Miller Theatre to Open BACH, REVISITED Series with Kaija Saariaho, 2/6
Miller Theatre at Columbia University School of the Arts announces the opening of the 2013-14 BACH, REVISITED SERIES. The series returns with a contemporary twist: a major living composer curates each of the three concerts, presenting their own work in the context of a Bach masterpiece.
Saariaho + Bach is set for Thursday, February 6, 2014. Finnish composer Kaija Saariaho pairs her work Frises with its inspiration, Bach's Partita in D minor for solo violin, in a solo recital by Jennifer Koh.
All concerts will be held at Miller Theatre, located at 2960 Broadway at 116th Street, and begin at 8:00pm. Season Tickets: $68-$92; Single Tickets: $25-45; Students with valid ID: $15-27.
From Miller Theatre Executive Director Melissa Smey: "I am delighted to be mixing up this year's Bach series by bringing back three of our favorite composers to curate the concerts. We've asked them to share influential Bach pieces and their own works, born from that inspiration, in three diverse and deeply personal programs."
BACH, REVISITED: The Bach series has evolved over the years, encompassing both historically informed performances and modern interpretations, and offering listeners a wide variety of musical lenses through which to view Bach's masterful oeuvre. In its current incarnation, the Bach, Revisited series explores Bach's legacy and continuing influence on modern works, pairing Bach's work with that of contemporary composers. The 25th Anniversary Season lineup has a unique twist: three incredible living composers-Kaija Saariaho, Joan Tower, and Steve Reich-will curate programs pairing their own work with related, influential works of Bach. All three will also participate in onstage discussions about their selections. Bach, Revisited
Saariaho + Bach
This Finnish composer's international reputation has continued to blossom since her packed 2009 Composer Portrait at Miller Theatre. Jennifer Koh-who "gave a stunning, high-energy account of the almost continuous solo line" (The New York Times) of Saariaho's violin concerto in that performance-returns to play solo works by Bach and Saariaho. Directly inspired by the D minor partita, Saariaho's Frises draws on Baroque forms (passacaglia, ground bass, chaconne) and stretches the sonic palette of the solo violin with live electronics.
Saariaho: Frises (2011) for violin and electronics - U.S. premiere
J.S. Bach: Partita in D minor for solo violin, BWV 1004
Jennifer Koh, violin
Jean-Baptiste Barrière, electronics
Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. She studied composition in Helsinki, Freiburg, and Paris, where she has lived since 1982. Her studies and research at IRCAM have had a major influence on her music, and her characteristically luxuriant and mysterious textures are often created by combining live music and electronics. Although much of her catalogue comprises chamber works, since the mid-nineties she has turned increasingly to larger forces and broader structures, such as the operas L'Amour de loin andAdriana Mater and the oratorio La Passion de Simone. She was composer-in-residence for Carnegie Hall's 2011-12 season.