CCM to Open Spring Choral Series, 2/8

CCM to Open Spring Choral Series, 2/8

The University of Cincinnati College-Conservatory of Music's (CCM) Department of Choral Studies presents a strikingly diverse and unique series of concerts this spring.

Under the direction of Professor of Music and Director of Choral Studies Earl Rivers and Associate Professor of Ensembles and Conducting Brett Scott, CCM's and UC's choral ensembles will present four major concerts from Feb. 8 through April 19. Tickets are on sale now for all performances.

From concert programs celebrating the lyricism of William Shakespeare and Walt Whitman to performances of the monumental works of French, Russian and American composers, CCM's Spring Choral Series spotlights a wide range of masterpieces spanning several centuries.

The Choral Series opens on Sunday, Feb. 8, with an outstanding guest choir from Shanghai East China Normal University joining CCM ensemble-in-residence the Cincinnati Children's Choir and the CCM Chamber Choir and Chorale and the UC Men's and Women's Choruses in a performance celebrating The Shakespeare Quadricentennial. Entitled "Music of the Bard II," the concert features choral settings of Shakespeare's texts, including Mäntyjärvi's Four Shakespeare Songs and Frank Martin's Songs of Ariel.

CCM's Choral Series continues with the monumental works of French Romantic composer Hector Berlioz and 20th century Russian composer Igor Stravinsky in a unique double-bill of Te Deum and The Rite of Spring on Friday, March 13. CCM's Chamber Choir and Chorale join forces with the Cincinnati Children's Choir and the CCM Philharmonia for this concert, which also features faculty artist Michael Unger, organ; and student artist Christopher Bozeka, tenor.

On Wednesday, March 25, the UC Men's and Women's Choruses' annual Spring Showcase returns, featuring students from all 13 UC colleges singing a variety of classical, popular, folk and jazz tunes. The program highlights include Jeffrey Van's A Procession Winding Around Me, written for solo guitar and chorus and based on a Civil War text by Walt Whitman, along with works by Francis Poulenc, Moses Hogan, and Z. Randall Stroop.