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The Fine Arts Museums of San Francisco Presents ANTHONY FRIEDKIN: THE GAY ESSAY, 6/14-1/11

The Fine Arts Museums of San Francisco Presents ANTHONY FRIEDKIN: THE GAY ESSAY, 6/14-1/11

The Fine Arts Museums of San Francisco are pleased to present Anthony Friedkin: The Gay Essay, a photographic series of more than 75 vintage prints that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1973. Coinciding with San Francisco's annual Pride events and the 45th anniversary of the Stonewall riots in New York City, this exhibition will be on view at the de Young from June 14, 2014 through January 11, 2015.

For more than 40 years, American photographer Anthony Friedkin (b.1949) has documented people, cities and landscapes primarily in his home state of California. The Gay Essay, created during the culturally tumultuous years of the late 1960s and early 1970s-a turning point in the history of political activism in the gay community in the United States-offers an expressive visual chronology of a vital moment of historic change in our culture.

"We are proud to present The Gay Essay in its full depth and range for the first time. It accords with our goal of bringing to light important, and sometimes neglected or overlooked, bodies of work that enrich the history and study of photography, a medium that is central to art and society today," said Colin B. Bailey, director of the Fine Arts Museums of San Francisco. "We are delighted that 94 vintage prints from The Gay Essay are now part of our permanent collection, thanks to the generosity of donors Dan and Mary Solomon and Nancy Ascher and John Roberts."

A native of Los Angeles, Friedkin began taking photographs at age 8 and was developing film in a darkroom at age 11. The artist formed a deep connection to the medium and later sought to combine a photojournalistic tradition with an individual statement. In the spring of 1969, when Friedkin was 19 years old, he embarked on The Gay Essay as a self-assigned project. His goal was to create the first extensive record of gay life in Los Angeles and San Francisco, and to chart the emerging and shifting visibility of the gay communities in California.

Influenced by the work of Henri Cartier-Bresson, André Kertész and Josef Koudelka, among others, Friedkin found his place in an approach that retained the outward-looking spirit of reportage combined with individual discovery. As an extrovert with an avid curiosity, he developed close relationships with his subjects that enabled him to create portraits that are intimate and devoid of judgment. He did not aim to document gay life in Los Angeles and San Francisco slavishly, but rather to show men and women who were trying to live openly, expressing their individualities and sexualities on their own terms, and improvising ways to challenge the dominant culture. Whether photographing in city streets, motels, bars or dancehalls, Friedkin approached his subjects with an open and inquiring mind to achieve empathic portraits that celebrate pride, dignity and the expression of love between people of the same gender.

"More than four decades after this work was created, The Gay Essay stands as both a record of historic change in our culture and an eloquent testimony to Anthony Friedkin's passion for the art of photography," said Julian Cox, curator of the exhibition and chief administrative curator and founding curator of photography at the Fine Arts Museums of San Francisco. "We are left with a beautiful, sensitive record fit for the ages."


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