Cynthia-Reeves Announces John Grade Sculpture, WAWONA

John-Grade-20010101

CYNTHIA-REEVES announces the permanent installation of John Grade's monumental sculpture, Wawona, at the Museum of History & Industry, located in Lake Union Park in Seattle, Washington. The museum's new facility, which features Grade's work in their Grand Atrium, opened to the public on December 29, 2012.

John Grade's sculpture perforates the museum's ceiling at over sixty-five feet, and extends through the floor of the museum into the lake waters below. It is a powerful visual, linking sky to water, element to element, and history to the present. Fabricated from huge beams of Douglas fir, Wawona is literally repurposed from an old wooden ship's hull dating from the 1800s. Grade fashioned each articulated segment of his vast, suspended work to create a sculpture "that opens to the lake below, rises to the very rooftop to let in the sky, and gently sways with the movement of those who quietly slip inside the folds" of its hull like form, MOHAI executive director, Leonard Garfield, says. The entire piece undulates and creaks, as does an old ship when out to sea. The beautiful range of coloration in the sculpture comes from the original iron spikes rusting into the wood fibers, and from the fish oils that leached into the hold when the original boat was plying its trade.

Garfield writes:

"History is a funny thing -- you think you can capture it with dates and names, with facts and figures. That's what we like to believe at history museums anyway. Artist John Grade knows better. He knows that history is something much greater, much deeper. It is a complex and mysterious cycle of constant change, of creation and decay and recreation, endlessly repeated through time.

"Grade's powerful sculpture Wawona reminds us of that central truth -- that history is at once elusive and enduring. In salvaging the timbers of a decayed 19th century schooner, which once carried wood from Northwest forests to distant ports, Grade allows us to engage in history in ways that go beyond words and images. His dramatic soaring sculpture re-crafts the remnants of the ship into a work of art that evokes a far more distant time, to a place where the intersection of natural history and human experience was intertwined and elemental.




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by Barry Kostrinsky