoph von Dohnányi, performing Mozart's Piano Concerto No. 20 in D minor, K. 466.

"Rudolf Buchbinder is a deep artist. He is someone who is steeped in the Old World European tradition, and I think that's just the sensibility that this piece requires," Alan Gilbert said. "Of course, he is able to play a huge range of repertoire, but [Brahms' Concerto No. 2] is a wonderful piece to do with him, and I can't wait."

Rudolf Buchbinder recorded all of the Brahms piano concertos live with the Royal Concertgebouw Orchestra under Nikolaus Harnoncourt, for Teldec in 2000. He has recently made another recording with Harnoncourt, this time of Mozart's Piano Concertos No. 23 in A Major, K. 488 and No. 25 in C Major, K. 503 with Concentus Musicus Vienna, recorded live at the Vienna Musikverein in June 2012. The album will be released by Sony Classical in the US on February 5, 2013.

This marks the first time that Rudolf Buchbinder has performed in public on a period instrument; for these concerts he played a fortepiano that is a reproduction of a 1792 Anton Walter instrument created by fortepiano maker Paul McNulty.

"I have always been fascinated by the variety, technique and sound of historical instruments, and even had a representative collection of them," Buchbinder says. "Recording Mozart's piano concertos on a pianoforte was an exciting experience which I enjoyed very much. I was genuinely obsessed with this sound."

In opposition to recent trends, Rudolf Buchbinder has been making live recordings instead of working in a studio for more than a dozen years. He explained why in a recent interview with The Wall Street Journal: "In the studio, you can't be spontaneous. In a live concert (and thank God you don't hear a lot of wrong notes when I play), you get the kind of emotion you can't produce in an artificial setting. There is a chemistry that takes place, and I don't care if there is also coughing and rustling."

In October 2012, Buchbinder was awarded an ECHO Klassik Award for Best Instrumentalist of the Year (Piano) for The Sonata Legacy, a 9-CD box set recording of all of Beethoven's Piano Sonatas. The album, which was released in the US in August 2012, was featured as Album of the Week by New York's classical music station, WQXR-FM, which raved, "one hears a degree of spontaneity doesn't always come through in studio takes. It's there in his fiery rendition of the Presto Agitato from the 'Moonlight' Sonata, his pulsating take on the 'Hammerklavier' and the brisk reading of the 'Waldstein,' to name just three examples."

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