Artist Frank Lobdell Passes Away at Age 92

FRANK LOBDELL (1921-2013)

Frank Lobdell, a key figure among first-generation Bay Area Abstract Expressionist artists, has died at the age of 92. Lobdell passed away quietly in Palo Alto, California, on the morning of December 14, 2013.

Over the course of nearly seventy years of invention and innovation, Frank Lobdell was counted as an artist who had profound influence in the artistic dialogue of the San Francisco Bay Area, through his artwork and his long teaching career. Widespread critical attention marked every stage of his career, and he was recognized by his peers as an "artist's artist." Lobdell created a powerful body of work in painting, drawing, prints, and sculpture, all of which relied at their core on the drawings that started and ended each day for the artist.

Frank Irving Lobdell was born August 21, 1921, in Kansas City, MO, the son of Ruth Saxton and Earl Lobdell. He grew up in Minnesota, and studied at the St. Paul School of Fine Arts in St. Paul (1939-40). Lobdell served with the U.S. Army (1942-46) in World War II, completing Officer Training in 1943, and arrived in Europe in 1944 shortly before D-Day. In April 1945 Lieutenant Lobdell witnessed the atrocities of war first-hand when his unit came upon a horrific scene in Gardelegen, Germany, where more than 1,000 concentration camp prisoners had been burned alive. This experience shaped his psyche and formed the backdrop for much of his later work. Injured in the war, he spent time in a hospital in England before returning to the U.S. in 1946.

"After serving in World War II, Frank Lobdell confronted the question of whether art retained any relevance in a world forever transformed by the Holocaust, Hiroshima, and the horrors of war," said Timothy Anglin Burgard, The Ednah Root Curator of American Art, Fine Arts Museums of San Francisco. "In the ensuing decades he worked to resurrect the human figure-which had been physically and psychically traumatized during the war-utilizing a vocabulary of archetypal themes and abstract symbols. Tempering an existential sensibility with a transcendent humanism, he forged a unique pictorial language for our modern age."

After the war, Lobdell moved to Sausalito, CA, and attended the California School of Fine Arts in San Francisco (CSFA, now San Francisco Art Institute) on the G.I. Bill (1947-50), where faculty members included Clyfford Still, Mark Rothko, and David Park. At CSFA, Lobdell began a lifelong friendship with fellow painter Richard Diebenkorn.

Lobdell's war experiences made him a confirmed pacifist. At the onset of the Korean War, he left the U.S. for Paris, where he painted at L'Academie de la Grande Chaumiere (1950-51), until returning to the Bay Area in September 1951. In 1957 he was invited to join the faculty at CSFA, where he taught until 1964.

In 1959 Lobdell began to attend weekly figure drawing sessions with Diebenkorn, Park, and Elmer Bischoff, and he became a member of the group after Park's death later that year. The artists continued to meet weekly in each other's studios until 1965, when they accepted new teaching positions. Lobdell was Visiting Artist at Stanford University in 1965, where he was asked to form the graduate art department. He was named Professor of Art at Stanford in 1966 and taught there until retiring in 1991. At Stanford, Lobdell resumed weekly figure drawing sessions with fellow instructors Nathan Oliveira, Keith Boyle, Jim Johnson, and others. In his figure drawings, Lobdell focused on large shapes formed by light and shadow, and these elements later coalesced in the imagery characteristic of his paintings and prints.

Frank Lobdell's reputation and stature were well established nationally and internationally by the mid-1950s. During the 1950s and 1960s he exhibited regularly in San Francisco, New York, and Los Angeles, including several exhibitions at Ferus Gallery. Martha Jackson supported Lobdell's work through her New York gallery, and she and Michel Tapié promoted his work in Europe. Early on, Lobdell's work was included in international exhibitions, at the Petit Palais, Paris; Third Biennial of São Paulo; Osaka International Festival, Japan; and in London, Turin, and Eindhoven; with solo exhibitions in Geneva (1964) and Paris (1965). His works were shown in exhibitions at the Walker Art Center, Minneapolis (1960); The Whitney Museum of American Art (1962); Solomon R. Guggenheim Museum, New York (1964), and numerous other museums and galleries.




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