Columbia's 'Composer Portraits' Series to Continue with Composer Sofia Gubaidulina, 2/9 & 3/21
The International Contemporary Ensemble (ICE), described by the New York Times as "one of the most accomplished and adventurous groups in new music," is dedicated to reshaping the way music is created and experienced. With a modular makeup of 33 leading instrumentalists performing in forces ranging from solos to large ensembles, ICE functions as performer, presenter, and educator, advancing the music of our time by developing innovative new works and new strategies for audience engagement. ICE redefines concert music as it brings together new work and new listeners in the 21st century. Since its founding in 2001, ICE has premiered over 500 compositions, the majority of these new works by emerging composers, in venues ranging from alternative spaces to concert halls around the world. The ensemble received the American Music Center's Trailblazer Award in 2010 for its contributions to the field, and received the ASCAP/Chamber Music America Award for Adventurous Programming in 2005 and 2010. ICE is Ensemble-in-Residence at the Museum of Contemporary Art Chicago through 2013. The ICE musicians also serve as Artists-in-Residence at the Mostly Mozart Festival of Lincoln Center through 2013, curating and performing chamber music programs that juxtapose new and old music. ICE has released acclaimed albums on the Nonesuch, Kairos, Bridge, Naxos, Tzadik, New Focus, and New Amsterdam labels, with several forthcoming releases on Mode Records. Recent and upcoming highlights include headline performances at the Lincoln Center Festival (New York), Musica Nova Helsinki (Finland), Wien Modern (Austria), Acht Brücken Music for Cologne (Germany), La Cité de la Musique (Paris), and tours of Japan, Brazil, and France. ICE has worked closely with conductors Ludovic Morlot, Matthias Pintscher, John Adams, and Susanna Mälkki. With leading support from The Andrew W. Mellon Foundation, ICE launched ICElab in early 2011. This new program places teams of ICE musicians in close collaboration with six emerging composers each year to develop works that push the boundaries of musical exploration. ICElab projects will be featured in more than one hundred performances from 2011-2014 and documented online through DigitICE, a new online venue, and ICE's blog. ICE's commitment to build a diverse, engaged audience for the music of our time has inspired The Listening Room, a new educational initiative for public schools without in-house arts curricula. Using team-based composition and graphic notation, ICE musicians lead students in the creation of new musical works, nurturing collaborative creative skills and building an appreciation for musical experimentation.
Praised for her "flair" and "deftly illuminated" performances by the New York Times, bassoonist Rebekah Heller is a uniquely dynamic chamber, orchestral and solo musician. Equally comfortable playing established classical works and the newest of new music, Rebekah is a fiercely passionate advocate for the bassoon. An "impressive solo bassoonist" (The New Yorker), she is tirelessly committed to collaborating with composers to expand the modern solo and chamber music repertoire for the instrument. As a member of the renowned International Contemporary Ensemble (ICE), Rebekah has played at some of the world's most prestigious music festivals, including the Mostly Mozart Festival, the Lincoln Center Festival, the Darmstadt International Summer Courses for New Music, and The Helsinki Musica Nova Festival. She has worked closely with world-renowned composers and conductors such as John Adams, Matthias Pintscher, Dai Fujikura, Ludovic Morlot, Kaija Saariaho and many more. Before moving to New York, Rebekah completed a one-year appointment as Principal Bassoonist of the Jacksonville Symphony, and has also served as Principal Bassoonist with the Atlanta Opera Orchestra, and the Utah Festival Opera. From 2005-2008, Rebekah was a member of the New World Symphony in Miami Beach, Florida. During her time there, she worked with some of today's most innovative and electrifying musical minds, including Michael Tilson Thomas, Robert Spano, Marin Alsop, Oliver Knussen, Yo-Yo Ma, and Christian Tetzlaff. Rebekah received her Master of Music degree from the University of Texas at Austin. Like many of her ICE colleagues, she attended the Oberlin College and Conservatory of Music for her undergraduate studies, where she earned degrees in both Music and English Literature. Besides being a passionate performer, Rebekah is also a dedicated teacher, and has served on the faculties of the University of North Florida, Florida International University, and the Vermont Youth Orchestra's Reveille camp. Rebekah's teachers and musical mentors include John Clouser, Kristin Wolfe Jensen, George Sakakeeny, Michel Debost and Janet Polk. Born in upstate, NY, Rebekah currently lives in Brooklyn.
Columbia University's Miller Theatre is located north of the Main Campus Gate at 116th St. & Broadway on the ground floor of Dodge Hall. Tickets are now available online at www.millertheatre.com. The public may also purchase tickets through the Miller Theatre Box Office in person or at 212/854-7799, M-F, 12-6 p.m. Tickets for performances at the Isabella Stewart Gardner Museum can be purchased online at www.gardnermuseum.org or at 617/278-5156.
More On: Stewart Gardner, Alfred Schnittke, New York Philharmonic, Robert Mann, Kent Nagano, Kurt Masur, Sir Simon Rattle.